But while the march of events drove the aborigines of Llanyglo ever more and more closely together, as the reaping of a field of corn drives the mice and snakes and rabbits to the narrowing square in the centre, at the same time something of the opposite process went on. Two or three stood aloof, Welsh when it suited them to be Welsh, less Welsh at other times. One of these was Mr. Tudor Williams, the Member of Parliament. Another was Howell Gruffydd, the grocer.

For thick as thieves now were Edward Garden and Tudor Williams, and to their frequent councils was admitted also Raymond Briggs, the architect, whose son had been John Willie's schoolfellow at Pannal.

This Raymond Briggs was a Yorkshireman, from Hunslet, but you wouldn't have thought it to look at him. You saw at a glance that he was superfine, but you had no idea how superfine until he opened his mouth. He was tall, plumpish, very erect, numerously chinned and faultlessly dressed; and, having entered into culture by one of the noblest of its portals, architecture, it was small wonder that he wished to forget Hunslet, with its black canal, its serried weaving-sheds, its grimy warehouses, and its sooty brickfields. Certainly he had completely forgotten it in his speech. Over an alien mode he had acquired a really remarkable mastery; and had it not been for a trifling uncertainty about his vowels, particularly his "a's," you would have set him down as quite as much London as Leeds. And so more or less with everything else about Raymond.—But his wife haled you north again. To her, acquirements were like hot plates to the fingers, to be kept constantly in motion or else dropped altogether. Her husband was probably the most humourless man who ever came to Llanyglo; but Maud Briggs would use the homeliest of dialect-words in the most artificial of accents, and would tell you, even while she was mothering you with cool drinks in the most hospitable fashion, that the piece of ice she dropped with a clink into your glass was positively "the last piece in the hoil"—if you know your West Riding well enough to understand the peculiar significance of the word "hoil" as applied to a house. Her rings were dazzling, for Raymond's invaluable lack of humour had enabled him to make his mark on the world; the blue-and-white collapsible boat which their son Percy brought with him to Llanyglo had cost his father a cool twenty-five pounds in London; and it would not be for lack of money if Percy did not turn out a very superior silk purse indeed.

So when the snail, his journey finished, rested and made the siding at Sarn and then returned to Porth Neigr again, and Railhead was dismantled, and grasses began to seed themselves about the upturned soil, Edward Garden and Raymond Briggs and Tudor Williams, M.P., had their heads frequently together; and no longer were the short days and long nights a season of hibernation for Llanyglo. Three years out of four the Llanyglo winters are mild; this particular winter was not so inclement that it stopped building-operations for more than a day or two at a time; and, with a sort of miniature Railhead strung out along the Porth Neigr road for his labour, Raymond's second house rose steadily course by course, and already they were draining and digging for the first hotel. If they were mainly Porth Neigr men Raymond employed, that did not mean that Dafydd Dafis or any other Llanyglo man who was so minded would not be taken on; indeed they were taken on; but it did mean that the centre of gravity of the labour-supply had shifted, and would never shift back again. Those temporary dwellings along the Porth Neigr road were a constant reminder that if the Llanyglo men did not like it they might lump it; and as they did neither, but while disliking it intensely, bore a hand and took their wages just the same, they appeared to be sufficiently quelled.

Edward Garden, while making Llanyglo his headquarters, was again much away. A whisper was started that he was once more treating for land, but, as no further land appeared to be available, the rumour was derided as idle. Howell Gruffydd was already converting the two original matchboarded cottages to his own use. Something Departmental happened somewhere beyond Llanyglo's ken (probably Mr. Tudor Williams knew all about it), and the word came that the Post Office was to be transferred from John Pritchard's to Howell's new shop; and though the Post Office was on the whole more trouble than it was worth, for a little while Howell seemed likely to have a quarrel on his hands.

But Howell had not definitely taken a part without knowing equally definitely how to bear himself in that part. He did not intend to be herded into the gloomy company of a lot of beaten and sulking Welsh nationalists! As if already a vast spud had cut about Manchester or Liverpool, and an equally vast spade had taken either of these cities up bodily like a square of peat and had set it down again on the Llanyglo sandhills, so the idea of expansion had taken hold of Howell's mind. He even went a little preposterously beyond bounds, as others did later, when they learned that their old Welsh dressers and armchairs were a rarity and marketable, and proceeded to put ridiculous prices upon them. And probably Edward Garden had a use for Howell. Already it looked like it. The answer with which Howell appeased John Pritchard in the matter of the transference of the Post Office looked very much like it. Edward Garden himself could not so have reconciled John to all this innovation with a single whispered word.

