Rhona had spent the evening in the women's cell, which was one of three in a row. The other two were for men. The window was high up, and a narrow bench ran around the walls. Sprawled on this were from thirty to forty women; the air was nauseating, and the place smelled to heaven. Outside the bars of the door officers lounged in the lighted hall waiting the signal to fetch their prisoners. Now and then the door opened, a policeman entered, picked his woman, seized upon her, and pulled her along without speaking to her. It was as if the prisoners were dumb wild beasts. For a while Rhona sat almost doubled up, feeling that she would never get warm. Her body would be still a minute, and then a racking spasm took her and her teeth chattered. A purple-faced woman beside her leaned forward. "Bad business on the street a night like this, ain't it? Here, I'll rub your hands." Rhona smiled bitterly, and felt the rub of roughened palms against her icy hands. Then she began to look around, sick with the smell, the sudden nauseous warmth. She saw the strange rouged faces, the impudent eyes, the showy headgear, flashing out among the obscure faces of poor women, and as she looked a filthy drunk began to rave, rose tottering, and staggered to the door and beat clanging upon it, all the while shrieking: "Buy me the dope, boys, buy me the dope!" Others pulled her back. Women of the street, sitting together, chewed gum and laughed and talked shrilly, and Rhona could not understand how prisoners could be so care-free. All the evening she had been dazed, her one clear thought the sending of a message for help. But now as she sat in the dim, reeking cell, she began to realize what had happened. Then as it burst upon her that she was innocent, that she had been lied against, that she was helpless, a wild wave of revolt swept her. She thought she would go insane. She could have thrown a bomb at that moment. She understood revolutionists. This feeling was followed by abject fear. She was alone … alone…. Why had she allowed herself to be caught in this trap? Why had she struck? Was it not foolhardy to raise a hand against such a mammoth system of iniquity? Over in Hester Street her poor mother, plying the never-pausing needle, might be growing anxious—might be sending out to find her. What new trouble was she bringing to her family? What new touch of torture was she adding to the hard, sweated life? And her father—what, when he came home from the sweatshop so tired that he was ready to fling himself on the bed without undressing, what if she were missing, and he had to go down and search the streets for her? If only Joe Blaine had been notified! Could she depend on that Miss Craig, who had melted away at the first approach of peril? Yet surely there must be help! Did not the Woman's League keep a lawyer in the court? Would he not be ready to defend her? That was a ray of hope! She cheered up wonderfully under it. She began to feel that it was somehow glorious to thus serve the cause she was sworn to serve. She even had a dim hope—almost a fear—that her father had been sent for. She wanted to see a familiar face, even though she were sure he would upbraid her for bringing disgrace upon the family. So passed long hours. Prisoners came in—prisoners went out. Laughter rose—cries—mutterings; then came a long silence. Women yawned. Some snuggled up on the bench, their heads in their neighbors' laps, and fell fast asleep. Rhona became wofully tired—drooped where she sat—a feeling of exhaustion dragging her down. The purple-faced woman beside her leaned forward. "Say, honey, put your head in my lap!" She did so. She felt warmth, ease, a drowsy comfort. She fell fast asleep…. "No! No!" she cried out, "it was he struck me!" She had a terrible desire to sob her heart out, and a queer sensation of being tossed in mid-air. Then she gazed about in horror. She was on her feet, had evidently been dragged up, and John, the policeman, held her arm in a pinch that left its mark. Gasping, she was shoved along through the doorway and into a scene of confusion. They stood a few minutes in the judge's end of the court-room—a crowd eddying about them. Rhona had a queer feeling in her head; the lights blinded her; the noise seemed like the rush of waters in her ears. Then she thought sharply: "I must get myself together. This is the court. It will be all over in a minute. Where's Mr. Joe? Where's the lawyer? Where's my father?" She looked about eagerly, searching faces. Not one did she know. What had happened? She felt the spasm of chills returning to her. Had Miss Craig failed her? Where was the strikers' lawyer? Were there friends waiting out in the tired audience, among the sleepy witnesses? Suddenly she saw Blondy laughing and talking with a gaudy woman in the crowd. She trembled all at once with animal rage…. She could have set upon him with her nails and her teeth. But she was fearfully afraid, fearfully helpless. What could she do? What would be done with her? John pushed her forward a few steps; her own volition could not take her, and then she saw the judge. This judge—would he understand? Could he sympathize with a young girl who was wrongly accused? The magistrate was talking carelessly with his clerk, and Rhona felt in a flash that all this, which to her was terrible and world-important, to him was mere trivial routine. She waited, her heart pounding against her ribs, her breath coming short and stifled. Then all at once she saw Joe and Myra as they entered the gate, and a beautiful smile lit up her face. It was a blessed moment. They came up; Joe spoke in a low breath. "Rhona, have you seen the lawyer about?" "No," she muttered. Joe looked around. He stood above that crowd by half a head. Then he muttered bitterly to Myra: "Why