Cosmo went home that evening much excited by his night’s adventures. Mrs. Payne, of Moray Place, was an ogre in the boy’s eyes, the Giantess Despair, holding bewitched princesses in vile durance and subjection—and DesirÉe, with the red mark upon her pretty forehead, with her little white hands clasped together, and her black eyes sparkling, was nothing less than a heroine. Cosmo could not forget the pretty attitude, the face glowing with resentment and girlish boldness; nor the cold gravity of the voice which bade her enter, and the unsympathetic disapproval in the lady’s face. He could not rest for thinking of it when he got home. In his new feeling of importance and influence as a person privileged to address the public, his first idea was to call upon Mrs. Payne in the morning, by way of protector to DesirÉe, to explain how the whole matter occurred; but on further thoughts Cosmo resolved to write a very grave and serious letter on the subject, vindicating the girl, and pointing out, in a benevolent way, the danger of repressing her high spirit harshly.

As soon as he was alone, he set about carrying out this idea in an epistle worthy the pages of the Auld Reekie Magazine, and written with a solemn authority which would have become an adviser of eighty instead of eighteen. He wrote it out in his best hand, put it up carefully, and resolved to leave it himself in the morning, lest the post (letters were dear in those days) might miscarry with so important a document. But Cosmo, who was much worn out, slept late in the morning, so late that Cameron came into his room, and saw the letter before he was up. It excited the curiosity of the Highlander, and Cosmo, somewhat shyly, admitted him to the privilege of reading it. It proved too much, however, for the gravity of his friend; and, vexed and ashamed at last, though by no means convinced the lad tore it in bits, and threw it into the fire-place. Cameron kept him occupied all day, breaking out, nevertheless, into secret chuckles of amusement now and then, which it was very difficult to find a due occasion for; and Cosmo was not even left to himself long enough to pass the door of the house in Moray Place, or to ask after the “wound” of his little heroine. He did the only thing which remained possible to him, he made the incident into a copy of verses, which he sent to the North British Courant, and which duly appeared in that enlightened newspaper—though whether it ever reached the eyes of DesirÉe, or touched the conscience of the schoolmistress by those allusions which, though delicately vailed, were still, Cosmo flattered himself, perfectly unmistakable by the chief actors in the scene, the boy could not tell.

These days of holiday flew, however, as holidays will fly. Cameron’s Highland patron had Cosmo introduced to him, and consented that his son should travel in the company of the son of “Mrs. Livingstone, of Norlaw,” and the lad went home, full of plans for his journey, to which the Mistress as yet had given only a very vague and general consent, and of which she scarcely still understood the necessity. When Cosmo came home, he had the mid-chamber allotted to him as a study, and went to work with devotion. The difficulty was rather how to choose between the narrative in ballad verse, the spirited dramatic sketch, and the historical tale, than how to execute them, for Cosmo had that facility of language, and even of idea, which many very youthful people, with a “literary turn,” (they were very much less common in those days) often possess, to the half-amusement, half-admiration of their seniors and their own intense confusion in maturer days. Literature was not then what it is now, the common resource of most well-educated young men, who do not know what else to do with themselves. It was still a rare glory in that rural district where the mantle of Sir Walter lay only over the great novelist’s grave, and had descended upon nobody’s shoulders; and as Cosmo went on with his venture, the Mistress, glowing with mother-pride and ambition, hearing the little bits of the “sketch"—eighteen is always dramatical—which seemed, to her loving ears, melodious, and noble, and life-like, almost above comparison, became perfectly willing to consent to any thing which was likely to perfect this gift of magic. “Though I canna weel see what better they could have,” she said to herself, as she went down from Cosmo’s study, wiping her eyes. Cosmo’s muse had sprung, fully equipped, like Minerva, into a glorious existence—at least, so his mother, and so, too, if he had permitted himself to know his own sentiments—perhaps also Cosmo thought.