For "Bazaars," Howell said furtively to John, behind his hand; and the quick electric gleam in his eyes was instantly extinguished again....

You see. They had never had a bazaar at Llanyglo. There would have been little profit in passing their own money about among themselves. But strangers' money.... That was the soul of good in things otherwise evil that Howell whispered to John Pritchard, and later it was so observingly distilled out for the benefit of the Baptist and other Chapels that for a time there was actually a danger lest the mulcting should keep folk away.

And if even Mr. Tudor Williams himself now appeared a little absent-minded among his constituents, and hauled himself, as it were, out of remote fastnesses of thought to grasp them fervently (if indiscriminately) by the hand, and to inquire after their rheumatics and wives and other plagues, well, he was a busy, and not at all a wealthy man. At Llanyglo, as elsewhere, it was not only Welsh and English; it was also Get or Go Wanting. The early bird....

So (to push on) circular smears of white appeared on the windows of the second of Raymond Briggs's houses (it was finished by Christmas), and these gave it the appearance of a sudden new Argus, looking out on every side for other houses to join it; and the scaffold-poles began to rise about the new hotel like a larch-plantation. Raymond came and went, and Mr. Tudor Williams came and went, and short winter day followed short winter day. Then, with cat's-ice still glazing the ruts and pools but a feeling of Spring in the air, Porth Neigr, ten miles away, came bustlingly to life. An emissary of the Lord-Lieutenant of the County took up his quarters at the Royal Hotel, and there he was one day joined by the Lord-Lieutenant himself, with Sir Somebody Something, of the Office of Works. These summoned others, who in turn summoned others, and maps and plans were sent for and a line of route was chosen. Police were drafted in, and folk went up into their upper front rooms to see which bedstead or table-leg would best stand the strain of a rope across the street. The old station had been repainted to suit with the new extension, and masts rose at its entrance. To the residents in the principal streets the Council lent loyal emblems and devices. The sounds of bands practising could be heard. His Royal Highness the Duke of Snell was coming to open the line.

Then on the appointed day, the town broke into a flutter of bunting. The March sun shone merrily on Royal Standard and Red Dragon, on Union Jack and ensign, on gold-fringed banners with "CROESAW" on one side and "WELCOME" on the other. On the new metals a Royal Salute of fog-signals was laid. Warning of the Approach passed along the line, on the red-druggeted platform officials great and small waited, and John Willie Garden's friends, whose picks and shovels had made the clay fly, would no doubt read all about it a few days later in the papers.

So, with detonation of fog-signals, and some cheers, but more wide-eyed gazing, and bared heads and bowing backs, and an Address, and other circumstances of loyalty and fraternisation and joy, His Royal Highness and John Willie Garden between them declared the line open; but only the Duke rode on the footplate of the garlanded engine with the crossed flags on its belly. Probably intensely bored, he rode out about a mile towards Abercelyn, and then returned to luncheon at the Royal Hotel. An hour later, coming out again, he passed away to Lancashire. All was over. Folk might now take down their bunting as soon as they pleased. The trick was virtually done for Llanyglo. A loop at Sarn or a new junction, and a realisation on the part of those in authority that there were things that paid better than Abercelyn manganese, and Llanyglo would be "linked up" with rigid iron to the rest of the world.

Nay, it is already linked up even more straitly. A few poles and a thread of wire, crossing the sandhills and ending at the Llanyglo Stores, have some weeks ago put an end to its isolation. It is the nerve that accompanies the sinew, and Howell Gruffydd now receives and despatches telegrams. All is over bar the shouting, and it will not be long before that begins. They are busy now, painting and papering the new hotel, and decorating and upholstering it. It reeks of new paint and varnish and furniture-polish and the plumbers' blowpipes. It resounds with all the doubly loud noises of a half-empty place—with hammering and tacking, clanking buckets, the "Whoas!" to the horses of the delivery-vans, the jolting of heavy things moved upstairs, the rasp of scrubbing-brushes, the squeak of window-cloths. It is spick-and-span, from the feathery new larches in front to the silvery new dustbins behind.... Wherefore, seeing that we shall only be in the way, with never a chair to sit down on yet, and nothing to eat in the place save what the charwoman and the green-aproned carters and carriers have brought for themselves, we may as well leave all these things to the folk whose business it is to attend to them, and take a nap for a month or two, secure that when we wake up again the scene will be set for Llanyglo's lever de rideau, that starched and polite and not quite real little piece that preludes the main action of our tale. There is heather and wild thyme up the Trwyn, very comfortable to doze on; suppose we have our nap up there?...

Ah-h-h-h!—That was the July sun that woke us. It's a warm and brilliant morning. Stretch yourself first, and then have a look down....