isn't that fellow here to-night? You shouldn't have let me sleep!" Myra was abashed, and Rhona, divining his misery, felt quite alone again, quite helpless. Suddenly then she was pushed forward, and next the indoor policeman was handing her up to the judge, and now she stood face to face with her crisis. Again her heart pounded hard, her breath shortened. She was dimly aware of Joe and Myra behind her, and of Blondy and his friends beside her. She looked straight at the magistrate, not trusting herself to glance either side. The magistrate looked up and nodded to the policeman. "What's the charge?" His voice was a colorless monotone. "Assault, your Honor. This girl was picketing in the strike, and this private detective told her to move on. Then she struck him." Rhona felt as if she could burst; she expected the magistrate to question her; but he continued to address the policeman. "Any witnesses?" "These other detectives, your Honor." The magistrate turned to Blondy's friends. "Is what the policeman says true?" "Yes," they chorused Joe spoke clearly. "Your Honor, there's another witness." The magistrate looked at Joe keenly. "Who are you?" "My name's Blaine—Joe Blaine." "The editor?" "Yes." The magistrate spoke sharply: "I can tell you now you'll merely damage the case. I don't take the word of such a witness." Joe spoke easily. "It's not my word. Miss Craig here is the witness. She saw the assault." The magistrate looked at Myra. "What were you doing at the time?" Myra spoke hardly above a whisper, for she felt that she was losing control of herself. "I—I was walking with Miss Hemlitz." "Walking? You mean picketing." "Yes." "Well, naturally, your word is not worth any more than the prisoner's. Myra could not speak any further; and the magistrate turned again to the policeman. "You swear your charge is true?" The policeman raised his hand. "I swear." Rhona felt a stab as of lightning. She raised her hand high; her voice came clear, sharp, real, rising above the drone-like noise of the court. "I swear it is not true. I never struck him. He struck me!" The magistrate's face reddened, a vein on his forehead swelled up, and he leaned toward Rhona. "What you say, young lady"—there was a touch of passion in his voice—"doesn't count. Understand? You're one of these strikers, aren't you? Well, the whole lot of you"—his voice rose—"are on a strike against God, whose principal law is that man should earn bread by the sweat of his brow." Rhona trembled before these unbelievable words. She stared into his eyes, and he went on passionately: "I've let some of you off with fines—but this has gone too far. I'll make an example of you. You shall go to the workhouse on Blackwells Island for five days. Next!" Joe, too, was dazed. But he whispered to Rhona: "Meet it bravely. I'll tell the girls!" Her arm was grasped, she was pushed, without volition, through crowding faces; and at length, after another ride in the patrol wagon, she found herself on a narrow cot in a narrow cell. The door was slammed shut ominously. Dim light entered through a high aperture. She flung herself down her whole length, and sobbed. Bitter was life for * * * * * Joe, in the court-room, had seized Myra's arm. "Let us get out of this!" They went through the gateway, up the aisle, out the dim entrance, into the streets. It was two in the morning, and the narrow caÑons were emptied of life, save the shadowy fleeting shape of some night prowler, some creature of the underworld. The air was a trifle less cold, and a fine hard snow was sifting down—crunched underfoot—a bitter, tiny, stinging snow—hard and innumerable. Cavernous and gloomy seemed the street, as they trudged west, arm in arm. Myra had never been so stirred in her life; she felt as if things ugly and dangerous had been released in her heart; a flame seemed raging in her breast. And then as they went on, Joe found vent in hard words. "And such things go on in this city—in this high civilization—and this is a part of life—and then they wonder why we are so unreasonable. It goes on, and they shut their eyes to it. The newspapers and magazines hush it up. No, no, don't give this to the readers, they want something pleasant, something optimistic! Suppress it! Don't let the light of publicity smite it and clear it up! Let it go on! Let the secret sore fester. It smells bad, it looks bad. Keep the surgeon away. We might lose subscribers, we might be accused of muck-raking. But I tell you," his voice rose, "this world will never be much better until we face the worst of it! Oh," he gave a heavy groan, "Myra! Myra! I wonder if I ever will be happy again!" Myra spoke from her heart. "You're overworked, Joe; you're unstrung. Perhaps you see this too big—out of perspective!" He spoke with intense bitterness. "It's all my fault. It's all my fault. If I hadn't been so sleepy I'd have sent for a lawyer. I thought, of course, he'd be there!" Myra spoke eagerly: "That's just it, Joe. Oh, won't you take a rest? Won't you go away awhile? Just for your work's sake." He mused sadly: "Mother keeps saying the same thing." "She's right!" cried Myra. "Joe, you're killing yourself. How can you really serve the strike if you're in this condition?" He spoke more quietly. "They need me, Myra. Do you think I'm worse off than Rhona?" Myra could not answer this. It is a curious fact that some of the terrible moments of life are afterward treasured as the great moments. Looked back upon, they are seen to be the vital step forward, the readjustment and growth of character, and not for anything would any real man or woman miss them. Afterward Myra discovered that this night had been one of the master nights of her life, and when she repictured that walk up Tenth Street at two in the morning, through the thin sifting