Myra moved down to West Tenth Street. She found a neat, little hall bedroom in one of the three-story brick houses—a little white room, white-curtained, white-walled, with white counterpane on the iron bed. She was well content with these narrow quarters, content because it was near Joe, content because it saved money (her savings were dwindling rapidly these days), and finally content because she had shifted the center of her interests to a different set of facts. She was both too busy and too aroused to be sensitive about running water and the minor comforts. Her whole being was engrossed in large activities, and she found with astonishment how many things she could do without. What previously had seemed so important, poetry, music, dress, quiet, ease, now became little things lost in a host of new big events. And, curiously enough, she found a new happiness in this freedom from superfluities—a sense of range and independence new to her. For at this time such things actually were superfluous, though the time was to come again when music and poetry had a new and heightened meaning.

But during these days of the strike she was a quite free woman, snatching her sleep and her food carelessly, and putting in her time in spending heart and soul on the problem in hand. She dressed simply, in shirtwaist and skirt, and she moved among the people as if she were one of them, and with no sense of contrast. In fact, Myra was changing, changing rapidly. Her work called for a new set of powers, and without hesitation these new powers rose within her, emerged and became a part of her character. She became executive, quick, stepped into any situation that confronted her, knew when to be mild, when to be sharp, sensed where sympathy was needed, and also where sympathy merely softened and ruined. Her face, too, followed this inner change. Soft lines merged into something more vivid. She was usually pale, and her sweet, small mouth had a weary droop, but her eyes were keen and living, and lit with vital force.

She began to see that a life of ease and a life of extreme toil were both equally bad—that each choked off possibilities. She knew then that women of her type walked about with hidden powers unused, their lives narrowed and blighted, negative people who only needed some great test, some supreme task, to bring out those hidden forces, which, gushing through the soul, overflowing, would make of them characters of abounding vitality. She felt the glory of men and women who go about the world bubbling over with freshness and zest and life, warming the lives they move among, spreading by quick contagion their faith and virility. She longed to be such a person—to train herself in that greatest of all the arts—the touching of other lives, drawing a music from long-disused heart-strings, rekindling, reanimating, the torpid spirit. It was her search for more life—richer, thicker, happier, more intense.

Her model was Joe's mother. It seemed to her that Joe's mother had met life and conquered it, and so would never grow old. She never found the older woman soured or bitter or enfeebled. Even about death there was no flinching.

"Don't you think I know," said Joe's mother, "that there is something precious in me that isn't going to go with the body? Just look at this body! That's just what's happening already! I'm too young to die. And besides I know one or two people whom I lost years ago—too precious to be lost—I've faith in them."

This, then, is the greatest victory of life: to treat death as a mere incident in the adventure; an emigration to a new country; a brief and tragic "auf wiedersehen." It has its pang of parting, and its pain of new birth—all birth is a struggle full of pain—but it is the only door to the future. Well for Joe's mother that her hand was ready to grasp the dark knob and turn it when the time came.

Once as she and Joe's mother were snatching a lunch together in the kitchen, the elder woman spoke softly:

"Myra, you're a great girl!" (She persisted in calling Myra a girl, though Myra kept telling her she was nearly thirty-three and old enough to be dignified.) "What will I ever do without you when the strike is over?"

Myra smiled.

"Is it as bad as that?"

"Yes, and getting worse, Myra!"

Myra flushed with joy.

"I'm glad. I'm very glad."

Joe's mother watched her a little.

"How have you been feeling, Myra?"

"I?—" Myra was surprised. "Oh, I'm all right! I haven't time to be unwell."

"You really think you're all right, then?"

"Oh, I know it! This busy life is doing me good."

"It does most of us good." She changed the subject.

Myra felt, with great happiness, that she was coming into harmony with Joe's mother. She would have been quite amazed, however, to know that Joe's mother was secretly struggling to adjust herself. For Joe's mother could not help thinking that the time might come when Joe and Myra would marry, and she was schooling herself for this momentous change. She kept telling herself: "There is no one in the world I ought to love more than the woman that Joe loves and weds." And yet it was hard to release her son, to take that life which had for years been closest to her, and had been partly in her hands, relinquish it and give it over into the keeping of another. There were times, however, when she pitied Myra, pitied her because Joe was engrossed in his work and had no emotions or thoughts to spare. And she wondered at such times whether Joe would ever marry, whether he would ever be willing to make his life still more complex. She watched Myra closely, with growing admiration; saw the changes in her, the faithful struggle, the on-surging power, and she thought:

"If it's to be any one, I know no one I should love more."

