"No, not this week," Dorothy said. "Dot wrote a fortnight ago. This one's from Mollie. (You remember Mollie, Katie? She came to that funny little place we had on Cheyne Walk once, but of course she was only about twelve then. She's nearly nineteen now, and so tall! They've just gone to Kohat).—Shall I read it, auntie?"

And she read:—

"Well, and so they got to Kohat. (I hope this isn't boring you, Katie.)"

"Then there are the drawing and dining-rooms——"

"Can't you see it all!—H'm, h'm!... Then on the Sunday morning they got the mess tonga and went out to Dhoda, with butterfly-nets, and Jim went fishing—h'm, h'm—and she says—

("Isn't Katie patient, listening to all this, auntie!")

("Is that our Mrs. Beecher, when Uncle Dick was at Chatham, auntie?")—

"And so on. I do think she writes such good letters. Now let's have yours, Aunt Grace (and that really will be the end, Katie)."

And Lady Tasker's letters also were "put in."

It was a Sunday afternoon, at Cromwell Gardens. Stan was away with his film company for the week-end, and Dorothy had got Katie to stay with her during his absence and had proposed a call on Lady Tasker. They had brought the third Bit with them, and he now slept in one of the cots upstairs. Lady Tasker sat with her crochet at the great first-floor window that looked over its balcony out along the Brompton Road. On the left stretched the long and grey and red and niched and statued faÇade of the Victoria and Albert Museum, and the failing of the western flush was leaving the sky chill and sharp as steel and the wide traffic-polished road almost of the same colour. Inside the lofty room was the still glow of a perfect "toasting fire," and Lady Tasker had just asked Katie to be so good as to put more coal on before it sank too low.

Katie Deedes had made no scruple whatever about changing her coat in more senses of the words than one. She had bought a navy-blue costume and a new toque (with a wing in it), and since then had got into the way of expressing her doubts whether Britomart Belchamber's hockey legs and Dawn of Freedom eye were in the truest sense feminine. Nay, that is altogether to understate the change in Katie. She had now no doubt about these things whatever. As Saul became Paul, so Katie now not only reviled that which she had cast off, but was even prepared, like the Apostle at Antioch, to withstand the older Peters of Imperialism to their faces, did she detect the least sign of temporizing in them. And this treason had involved the final giving-way of every one of her old associates. She was all for guns and grim measures; and while she looked fondly on Boy Scouts in the streets, and talked about "the thin end of the wedge of Conscription," she scowled on the dusky-skinned sojourners within London's gates, and advocated wholesale deportations.

And in all this Katie Deedes was only returning to her own fold, though her people were not soldiers, but lawyers. For the matter of that, her father's cousin was a very august personage indeed, for whose comfort, when he travelled, highly-placed railway officials made themselves personally responsible, and whose solemn progress to Assize was snapshotted for the illustrated papers and thrown on five hundred cinema screens. In the past Katie had been privileged to call this kingpost of the Law "Uncle Joe."...

And then Mr. Strong had got hold of her....

And after Mr. Strong, Mr. Wilkinson....

And according to Mr. Wilkinson, the most ferocious of the hanging-judges had been a beaming humanitarian by comparison with Sir Joseph. Mr. Wilkinson had the whole of Sir Joseph's career at his fingers' ends: the So-and-So judgment—this or that flagrant summing up—the other deliberate and wicked misdirection to the jury. Sir Joseph's heart was black, his law bunkum, and he had only got where he was by self-advertisement and picking the brains of men a hundred times fitter for heaven than himself....

Therefore Katie, hearing this horrible tale, had quailed, and had straightway given away this devil who was the sinister glory of her house. She had agreed that he was a man whom anybody might righteously have shot on sight, and had gathered her Greenaway garments about her whenever she had passed within a mile of Sir Joseph's door....

But now he was "Uncle Joe" again, and—well, it must have been rather funny. For Katie's impressionable conscience had given her no rest day or night until she had sought Uncle Joe out and had made a clean breast of it all before him. Katie had fancied she had seen something like a twinkle in those sinful old eyes, but (this was when she mentioned the name of the "Novum") the twinkle had vanished again. Oh, yes, Sir Joseph had heard of the "Novum." Didn't a Mr. Prang write for it?...

And thereupon Katie had given Mr. Prang away too....

But in the end Sir Joseph had forgiven her, and had told her that she had better not be either a revolutionary, nor yet the kind of Conservative that is only a revolutionary turned inside-out, but just a good little girl, and had asked her how she was getting on, and why she hadn't been to see her Aunt Anne, and whether she would like some tickets for a Needlework Exhibition; and now she was just beginning to forget that he had ever been anything but "Uncle Joe," who had given her toys at Christmas, and Sunday tickets for the Zoo whenever she had wanted to go there on that particularly crowded day.