That's a surprise, isn't it? You didn't quite expect that? Really not much changed, and yet it's entirely changed. Two new houses and an hotel (in this clean air they'll be new-looking for years yet), and that little border of deck-chairs and bathing-tents and slowly moving parasols, not a couple of hundred yards long altogether, and yet the whole appearance of the place is altered. After a moment you find it quite difficult to remember it as it was the last time we were up here. See that little puff of smoke over there? That's a shunting-engine at Sarn; you'll hear the sound in a moment; there!—Butterflies about us, like hovering pansies; you can see just one corner of poor old Terry's Thelema showing; and out there, where the sea changes colour, just where the gulls are rocking, that's a bank of sand a storm threw up three or four years ago. And that's the telegraph-wire I spoke of, running straight across to Howell Gruffydd's shop there. Yes, that links Llanyglo up....

Where did all these people come from? Well, it's hard to say, but no doubt Edward Garden's got them here for one reason and another. He may even have "packed" the place a little carefully; I don't know. At any rate, he's lent "Sea View" there (that's the newer of the two houses) to Gilbert Smythe. Who's Gilbert Smythe? Well, he's the Medical Officer for Brannewsome, Lancs., and a very clever and quite an honest man. But Gilbert's family's grown more quickly than his fortune, live as frugally as he will he's always in debt, and he isn't going to say "No" to the free offer of a well-built, roomy house, not three minutes from the sands where the children can play all day, and furnished from the potato-masher in the kitchen to the little square looking-glasses in the servants' attics. And of course Edward Garden asks nothing in return. But if Gilbert cares to say that the Llanyglo water is abundant and pure, Edward won't object—it is excellent water. And if Gilbert likes to praise its air and low rainfall (low for Wales), well, he'll be telling no more than the truth. And if Gilbert (not bearing ancient Mrs. Pritchard too much in mind) finds the longevity at Llanyglo remarkable, what's the harm in that? As a matter of fact, there is a saying that the oldest inhabitant always dies first at Llanyglo, and the others follow in order of age, which would be a poor look-out for anybody setting up in the Insurance business here.... So if by and by Gilbert signs a statement to this general effect, you can hardly blame him. He has his way to make, and he is a wise man who allows the galleons of the Gardens of the world to give his skiff a tow.

The others? Well, Edward Garden's a cleverer man than I, and you can hardly expect me to explain the workings of his mind to you in detail. But I think we may assume he knows what he is about. I needn't say they're all very well-to-do; you can see that even from here; but there's something else about them, something we saw in Raymond Briggs, that's a little difficult to describe—perhaps it's merely that they too intend (mutatis mutandis, of course) that their children shall have a better time than their parents have had—or perhaps we'd better say their grandparents had, for their parents do themselves very well, indeed. I don't think you can say more about them than that—it's just that dash of Raymond Briggs.... Squire Wynne wouldn't understand them in the least. The Squire's wasted too much time over antiquity. He doesn't know anything about these people who are coming on. Except in their clothes, and so on, he'd see very little difference between them and people Raymond Briggs would look at as if they weren't there. He wouldn't understand Philip Lacey, for example. (Do you see that orange-and-black striped blazer—there by the seaweed: he's pointing; that's Philip Lacey.) Philip is the big Liverpool florist, seedsman, and landscape-gardener; if he hasn't his "roots in the land" in exactly the sense the Squire understands, his plants have; and Philip distinctly does not intend that Euonyma and Wygelia, who are at present at school at Brighton, shall go into one of his fourteen or fifteen retail shops. Philip isn't spending all that money for that.... (Understand me, I think Philip's perfectly right; the only thing I don't quite see is why he should veneer good sound stuff with something that's an obvious sham.) Of his wife, frankly, I don't think very much. Her processes show too plainly. Philip has his business to attend to, but Mrs. Lacey never leaves her one idea, day or night.... There, Philip's stopped and spoken to Mr. Morrell. Mr. Morrell has just as many hopes and plans for Hilda as the Laceys have for Euonyma and Wygelia, but he knows that his "a's" are past praying for, so he makes rather a display of his native speech. I needn't tell you what a trial that is to Hilda....

And bear in mind that these are prosperous people, well-travelled people (though they mostly keep to the beaten tracks where they meet one another—it's Mrs. Briggs's chief recollection of Florence that she met some people she knew in Leeds there), people who put up at far better hotels than you or I do. And if these, who can afford it, can be shown the way to Llanyglo, the chances are that a crowd of other people, who certainly can't afford it but as certainly won't be out of it, will come in their wake.

