Laurie’s removal was not accomplished with the passionate haste which distinguished that of his brother Ben. There was no particular hurry about it. The padrona, with the natural impatience of a woman, found a lodging almost immediately, which he saw and approved; but Laurie took his time, and consoled poor Mrs. Brown at Kensington Gore, and found her a lodger in the shape of a ‘real hartis-gentleman,’ as she herself perspicuously expressed it, having felt in her soul from the beginning that Laurie was something of a sham. Her new tenant was a young painter who had made a successful debÚt at the last Academy, and was for the moment a man whom the picture-dealers delighted to honour. He was ready to take Laurie’s pretty fittings, his contrivances, everything he had done for himself; but Laurie’s good sense deserted him on that point. The money would have been convenient no doubt; but he could not part with the rubbish of his own collecting and contriving, which represented to him not so much money, but so many moments of amusement and pleasant thoughts. There was not room for half of them in Charlotte Street, where he was going; so he carried his shelves, and stands, and quaint little cupboards, to No. 375, Fitzroy Square, and put them up in every corner he could find, the children hanging on him as he did so in an admiring crowd. So that he got a great deal more good of his belongings than Ben did of the marqueterie and buhl; and his successor furnished the rooms at Kensington Gore with conveniences of a much more expensive kind, and was altogether more splendid, and lavish, and prodigal than Laurie, whose tastes were very unobtrusive. His new lodging in Charlotte Street was on the first floor; the front room,—called the drawing-room,—had three windows in it, one of which was cut up into the wall a few feet higher than the others, giving that direct sky-light which is necessary to a painter; and there was a sleeping-room behind. This was all Laurie’s domain now-a-days, and the rooms were not large. There was a table in the corner near the fireplace, as much out of the way as possible of the great easel and the professional part of the room, where he ate his breakfast, and anything else he might find it necessary to regale himself with at home, in a meek kind of humble way,—under protest, as it were, that he could not help himself. His new landlady’s ideas on the subject of cooking were of the most limited character. She gave him weak tea and bacon for breakfast without any apparent consciousness of the fact that such luxuries pall upon the taste by constant repetition, and that a diet of toujours perdrix wearies the meekest soul. Laurie thought it most expedient, on the whole, not to inquire into her sentiments in respect to dinner, but swallowed his morning rasher with a grimace, and was, on the whole, ‘a comfortable sort of gentleman,’ the woman reported;—‘not like some as thinks they can’t give too much trouble.’ But he missed the mistress of Kensington Gore. He missed the neat maid, and his boy, who exasperated him in the studio, and kept all his friends in amusement; and it was a different thing looking out from the dreary windows in Charlotte Street upon the dreary houses opposite,—upon the milkman and the potboy wending their rounds, and the public-house at the corner, and the awful blank of gentility in the windows on the other side, to what it used to be when he could glance forth upon the sunny Park from among his flowers, with, even at this time of the year, the old ladies taking their airing, and the nurserymaids under the leafless trees. Nurserymaids and old ladies are not entrancing objects of contemplation except to their respective life-guards and medical men; but still it was better than in Charlotte Street. Miss Hadley lived opposite to him, and was by no means of his opinion; and when she was at home watched with a little amusement for such glimpses of her neighbour as were to be had. In the morning,—when there was not a fog,—Laurie, to start with, barricaded his windows, leaving only the upper part of the middle one unshuttered, and then set himself to work before his easel with Spartan heroism. Old Miss Hadley, who knew all his story, had her chair near her window, entering into the little drama with zest, and kept her eye upon him. For the first day or two he would remain in this sheltered condition until the afternoon light began to fail, when all at once he would sally forth with an alacrity and air of relief which much amused the watcher. But by-and-by this power of activity began to wane. ‘My dear, he’s getting a little tired,’ the old lady said, with a chuckle, to her sister, a week after Laurie’s arrival. ‘I heard the bolts go about one o’clock, and the window opened; and there he was in his velvet coat, with his palette and all the rest of it. I am sure Mr. Welby never looked so professional; and he has a nice brown beard coming, and I like the looks of the lad,’ said Miss Hadley, who was a soft-hearted old soul.