There were times, however, when she mentally set Myra side by side with Sally, to the former's overshadowing. Sally was so clean-cut, direct, such a positive character. She was hardy and self-contained, and would never be dependent. Her relationships with Joe always implied interdependence, a perfect give and take, a close yet easy comradeship which enabled her at any time to go her own way and work her own will. Sometimes Joe's mother felt that Sally was a woman of the future, and that, with such, marriage would become a finer and freer union. However, her imaginative match-making made her smile, and she thought: "Joe won't pick a mate with his head. The thing will just happen to him—or not." And as she came to know Myra better, she began to feel that possibly a woman who would take Joe away from his work, instead of involving him deeper, would, in the end, be best for him. Such a woman would mean peace, relaxation, diversion. She was greatly concerned over Joe's absorption in the strike, and once, when it appeared that the struggle might go on endlessly, she said to Myra:

"Sometimes I think Joe puts life off too much, pushing his joys into the future, not always remembering that he will never be more alive than now, and that the days are being lopped off."

Myra had a little table of her own, near the door, and this table, when she was there, was always a busy center. The girls liked her, liked to talk with her, were fond of her musical voice and her quiet manners. Some even got in the habit of visiting her room with her and having quiet talks about their lives. Sally, however, did not share this fondness for Myra. She felt that Myra was an intruder—that Myra was interposing a wall between her and Joe—and she resented the intrusion. She could not help noticing that Joe was becoming more and more impersonal with her, but then, she thought, "people are not persons to him any more; he's swallowed up in the cause." Luckily she was too busy during the day, too tired at night, to brood much on the matter. However, one evening at committee meeting, her moment of realization came. The committee, including Myra and Joe and herself and some five others, were sitting about the hot stove, discussing the call of a Local on the East Side for a capable organizer.

"It's hard to spare any one," mused Joe, "and yet—" He looked about the circle. "There's Miss Craig and—Miss Heffer."

Both Myra and Sally turned pale and trembled a little. Each felt as if the moment had come when he would shut one or the other out of his life. Sally spoke in a low voice:

"I'm pretty busy right here, Mr. Joe."

"I know," he reflected. "And I guess Miss Craig could do it."

He opened the stove door, took the tiny shovel, stuck it into the coal-box, and threw some fresh coal on the lividly red embers. Then he stood up and gazed round the circle again.

"Sally," he said, "it's your work—you'll have to go."

She bowed her head.

"You're sure," she murmured, "I'm not needed here?"

"Needed?" he mused. "Yes. But needed more over there!"

She looked up at him and met his eyes. Her own were pleading with him.

"Surely?"

"Surely, Sally. We're not in this game for fun, are we?"

"I'll do as you say," she breathed.

Her head began to swim; she felt as if she would break down and cry. She arose.

"I'll be right back."

She groped her way through the inner rooms to the kitchen. Joe's mother was reading.

"Mrs. Blaine…."

"Sally! What's the matter?"

Joe's mother arose.

"I'm going … going to another Local…. I'm leaving here to-night … for good and always."

Joe's mother drew her close, and Sally sobbed openly.

"It's been my home here—the first I've had in years—but I'll never come back."

"Oh, you must come back."

"No…." she looked up bravely. "Mrs. Blaine."

"Yes, Sally."

"He doesn't need me any more; he's outgrown me; he doesn't need any one now."

What could Joe's mother say?

"Sally!" she cried, and then she murmured: "It's you who don't need any one, Sally. You're strong and independent. You can live your own live. And you've helped make Joe strong. Wait, and see."

And she went on to speak of Sally's work, of her influence in the place, of the joy she brought to others, and finally Sally said:

"Forgive me for coming to you like a baby."

"Oh, it's fine of you to come to me!"