Dorothy had had something of this in her mind when she had brought Katie to Cromwell Gardens that Sunday afternoon. From Katie's new attitude to her own Ludlow project was not so far as it seemed. If she could lead the zealous 'vert to such promising general topics as Boy Scouts, Compulsory Service, and the preparation of boys for the Army (topics that Katie constantly brought forward by denunciation of their opposites), her scheme would certainly not suffer, and might even be advanced.

And, as it happened, no sooner had Dorothy tucked her last letter back into its envelope than Katie broke out—earnestly, proselytizingly, and very prettily on the stump.

"There you are!" she exclaimed. "That's all exactly what I mean! Why, any one of those letters ought to be enough to convince anybody! Here are all these stupid people at home, ready to believe everything a native tells them, going on as they do, and hardly one of them's ever set foot out of England in his life! Of course the Indians know exactly what they want, but don't you see, Dorothy—," very patiently she explained it for fear Dorothy should not see, "—don't you see that it's all so much a matter of course to Mollie and those that they can actually write whole letters about window-curtains! I love that about the window-curtains! It's all such an old story to them! They know, you see, and haven't got to be talking about it all the time in order to persuade themselves! There it is!—But these other people don't know anything at all. They don't even see what a perfect answer window-curtains are to them! They go on and on and on—you do see what I mean, Dorothy?——"

"Yes, dear," said Dorothy, mildly thinking of the great number of people there were in the world who would take no end of trouble to explain things to her. "Go on."

And Katie continued to urge upon her friend the argument that those know most about a country who know most about it.

Katie had got to the stage of being almost sure that she remembered Mollie's coming into the studio in Cheyne Walk one day, when Lady Tasker, who had not spoken, suddenly looked up from her crochet and said, "Look, Dorothy—that's the girl I was speaking about—coming along past the Museum there."

Dorothy rose and walked to the window.— "Where?" she said.

"Passing the policeman now."

Dorothy gave a sudden exclamation.—"Why," she exclaimed, "—come here, Katie, quick—it's Amory Towers!—It is Amory, isn't it?"

Katie had run to the window, too. The two women stood watching the figure in the mushroom-white hat and the glaucous blue velvet that idled forlornly along the pavement.

"Do you mean Mrs. Pratt?" said Lady Tasker, putting up her glass again. "Are you quite sure?"

Once before in her life, in the days before her marriage, Amory Towers had done the same thing that she was doing now. Then, seeking something, perhaps a refuge from herself, she had walked the streets until she was ready to drop with fatigue, watching faces passing, passing, for ever passing, and slowly gathering from them a hypnotic stupor. Sometimes, for hour after hour, she had seen nothing but eyes—eyes various in shape and colour as the pebbles on a beach, sometimes looking into hers, sometimes looking past her, sometimes tipped with arrow-heads of white as they turned, sometimes only to be seen under their lids as a finger-nail is seen within the finger of a glove. And at other times, weary of her fellow-beings and ceasing to look any more at them, she had seen nothing but doors and windows, or fan-lights, or the numbers of houses, or window-boxes, or the patterns of railings, or the serried shapes of chimneys against the sky. She had been looking, and yet not looking, for Cosimo Pratt then; she was looking, and yet not looking, for Edgar Strong now. Had she met him she had nothing new to say to him; she only knew that he had taken weak possession of her mind. She was looking for him in South Kensington because he had once told her, when asked suddenly, that he lived in Sydney Street, S.W., and frequently walked to the Indian section of the Imperial Institute in order to penetrate into the real soul of a people through its art; and she was not looking for him, because one day she had remembered that he had said before that he lived in South Kentish Town—which was rather like South Kensington, but not the same—and something deep down within her told her that the other was a lie.

But yet her feet dragged her to the quarter, as to other quarters, and she talked to herself as she walked. She told herself that her husband did not understand her, and that it would be romantic and silencing did she take a lover to her arms; and she could have wept that, of all the flagrant splendours of which she dreamed, London's grey should remain her only share. And she knew that the attendants at the Imperial Institute had begun to look at her. Once she had spoken to one of them, but when she had thought of asking him whether he knew a Mr. Strong who came there to study Indian Art, her heart had suddenly failed her, and the question had stayed unspoken. Nevertheless she had feared that the man had guessed her thought, and must be taking stock of her face against some contingency (to visualize which passed the heavy time on) that had a Divorce Court in it, and hotel porters and chambermaids who gave evidence, and the Channel boat, and two forsaken children, and grimy raptures in the Latin Quarter, and its hectic cafÉs at night....