‘He is not such a lad,’ said Miss Jane, ‘and his beard has been come this twelvemonth at least; but I never thought it would last very long. I hate amateurs.’ For all that, however, she would look up and nod at Laurie, when she came home early and the young man appeared at his window. As the days went on old Miss Hadley found her life quite brightened up by the new neighbour, whose proceedings she watched with so good-humoured an interest.

‘He had Shaw the Guardsman to sit to him to-day,’ was her next report; ‘and dreadfully bored the poor boy did look to be sure. I saw the warrior go away, and then our friend stepped out on his balcony and yawned as if his head would have come off.’ Next time the report was of a different character. ‘The boy is getting used to us,’ the old lady said; ‘he has been buying some plants for his window. He stood a long time to-day and watched the Jenkinses getting into their dog-cart. He took off his hat, my dear, when he was going out, when he saw me come to the window. He knows I am your sister, I suppose.’

‘I do not admire his taste watching the Jenkinses,’ said Miss Jane, with a momentary frown of jealousy. She would have been very indignant had any one called her a match-maker, and yet almost without knowing it there had come into her head a little plan about Laurie and ‘the child.’

‘Bless you, he was only amusing himself,’ said the elder sister. ‘I have no doubt it looked very funny to him,—and the fuss and the cloaks, and the bottles sticking out of the basket. They were going to see their married sister at Battersea, my dear. Her husband is a coal-merchant, and I believe they are very well to do. But I am very glad, I must say, that Mr. Renton went opposite to live, and not at the Jenkinses. So many girls in a house when people let lodgings is not nice; a young man may be inveigled before he knows; and Mrs. Robinson is a very respectable sort of a person; I am very glad he has gone there.’

‘I daresay he thinks it miserable enough,’ said the governess. These little talks occurred every evening; and though Miss Hadley did not confide all the vicissitudes of Laurie’s life to Mrs. Severn, yet the main incidents became generally known ‘in the Square.’ They knew that Shaw had been sitting to him, and that he had been bored, and the incident afforded no small amusement to a circle of admiring friends.

‘It must be Miss Hadley who has betrayed me,’ said Laurie; ‘the fellow has such heaps of talk. I declare I know everything about his family, from the first of his name down to his sister’s little Polly. Little Polly it was. And if a man may not be permitted to yawn after two hours of that——’

‘A man might be permitted to yawn in the midst of it,’ said the padrona, ‘which I am sure you didn’t. But it was droll to rush out into your balcony, and relieve yourself as soon as he was gone.’

‘There is no air in that little hole of a place,’ said Laurie; and then he bethought himself that the other people about him were all of them inmates of similar holes. ‘I mean it’s very nice, you know,’ he added, ‘and close to everything,—schools, and British Museum, and everything a man can desire. But I am very fond of as much air as I can get.’

‘I always thought this was a very airy neighbourhood,’ said little Mrs. Suffolk, who lived in another of the streets near Fitzroy Square, ‘and so handy for the children, in five minutes they can be in the Park.’

‘One gets never to listen to those fellows,’ said her husband; ‘if you take an interest in them they go and make money of you. Their wives are always ill, and their children dying, and that sort of thing. Glossop’s got your old rooms over at Kensington, do you know, Renton? And come out no end of a swell. I don’t know why, I am sure, unless that he has a friend on the “Sword.”’

‘Not so bad as that,’ said Laurie. ‘Those were two very pretty pictures of his this year.’

‘Oh, ah, pretty enough,’ said the other; ‘if that is all you want in a picture. British taste! But I’d like to know what sort of people they must be who like to hang these eternal simperings on their walls. I believe there are heaps of men who don’t care twopence for art. But to choose bad art where good is to be had, out of mere perverseness!—I don’t believe in that. They pin their faith on the “Sword,” and the “Sword” lies and cheats right and left, and looks after its own friends; and the British public pays the piper. When one thinks of Glossop, that one has known all over the world, in Laurie Renton’s pretty rooms at Kensington Gore!’

‘And Laurie here!’ said the padrona, ‘which is great luck for us. But, my friend, you are mistaken. There are heaps of people, as you say, who prefer bad art to good. It is of no use pretending to deny it;—and,’ Mrs. Severn added with a little sigh, ‘we all trade upon it, I fear, if the truth were told.’