"So," cried Sally, "good-by."

She found her hat and coat and slipped away, not daring to say good-by to Joe. But as she went through the dark winter night she realized how one person's happiness is often built on another's tragedy. And so Sally went, dropping for the time being out of Joe's life.

* * * * *

There was one event that took place two weeks after Myra's coming, which she did not soon forget. It was the great mass-meeting to celebrate the return of Rhona and some others who had also been sent to the workhouse. Myra and Joe sat together. After the music, the speeches, Rhona stepped forward, slim, pale, and very little before that gigantic auditorium. She spoke simply.

"I was picketing on Great Jones Street. A man came up and struck me. I had him arrested. But in court he said I struck him, and the judge sent me to Blackwells Island. I had to scrub floors. But it was only for five days. I think we ought all to be glad to go to the workhouse, because that will help women to be free and help the strikers. I'm glad I went. It wasn't anything much."

They cheered her, for they saw before them a young heroine, victorious, beloved, ideal. But when Myra called at Hester Street, a week later, Rhona's mother had something else to say.

"Rhona? Well, you had ought to seen her when we first landed! Ah! she was a beauty, my Rhona—such cheeks, such hair, such eyes—laughing all the time. But now—ach!" She sighed dreadfully. "So it goes. Only, I wished she wasn't always so afraid—afraid to go out … afraid … so nervous … so … different."

Myra never forgot this. It sent her back to her work with wiser and deeper purpose. And so she fought side by side with Joe through the blacks weeks of that January. It seemed strange that Joe didn't go under. He loomed about the place, a big, stoop-shouldered, gaunt man, with tragic gray face and melancholy eyes and deepening wrinkles. All the tragedy and pathos and struggle of the strike were marked upon his features. His face summed up the sorrows of the thirty thousand. Myra sometimes expected him to collapse utterly. But he bore on, from day to day, doing his work, meeting his committees, and getting out the paper.

Here, too, Myra found she could help him. She insisted on writing the strike articles, and as Jacob Izon was also writing, there was only the editorial for Joe to do. The paper did not miss an issue, and as it now had innumerable canvassers among the strikers, its circulation gained rapidly—rising finally to 20,000.

Even at this time Joe seemed to take no special notice of Myra. But one slushy, misty night, when the gas-lamps had rainbow haloes, and gray figures sluff-sluffed through the muddy snow, she accompanied Joe on one of his fund-raising tours. They entered the side door of a dingy saloon, passed through a yellow hall, and emerged finally on the platform of a large and noisy rear room where several hundred members of the Teamsters' Union were holding a meeting. Gas flared above the rough and elemental faces, and Myra felt acutely self-conscious under that concentrated broadside of eyes. She sat very still, flushing, and feebly smiling, while the outdoor city men blew the air white and black with smoke and raised the temperature to the sweating-point.

Joe was introduced; the men clapped; and then he tried hard to arouse their altruism—to get them to donate to the strike out of their union funds. However, his speech came limp and a little stale. The applause was good-natured but feeble. Joe sat down, sighing, and smiling grimly.

An amazing yet natural thing happened. The Chairman arose, leaned over his table, and said:

"You have heard from Mr. Joe Blaine; now you will hear from the other member of the committee."

Not for some seconds—not until the stamping of feet rose to a fury of sound—did Myra realize that she was the other member. She had a sense of being drained of life, of losing her breath. Instinctively she glanced at Joe, and saw that he was looking at her a little dubiously, a little amusedly. What could she do? She had never addressed a meeting in her life; she had never stood on her feet before a group of men; she had nothing learned, nothing to say. But how could she excuse herself, how withdraw, especially in the face of Joe's challenging gaze?

The stamping increased; the men clapped; and there were shouts:

"Come ahead! Come on! That's right, Miss." It was a cruel test, a wicked predicament. All the old timidity and sensitiveness of her nature held her back, made her tremble, and bathed her face in perspiration. But a new Myra kept saying:

"Joe didn't rouse them. Some one must." She set her feet on the floor, and the deafening thunder of applause seemed to raise her. She took a step forward. And then with a queer motion she raised her hand. There was an appalling silence, a silence more dreadful than the noise, and Myra felt her tongue dry to its root.

