William Gillespie was born in the manse of Kells, in Galloway, on the 18th February 1776. His father, John Gillespie, minister of Kells, was the intimate friend of Robert Burns; and likewise an early patron of John Low, the ingenious, but unfortunate author of "Mary's Dream." Receiving the rudiments of education at the parish school, William proceeded, in 1792, to the University of Edinburgh, to prosecute his studies for the Church. Obtaining licence as a probationer, he was, in 1801, ordained assistant and successor to his father, on whose death, in 1806, he succeeded to the full benefits of the charge. Inheriting from his father an elegant turn of mind and a devotedness to literary composition, he was induced to publish, in his twenty-ninth year, an allegorical poem, entitled "The Progress of Refinement." A higher effort from his pen appeared in 1815, under the title of "Consolation, and other Poems." This volume, which abounds in vigorous sentiment and rich poetical description, evincing on the part of the author a high appreciation of the beauties of nature, considerably extended his reputation. He formed habits of intimacy with many of his poetical contemporaries, by whom he was beloved for the amenity of his disposition. He largely contributed to various periodicals, especially the agricultural journals; and was a zealous member of the Highland Society of Scotland.
In July 1825, Mr Gillespie espoused Miss Charlotte Hoggan. Soon after this event, he was attacked with erysipelas,—a complaint which, resulting in general inflammation, terminated his promising career on the 15th of October, in his fiftieth year. The following lyrics evince fancy and deep pathos, causing a regret that the author did not more amply devote himself to the composition of songs.
THE HIGHLANDER.[104]
From the climes of the sun, all war-worn and weary,
The Highlander sped to his youthful abode;
Fair visions of home cheer'd the desert so dreary,
Though fierce was the noon-beam, and steep was the road.
Till spent with the march that still lengthen'd before him,
He stopp'd by the way in a sylvan retreat;
The light shady boughs of the birch-tree waved o'er him,
The stream of the mountain fell soft at his feet.
He sunk to repose where the red heaths are blended,
On dreams of his childhood his fancy past o'er;
But his battles are fought, and his march it is ended,
The sound of the bagpipes shall wake him no more.
No arm in the day of the conflict could wound him,
Though war launch'd her thunder in fury to kill;
Now the Angel of Death in the desert has found him,
And stretch'd him in peace by the stream of the hill.
Pale Autumn spreads o'er him the leaves of the forest,
The fays of the wild chant the dirge of his rest;
And thou, little brook, still the sleeper deplorest,
And moistens the heath-bell that weeps on his breast.
ELLEN.
The moon shone in fits,
And the tempest was roaring,
The Storm Spirit shriek'd,
And the fierce rain was pouring;
Alone in her chamber,
Fair Ellen sat sighing,
The tapers burn'd dim,
And the embers were dying.
"The drawbridge is down,
That spans the wide river;
Can tempests divide,
Whom death cannot sever?
Unclosed is the gate,
And those arms long to fold thee,
'Tis midnight, my love;
O say, what can hold thee?"
But scarce flew her words,
When the bridge reft asunder,
The horseman was crossing,
'Mid lightning and thunder,
And loud was the yell,
As he plunged in the billow,
The maid knew it well,
As she sprang from her pillow.
She scream'd o'er the wall,
But no help was beside her;
And thrice to her view
Rose the horse and his rider.
She gazed at the moon,
But the dark cloud pass'd over;
She plunged in the stream,
And she sunk to her lover.
Say, what is that flame,
O'er the midnight deep beaming?
And whose are those forms,
In the wan moonlight gleaming?
That flame gilds the wave,
Which their pale corses cover;
And those forms are the ghosts
Of the maid and her lover.