‘No, indeed, I am sure not that,’ said the painter’s wife. ‘There stands one who never does, I say to him a hundred times, “Reginald dear, do think of a popular subject; do paint something for common sort of folks!”—but he never will. They say it is only the nouveaux riches that buy now-a-days,’ Mrs. Suffolk continued in injured tones, ‘or dealers; and we know nobody who writes on the “Sword.” You do, of course, Mr. Renton,—you have been so much in the world.’

‘I met Slasher the other day at the club,’ said Laurie, with a laugh which he could only half restrain. ‘He is not such a bad fellow. If you will let Suffolk bring you to my little place some time, I will show him to you. He does not bite in private life.’

‘Oh, I don’t know that I should like to meet such a man,’ the little woman said, with an anxious glance at her husband; and then she took Laurie a step aside, and became confidential. ‘If you would but make Reginald and him friends, Mr. Renton! I don’t mind speaking to you. Nobody knows what talent Reginald has; and I am so afraid he will get soured with never finding an opening; and he can’t afford to keep up a club like you young men, and we have been so much out of the world. What does it matter studying nature and studying the great masters, and staying out of London till everybody forgets you?’ the poor young woman continued, with tears in her eyes. She was young, and it was hard upon her to keep from crying when she met Laurie’s sympathetic look. ‘It is not so much the money I am thinking of,’ she said; ‘but if Reginald were to get soured——’

‘I’ll get Slasher to meet him directly,’ said Laurie, with eager promptitude; ‘and you may be sure everything I can do——’

‘Oh, thanks!’ said the painter’s wife. ‘It is not that he wants any favour, Mr. Renton, but only an opening; and we have been so much out of the world.’

‘I wonder you don’t get up a Trades-Union, and make a stand,’ said Mrs. Thurston, who was literary. ‘How anything can keep alive that is so badly written as the “Sword,” I don’t know. It is because you are all so eager to see what it says about you, even though you hate it. Just like the articles in all the papers about women! If women were not so curious to see “what’s next,” do you think any one would take the trouble to write all that? Don’t mind it, and you take away its power.’

‘Ah, it is so easy for you,’ cried Mrs. Suffolk;—‘you have nothing to do but to go to your publisher; but what with the Hanging Committee putting all their friends on the line, and those wicked papers that never think of merit, but only of some one the writers know——’

‘That’s enough, Helen,’ said her husband, with an attempt at a smile; ‘you talk as if we minded. But what is the criticism of an ignorant fellow, who does not know a picture when he sees it, to me,—or any one?’ he added, with the slightest half-perceptible quiver of his lip. ‘Constable has just come back from Italy, Renton;—one of our old set;’ and so the talk ran on.

This little party was assembled as before in the great drawing-room. There was a fire now which made it brighter and took away something of its quaintness, and the padrona and her guests had drawn near it, carrying the light and the circle of faces into the centre of the room. Now and then somebody would sing, or play,—but talk was what they all loved best, and music as an interruption of the latter was not greatly cultivated. The padrona herself was always working at something with her swift, dextrous fingers; and the ladies who formed her court had generally brought her work in their pockets, to add to their comfort while they talked. Laurie spent the next half-hour standing with Suffolk before the fire, talking of Italy, where they had met, and of the old set, with all that curious mingling of laughter and sadness which accompanies such recollections. Of ‘the old set’ so many had already dropped by the way, as the passengers dropped through the trapdoors in Mirza’s Vision, while yet the fun of their jokes and their adventures lasted vividly in their comrades’ minds. ‘You remember poor old So-and-so,’ the young men said to each other, looking down with their brown faces on the soft glow of the fire; ‘what fun he was! what scrapes he was always getting into! There was not a painter in Rome who did not turn out the day of his funeral!—and poor Untell, with his bad Italian. What nights those were in the Condotti! There never was a better fellow. Did you hear what an end his was?’ This was how the talk went on,—without any moral in it as of the vanity of human joys; nothing but pure fact, the laughter and the tragedy interlaced and woven together; while the ladies round the lamp with the light on their faces, talked too, but not with such historical calm, of the injustices of the ‘Sword,’ and of the Academy, and of the public; of the advantages of other professions,—literature, for example,—at which its representative shook her head; of the children’s education and their health, and, perhaps, a little of the ills of housekeeping,—subject sacred to feminine discussion. Women do not meet, I suppose, nor do women die, as men do. They had no such melancholy, jovial records behind them to go over,—their talk was of the present and the future,—a curious distinction,—and the padrona’s society numbered always more women than men.