"I—" she began, "I want to say—tell you—" She paused, startled by the queer sound of her own voice. She could not believe it was herself speaking; it seemed some one else. And then, sharply, a wonderful thing took place. A surge of strength filled her. She took a good look around. Her brain cleared; her heart slowed. It was the old trick of facing the worst, and finding the strength was there to meet it and turn it to the best. All at once Myra exulted. She would take these hundreds of human beings and swing them. She could do it.

Her voice was rich, vibrating, melodious.

"I want to tell you a little about this strike—what it means. I want to tell you what the girls and women of this city are capable of—what heroism, what toil, what sacrifice and nobility. It is not the easiest thing to live a normal woman's life. You know that. You know how your mothers or wives or sisters have been slaving and stinting—what pain is theirs, what burdens, what troubles. But think of the life of a girl of whom I shall tell you—a young girl by the name of Rhona Hemlitz."

She went on. She told the story of Rhona's life, and then quietly she turned to her theme.

"You understand now, don't you? Are you going to help these girls win their fight?"

The walls trembled with what followed—stamping, shouting, clapping. Myra sat down, her cheeks red, her eyes brilliant. And then suddenly a big hand closed over hers and a deep voice whispered:

"Myra, you set yourself free then. You are a new woman!"

That was all. She had shocked Joe with the fact of the new Myra, and now the new Myra had come to stay. They raised twenty-five dollars that night. From that time on Myra was a free and strong personality, surprising even Joe's mother, who began to realize that this was not the woman to take Joe from his work, but one who would fight shoulder to shoulder with him until the very end.

In the beginning of February the strike began to fade out. Employers right and left were making compromises with the girls, and here and there girls were deserting the union and going back. The office at West Tenth Street became less crowded, fewer girls came, fewer committees met. There was one night when the work was all done at eleven o'clock, and this marked the reappearance of normal conditions.

It was a day or two later that a vital experience came to Joe. Snow was falling outside, and it was near twilight, and in the quiet Joe was busy at his desk. Then a man came in, well, but carelessly dressed, his face pinched and haggard, his eyes bloodshot, his hair in stray tufts over his wrinkled forehead.

"I want to see you a minute, Mr. Blaine."

The voice was shaking with passion.

"Sit down," said Joe, and the man took the seat beside him.

"I'm Mr. Lissner—Albert Lissner—I was the owner of the Lissner
Shirtwaist Company."

Joe looked at him.

"Lissner? Oh yes, over on Eighth Street."

The man went on:

"Mr. Blaine, I had eighty girls working for me…. I always did all I could for them … but there was fierce competition, and I was just skimping along, and I had to pay small wages;… but I was good to those girls…. They didn't want to strike … the others made them…."

Joe was stirred.

"Yes, I know … many of the shops were good…."

"Well," said Lissner, with a shaking, bitter smile, "you and your strike have ruined me…. I'm a ruined man…. My family and I have lost everything…. And, it's killed my wife."

His face became terrible—very white, and the eyes staring—he went on in a hollow, low voice:

"I—I've lost all."

There was a silence; then Lissner spoke queerly:

"I happen to know about you, Mr. Blaine…. You were the head of that printing-place that burnt down…."

Joe felt a shock go through him, as if he had seen a ghost….

"Well, maybe you did all you could for your men;… maybe you were a good employer…. Yet see what came of it…." Suddenly Lissner's voice rose passionately: "And yet you had the nerve to come around and get after us fellows, who were just as good as you. There are bad employers, and bad employees, too—bad people of every kind—but maybe most people are good. You couldn't help what happened to you; neither can we help it if the struggle is too fierce—we're victims, too. It's conditions, it's life. We can't change the world in a day. And yet you—after your fire—come here and ruin us."