snow, the big tragic man at he; side, it seemed a beautiful and wonderful thing. They had been all alone out in the city's streets, close together, feeling as one the reality of life, sharing as one the sharp unconquerable tragedy, suffering together against the injustice of the world. But at the moment she felt only bitter, self-reproachful, and full of pity for poor human beings. It was a time when the divine creatures born of woman seemed mere little waifs astray in a friendless universe, somehow lost on a cruel earth, crying like children in the pitiless night, foredoomed and predestined to broken hearts and death. It seemed a very sad and strange mystery, and more sad, more strange to be one of these human beings herself. They reached the house. Lights were still burning in the office, and when they entered they found the District Committee sitting about the red stove, still working out the morrow's plans. Giotto was there, Sally Heffer, and Jacob Izon, and others, tired, pale, and huddled, but still toiling wearily with one another. As Joe and Myra came in they looked up, and Sally rose. "Is she—" she began, and then spoke angrily, "I can see she's been held." Joe smiled sadly. "Sent to the workhouse for five days." Exclamations of indignation arose. The committee could not believe it. "I wish," cried impetuous Sally, "that magistrate were my husband. I'd throw a flatiron at his head and put some castor-oil in his soup!" Joe laughed a little. He looked at his watch, and then at Myra. "Myra," he said, gently, "it's two o'clock—too late to go home. You must sleep with mother." Myra spoke softly. "No—I can get home all right." He took her by the arm. "Myra," he leaned over, "do just this one thing for me." "I will!" she breathed. He led her in through his room, and knocked softly. "Mother!" "Yes," came a clear, wide-awake voice. "I'm awake, Joe." "Here's Myra. May she stay with you?" "Good!" Myra went in, but turned. "Joe," she said, tremulously, "you're not going to stay up with that committee?" "They need me, Myra." "But, Joe," her voice broke—"this is too much of a good thing—" Joe's mother interrupted her. "Better leave the boy alone, Myra—to-night, anyway." Joe laughed. "I'll try to cut it short! Sweet dreams, ladies!" For long they heard his voice mingled with the others, as they lay side by side in the black darkness. But Myra was glad to be near him, glad to share his invisible presence. After she had told Joe's mother about Rhona, the two, unable to sleep, talked quietly for some time. Drawn together by their love for Joe—and Joe's mother was quick in divining—they felt as if they knew each other intimately, though they had met for the first time that afternoon, when Myra, having reported Rhona's arrest to Joe, groped her way blindly to the rear kitchen and stood, trying not to sob, before the elder woman. She had asked: "Are you Mrs. Blaine?" and had gone on. "I'm Myra—Myra Craig. Joe and I used to know each other." Whereupon Joe's mother, remembering something Joe had said of writing to a Myra Craig in the country, suddenly understood. There was a swift, "What! You and he—?" a sob from Myra, and the two were in each other's arms. Then followed supper and a quiet evening. And now in the darkness they lay and talked. "I've been worrying about Joe," Mrs. Blaine mused, softly. "Why?" "Can't you see why?" "He looks badly," Myra sighed. "Joe," said his mother, quietly, "is killing himself. He doesn't listen to me, and I don't want to interfere too much." "Isn't there anything to be done?" There was a silence and then Joe's mother spoke in a strange personal voice. "What if you could do something." Myra could hardly speak. "I?""You." A hand caught hers. "Try. He's simply giving his life to the cause." There was a silence a little while. The tears were wet upon Myra's cheeks. "Mrs. Blaine." "Yes, dear." "Tell me about yourself—what you've been doing—both of you." And as Mrs. Blaine told her, time and time again Myra laughed softly, or was glad the darkness concealed those unbidden tears. But as Mrs. Blaine spoke of the attack of Marrin's men, Myra was thrilled. "But what happened afterward?" she cried. "Isn't he in danger now? Joe's mother's voice rang. "Afterward? It was wonderful. The whole neighborhood rose to Joe's side. They even started a subscription to rebuild the press. Oh, the people here are amazing!" "And the men who mobbed him?" "Many were arrested, but Joe did not appear against them, and the men from Marrin's were the first to come in and tell of their remorse. As for the thugs and criminals—they don't dare lift their heads. Public opinion is hot against them." Thus they talked, intimately, sweetly, and at last the elder woman kissed the younger good-night. "But, dear, you've been crying!" "Oh, I'm so glad to be here!" sobbed Myra. "So glad to be with you!" And even then she had a sense of the greatness and wonder of that day; how new and untapped forces in her nature were emerging; how the whole seeming of life—"These shows of the night and day"—was changing for her; how life was deepening down to its bitter roots, roots bitter but miraculously sheathed in crystalline springs; in sweet waters, in beauty and love and mystery. It was the finding of her own soul—a power great enough to endure tragedy and come forth to a richer laughter and a wiser loveliness. Only thus does life reveal its meanings and its miracles, and prove that it is an adventure high and fine, ever tending higher, ever more enriched with faith and marvelous strength, and that mirth that meets the future with an expectant smile. So thinking, so feeling, she grew drowsier, sank deeper—her body tired in every muscle, in every bone—her mind unable to keep awake; and so she faded into the pure rest of sleep. |