Next day, perhaps, it would be at Suffolk’s house that Laurie spent his evening, which was a house not unlike the one in which he himself lived,—a thin, tall strip of building in which two rooms were piled upward upon two rooms to the fourth storey. The two parlours on the ground-floor were domestic, and there Mrs. Suffolk sat, very glad to see her husband’s friends when they came in, but not so entirely one of the party as when the padrona was the hostess. Her little room, though it was as prettily furnished as humble means would allow, was not calculated for the reception of a crowd, and after they had paid her their devoirs, the men streamed up-stairs to the corresponding but larger room above, which was the studio,—a place in which there were no hangings to be poisoned with their tobacco, nor much furniture to impede their movements. Perhaps the wife of one would come with him and take off her bonnet and stay with Mrs. Suffolk, bringing her work with her, and resuming those endless, unfailing talks about the children, and the housekeeping, and the injustice of the world. For it must be understood that the artist-life I am attempting to describe is not that of the highly-placed, successful painter, against whom the Academy has no power,—who is perhaps himself on the Hanging Committee, and has the ‘Sword’ at his feet in abject adoration;—but of the younger brotherhood, in a chronic state of resistance to the powers that be, and profoundly conscious of all the opposing forces that beset their path. Little Mrs. Suffolk had care on her brow, as she sat with her sister in art and war, in the little drawing-room down-stairs, discussing the inexpediency of those wanderings to and fro over the earth, which probably both had gone through and enjoyed, but which ofttimes made the public and the picture-dealers oblivious of a young painter’s name. Up-stairs, however, there would probably be five or six young fellows, of a Bohemian race, bearded, and bronzed, and full of talk, who had not yet taken the responsibilities of life on their shoulders, and laughed at the wolf when he approached their door. Two or three of them would collect round Suffolk’s picture, which he had been working at all day, to give him the benefit of their counsel, in the midst of the wreath of smoke which filled the room. Most of them were picturesque young fellows enough,—thanks to the relaxed laws of costume and hair-dressing prevalent among them. And to see Suffolk with the lamp, raising it in one hand to show his work, shading it with the other that the light might fall just where it ought to fall, tenderly gazing at the canvas on which hung so many hopes, with the eager heads round him studying it judicially, would have made such a picture as Rembrandt loved to paint.

‘I don’t quite like that perspective,’ said one. ‘Look here, Suffolk, your light is coming round a corner,—the sun is there, isn’t he?—or ought to be at that time of the day.’

‘What time of the day do you call it?’ said a second.

‘Why, afternoon, to be sure,’ cried the first critic; ‘don’t you see the shadows fall to the left hand, and the look in that woman’s eyes? It’s afternoon, or I’m an ass! Did you ever see a woman look like that except in the afternoon?—sleepiest time, I tell you, of the whole day.’

‘She’s weary of watching, don’t you see?’ said his neighbour. ‘Matter-of-fact soul! But I’d get that light straight if I were you, Suffolk. He’s wrong about the sentiment, but he’s right about the light.’

‘Give us the chalk here,’ said Constable, who had just come back from Italy; ‘there’s just a touch wanted about the arm, if you don’t mind.’

‘The colour’s good, my dear fellow,’ said Spyer, who was older than any of them, and a kind of authority in his way, ‘and the sentiment is good. I like that wistful look in her eye. She’s turned off her lover, but she can’t help that gaze after him. Poor thing!—just like women. And I like that saffron robe; but I think you might mend the drawing. I don’t quite see how she’s got her shoulder. It’s not out of joint, is it? You had better send for the surgeon before it goes down to Trafalgar Square.’