Joe was shaken to his depths. Lissner had made an overstatement, and yet he had thrown a new light on the strike, and he had reminded Joe of his long-forgotten guilt. And suddenly Joe knew. All are guilty; all share in the corruption of the world—the laborer anxious for mass-tyranny and distrustful of genius, the aristocrat afraid of soiling his hands, the capitalist intent on power and wealth, the artist neglectful of all but a narrow artifice, each one limited by excess or want, by intellect or passion, by vanity or lust, and all struggling with one another to wrest some special gift for himself. In the intricacy of civilization there are no real divisions, but every man is merely a brain cell, a nerve, in the great organism, and what one man gains, some other must lose. It was a world he got a glimpse of quite different from that sharp twofold world of the workers and the money-power, a world of infinite gradations, a world merely the child of the past, where high and low were pushed by the resistless pressure of environment, and lives were shaped by birth, chance, training, position, and a myriad, myriad indefinable forces.

All of this confused him at first, and it had been so long since he had dealt with theories that it was some time before the chaos cleared, some time before the welter of new thought took shape in his mind. But it made him humble, receptive, teachable, it made him more kindly and more gentle. He began a mental stock-taking; he began to examine into the lives about him.

Myra was there—the new Myra, a Myra with daily less to do in that office, and with more and more time to think. From her heart was lifted the hard hand of circumstance, releasing a tenderness and yearning which flooded her brain. It was a tragic time for her. She knew now that her services were nearly at an end, and that she must go her own way. She would not be near Joe any longer—she would not have the heart's ease of his presence—she could no longer brood over him and protect him.

It seemed to her that she could not bear the future. Her love for Joe rose and overwhelmed her. She became self-conscious before him, paled when he spoke to her, and when he was away her longing for him was insupportable. She wanted him now—all her life cried out for him—all the woman in her went out to mate with this man. The same passion that had drawn her from the country to his side now swayed and mastered her.

"Joe! Joe!" her soul cried, "take me now! This is too much for me to bear!"

And more and more the thought of his health oppressed her. If she only had the power to take him to her breast, draw him close in her arms, mother him, heal him, smooth the wrinkles, kiss the droop of the big lips, and pour her warm and infinite love into his heart. That surely must save him—love surely would save this man.

She began to scheme and dream—to plot ways of getting about him, of routing him out, of tearing him from his rut.

And then one afternoon at two she risked her all. It was an opportune time. Joe—wonder of wonders—was doing nothing, but sitting back like a gray wreck, with his feet crossed on his desk, and a vile cigar in his mouth. It was the first cigar in ages, and he puffed on it and brooded dreamily.

Myra came over, sat down beside him, and spoke airily.

"Hello, Joe!"

"Why, hello, Myra!" he cried. "What d'ye mean by helloing me?"

"I'm glad to meet you."

"Same to you."

"I've come back from the country, Joe."

"So I see."

"Do you?"

"Haven't I eyes?"

"Well," she said, flushed, bending forward, "Joe Blaine, where have your eyes been these five weeks?"

"They were on strike!" he said, promptly.

"Well," she said, "the strike's over!"

They laughed together as they had not since far and far in the beginning of things.

Joe leaned near.

"Myra," he said, "I need an airing. Take me out and shake me out! Oh!" he stretched his arms above his head. "Have I been hibernating and is it springtime again?"

Myra hesitated.

"Joe."

"Yes, ma'am!"

"I want you to take me somewhere."

"I will."

"To—the printery—I want to see it again."

"Go 'long wid you! Marty Briggs and me are bad friends, see?"

She reveled in this new gaiety of his.

"Joe, you're waking up. Please take me!"

"Put on your hat, your coat, and your little black gloves, young woman.
Me for the printery!"

They went out together, glad as young children. The world was sheathed in a hard ice-coated snow; icicles dangled from every sill and cornice; the skies were melting blue, and the sun flashed along every surface. It was a world of flashing fire, of iridescent sunbursts. Through the clean, tingling air they walked, arm in arm, the stir of a new life in their hearts.

"Joe," said Myra, "I want you to signalize your resurrection by a great sacrifice to the gods."

"I'm ready. Expound!"

"I want you to buy a new hat."

He took off his hat and examined it.

"What's the matter with this?"

"It's like yourself, Joe—worn out!"

"But the boys of Eighty-first Street won't know me in a new hat."

"Never mind the boys of Eighty-first Street. Do as I tell you."

"Aw, Myra, give me a day to steel my heart and strengthen my sinews.
Wait till we come back."

