Lady Lindores and Edith were carried along through the darkness of the night with that curious sense of rapid unseen movement which has in it a kind of soothing influence upon suspense and mental distress. They spoke to each other in the darkness of Carry—poor Carry! how would she take it? but yet never ventured, even to each other, to express the innermost feeling in their minds on this subject. As they drove along, the gleam of other lamps went rapidly past them close to the gate of Dalrulzian, leading back their thoughts for a moment to other interests. "It is John Erskine's dogcart. Is he going away? is it some one arriving? has he been dining somewhere?" Lady Lindores said, with the unconscious curiosity of the country. Then she said with a little shudder, "I wonder if he can have heard?"—that first question which always suggests itself in the face of a great event. "How strange to think that some one has been peacefully dining out while that has been happening—so near!" Edith answered only by pressing her mother's arm in which her own was entwined, as they sat close together for mutual consolation. She had other troubled wandering thoughts aching in her own heart; but of these she said nothing, but watched the lamps turning up the Dalrulzian avenue with a thrill of mingled feeling, half angry that he should not have divined she was in trouble, half glad that he thus proved his ignorance of all that had occurred. Thus unknowing, Carry's mother and sister crossed in the dark another new actor in Carry's history, of whom no one as yet had thought.

Carry was seated in her own room alone. It was her natural refuge at such a moment. A fire had been lighted by the anxious servants—who saw her shiver in the nervous excitement of this great and terrible event—and blazed brightly, throwing ruddy gleams of light through the room, and wavering ghostly shadows upon the wall. The great bed, with its tall canopies and heavy ornaments, shrouded round with satin curtains, looped and festooned with tarnished gold lace and every kind of clumsy grandeur, stood like a sort of catafalque, the object of a thousand airy assaults and attacks from the fantastic light, but always dark,—a funereal object in the midst; while the tall polished wardrobes all round the room gave back reflections like dim mirrors, showing nothing but the light. Two groups of candles on the high mantelpiece, twinkling against the dark wall, were the only other illuminations. Carry sat sunk in a big chair close to the fire. If she could have cried,—if she could have talked and lamented,—if she could have gone to bed—or, failing this, if she had read her Bible,—the maids in the house, who hung about the doors in anxiety and curiosity, would have felt consoled for her. But she did none of these. She only sat there, her slight figure lost in the depths of the chair, still in the white dress which she had worn to receive her guests in the morning. She had not stirred—the women said, gathering round Lady Lindores in whispering eagerness—for hours, and had not even touched the cup of tea they had carried to her. "Oh, my lady, do something to make her cry," the women said. "If she doesn't get it out it'll break her heart." They had forgotten, with the facile emotion which death, and especially a death so sudden, calls forth, that the master had been anything but the most devoted of husbands, or his wife other than the lovingest of wives. This pious superstition is always ready to smooth away the horror of deaths which are a grief to no one. "Your man's your man when a's done, even if he's but an ill ane," was the sentiment of the awe-stricken household. "Ye never ken what he's been to ye till ye lose him." It gave them all a sense of elevation that Lady Caroline should, as they thought, be wrapped in hopeless grief,—it made them think better of her and of themselves. The two ladies went into the ghostly room with something of the same feeling. Lady Lindores felt that she understood it—that she had expected it. Had not her own mind been filled by sudden compunction—the thought that perhaps she had been less tolerant of the dead man than she ought; and how much more must Carry, poor Carry, have felt the awe and pang of an almost remorse to think that he was gone without a word against whom her heart had risen in such rebellion, yet who was of all men the most closely involved in her very being? Lady Lindores comprehended it all; and yet it was a relief to her mind that Carry felt it so, and could thus wear the garb of mourning with reality and truth. She went in with her heart full, with tears in her eyes, the profoundest tender pity for the dead, the deepest sympathy with her child in sorrow. The room was very large, very still, very dark, save for that ruddy twilight, the two little groups of pale lights glimmering high up upon the wall, and no sign of any human presence. "Carry, my darling!" her mother said, wondering and dismayed. Then there was a faint sound, and Carry rose, tall, slim, and white, like a ghost out of the gloom. She had been sitting there for hours, lost in thoughts, in dreams, and visions. She seemed to herself to have so exhausted this event by thinking of it, that it was now years away. She stepped forward and met her mother, tenderly indeed, but with no effusion. "Have you come all the way so late to be with me, mother? How kind, how kind you are! And Edith too——"

"Kind!" cried Lady Lindores, with an almost angry bewilderment. "Did you not know I would come, Carry, my poor child. But you are stunned with this blow——"

"I suppose I was at first. Yes, I knew you would come—at first; but it seems so long since. Sit down, mother; you are cold. You have had such a miserable drive. Come near to the fire——"

"Carry, Carry dear, never mind us; it is you we are all thinking of. You must not sit there and drive yourself distracted thinking."

