Stan was quite right in supposing that the Cosimo Pratts wished to forget all about the Ludlow experiment that had disturbed the Shropshire country-side a year or more before, but he was wrong in the reason he assigned them. They were not in the least ashamed of it. As a stage in their intellectual development, the experiment had been entirely in its place. Especially in Mrs. Pratt's career—as an old student of the McGrath School of Art, a familiar (for a time) with Poverty in cheap studios, the painter of the famous Feminist picture "Barrage," and so forward—had this been true. Cosimo, in "The Life and Work of Miss Amory Towers," a labour to which he devoted himself intermittently, pointed out the naturalness and inevitability of the sequence with real eloquence. Step had led to step, and the omission of any one step would have ruined the whole.

But nobody with work still in them lingers long over the past. They had dropped the task of regenerating rural England, or rather had handed it over to others, only when it had been pointed out to them that capacity so rare as theirs ought to be directed to larger ends. One evening there had put in an appearance at one of the Ludlow meetings—a meeting of the Hurdy-gurdy Octette, which afterwards gave instrumental performances with such success at Letchworth, Bushey and Golder's Green—Mr. Strong, the original founder and present editor of the "Novum Organum," or, as it was usually called, the "Novum." Mr. Strong, as it happened, was the man whom the scatter-brained Stan had met at The Witan, and of whom he had expected that impossibility of any man whomsoever—an admission that he did not know what he was talking about. At that time Mr. Strong had been perambulating the country with a Van, holding meetings and distributing literature; and whatever Mr. Strong's other failings might have been, nobody had ever said of him that he did not recognize a good thing when he saw it. The Cause itself had served as an introduction between him and Cosimo; it had also been a sufficient reason for his inviting himself to Cosimo's house for a couple of days and remaining there for three weeks; and then he had got rid of the Van and had come again. He was a rapturous talker, when there was an end to be gained, and he had expressed himself as strongly of the opinion that, magnificent a field for the sowing of the good seed as the country-side was, there was simply stupendous propaganda to be done in London. He knew (he had gone on) that Mrs. Pratt would forgive him (he had a searching blue eye and an actor's smile) if he appeared for a moment to speak disparagingly of what he might call the mere graces of the Movement, (alluring as these were in Mrs. Pratt's capable and very pretty hands); it was not disparagement really; he only meant that these garlands would burgeon a hundred-fold if the stern and thankless work was got out of the way first. Mr. Strong had a valuable trick of suddenly making those searching blue eyes of his more searching, and of switching off the actor's smile altogether; both of these things had happened as he had gone on to point out that what the Cause was really languishing for was a serious and responsible organ; and then, and only then, when they had got (so to speak) the diapason, there would be time enough for the trills and appoggiaturas of the Hurdy-gurdy Band.

Before the end of Mr. Strong's second visit Cosimo had put up the greater part of the money for the "Novum."

So you see just where the feather-pated Stan was wrong. The Cosimo Pratts were not outfaced from anything; they had merely seen a new and heralding light. They did not so much recede from the Rural Experiment, and discussions of the Suffrage, and eating buns on the floor at assemblies of the Poets' Club, and a hundred and twenty other such things, as become as it were translated. They still shed over these activities the benignity of their approval, but from on high now. Amory could no longer be expected actually to "run" the Suffrage Shop herself—Dickie Lemesurier did that; nor the "Eden" (the new offshoot off the Lettuce Grill)—that she left to Katie Deedes; nor the "Lectures on Love" Agency—that was quite safe in the hands of her friends, Walter Wyron and Laura Beamish. Amory merely shed approval down. She was hors concours. She ... but you really must read Cosimo's book. You will find it all there (or at any rate a good deal of it).

For Amory Pratt, in so far as Cosimo was the proprietor of the "Novum," was the proprietor of the proprietor of a high-class weekly review that was presently going to put the two older parties out of business entirely. She had more than a Programme now; she had a Policy. She had crossed the line into the haute politique. Her At Homes were already taking on the character of the political salon, and between herself and the wives of ministers and ambassadors were differences, in degree perhaps, but not in kind. And that even these differences should become diminished she had taken on, ever since her settling-down at The Witan, slight, but significant, new attitudes and condescensions. She was kinder and more gracious to her sometime equals than before. She gave them encouraging looks, as much as to say that they need not be afraid of her. But it was quite definitely understood that when she took Mr. Strong apart under the copper beech or retired with him into the studio at the back of the house, she must on no account be disturbed.—Mr. Strong, by the way, always dressed in the same Norfolk jacket, red tie and soft felt hat, and his first caution to Cosimo and Amory had been that Brimby, the novelist, was an excellent chap, but not always to be taken very seriously.