"And you'll get it then?"

"Sure as fate."

"Well—just this once you'll have your way!"

So they took the elevated to Seventy-sixth Street and walked through the old neighborhood to the printery. The familiar streets, which secretly bore the print of every size shoe he had worn since he was a tiny toddling fellow, made him meditative, almost sad.

"It seems ages since I was here!" he remarked. "And yet it's like yesterday. What have I been doing? Dreaming? Will I walk into the printery, and will you come in with the 'Landing of the Pilgrims'?"

Myra laughed, both glad and sad.

"I should have charged you more," said Joe, brusquely. "Fifty cents was too little for that job."

"I told you it would ruin your business, Joe." Strangely then they thought of the fire … her order had been his last piece of business before the tragedy.

They walked east on Eighty-first Street and stopped before the old loft building. A new sign was riveted on the bulletin-board in the doorway.

MARTIN BRIGGS
SUCCESSOR TO
JOE BLAINE & HIS MEN.

Joe looked at it, and started.

"It's no dream, Myra," he sighed. "Times have changed, and we, too, have changed."

Then they went up the elevator to the clash and thunder on the eighth floor. And they felt more and more strange, double, as it were—the old Myra and the old Joe walking with the new Myra and the new Joe. Myra felt a queerness about her heart, a subtle sense of impending events; of great dramatic issues. Something that made her want to cry.

Then they stood a moment before the dirty door, and Joe said:

"Shall I? Shall I rouse 'em with the bell? Shall I break in on their peaceful lives?"

"Rouse away!" cried Myra. "Your hour has struck!"

He pulled the door, the bell rang sharply, and they stepped in. As of old, the tremble, the clatter, the flash of machines, the damp smell of printed sheets, swallowed them up—made them a quivering part of the place. And how little it had changed! They stood, almost choking with the unchanging change of things. As if the fire had never been! As if Tenth Street had never been!

Then at once the spell was broken. A pressman spied Joe and loosed a yell:

"It's the old man!"

His press stopped; his neighbors' presses stopped; as the yell went down the room, "Joe! Joe! The old man!" press after press paused until only the clatter and swing of the overhead belting was heard. And the men came running up.

"Mr. Joe! Mr. Joe! Shake! For God's sake, give me a grip! This is great for sore eyes! Where you been keeping yourself? Ain't he the limit? He's the same old penny! Look at him—even his hat's the same!"

Joe shook hand after hand, until his own was numb. They crowded about him, they flung their fondness at him, and he stood, his eyes blinded with tears, his heart rent in his breast, and a new color climbing to his cheeks.

Then suddenly a loud voice cried:

"What's the matter? What does this mean?"

And Marty Briggs emerged from the office.

"Hello, Marty!" cried Joe.

Marty stood dumfounded; then he came with a rush.

"Joe! You son-of-a-gun! Beg pardon, Miss! I ain't seen him for a lifetime!"

"And how goes it, Marty? How goes it, Marty?"

"Tip-top; busy as beavers. But, say," he leaned over and whispered,
"I've found a secret."

"What is it, Marty?"

"You can't run a business with your hands or lungs or your manners—you need gray stuff up here."

The reception was a great success, full of cross-questions, of bartered news—as the arrival of new babies christened Joe or Josephine, the passing of old babies in the last birth of all, the absence of old faces, the presence of new ones. Glad talk and rapid, and only cut short by the urgency of business.

They sang him out with a "He's a jolly good fellow," and he emerged on the street with Myra, his eyes dripping.

Myra spoke softly.

"Joe."

"Yes, Myra."

"There's one more thing I want you to do for me."

"Name it."

"I want to walk with you in the Park."

He looked at her strangely, breathlessly.

"In the Ramble, Myra?"

She met his gaze.

"In the Ramble, Joe."

Silently, with strange, beating hearts and fore-glimmer of beauty and wonder and loveliness, they walked west to the Park, and entered that Crystal Palace. For every branch, every twig, every stone and rail had its pendent ice and icicle, and the strong sun smote the world with flakes of flame. The trees were showers of rainbow-flashing glory; now and then an icicle dropped like a dart of fire, and the broad lawns were sheets of dazzle. Earth was glittering, fresh, new, decked out in unimaginable jewels under the vast and melting blue skies. The day was tender and clear and vigorous, tingling with life.