What do you say to our going down and having a closer look at them? We might take a stroll as far as Howell Gruffydd's shop—I beg its pardon, Stores. Sit still a moment though; here's Minetta Garden behind us. She's been sketching the Dinas, very likely. Minetta very much wants to be an artist, and you meet her with her sketching things all over the place. It may or may not be a passing fancy; she certainly has what Raymond Briggs calls a "Rossetti head"—enormous dark eyes, sharpish jaw, straight dark hair, and a disconcerting way of staring at people who are "putting it on" a little more thickly than usual (she stares pretty frequently at Raymond himself). Ah, she's taking the steep way down. We'll take the other way....

Now we're on the level; better put your tie straight—or aren't you overpowered by these things? I confess I am; Raymond Briggs always chills me when he casts his eye over my front elevation. No thick-booted undergraduates' holiday-parties nor furry art-students with knickers and bare throats here. We're spruce at Llanyglo. Even on a week-day it's like a Church Parade, and on Sundays we go one better still. All the men have brightly coloured flannel blazers and gaudy cammerbands, and the women carry many-flounced parasols by a ring at the ferrule end, and wear toilettes straight out of the "Queen." Some of them will change for lunch; all of them will for table d'hÔte at seven. They protest that they vastly prefer dinner at seven, but what with the servants' dinners at midday, and husbands who prefer the old-fashioned hour, and one thing and another, they take their principal meal at one. There's no reason they shouldn't. There's no reason they should mention it at all. But they do, every day. If you're introduced to them, they'll all have told you within twenty-four hours. It's as if they didn't want there to be any mistake about something or other....

Here's where the donkeys turn. They have red and white housings, and their names across their foreheads—"Tiny," "Prince," and so on; the donkey-rides are a little offshoot of Porth Neigr Omnibuses. Kite-flying's popular here too—that's Mr. Morrell's, the big star-shaped one. The bathing-tents and deck-chairs are mostly hired from Howell Gruffydd, but there are no boats yet except Percy Briggs's twenty-five-pound collapsible one; those who want to go fishing have to use one of those old Copley Fielding things by the jetty there.... Now we're coming to the people. Here's Raymond Briggs with Mr. Lacey, Raymond in his orange-and-black blazer and a white Homburg hat, Philip in a blue blazer with white braid and a plain straw hat; both with perfect creamy rippling white trousers and spotless white doeskin boots. They're talking off-handedly about other holiday-places—Norway, the Highlands, the Riviera—and they're afraid of showing any enthusiasm or delight. Of every place they know they say that it has "gone off" since they first went there. There's a subtle undercurrent of contest about their conversation. Philip was at HyÈres as recently as last winter, looking at the violets; but Raymond has been three times to Arles and Nimes. I suppose honours are easy.

"Roman, I've heard?" Philip remarks. (You can hear him as you pass.)

"Yes, Roman, with a Saracenic tower."

"Ah, that tower's Saracenic, is it?"

"Saracenic."

"Wonderful people!"

"Indeed yes!"

"Curious how it takes you back into ancient times."

"Yes, yes, it shortens history."

"But the hotel accommodation!—--"

"Oh, bad in the extreme!"

"What they want is entirely new and up-to-date management——"

"Quite so——"

"Can't say I thought much of their bouillabaisse."

"An acquired taste, I suppose——"

And they pass on. They'll talk like that the whole morning. They're not really interested in their subject. As I say, it makes you think of a sort of contest. Personally, I always want to applaud when somebody scores a good point. Perhaps the idea is that they're doing Llanyglo a favour by coming here—

There, stepping over the tent-ropes, are Mrs. Briggs and Mr. Ashton. Mr. Ashton is Edward Garden's chief London representative, a man of pleasure and of the world, and for all I know his function may be to keep these prosperous northerners up to the metropolitan mark. Mrs. Briggs, for example, who is very short and stout, and wears a lavender bonnet and pelisse, and certainly will not walk far on the sand in those heels, is on her mettle now. She is telling Mr. Ashton some London hotel experience or other. I like Mrs. Briggs. She's worth ten of Raymond. But I don't think she quite knows which is the paste and which the jewels in her speech.

"——and so at the 'Metropole' they couldn't take Ray and I in; not that I was surprised in the very least, such frights as we looked after the voyage, and hardly any luggage; it hadn't come on from Paris, you see. So I says to Ray, 'It's no good making a noration here, for it's plain they don't want us. I'm glad they're doing so well they can afford to turn money away.' So I turns to the manager, who was staring at my slippers I'd put on for the railway-journey, and 'Don't if it hurts you,' I said, and with that we slammed our things together and drove off to the 'Grand'——"

You can hear Mr. Ashton's sympathetic murmurs ... but that's Mrs. Lacey, with Mr. Morrell, just turning; she thinks that Euonyma and Wygelia have been quite long enough in the water. Mr. Morrell is in cool-looking cream alpaca; Mrs. Lacey, who is hook-nosed and pepper-and-salt haired and thin as a hop-pole, resembles a many-flounced hollyhock in her silvery battleship grey.