Amory did not often put in an appearance at the "Novum's" offices. This was not that she thought it more befitting that Mr. Strong should wait on her, for she went about a good deal with Mr. Strong, and did not always trouble him to come up to The Witan to fetch her. It was, rather, if the truth must be told, that she found the offices rather dingy. Her senses loved the newly-machined smell of each new issue of the paper, but not the mingled odour of dust and stale gum and Virginia cigarettes of the place whence it came. Moreover, the premises were rather difficult to find. They lay at the back of Charing Cross Road. You dodged into an alley between a second-hand bookseller's and a shop where electric-light fittings were sold, entered a narrow yard, and, turning to the right into a gas-lighted cavern where were stacked hundreds and hundreds of sandwich-boards, some back-and-fronts, some with the iron forks for the bearer's shoulders, you ascended by means of a dark staircase to the second floor. There, at the end of a passage which some poster-artist had half papered with the specimens of his art, you came upon the three rooms. The first of these was the general office; the second was Mr. Strong's private office; and the third was a room which, the "Novum" having no need of it, Mr. Strong had thought he might as well use as a rent-free bedroom as not. The door of this room Mr. Strong always kept locked. It was more prudent. He was supposed to live somewhere in South Kentish Town, and gave this address to certain of his correspondents. The letters of these reached him sooner or later, through the agency of a barber, in whose window was a placard, "Letters may be addressed here."

Perhaps, too, the extraordinary people who visited Mr. Strong in the way of business helped to keep Amory away. For an endless succession of the queerest people came—contributors, and would-be contributors, and friends of the Cause who "were just passing and thought they'd look in," and artists seeking a paper with the courage to print really stinging caricatures, and article-writers who were out of a job only because they dared to tell the truth about things, and Russian political exiles, and Armenians who wanted passages to America, and Eurasians who wanted rifles, and tramps, and poets, and the boy from the milkshop who brought in the bread and butter and eggs for Mr. Strong's breakfast. And out of these strange elements had grown up the paper's literary style. This was unique in London journalism: philosophical, yet homely; horizon-wide of outlook, yet never without hope that the shining thing in the gutter might prove to be a jewel; and, despite its habitual omissions of the prefix "Mr." from the names of statesmen, and its playful allusions to this personage's nose or the waist-measurement of the other, with more than a little of the Revelation of Saint John the Divine about it. "Damn" and "Hell" were words the "Novum" commonly used. Once Amory had demurred at the use of a word stronger still. But Mr. Strong had merely replied, "If I can say it to you I think I can say it to them." He was no truckler to his proprietors, and anyhow, the man whom the word had encarnadined was only a colliery-owner.

The "Novum" had hardly been six weeks old when a certain desire on Amory's part to make experiment of her power had, putatively at any rate, lost it money. The little collision of wills had come about over the question of whether the "Novum" should admit advertisements to its columns or not. Now as most people know, that is a question that seldom arises in journalism. A question far more likely to arise is whether the advertisements can be got. But when a journal sets out to do something that hitherto has not only not been done, but has not even been attempted, you will admit that the case is special. The experience of other papers is useless; their economics do not apply. What did apply was the fact that Mrs. Pratt had been an artist, looked on sheets of paper from another angle than that of the mere journalist and literary man, and loved symmetry and could not endure unsightliness. Besides, "No Compromise" was the "Novum's" motto, and what was the good of having a motto like that if you compromised in the very form of your expression?... A "shoulder-piece," "The Little Mary Emollient," had brought out all Mrs. Pratt's finer artistic instincts. Here was a journal consecrated to a great and revolutionary cause, and the very first thing to catch a reader's eye was, not only an advertisement, but a facetious advertisement at that—a Pill, without a Pill's robust familiarity—a commercial cackle issuing from the "Novum's" august and oracular mouth.... For the first time in her life Mrs. Pratt had wielded the blue pencil, tearing the rubbishy proof-paper in the energy with which she did so. Mr. Strong's blue eyes, bluer for the contrast with his red knot of a tie, had watched her face, but he had said nothing. He was willing to humour her....