They followed the curve of the walk, they crossed the roadway, they climbed the hill, they walked the winding path of the Ramble.

"You remember that morning?" murmured Joe, a music waking in his heart, his pulses thronged with a new beauty.

"Remember it?" Myra whispered. "Yes, Joe, I remember it."

"That is the very bench we sat on."

"That is the bench."

"And that is the little pond."

"That is the little pond."

"And this is the spot."

"This is the spot."

They sat down on that bench in the crystal wilderness, a man and woman alone in the blue-skied spaces, among the tree-trunks, and the circle of earth. And then to Myra came an inexpressible moment of agony and longing and love. She had struggled months; she had stayed away; and then she had come back, and merged her life in the life of this man. And she could bear this no longer! Oh, Joe, will you never speak? Will you never come to your senses?

More and more color was rising to his face, and his hands in his lap were trembling. He tried to speak naturally—but his voice was odd and unreal.

"Myra."

"Yes," tremulously.

"You must have thought me a brute."

"I thought—you were busy, overworked."

"So I was. I was swallowed up—swallowed up."

There was a silence, in which they heard little gray sparrows twittering in the sunlight.

"Myra."

He hardly heard her "yes."

"There's been a miracle in my life this year."

"Yes?"

"The way you came down and took hold and made good."

"Thank you," very faintly.

"It was the biggest thing that came my way."

Silence.

"I was noticing it, Myra, out of the tail of my eye."

Myra tried to laugh. It sounded more like a dull sob.

"I haven't time to be polite."

"Don't want you to," Myra blurted.

"Strange," said Joe, "how things come about. Hello, Mr. Squirrel! Want a peanut? None on the premises. Sorry. Good-day!"

He leaned over, picked a bit of ice, and flung it in the air.

"Myra," he muttered. "I need a rest."

"You do," almost inaudible.

"I need—Didn't I say, no peanuts? No means no! Good-day!"

He turned about laughing.

"What do you think of that for a pesky little animal?"

"Joe!" she cried in her agony.

Joe said nothing, but stared, and a great sob shook him and escaped his lips.

"Myra!!"

He had her in his arms; he kissed her on the lips—that new kiss, sealing those others. And the wonderful moment came and went; the moment when two flames leap into one fire; when two lives dashing upon each other blend into one wonderful torrent. They did not mind the publicity of the place that afternoon; they were quite oblivious of the world. They were in another realm, breathing another air, treading a different earth. It was too sacred for words, too miraculous for aught but the beating of their living hearts, the pulse of singing blood, the secret in their brains. Their years fell away. They were youth itself, dabbling with the miracles of the world; they were boy and girl, new-created man and woman. The world was a garden, and they were alone in that garden, and nothing but beauty was in that place. They had each other to behold and hear and touch and commune with. That was enough….

"Joe," said Myra, when the first glory had faded and they were conversing sweetly, "I made up my mind to save you, and I did!"

"Wonderful woman! And you're sure now you don't mind me—the way I'm constructed in the cranium and all that?"

"I love you, Joe!" She was as happy as a woman could be.

"I'm a powerful idiot, Myra."

"So am I."

"Well," he mused, "you're taking your chances. Suppose I go off into another strike or something?"

"I'll go with you."

"Myra," he said, "then let's go home and tell mother."

They were as happy as children. They were well satisfied with the world. In fact, they found it an amazingly good place. Every face that passed seemed touched with beauty and high moral purpose, and the slate of wrong and injustice and bitterness had been sponged clean.

"Oh, Myra," cried Joe, "isn't it great to know that we have it in us to go plumb loony once in a while? Isn't it great?"

And so they made their way home, and walked tiptoe to the kitchen, and stood hand in hand before Joe's mother. She wheeled.

"Joe! Myra!"

Joe gulped heavily.

"I've brought you a daughter, mother, the loveliest one I could find!"

Myra sobbed, and started forward—Joe's mother grasped her in a tight hug, tears running fast.

"It's about time, Joe," she cried, "it's just about time."