After Louis, the most urgent business in the house of the Athelings was that of Rachel, who was so pertinaciously anxious to be employed, that her friends found it very difficult to evade her constant entreaties. Rachel’s education—or rather Rachel’s want of education—had been very different from that of Marian and Agnes. She had no traditions of respectability to deter her from anything she could do; and she had been accustomed to sing to the guests at Winterbourne, and concluded that it would make very little difference to her, whether her performance was in a public concert-room or a private assembly. “No one would care at all for me; no one would ever think of me or look at me,” said Rachel. “If I sang well, that would be all that any one thought of; and we need not tell Louis—and I would not mind myself—and no one would ever know.” “But I have great objections to it, my dear,” said “I am very sorry, Mrs Atheling,” said Rachel, wistfully; “but it is not anything wrong.” “Not wrong—but not at all respectable,” said Mrs Atheling, “and unfeminine, and very dangerous indeed, and a discreditable position for a young girl.” Rachel blushed, and was very much disconcerted, but still did not give up the point. “I thought it so when they tried to force me,” she said in a low tone; “but now, no one need know; and people, perhaps, might have me at their houses; ladies sing in company. You would not mind me doing that, Mrs Atheling? Or I could give lessons. Perhaps you think it is all vanity; but indeed they used to think me a very good singer, long ago. Oh, Agnes, do you remember that old gentleman at the Willow? that very old gentleman who used to talk to you? I think he could help me if you would only speak to him.” “Mr Agar? I think he could,” said Agnes; “but, Rachel, mamma says you must not think of it. Marian does not do anything, and why should you?” “I am no one’s daughter,” said Rachel, sadly. “Rachel, my dear,” said Mrs Atheling, “do not speak so foolishly; but I will tell you what we can do. Agnes shall write down all about it to Miss Anastasia, and ask her advice, and whether she consents to it; and if she consents, I will not object any more. I promise I shall not stand in the way at all, if Miss Anastasia decides for you.” Rachel looked up with a little wonder. “But Miss Anastasia has nothing to do with us,” said the astonished girl. “I would rather obey you than Miss Rivers, a great deal. Why should we consult her?” “My dear,” said Mrs Atheling, with importance, “you must not ask any questions at present. I have my reasons. Miss Anastasia takes a great interest in you, and I have a very good reason for what I say.” This made an end of the argument; but Rachel was extremely puzzled, and could not understand it. She was not very quick-witted, this gentle little girl; she began to have a certain awe of Miss Anastasia, and to suppose that it must be her superior wisdom which made every one ask her opinion. Rachel could not conclude upon any other reason, and accordingly awaited with a little solemnity the decision of Miss Rivers. They were in a singular harmony, all these Another event occurring just at this time, made Rachel for a time the heroine of the family. Charlie wrote home with great regularity, like a good son as he was. His letters were very short, and not at all explanatory; but they satisfied his mother that he had not taken a fever, nor fallen into the hands of robbers, and that was so far well. In one of these epistles, however, the young gentleman extended his brief report a little, to describe to them a family with which he had formed acquaintance. There were a lot of girls, Charlie said; and one of them, called Giulia Remori, was strangely like “Miss Rachel;” “not exactly like,” wrote Charlie,—“not like Agnes and Marian” (who, by the way, had only a very vague resemblance to each other). “You would not suppose them to be sisters; but I always think of Miss Rachel when I see this Signora Giulia. They say, too, she has a great genius for music, and I heard her sing once myself, like——; well, I cannot say what it was like. The most glorious music, I believe, under the skies.” “Mamma, that cannot be Charlie!” said the girls “Our mother!” The two orphans stood together at the little gate, silenced by the name. They had never speculated much upon this parent. It was one of the miseries of their cruel position, that the very idea of a dead mother, which is to most minds the most saintlike and holy imagination under heaven, brought to them their bitterest pang of disgrace and humiliation. Yet now Louis stood silent, pondering it with the deepest eagerness. A burning impatience possessed the young man; a violent colour rose over his face. He could not tolerate the idea of an unconcerned |