"They'll tak' no harm, weather like this," Mr. Morrell is saying. "What's that I was going to ask you, now?... I have it. Is it right 'at Briggs is to build you a new house ovver yonder?"

A foot or so over Mr. Morrell's head, Mrs. Lacey replies that Mr. Lacey hasn't decided yet.—"You see, with the girls at Brighton for another year yet, and then of course they'll have to go to Paris, it's early to say."

"There's some talk of his making a Floral Valley, isn't there?"

"I've not heard.—But I'm sure those girls——"

"They're as right as rain wi' Mrs. Maynard——"

But that is precisely where Mrs. Lacey thinks Mr. Morrell is mistaken. She has nothing whatever against Mrs. Maynard, who is a young widow, but she would like to know a little more about the late Mr. Maynard before admitting her to unreserved intimacy. Mrs. Maynard has not quite the figure a "Mrs." ought to have, and does more bathing than swimming (if you understand me). That's an accomplishment she learned at Ostend (for if Mr. Ashton, the London agent, is metropolitan, Mrs. Maynard brings quite a cosmopolitan air to Llanyglo). The misses Euonyma and Wygelia, on the other hand, learned to swim at Brighton, walking to the bathing-place in a crocodile. You see the difference. Brighton is not Ostend, any more than Llanyglo is either, and Mrs. Lacey considers that you can't be too careful.... That's Mrs. Maynard, with her back to the oncoming breaker. Her bathing-dress is quite complete, as complete as Mrs. Garden's, drying outside her tent there; but Mrs. Lacey disapproves of those twinkling scarlet ribbons. She considers them to be little points of attraction, that do all that is asked of them, and more. She prophesied that the red would "run" in the water, but it didn't, and that makes matters rather worse, for if Mrs. Maynard knows as well as that which red will run and which won't she is practised——

And those two graceful but rather skinned-rabbit-looking young shapes in the gleaming navy-blue costumes with the white braid are the girls.

Now we're among the castles. Quite a horde of children, and very pretty children too, with their spades and buckets and their petticoats bunched up inside striped knickers (those too you get at Gruffydd's). That's Gilbert Smythe, the Medical Officer, the tall shaggy man carrying the bucket of water for the little boy's moat. He'll be giving Llanyglo its bathing testimonial too. Don't tread on that seaweed; it may be a castle garden, or a sea-serpent, or anything else in the child's imagination.... There are the boys trying to launch the collapsible boat. John Willie hasn't grown much; he won't be a tall man; but he's filling out. That minx Mrs. Maynard makes quite a lot of him, and says she likes the feel of his fine-spun hair. Whether John Willie likes her to feel it or not he does not betray.

Now for Howell Gruffydd's....

There you are. "THE LLANYGLO STORES," in big gold letters right across the front of the two cottages. What do you think of it?

Yes in one way and another, there must be a largish sum sunk in "stock." Whether Howell's buying on credit or not I don't know, but he looks prosperous; he's had his beard trimmed, and he wears a new hat. Green butterfly-nets and brown and white and grey sandshoes—spades and buckets and balls and fishing-lines and toy ships—bottles of scent and the "Llanyglo Sunburn Cure" (made up for him by the chemist at Porth Neigr)—a new board with "Tricycles for Hire" on it (that's the shed at the back, and Eesaac Oliver, home for the holidays, books the hirings and does the repairs)—baskets and spirit-kettles and ironmongery, all in addition to the groceries.—Yes, Howell has quite a big business now. Let's go inside and buy something.

"Good morning, Mr. Gruffydd; papers in yet? No? I thought I saw Hugh coming down the Sarn road half an hour ago. Yes, a lovely day. How's Eesaac Oliver? Still at Porth Neigr?... No, no, I know he's home for his holidays; I saw him driving Mr. Pritchard's hay-cart yesterday; I mean when is he going to Aberystwith?... Next year? Good! He'll make his mark in the world!—Mr. Garden been in this morning yet?... He's driving in the mountains? Well, there's always a breeze in the mountains.... No, serve Mrs. Roberts first. How are you, Mrs. Roberts?"