But when all was said and done he was an editor, and no sooner was Amory's back turned than he had restored the announcement. The paper had appeared, and there had been a row....

"Then I appeal to Pratt," Mr. Strong had said, with all the good-nature in the world. "I take it the 'Novum's' a serious enterprise, and not just a hobby?"

Cosimo had glanced a little timidly at his wife. Then he had replied thoughtfully.

"I don't know. I'm not so sure. That is, I'm not so sure it oughtn't to be a serious enterprise and a hobby. The world's best work is always done for love—that's another way of calling it a hobby—you see what I mean—Nietzsche has something about it somewhere or other—or if he hasn't Ruskin has——"

Any number of effective replies had been open to Mr. Strong, but he had used none of them. Instead his eyes had given as it were a flick to Amory's face. The proprietor's proprietor had continued indignantly.

"It ruins the whole effect! It's unspeakably vulgar! After that glowing, that impassioned Foreword—this! Hardly a month ago that lovely apostrophe to Truth Naked—that beautiful image of her stark and innocent on our banners but with a forest of bright bayonets bristling about her—and now this! It's revolting!"

But Mr. Strong had himself written that impassioned Foreword, and knew all about it. Again he had given his proprietor's wife that quietly humouring look.

"Do you mean that the 'Novum's' going to refuse advertisements?"

"I mean that I blue-pencilled that one myself."

"And what about the others—the 'Eden' and the Suffrage Shop and Wyron's Lectures?"

"They're different. They are the Cause. You said yourself that the 'Novum' was going to be a sort of generalissimo, and these the brigades or whatever they're called. They are, at any rate, doing the Work. Is that doing any Work, I should like to know?"

Mr. Strong had refrained from flippancy.—"I see what you mean," he had replied equably. "At the same time, if you're going to refuse advertisements the thing's going to cost a good deal more money."

"Well?" Amory had replied, as who might say, "Has money been refused you yet?"

Strong had given a compliant shrug—"All right. That means I censor the advertisements, I suppose. New industry. Very well. The 'Eden' and Wyron's Lectures and Week-end Cottages and the Plato Press only, then. I'll strike out that 'Platinum: False Teeth Bought.' But I warn you it will cost more."

"Never mind that."

And so the incident had ended.

But perhaps Mrs. Pratt's sensitiveness of eye was not the only cause of the rejection of that offending advertisement. Another reason might have lain in her present relation with her sometime fellow-student of the McGrath School of Art, Dorothy Tasker. For that relation had suffered a change since the days when the two girls had shared a shabby day-studio in Cheyne Walk, Chelsea. At that time, now five years ago, Amory Towers had been thrust by circumstances into a position of ignoble envy of her friend. She had been poor, and Dorothy's people (or so she had supposed) very, very wealthy. True, poor Dorothy, without as much as a single spark of talent, had nevertheless buckled to, and, in various devious ways, had contrived to suck a parasitic living out of the wholesome body of real art; none the less, Amory had conceived her friend to be of the number of those who play at hardship and independence with a fully spread table at home for them to return to when they are tired of the game. But the case was entirely changed now. Amory frankly admitted that she had been mistaken in one thing, namely, that if those people of Dorothy's had more money, they had also more claims upon it, and so were relatively poor. Amory herself was now very comfortably off indeed. By that virtue and good management which the envious call luck, she had now money, Cosimo's money, to devote to the regeneration of the world. Dorothy, married to the good-tempered and shiftless Stan, sometimes did not know which way to turn for the overdue quarter's rent.

Now among her other ways of making ends meet Dorothy had for some years done rather well out of precisely that kind of work which Amory refused to allow the "Novum" to touch—advertisements. She had wormed herself into the services of this firm and that as an advertisement-adviser. But her contracts had begun in course of time to lapse, one or two fluky successes had not been followed up, and two children had further tightened things. Nor had Stan been of very much help. Amory despised Stan. She thought him, not a man, but a mere mouth to be fed. Real men, like Cosimo, always had money, and Amory was quite sure that, even if Cosimo had not inherited a fortune from his uncle, he would still have contrived to make himself the possessor of money in some other way.