And so she walked, feeling herself special and strange and frightened and half-resolved; and thrice in as many weeks Lady Tasker, sitting with her crochet at her window, had seen her pass, but had not been able to believe that this was the woman, with a husband and children, on whom she had once called at that house with the secretive privet hedge away in Hampstead.

"It is Amory!" Dorothy exclaimed. "Is she coming here?"

Lady Tasker spoke reflectively.—"I don't know. I don't think so. But—will you fetch her in? I should like to see her."

"If you like, auntie," said Dorothy, though a little reluctantly.

But Lady Tasker seemed to change her mind. She laid down her crochet and rose.

"No, never mind," she said. "I'll fetch her myself."

And the old lady of seventy passed slowly out of the room, and Katie and Dorothy moved away from the window.

Lady Tasker was back again in five minutes, but no Amory came with her. She walked back to her chair, moved it, and took up her work again.—"Switch the table light on," she said.

"Was it Amory?" Dorothy ventured to ask after a silence.

"Yes," Lady Tasker replied.

"And wouldn't she come in?"

"She said she was hurrying back home."

That raised a question so plain that Dorothy thought it tactful to make rather a fuss about finding some album or other that should convince Katie that she really had met the Mollie who had written the letter about the window-curtains. Lady Tasker's needle was dancing rather more quickly than usual. Dorothy found her album, switched on another light, and told Katie to make room for her on her chair.

Amory, dawdling like that, and then, when spoken to, to have the face to say that she was hurrying back home!——

It was some minutes later that Lady Tasker said off-handedly, "Has she any children besides those twins?"

"Amory?" Dorothy replied, looking up from the album. "No."

"How old is she?" Lady Tasker asked.

"Thirty-two, isn't she, Katie?"

"About that."

"Is she very—athletic?" Lady Tasker next wanted to know.

"Not at all, I should say."

"I mean she doesn't go in for marathon races or Channel swimming or anything of that kind?"

"Amory? No," said Dorothy, puzzled.

"And you're sure of her age?" the old lady persisted.

"Well—she may only be thirty-one."

"I don't mean is she younger. Is she older than that?"

"No—I know by my own age."

"H'm!" said Lady Tasker; and again her needle danced....

Dorothy was explaining to Katie that Mollie was fair, about her own colour, but of course the hair never came out right in a photograph, when Lady Tasker suddenly began a further series of questions.

"Dorothy——"

"Yes?"

"Did she—develop—early?"

"Who—Amory? I don't know. Did she, Katie? Of course she was quite the cleverest girl at the McGrath."

"Ah!... What did she do at the McGrath?"

"Why, painted. You're awfully mysterious, auntie! It was soon after she left the McGrath that she painted 'Barrage'—you've heard of her feminist picture that made such a stir!"

"Ah, yes. Yes. I didn't see it, but I did hear about it. I don't know anything about art.—Had she any affair before she married young Pratt?"

"No. I'm sure of that. I knew her so well." Dorothy was quite confident on that point, and Katie agreed. Lady Tasker's questions continued.

And then, suddenly, into this apparently aimless catechism the word "doctor" came. Dorothy gave a start.

"Aunt Grace!... Do you mean Amory's ill?" she cried.

Lady Tasker did not look up from her crochet.—"Ill?" she said. "I've no reason to suppose so. I didn't say she was ill. There's no illness about it.... By the way, I don't think I've asked how Stan is."

But for the curiously persistent questions, Dorothy might have seized the opportunity to hint that Stan was made for something more nationally useful than getting himself black and blue by stopping runaway horses for the film or running the risk of double pneumonia by being fished out of the sea on a January day—which was the form his bread-winning was taking on that particular week-end. But the Ludlow design was for the moment forgotten. She would have liked to ask her aunt straight out what she really meant, but feared to be rude. So she turned to the album again, and again Katie, turning from turban to staff-cap and from staff-cap to pith helmet, urged that those were the people who really knew what they were talking about—surely Dorothy saw that!——

Then, in the middle of Dorothy's bewilderment, once more the questions.... About that painting of her friend's, Lady Tasker wanted to know: did Mrs. Pratt get any real satisfaction out of it?—Any emotional satisfaction?—Was she entirely wrapped up in it?—Or was it just a sort of hitting at the air?—Did it exhaust her to no purpose, or was it really worth something when it was done?——

"If Dorothy doesn't know, surely you do, Katie."