"Let me take off this shawl from your cap, mamma. Now you look more comfortable. Have you brought your things to stay? I am ringing to have fires lit in your rooms. Oh yes, I want you to stay. I have never been able to endure this house, you know, and those large rooms, and the desert feeling in it. And you will have some tea or something. I must give orders——"

"Carry," cried her mother, arresting her hand on the bell, "Edith and I will see to all that. Don't pay any attention to us. I have come to take care of you, my dearest. Carry, dear, your nerves are all shattered. How could it be otherwise? You must let me get you something,—they say you have taken nothing,—and you must go to bed."

"I don't think my nerves are shattered. I am quite well. There is nothing the matter with me. You forget," she said, with something like a faint laugh, "how often we have said, mamma, how absurd to send and ask after a woman's health when there is nothing the matter with her, when only she has lost——" Here she paused a little, and then said gravely, "Even grief does not affect the health."

"Very often it does not, dear; but, Carry, you must not forget that you have had a terrible shock. Even I, who am not so nearly involved—even I——" Here Lady Lindores, in her excitement and agitation, lost her voice altogether, and sobbed, unable to command herself. "Oh, poor fellow! poor fellow!" she said, with broken tones. "In a moment, Carry, without warning!"

Carry went to her mother's side, and drew her head upon her breast. She was perfectly composed, without a tear. "I have thought of all that," she said; "I cannot think it matters. If God is the Father of us all, we are the same to Him, dead or living. What can it matter to Him that we should make preparations to appear before Him? Oh, all that must be folly, mother. However bad I had been, should I have to prepare to go to you?"

"Carry, Carry, my darling! It is I that should be saying this to you. You are putting too much force upon yourself—it is unnatural; it will be all the more terrible for you after."

Carry stood stooping over her mother, holding Lady Lindores's head against her bosom. She smiled faintly, and shook her head. "Has it not been unnatural altogether?" she said.

To Edith standing behind, this strange scene appeared like a picture—part of the phantasmagoria of which her sister had for years been the centre: her mind leapt back to the discussions which preceded Carry's marriage, the hopeless yielding of the victim, the perplexity and misery of the mother. Now they had changed positions, but the same strange haze of terror and pity, yet almost indignation, was in her own breast. She had been the judge then—in a smaller degree she was the judge now. But this plea stopped her confused and painful thoughts. Has it not been unnatural altogether? Edith's impulse was to escape from a problem which she could not deal with. "I will go and see the children," she said.

"The children—poor children! have you seen them, Carry? do they know?" said Lady Lindores, drying the tears—the only tears that had been shed for Torrance—from her cheeks.

Carry did not make any reply. She went away to the other end of the room and took up a white shawl in which she wrapped herself. "The only thing I feel is cold," she said.

"Ah, my love, that is the commonest feeling. I have felt sometimes as if I could just drag myself to the fire like a wounded animal and care for nothing more."

"But, mother, you were never in any such terrible trouble."

"Not like this—but I have lost children," said Lady Lindores. She had to pause again, her lip quivering. "To be only sorrow, there is no sorrow like that."

She had risen, and they stood together, the fantastic firelight throwing long shadows of them all over the dim and ghastly room. Suddenly Carry flung herself into her mother's arms. "Oh my innocent mother!" she cried. "Oh, mother! you only know such troubles as angels may have. Look at me! look at me! I am like a mad woman. I am keeping myself in, as you say, that I may not go mad—with joy!"

Lady Lindores gave a low terrible cry, and held her daughter in her arm, pressing her desperately to her heart as if to silence her. "No, Carry—no, no," she cried.

"It is true. To think I shall never be subject to all that any more—that he can never come in here again—that I am free—that I can be alone. Oh, mother, how can you tell what it is? Never to be alone: never to have a corner in the world where—some one else has not a right to come, a better right than yourself. I don't know how I have borne it. I don't know how I can have lived, disgusted, loathing myself. No, no; sometime else I shall be sorry when I have time to think, when I can forget what it is that has happened to me—but in the meantime I am too happy—too——"

Lady Lindores put her hand upon her daughter's mouth. "No, no, Carry—no, no; I cannot bear it—you must not say it," she cried.