Howell still sells Mrs. Roberts her pennyworth of bicarbonate of soda, and with the same smile as ever, but he could do without her custom now. Look round. Crates of eggs (the Trwyn hens can't keep pace with the demand now), great Elizabethan gables of tinned fruits and salmon, a newspaper counter, the Post Office behind the wire grating there, strings of things hanging from the ceiling, scarcely an inch of Edward Garden's matchboarding to be seen, and three assistants, all busily weighing, packing, checking, snipping the string off on the little knives on the wooden string-boxes, and passing the parcels to the boys with the hand-carts. But we ought to have been here a couple of hours ago. Mrs. Briggs and Mrs. Lacey and Mrs. Garden were giving their orders for the day then. They come every morning, rings on their fingers and bells on their toes, high heels and flounced parasols and all the lot, and Howell doesn't have it all his own way then, I can tell you. For this is where our ladies are really efficient. They may never dream of travelling otherwise than first-class, but they know the price of everything to a halfpenny and a farthing. There's no "If 'twill do 'twill do" about them when it comes to the management of a house. And when Hilda Morrell grows out of the stage of wishing her father would talk "like other people," the chances are that she'll discover too that this is her real strength, as it was her mother's. Mrs. Maynard comes in with them of a morning sometimes, and tells them how tre-men-dously clever she thinks them, to know the differences between things like that, and vows that her tradesmen rob her right and left because she hasn't been properly brought up; and then Mrs. Briggs, putting down the egg she is holding to the light, cries, "Eh, it's nothing, love—I could learn you in a month!"

But Mrs. Lacey detects a secret sarcasm in the phrase about the bringing-up.

And the men will be in for their newspapers presently.

Now a stroll to the hotel, and just a peep at them by and by as they have lunch....

This is the hotel lounge. The varnish is quite dry, though it doesn't look it. A dozen little round tables, chairs heavily upholstered in crimson velvet, festoons of heavy gilt cord on the curtains, and that's the service-hatch in the corner. The waiters are rather melancholy; you see, it isn't a public-house; everything goes down on the residents' bills; and that means fewer tips. Tea is served here in the afternoon, but of course the ladies never dream of tipping. Those excellent purchasers work out everything at cost price, omit such items as interest on capital, insurance, depreciation, and so on, and find a shilling for two pennyworth of bread and butter, a twopenny cake, and a pinch of two-shilling tea with hot water thrown in, tip enough.

"Ting! Ting! Ting!"

It is Val Clayton, ordering another drink for himself and his two friends. He drinks vermouth, his friends bottles of beer. Val drinks vermouth because it is foreign (he runs over to Paris frequently, and travels to Egypt for Clayton Brothers and Clayton), and perhaps he makes love to Mrs. Maynard (if you can call it making love) because she too is almost a continental. Since Mrs. Maynard is to be seen in her red ribbons, you might expect to find Val on the beach instead of drinking vermouth in the hotel lounge; but that is far from being "in character" when you know Val. The world's pleasures a little in excess have already set their mark on Val. He will tell you that he would not miss his morning drink, "not for the best woman living." Others may fetch and carry for their hearts' mistresses, but not Val. In the afternoon, perhaps, if he feels a little less jaded, in a hollow of the sandhills and with the warm sun to help, Val may bestir himself a little, but in the meantime he wants another vermouth.

"Ting! Ting! Ting!—They want to have French waiters here," Val grumbles. "I never mind tipping a waiter if I can get what I want when I want it. Wai—oh, you've come, have you? Well, since you are here, you may as well bring these again, and then see if the papers have come in yet——"

"And bring me a box of Egyptian cigarettes."

"No—hi!—don't bring those cigarettes.—You don't want to smoke the rubbish they sell here. Fill your case out of this—I've a thousand upstairs I brought from Cairo myself——"

"Oh!... Thanks.—Well, as I was saying——"

And the speaker (who might as well be in Manchester for all he sees of Llanyglo, at any rate in the mornings) resumes some narrative that the replenishing of the glasses has interrupted.

Now the others are dropping in, those who like one aperatif before lunch but not half a dozen. Their wives have gone upstairs to tittivate themselves. The velvet chairs fill; extra waiters appear; and a light haze ascends from cigars and cigarettes to the roof. Listen to the restrained hubbub.