The arrangement was concluded, at last, on the completion of Cosmo’s article. Cameron and his young pupil were to start in August; and the Mistress herself went into Edinburgh to buy her boy-author the handiest of portmanteaus, and every thing else which her limited experience thought needful for him; the whole country-side heard of his intended travels, and was stirred with wonder and no small amount of derision. The farmers’ wives wondered what the world was coming to, and their husbands shook their heads over the folly of the widow, who would ruin her son for work all his days. The news was soon carried to Melmar, where Mr. Huntley by no means liked to hear it, where Patricia turned up her little nose with disgust, and where Joanna wished loudly that she was going too, and announced her determination to intrust Cosmo with a letter to Oswald. Even in the manse, the intelligence created a little ferment. Dr. Logan connected it vaguely—he could not quite tell how—with the “Bill,” which the excellent minister feared would revolutionize every thing throughout the country, and confound all the ranks and degrees of social life; and shook his head over the idea of Cosmo Livingstone, who had only been one session at college, and was but eighteen, writing in a magazine.

“Depend upon it, Katie, my dear, it’s an unnatural state of things,” said the Doctor, whose literature was the literature of the previous century, and who thought Cosmo’s pretensions unsafe for the stability of the country.

And sensible Katie, though she smiled, felt still a little doubtful herself, and, in her secret heart, thought of Huntley gone away to labor at the other end of the world, while his boy-brother tasted the sweets of luxury and idleness in an indulgence so unusual to his station.

“Poor Huntley!” said Katie to herself, with a gentle recollection of that last scene in the manse parlor, when she mended her children’s stockings and smiled at the young emigrant, as he wondered what changes there might be there when he came back. Katie put up her hand very softly to her eyes, and stood a long time in the garden looking down the brae into the village—perhaps only looking at little Colin, who was visible amid some cottage boys on the green bank of Tyne—perhaps thinking of Cosmo, who was going “to the Continent,"—perhaps traveling still further in her thoughts, over a big solitary sea; but Katie said “nothing to nobody,” and was as blythe and busy in the manse parlor when the minister rejoined her, as though she had not entered with a little sigh.

All this time Cosmo never said a word to his mother of Mary of Melmar; but he leaped up into the old window of the castle every evening to dream his dream, and a hundred times, in fancy, saw a visionary figure, pale, and lovely, and tender, coming home with him to claim her own. He, too, looked over the woods of Melmar as his brother had done, but with feelings very different—for no impulse of acquisition quickened in the breast of Cosmo. He thought of them as the burden of a romance, the chorus of a ballad—the inheritance to which the long lost Mary must return; and while the Mistress stocked his new portmanteau, and made ready his traveling wardrobe, the lad was hunting everywhere with ungrateful pertinacity for scraps of information to guide him in this search which his mother had not the most distant idea was the real motive of his journey. If she had known it, scarcely even the discovery of her husband’s longing after his lost love could have affected the Mistress with more overpowering bitterness and disgust. Marget shut the door when Cosmo came to question her on the subject, and made a vehement address to him under her breath.

“Seek her, if you please,” said Marget, in a violent whisper; “but if your mother ever kens this—sending out her son into the world with a’ this pride and pains for her sake—I’d rather the auld castle fell on our heads, Cosmo Livingstone, and crushed every ane of us under a different stane!”

“Hush, Marget! my mother is not unjust,” said Cosmo, with some displeasure.

“She’s no’ unjust; but she’ll no’ be second to a stranger woman that has been the vexation of her life,” said Marget, “spier where you like, laddie. Ye dinna ken, the like of you, how things sink into folks’ hearts, and bide for years. I ken naething about Mary of Melmar—neither her married name nor naught else—spier where ye like, but dinna spier at me.”

But it did not make very much matter where Cosmo made inquiry. Never was disappearance more entire and complete than that of Mary of Melmar. He gathered various vague descriptions of her, not quite so poetical in sentiment as Jaacob’s, but quite as confusing. She was “a great toast among a’ the lads, and the bonniest woman in the country-side"—she was “as sweet as a May morning"—she was “neither big nor little, but just the best woman’s size"—she was, in short, every thing that was pretty, indefinite, and perplexing. And with no clue but this, Cosmo set out, on a windy August morning, on his travels, to improve his mind, and write for the Auld Reekie Magazine, as his mother thought—and to seek for the lost heir of the Huntleys, as he himself and the Laird of Melmar knew.