Therefore Amory was even kinder to Dorothy than she was to Dickie Lemesurier of the Suffrage Shop, to Katie Deedes of the "Eden," and to Laura Beamish and Walter Wyron, who ran the "Lectures on Love." But somehow—it was a little difficult to say exactly how, but there it undoubtedly was—Dorothy did not accept her kindnesses in quite the proper spirit. One or two she had even rejected—gently, Amory was bound to admit, but still a rejection. For example, there had been that little rebuff (to call it by its worst name for a moment) about the governess. Amory had, in Miss Britomart Belchamber, the most highly-qualified governess for Corin and Bonniebell that money and careful search had been able to obtain; Dorothy lived less than a quarter of an hour's walk away; it would have been just as easy for Britomart to teach four children as to teach two; but Dorothy had twisted and turned and had finally said that she had decided that she couldn't put Amory to the trouble. And again, when the twins had had their party, Amory would positively have liked Noel and Jackie to come and dance "Twickenham Ferry" in those spare costumes and to join in those songs from the Book of Caroline Ditties; but again an excuse had been made. And half a dozen similar things had driven Amory to the conclusion, sadly against her will, that the Taskers were taking up that ridiculous, if not actually hostile attitude, of the poor who hug their pride. It was not nice between old friends. Amory could say with a clear conscience that she had not refused Dorothy's help in the days when the boot had been on the other leg. She was not resentful, but really it did look very much like putting on airs.

But of course that stupid Stanhope Tasker was at the bottom of it all. Amory did not so much mind his not having liked her from the first; she would have been sorry to let a trifle like that ruffle her equanimity; but it was evident that he did not in the least realize his position. She was quite sure, in the first place, that he couldn't afford (or rather Dorothy couldn't afford) to pay eighty pounds for that flat, plus another twenty for the little office they had annexed and used as a nursery. And in the next place he dressed absurdly above his position. Cosimo dressed for hygiene and comfort, in cellular things and things made of non-irritant vegetable fibre; but those absurdly modish jackets and morning-coats of Stan's had, unless Amory was very much mistaken, to be bought at the expense of real necessaries. And so with their hospitality. In that too, they tried to cut a dash and came very near to making themselves ridiculous. Amory didn't want to interfere; she couldn't plan and be wise for everybody; she had her own affairs to attend to; but she was quite sure that the Taskers would have done better to regulate their hospitality as hospitality was regulated at The Witan—that was, to make no special preparation, but to have the door always open to their friends. But no; the Taskers must make a splash. They must needs "invite" people and be a little stand-offish about people coming uninvited. They were "At home" and "Not at home" for all the world as if they had been important people. But Amory would have thought herself very stupid to be taken in by all this ceremony. For example, the last time she and Cosimo had been asked to the flat to dinner she knew that they had been "worked off" only because the Taskers had had the pheasants given by somebody, and very likely the fish too. And it would have been just like Stan Tasker's insolence had he asked them because he knew that the Pratts did not eat poor beasties that should have been allowed to live because of their lovely plumes, nor the pretty speckled creatures that had done no harm to the destroyer who had taken them with a hook out of their pretty stream.

But, kind to her old friend as Amory was always ready to be, she did not feel herself called upon to go out of her way to be very nice to her friend's husband. He had no right to expect it after his rudeness to Edgar Strong about the "Novum." For it had been about the "Novum" that Stan had given Strong that talking-to. Much right (Amory thought hotly) he had to talk! Just because he consorted with men who counted their money in rupees and thought nothing of shouldering their darker-skinned brothers off the pavement, he thought he was entitled to put an editor into his place! But the truth, of course, was, that that very familiarity prevented him from really knowing anything about these questions at all. Because an order was established, he had not imagination enough to see how it could have been anything different. His mind (to give it that name) was of the hidebound, official type, and too many limited intelligences of that kind stopped the cause of Imperial progress to-day. Or rather, they tried to stop it, and perhaps thought they were stopping it; but really, little as they suspected it, they were helping more than they knew. A pig-headed administration does unconsciously help when, out of its own excesses, a divine discontent is bred. Mr. Suwarree Prang had been eloquent on that very subject one afternoon not very long ago. A charming man! Amory had listened from her hammock, rapt. Mr. Prang did the "Indian Review" for the "Novum," in flowery but earnest prose; and as he actually was Indian, and did not merely hobnob with a few captains and subalterns home on leave, it was to be supposed that he would know rather more of the subject than Mr. Stanhope Tasker!——

And Mr. Stanhope Tasker had had the cheek to tell Mr. Strong that he didn't know what he was talking about!