"Waiter! Ting! Waiter!—--" and then a slight gesture; the waiters are supposed to know the tastes of the real habituÉs by this time; (it counts almost as a "score" if the waiter brings your refection without your having as much as opened your mouth to ask for it).—"The usual, sir—yes, sir—coming!" And again they are talking, not on subjects, but as if the act of talking were itself subject enough. Philip Lacey discusses with Mr. Ashton the improvement in the Harwich-Hook of Holland crossing, and Mr. Morrell exchanges views on Local Government with Raymond Briggs. "Ting! ting! You haven't cassis? Then why haven't you cassis?"—"Very sorry, sir—coming, sir!"—"What's happened to the newspapers this morning?"—"Of course, if it goes to arbitration——"—"Nay, John, don't drown t' miller!" "Ten o'clock, first stop Willesden——" "Your very good health, Mr. Morrell——" "Debentures——" "New heating in both greenhouses——"—"Same again, Val?"—"Ting!"——

"BOO-O-O-OOM-M-MMMMM!"

It is the luncheon gong.

Just a glance as they sit at table. Don't you think it's a pleasant room? Three tall windows looking out on the sea, noiseless carpet, ornaments on the sideboards rather like wooden broccoli, but the decorations straight from London. But those two large chandelier gas-brackets don't work yet; the plant isn't installed; that's why the red-shaded oil-lamps are placed at intervals down the T of tables. The older folk gather round the head of the T, and down the stalk stretch the children. These will rise before their parents, just as they go out of Church after the Second Lesson; they will break off just below John Willie Garden and the Misses Euonyma and Wygelia there—who, by the way, are more usually called June and Wy. The flowers are chosen to "last well," for Llanyglo is almost as short of flowers as it is of trees; but the linen and plate and other appointments are all good—these actors in Llanyglo's little fore-piece are not accustomed to roughing it, even on a holiday.

As I told you they would, half the women have changed their frocks. Mrs. Lacey is a pink hollyhock now, of which her daughters seem cuttings, and her hat is a sort of pink straw kÉpi, trimmed with flowers that resemble virginia stock. She sits at the end of one arm of the T, with her back to the window. Near her is Mrs. Briggs, in stamped electric-blue velvet—her forearms, on which bracelets shiver, are as uniform in contour from whatever point you look at them as if they had been turned in a lathe. The Misses June and Wy also wear bracelets, from which depend bundles of sixpences, a sixpence for each of their birthdays, sixteen for Wiggie, fourteen for June. John Willie is lunching with Percy Briggs to-day, who lunched with him yesterday. Next to his chair is an empty one. It is Mrs. Maynard's, who has not come down yet. Then comes Val Clayton. Over all, with his napkin tucked into his collar as if he had prepared, not for a lunch, but for a shave, Mr. Morrell presides.

For some reason or other, lunch always begins a little stiffly; but they unbend as they go on. At present Raymond Briggs cannot get away from the subject of the newspapers and their unaccountable lateness.

"Can't understand it," he says for the fifth or sixth time.

"And they were late last Wednesday—no, Thursday—no, I was right, it was Wednesday."

"Was it Wednesday?"

"Yes, the day it looked like rain; you remember?"

"Ah, yes; the day it cleared up again."

"All but a drop or two—nothing to hurt——"

A pause.

"Well, I don't suppose there's anything in them."

"Speaking for myself, I don't care a button. I don't want to see the newspapers. 'No letters, no newspapers,' I always say when I go away."

"A real country holiday, eh?"

"Change and rest—those are the great things."

"You're right. Complete change. No trouble about how you dress nor what you eat. That's the best of this place."

"Still, if the newspapers are coming we may as well know when they are coming."

"They ought to have a man, not that young boy."

"Hugh Morgan?"

"Is that his name? There are so many Morgans."

"Common Welsh name."

"Met another boy, I expect."

"Boys are all alike."

"Not a pin to choose among 'em."

"Wish I was behind him with a stick for all that."

"Another glass of wine, Mr. Ashton?" ...

Then there enters with a little commotion, and trips half running to the empty chair between John Willie Garden and Val Clayton, Mrs. Maynard. She wears a big black hat swathed in black tulle, and her dress is of black lace, with close sleeves that reach to the middle knuckles of her taper fingers. She shakes out the mitre of her napkin and breaks forth to Val as she settles in her chair.

"My horrid hair!" she pouts; "it always takes me three-quarters of an hour! Really, I shall have to stop bathing, but I do love it so. It seems a kind of fate; I always have to give up the things I love!"

Hereupon Val—or perhaps vermouth, since Val seems a little astonished at his own gallantry—suddenly replies that if he were like that he would have to give up Mrs. Maynard. If Mrs. Maynard also is a little surprised she covers it with great readiness.

"Oh, now the dreadful man's beginning again!" she cries. "If you will say those things, Mr. Clayton, I shall have to change places at table!"

Mr. Clayton asks here what is wrong with her hair.—"I think it's champion," he adds. "Very nice indeed," he adds once more.