All these blasts of criticism poor Suffolk received, tant bien que mal, doing his best to seem unmoved. He even suffered the chalk which ‘that beggar, Constable—a tree-painter, by Jove!—a landscape man,’ he said afterwards, with the fervour of indignation, permitted himself to mark the dimpled elbow of his Saxon maiden. The mists of smoke and the laughter that came out of the room from cheery companions who were lost in these mists, and the system of give and take, which made him prescient of the moment when Spyer and Constable too would be at his mercy, as he was now at theirs, made their comments quite bearable, when one word from the ‘Sword’ would have driven the painter frantic. And to do them justice, it was only the pictures which were in the course of painting on which they were critical. Groups now and then would collect before that picture of the English captive boys in the Forum, which the Academy had hung at the roof, and which had come home accordingly unapplauded and unsold, though later;—but I need not anticipate the course of events. Suffolk’s visitors gathered before it, and looked at it with their heads on one side, and pointed out its special qualities to each other, not with the finger, as do the ignorant, but with that peculiar caressing movement of the hand which is common to the craft. ‘What colour! by Jove, that’s a bit of Italian air brought bodily into our fogs;—and the cross light is perfect, sir!’ Spyer said, who had just been so hard on his friend’s drawing. If they found out faults which the uninstructed eye was slow to see, they discovered beauties too; and then gathered round the fire, and fell into twos and threes, and went back to that same talk of the past and the ‘old set,’ in which Laurie had indulged on the previous night. The ‘old set’ varied according to the speakers; with some it was only the fellows at Clipstone Street; but with all the moral was the same; the cheery days and nights, the wild sallies of youthful freedom, the great hopes dwindled into nothing, the many, many fallen by the way, not one-half of the crowd seeming to have come safely through the struggles of the beginning. ‘Poor So-and-so! If ever there was a man who had a real feeling for art, it was he; and as good a fellow’—they added, puffing forth meditative clouds; and there would be a laugh the next moment over some remembered pranks. Laurie had formed one of many such parties ere now. He, too, had been of the ‘old set:’ he had his stories to contribute, his momentary sigh to breathe forth along with the fumes of his cigar. But, perhaps, he had never in his amateur days felt so completely belonging to the society in which he found himself. Sometimes, perhaps, he had laughed a little, and given himself a little shake of half-conscious superiority when he left them, and set out to Kensington Gore as to another world; but Charlotte Street was emphatically the same world, and the esprit de corps was strong in Laurie’s heart. ‘Anch’io pittore,’ he said to himself as he stood indignant before Suffolk’s beautiful picture which had been hung up at the roof. It was a beautiful picture; and one of these days the Hanging Committee might treat himself in the same way; and if by chance criticism should really be so effectual as everybody said, why should not something be done for Suffolk—using the devil’s tools, as it were, to do a good action—by means of Slasher and the ‘Sword?’

The majority of the young men went away after an hour’s talk and smoke unlimited; but Laurie was one of those who remained and went down to supper, along with Spyer and Constable, to the back room down-stairs, which was the little dining-room. Mrs. Suffolk was very careful to keep the folding-doors shut, and to make two rooms, though it certainly would have been larger and might have been more comfortable had they been thrown into one. It was Mrs. Spyer who was her companion that evening, who was older than she, and commented a little sharply on this poor little bit of pretension, as Laurie walked part of the way home with the pair. ‘I like nice dining and drawing-rooms as well as any one,’ Mrs. Spyer said, ‘but if I were Helen, I would be comfortable, and never mind.’ ‘All the same she is a good little woman,’ her husband had said, irrelevantly;—for, to be sure, nobody doubted that she was a good little woman. They had cold beef and celery and cheese on the table, and refreshed themselves with copious draughts of beer. I do not say it was a very refined conclusion to the evening, but I think Laurie was better amused and more interested than after many a fine party. He walked home with Spyer, talking of Suffolk’s picture, and the injustice that had been done him, jettant feu et flamme, as they mentioned the Academy, yet hoping that band of tyrants could not be so foolish two years running. ‘The thing is, to have him written up in the papers,’ Spyer said; ‘a fellow of his talent cannot be long kept in the background; but if the papers were to take him up, it would shorten his probation.’ ‘I hate the papers,’ said Mrs. Spyer. ‘Why don’t we have private patrons, as we used to have, and never mind the public? To think of a wretched newspaper deciding a man’s fate! I would not give in to it for a day.’

‘But we must give in to it, or else be left behind in the race,’ said her husband. And Laurie thought more and more, as he listened to all this talk, of the influence he himself might exercise at the club and elsewhere upon Slasher and the ‘Sword.’