Amory felt that she could never be sufficiently thankful for the chance that had thrown Mr. Strong in her way. She had always secretly felt that her gifts were being wasted on such minor (but still useful) tasks as the "Eden" Restaurant and the "Love Lectures" Agency. But her personal exaltation over Katie Deedes and the others had caused her no joy. What had given her joy had been the immensely enlarged sphere of her usefulness; that was it, not the odious vanity of leadership, but the calm and responsible envisaging of a task for which not one in ten thousand had the vision and courage and strength. And Edgar Strong had shown her these things. Of course, if he had put them in these words she might have suspected him of trying to flatter her; but as a matter of fact he had not said a single word about it. He had merely allowed her to see for herself. That was his way: to all-but-prove a thing—to take it up to the very threshold of demonstration—and then apparently suddenly to lose interest in it. And that in a way was his weakness as an editor. Amory, whom three or four wieldings of the blue pencil had sufficed to convince that there was nothing in journalism that an ordinary intelligence could not master in a month, realized this. She herself, it went without saying, always saw at once exactly what Mr. Strong meant; she personally liked those abrupt and smiling stops that left Mr. Strong's meaning as it were hung up in the air; but it was a mistake to suppose that everybody was as clever as she and Mr. Strong. "I's" had to be dotted and "t's" crossed for the multitude. But it was at that point that Mr. Strong always became almost languid.

It was inevitable that the man who had thus revealed to her, after a single glance at her, such splendid and unsuspected capacities within herself, should exercise a powerful fascination over Amory. If he had seen all this in her straight away (as he assured her he had), then he was a man not lightly to be let go. He might be the man to show her even greater things yet. He puzzled her; but he appeared to understand her; and as both of them understood everybody else, she was aware of a challenge in his society that none other of her set afforded her. He could even contradict her and go unsacked. Prudent people, when they sack, want to know what they are sacking, and Amory did not know. Therefore Mr. Strong was quite sure of his job until she should find out.

Another thing that gave Mr. Strong this apparently off-hand hold over her was the confidential manner in which he had warned her not to take Mr. Brimby, the novelist, too seriously. For without the warning Amory, like a good many other people, might have committed precisely that error.... But when Mr. Brimby, taking Amory apart one day, had expressed in her ear a gentle doubt whether Mr. Strong was quite "sound" on certain important questions, Amory had suddenly seen. Mr. Strong had "cut" one of Mr. Brimby's poignantly sorrowful sketches of the East End—seen through Balliol eyes—and Mr. Brimby was resentful. She did not conceal from herself that he might even be a little envious of Mr. Strong's position. He might have been wiser to keep his envy to himself, for, while mere details of routine could hardly expect to get Amory's personal attention, there was one point on which Mr. Strong was quite "sound" enough for Amory—his sense of her own worth and of how that worth had hitherto been wasted. And Mr. Strong had not been ill-natured about Mr. Brimby either. He had merely twinkled and put Amory on her guard. And because he appeared to have been right in this instance, Amory was all the more disposed to believe in his rightness when he gave her a second warning. This was about Wilkinson, the Labour Member. He was awfully fond of dear old Wilkie, he said; he didn't know a man more capable in some things than Wilkie was; but it would be foolish to deny that he had his limitations. He wasn't fluid enough; wanted things too much cut-and-dried; was a little inclined to mistake violence for strength; and of course the whole point about the "Novum" was that it was fluid....

"In fact," Mr. Strong concluded, his wary blue eyes ceasing suddenly to hold Amory's brook-brown ones and taking a reflective flight past her head instead, "for a paper like ours—I'm hazarding this, you understand, and keep my right to reconsider it—I'm not sure that a certain amount of fluidity isn't a Law...."

Amory nodded. She thought it excellently put.