"Oh, how can you!" (As a matter of fact, Mrs. Maynard's hair is rather wonderful, dark, and so long that she can sit on it.) "No fish, thank you," she says, with a smile to the waiter.

Then Mrs. Lacey's firm voice is heard. "Can anybody tell me whether there have been many wrecks on this coast?"

The person best qualified to give this information is John Willie Garden, but Mrs. Maynard has turned to John Willie, and is asking him whether he does not think she swims rather nicely. Her tendril-like fingers are again stroking his hair. Mrs. Lacey considers Mrs. Maynard's tulle-swathed hat the ostentation of modesty and the coquetry of mourning (if she is in mourning), and, getting no answer to her question about the wrecks, invents a name for Mrs. Maynard: "Mrs. Maynard—as she calls herself." Plates are changed, corks pop, and from time to time a seltzogene gives a spurt and a cough. Raymond Briggs explains that he is fond of strawberries, but strawberries are not fond of him. The chatter grows louder.

"I took her as a kitchen-maid, but she turned out quite a good plain cook——"

"Oh, like a top—as Dr. Smythe says, it's the air."

"Oh, I prefer it rustic; like this!"

"Quite so—the first tripper and I'm off!"

"So I opened her box myself; and there they were, if you please—four silver spoons!—--"

"Now, June, you and Wy talk French—you haven't talked it for days——"

"John's booked the rooms for next year already——"

"Oh, Mis-ter Clayton! I never promised any such thing!"

"They can talk it if they like, as fast as a mill——"

"If I were you I should see Tudor Williams about it——"

"You can put on your oldest things and there's nobody to see you——"

"But really I'm almost ashamed to go about the fright I do!—--"

"But that's a new dress?——"

"New!—Last year—but it's good enough for here——"

"Can't manage those double-l's——"

"Gutturals——"

"Llan—Thlan—Lan——"

"June, your legs are younger than mine—run and get Aunt May's letter out of my dressing-table drawer——"

"Mrs. Smythe?... The best thing for the baby, of course, but I can't help thinking that not quite so publicly——"

"Oh, I always let Percy suck, whoever was there!—--"

"John will have his dinner in the middle of the day——"

"Smythe? Oh, one of the nicest fellows, but no push, I'm afraid——"

"That's his failing——"

"Where he misses it——"

"Extraordinary——"

"Well, some men are born like that——"

"Wait for things to come to them instead of going to fetch them——"

"Up t' Trwyn? We'll talk about it after I've had my forty winks. I must have my forty winks after my dinner."

"Lunch, William."

"Lunch, then."

"He will call it his dinner——"

"It is my dinner——"

Then Mr. Morrell makes a signal, the younger ones troop out, breaking into loud shouts the moment they are clear of the room. They are off to the beach again. Shall we follow them?...

What do the Welshmen think of it all? It suits Howell Gruffydd's book, as you see, and Howell has pacified John Pritchard with the promise of Bazaars; but the others? Dafydd Dafis, say?

Again nothing is going right for Dafydd. He feels that another friend has changed towards him—Minetta, to whom he used to sing Serch Hudol, and tell his stories of fays and water-beings and knights, and make much of for her elfin looks and quick and un-Saxon ways. For Minetta is already displaying the artist's heartlessness, and does not see the sorrow in Dafydd's eyes, but only what sort of a "head" he has from her special point of view, and how he will "come" upon a piece of paper. She tried to draw Dafydd only the other day, and ordered him, half absently, to turn his head this way and that, and grew petulant when her drawing went all wrong, and suddenly cried "Don't look at me like that!" when Dafydd turned his eyes on her with a tear in the corner of each. Poor Dafydd! He, like the Squire, would be better out of all this swiftly oncoming change....

But Dafydd, who is of the phrase-making kind, has made out of his sadness a phrase that more or less represents the attitude of every Welshman in Llanyglo. He watched all these people coming in ones and twos and threes out of the hotel one morning and walking down to their deck-chairs and bathing-tents on the beach. He stood for a while, looking at the gay parterre of sun-shades and summer clothes, of kites and spades and buckets, and rings on fingers more carefully tended but of coarser stuff than his own. And he listened to the accents that even his alien ear told him were strained and affected and false. And he gave them a half contemptuous and half pitying look as he turned away.

"These summer things," he said....

But Howell Gruffydd has Dafydd Dafis's measure also, and takes it, just as he took John Pritchard's, in a single word.

"Eisteddfodau," he whispered to Dafydd behind his hand....

For they may by and by be advertising Llanyglo by means of an Eisteddfod, and, as long as he is allowed to play, Dafydd does not greatly care who he plays to nor whether they understand him or not.