Carry took her mother's hands and kissed them, and then began to sob—the tears pouring from her eyes like rain. "I will not say anything," she cried; "no, no—nothing, mother. I had to tell you to relieve my heart. I have been able to think of nothing else all these hours. I have never had so many hours to myself for years. It is so sweet to sit still and know that no one will burst the door open and come in. Here I can be sacred to myself, and sit and think: and all quiet—all quiet about me." Carry looked up, clasping her hands, with the tears dropping now and then, but a smile quivering upon her mouth and in her eyes. She seemed to have reached that height of passionate emotion—the edge where expression at its highest almost loses itself, and a blank of all meaning seems the next possibility. In her white dress, with her upturned face and the wild gleam of rapture in her eyes, she was like an unearthly creature. But to describe Lady Lindores's anguish and terror and pain would be impossible. She thought her daughter was distraught. Never in her life had she come in contact with feeling so absolute, subdued by no sense of natural fitness, or even by right and wrong. Her only comfort was that Edith had not been present to hear and see this revelation. And the truth was that her own heart, though so panic-stricken and penetrated with so much pity for the dead, understood, too, with a guilty throb, the overwhelming sense of emancipation which drove everything else from Carry's mind. She had feared it would be so. She would not allow herself to think so; but all through the darkness of the night as she drove along, she had been trembling lest she should find Carry not heart-broken but happy, yet had trusted that pity somehow would keep her in the atmosphere of gloom which ought to surround a new-made widow. It hurt Lady Lindores's tender heart that a woman should be glad when her husband died, however unworthy that husband might have been. She did her best now to soothe the excited creature, who took her excitement for happiness.

"We will talk of this no more to-night, Carry; by-and-by you will see how pitiful it all is. You will feel—as I feel. But in the meantime you are worn out. This terrible shock, even though you may think you do not feel it, has thrown you into a fever. You must let me put you to bed."

"Not here," she said with a shudder, looking round the room; "not here—I could not rest here."

"That is natural," Lady Lindores said with a sigh. "You must come with me, Carry."

"Home, mother—home! Oh, if I could!—not even to Lindores,—to one of the old poor places where we were so happy——"

"When we had no home," the mother said, shaking her head. But she, too, got a wistful look in her eyes at the recollection. Those days when they were poor, wandering, of no account; when it mattered little to any one but themselves where they went, what the children might do, what alliances they made,—what halcyon days these were to look back on! In those days this miserable union, which had ended so miserably, could never have been made. Was it worth while to have had so many additional possessions added to them—rank and apparent elevation—for such a result? But she could not permit herself to think, with Carry sitting by, too ready to relapse into those feverish musings which were so terrible. She put her arm round her child and drew her tenderly away. They left the room with the lights against the wall, and the firelight giving it a faux air of warmth and inhabitation. Its emptiness was scarcely less tragic, scarcely less significant, than the chill of the other great room—the state chamber—in the other wing, where, with lights burning solemnly about him all night, the master of the house lay dead, unwatched by either love or sorrow. There were gloom and panic, and the shock of a great catastrophe, in the house. There were even honest regrets; for he had not been a bad master, though often a rough one: but nothing more tender. And Carry lay down with her mother's arms round her and slept, and woke in the night, and asked herself what it was; then lay still in a solemn happiness—exhausted, peaceful—feeling as if she desired nothing more. She was delivered: as she lay silent, hidden in the darkness and peace of the night, she went over and over this one certainty, so terrible yet so sweet. "God forgive me! God forgive me!" she said softly to herself, her very breathing hushed with the sense of relief. She had come out of death into life. Was it wrong to be glad? That it was a shame and outrage upon nature was no fault of poor Carry. Sweet tears rolled into her eyes, her jarred and thwarted being came back into harmony. She lay and counted the dark silent hours striking one by one, feeling herself all wrapped in peace and ease, as if she lay in some sacred shrine. To-morrow would bring back the veils and shrouds of outside life—the need of concealment, of self-restraint, almost of hypocrisy—the strain and pain of a new existence to be begun; but to-night—this one blessed night of deliverance—was her own.