Katie coloured a little.—"I liked 'Barrage' awfully at the time," she confessed, "but—," and she cheered up again, "—I hate it now."

"But did her work—what's the expression?—fill her life?"

Here Dorothy answered for Katie.—"I think she rather liked the fame part of it," she said slowly.

"Does she paint now?"

"Very little, I think, Lady Tasker."

"Has her children to look after, I suppose?"

"Well—she has both a nurse and a governess——"

"They're quite well off, aren't they? I seem to remember that Pratt came into quite a lot."

"They seem to spend a great deal."

"But that's only a small house of theirs?"

"Oh, yes, they're rather proud of that. They don't spend their money selfishly. It goes to the Cause, you see."

"What Cause?" Lady Tasker asked abruptly.

This was Katie's cue....

She ceased, and Lady Tasker muttered something. It sounded rather like "H'm! Too much money and not enough to do!" but neither of her companions was near enough to be quite sure.

And thereupon the questions stopped.

But a surmise of their drift had begun to dawn glimmeringly upon Dorothy. She ceased to hear the exposition of Imperialism's real needs into which Katie presently launched, and fell into a meditation. And of that meditation this was about the length and breadth:—

Until the law should allow a man to have more wives than one (if then), of course only one woman in the world could be perfectly happy—the woman who had Stan. That conviction came first, and last, and ran throughout her meditation. And of what Dorothy might compassionately have called secondary happinesses she had hitherto not thought very much. She had merely thanked her stars that she had not married a man like Cosimo, had once or twice rather resented Amory's well-meant but left-handed kindnesses, and that had been the extent of her concern about the Pratt household. But first Katie, and now her aunt, had set her wondering hard enough about that household now.

What, she asked herself, had the Pratts married on? What discoveries had they made in one another, what resources found within themselves? Apart from their talks and books and meetings and "interests" and that full pack of their theories, what was their marriage? Thrown alone together for an hour, did they fret? Did their yawning cease when the bell rang and a caller was admitted? Did even the same succession of callers become stale and a bore, so that strangers had to be sought to provide a stimulus? And did they call these and half a hundred other forms of mutual boredom by the rather resounding names that blabbing Katie had repeated to her—"wider interests," "the broad outlook," "the breaking down of personal insularity," and the rest?

And for once Dorothy dropped her excusatory attitude towards her friend. She dropped it so completely that by and by she found herself wondering whether Amory would have married Cosimo had he been a poor man. She was aware that, stated in that way, it sounded hideous; nor did she quite mean that perhaps Amory had married Cosimo simply and solely because he had not been poor; no doubt Amory had assumed other things to be equal that as a matter of fact had unfortunately proved to be not equal at all; but she did doubt now whether Amory had not missed that something, that something made of so many things, that caused her own heart suddenly to gush out to the absent Stan. The thought frightened her a little. Had Amory married and had babies—all, as it were, beside the mark?...

Dorothy did not know.

But an obscurer hint still had seemed to lie behind her aunt's persistent questions. "Was Amory ill?" she herself had asked in alarm when that unexpected word "doctor" had been quietly dropped; and "Ill? I didn't say she was ill; there's no illness about it," Lady Tasker had replied. No illness about what? Apparently about something Lady Tasker saw, or thought she saw, in Amory.... An old lady whose years had earned her the right to sit comfortably in her chair had gone so far as to descend the stairs and go out into the street to have a closer look at a young one: why? Why ask "Is she a Channel swimmer?" and "Is her painting a mere hitting of the air?" Why this insistence on some satisfaction for labour, as if without that satisfaction the labour wreaked on the labourer some sort of revenge? What sort of a revenge? And why on Amory?

Yes, Dorothy would have liked to ask her aunt a good many questions....

She did not know that Lady Tasker could not have answered them. She did not know that the whole world is waiting for precisely those replies. She did not know that the data of a great experiment have not yet begun to be gathered together. She did not know that, while she and Stan would never see the results of that experiment, little Noel and the other Bits, and Corin and Bonniebell might. She only knew that her aunt was a wise and experienced woman, with an appetite for life and all belonging to it that only grew the stronger as her remaining years drew in, and that apparently Lady Tasker found something to question, if not to fear.

"Is she a Channel swimmer? Does she get any emotional satisfaction out of what she does?"

They were oddly precise questions....

Much less odd was that homely summing-up of Lady Tasker's: "Too much money, and not enough to do."...

Dorothy had often thought that herself.