What is the relation between the human and the animal mind? This has always been a vital question in the conflict between naturalism and the religious outlook. And as in the whole problem of the psychical so here the interest on both sides has been mainly concentrated on the question of “mortality” or “immortality.” Man is immortal because he has a soul. Animals “have no souls.” “Animals also have souls, differing only in degree but not in substantial nature from the soul of man: as they are mortal, man must be so too.” “Animals have minds: the merely psychical passes away with the body. But man has spirit in addition. It is imperishable.” These and many other assertions were made on one side or the other. And both sides made precisely the same mistake: they made the belief in the immortality of our true nature dependent upon a proof that the soul has a physical “substantial nature,” which is to be regarded as an indestructible substance, a kind of spiritual atom. And on the other hand they overlooked [pg 331] What occurs or does not occur within the animal mind is, as a matter of fact, wholly hidden from us. We have no way of determining this except by analogy with ourselves, and therefore our idea of it is necessarily anthropomorphic. And apologists are undoubtedly right when they maintain that this is far too much the case. To reach a more unprejudiced attitude towards the customary anthropomorphisation of animals, it is profitable to study Wundt's lectures on “The Human and the Animal Mind” (see especially Lecture XX.). Perhaps it is true that, notwithstanding all the much-praised cleverness, intelligence and teachableness of [pg 332] Even in animals there is a primitive thinking, rising above the level of blind instinct. But it can neither be schooled, nor is it capable of developing even the crudest beginnings of science. Even the animal has a sensory satisfaction in colour, form and tone (not nearly so much, however, as the theory of sexual selection requires us to suppose). But art, even the most rudimentary self-expression of the spirit upon this basis, is wholly sealed to it. Even the animal possesses strong altruistic instincts, impulses towards companionship, pairing, and caring for its young, and some have seen in this the beginnings of morality. But morality is a matter of the spirit, which begins with the idea of duty and rises [pg 334] Finally and highest of all, we have the capacity of the human spirit to rise to religion and the greatest heights of feeling. In science and art, in morality and religion, the spirit possesses itself. And as such it is a unique and strange guest in this world, absolutely incomparable with anything beneath or around it. It may, perhaps, be true that the psychical difference between the ape and man is smaller than that between the ape and unicellular organisms (though we really can know nothing about that). But nowhere in the animal world does the psychical overstep the limits of purely natural existence, of striving after and being prompted by the directly and purely natural ends of a vegetative and animal instinctive life, physical pleasure, self-preservation, and the maintenance of the species. And there is more than this. However different the psychical equipment may be at different animal stages, it has one thing in common in them all, it is absolutely limited to what is given it by nature. An animal species may last for a million years. But it has no history. It is and remains the same history-less natural product. In this respect the animal is not a step in advance of the stone or the crystal. The only thing it can achieve is to express more or less perfectly the character of the [pg 335] It is also erroneous to regard the gradual development of the psychical capacities at the different levels of animal evolution as the development of and preparation for the human spirit. It is not the spirit, but the raw material of it, that is thus being prepared and developed. It is as if, in the history of colour manufacture, an “evolution” of colour were taking place. The quality of the colour gradually becomes better and better. Each generation learns to make it purer and more brilliant. But the painting which is painted with the most brilliant colour cannot be regarded as a link in the evolutionary sequence, and is certainly not the crown and culmination of the pigment; the latter is only the gradual perfecting of a necessary preliminary condition. It is only of secondary interest to point out the immense leaps in the evolution of colour and colour-technique, and especially the vast difference between the last stage and the one before it, or, to drop the metaphor, the enormous psychological differences between the animal and the human mind. [pg 336]There is no doubt that an apologetic which interests itself in such matters would find abundant opportunity for work, and could find a powerful argument against a too hasty naturalism in the differences between animal and human psychical capacities, which have been recognised much more sanely and clearly through recent investigation than they usually were in earlier times. But the question has no special interest for us here. |