But Rachel did not join the party either in their drives, their walks, or their conversations. She was not to be seen during the whole day, either out of doors or in, and did not even make her appearance at the dinner-table; and Agnes could not so much as hear any allusion made to her except once, when Mrs Edgerley promised a new arrival, “some really good music,” and launched forth in praise of an extraordinary little genius, whom nothing could excuse for concealing her gift from the world. But if Rachel did not appear, Sir Langham did, following Marian with his eyes when he could not follow in person, and hovering about the young beauty like a man bewitched. The homage of such a cavalier was not to be despised; in spite of herself, the smile and the blush brightened upon the sweet face of Marian—she was pleased—she was amused—she was grateful to Sir Langham—and besides had a certain mischievous pleasure in her power over him, and loved to exercise the sway of despotism. Marian new little about coquetry, though she had read with attention Mrs Edgerley’s novel on the subject; but, notwithstanding, had “a way” of her own, and some little practice in tantalising poor Harry Oswald, who was by no means so superb a plaything as the handsome guardsman. The excitement and novelty of her position—the attentions paid to her—the pretty things around her—even her own dress, which never before had been so handsome, brightened, with a variable and sweet illumination, the beauty which needed no aggravating circumstance. Poor Sir Langham gave himself up helpless and unresisting, and already, in his honest but somewhat slow imagination, made formal declarations to the supposititious Banburyshire Squire.

Agnes meanwhile sat by Marian’s side, rather silent, eagerly watching for the appearance of Rachel—for now it was evening, and the really good music could not be long deferred, if it was to come to-night. Agnes was not neglected, though she had no Sir Langham to watch her movements. Mrs Edgerley herself came to the young genius now and then to introduce some one who was “dying to know the author of Hope Hazlewood;” and half disconcerted, half amused, Agnes began to feel herself entering upon the enjoyment of her reputation. No one could possibly suppose anything more different from the fanciful and delicate fame which charms the young poetic mind with imaginary glories, than these drawing-room compliments and protestations of interest and delight, to which, at first with a deep blush and overpowering embarrassment, and by-and-by with an uneasy consciousness of something ridiculous, the young author sat still and listened. The two sisters kept always close together, and had not courage enough to move from the corner in which they had first established themselves. Agnes, for the moment, had become the reigning whim in the brain of Mrs Edgerley. She came to her side now and then to whisper a few words of caressing encouragement, or to point out to her somebody of note; and when she left her young guest, Mrs Edgerley flew at once to the aforesaid somebody to call his or her attention to the pair of sisters, one of whom had such genius, and the other such beauty. Marian, occupied with her own concerns, took all this very quietly. Agnes grew annoyed, uneasy, displeased; she did not remember that she had once been mortified at the neglect of her pretty hostess, nor that Mrs Edgerley’s admiration was as evanescent as her neglect. She began to think everybody was laughing at her claims to distinction, and that she amused the people, sitting here uneasily receiving compliments, immovable in her chair—and she was extremely grateful to Mr Agar, her former acquaintance, when he came, looking amused and paying no compliments, to talk to her, and to screen her from observation. Mr Agar had been watching her uneasiness, her embarrassment, her self-annoyance. He was quite pleased with the “study;” it pleased him as much as a Watteau, or a cabinet of old china; and what could connoisseur say more?

“You must confide your annoyance to me. I am your oldest acquaintance,” said Mr Agar. “What has happened? Has your pretty sister been naughty—eh? or are all the people so much delighted with your book?”

“Yes,” said Agnes, holding down her head a little, with a momentary shame that her two troubles should have been so easily found out.

“And why should they not be delighted?” said the ancient beau. “You would have liked me a great deal better had I been the same, when I first saw you; do you not like it now?”

“No,” said Agnes.

“Yes; no. Your eyes do not talk in monosyllables,” said the old gentleman, “eh? What has poor Sir Langham done to merit that flash of dissatisfaction? and I wonder what is the meaning of all these anxious glances towards the door?”

“I was looking for—for the young lady they call Rachel,” said Agnes. “Do you know who she is, sir?—can you tell me? I am afraid she thought we were rude this morning, when we met her; and I wish very much to see her to-night.”

“Ah! I know nothing of the young lady, but a good deal of the voice,” said Mr Agar; “a fine soprano,—a good deal of expression, and plenty of fire. Yes, she needs nothing but cultivation to make a great success.”

“I think, sir,” said Agnes, suddenly breaking in upon this speech, “if you would speak to Mrs Edgerley for her, perhaps they would not teaze her about being a singer. She hates it. I know she does; and it would be very good of you to help her, for she has no friends.”

Mr Agar looked at the young pleader with a smile of surprised amusement. “And why should I interfere on her behalf? and why should she not be a singer? and how do you suppose I could persuade myself to do such an injury to Art?”

“She dislikes it very much,” said Agnes. “She is a woman—a girl—a delicate mind; it would be very cruel to bring her before the world; and indeed I am sure if you would speak to Mrs Edgerley—”

“My dear young lady,” cried Mr Agar, with a momentary shrug of his eyebrows, and look of comic distress, “you entirely mistake my rÔle. I am not a knight-errant for the rescue of distressed princesses. I am a humble servant of the beautiful; and a young lady’s tremors are really not cause enough to induce me to resign a fine soprano. No. I bow before my fair enslavers,” said the ancient Corydon, with a reverential obeisance, which belonged, like his words, to another century; “but my true and only mistress is Art.”

Agnes was silenced in a moment; but whether by this declaration, or by the entrance of Rachel, who suddenly appeared, gliding in at a side-door, could not be determined. Rachel came in, so quickly, and with such a gliding motion, that anybody less intently on the watch could not have discovered the moment of her appearance. She was soon at the piano, and heard immediately; but she came there in a miraculous manner to all the other observers, as if she had dropped from heaven.

And while the connoisseur stood apart to listen undisturbed, and Mrs Edgerley’s guests were suddenly stayed in their flutter of talk and mutual criticism by the “really good music” which their hostess had promised them, Agnes sat listening, moved and anxious,—not to the song, but to the singer. She thought the music—pathetic, complaining, and resentful—instead of being a renowned chef-d’oeuvre of a famous composer, was the natural outcry of this lonely girl. She thought she could hear the solitary heart, the neglected life, making its appeal indignant and sorrowful to some higher ear than all these careless listeners. She bent unconsciously towards the singer, forgetting all her mother’s rules of manners, and, leaning forward, supported her rapt and earnest face with her hand. Mrs Edgerley paused to point out to some one the sweet enthusiasm, the delightful impressionable nature of her charming young friend; but to tell the truth, Agnes was not thinking at all of the music. It seemed to her a strange impassioned monologue,—a thing of which she was the sole hearer,—an irrepressible burst of confidence, addressed to the only one here present who cared to receive the same.

When it was over she raised herself almost painfully from her listening posture; she did not join in any of the warm expressions of delight which burst from her neighbours; and with extreme impatience Agnes listened to the cool criticism of Mr Agar, who was delivering his opinion very near her. Her heart ached as she saw the musician turn haughtily aside, and heard her say, “I am here when you want me again;” and Rachel withdrew to a sofa in a corner, and, shading her delicate small face entirely with her hand, took up a book and read, or pretended to read. Agnes looked on with eager interest, while several people, one after another, approached the singer to offer her some of the usual compliments, and retreated immediately, disconcerted by their reception. Leaning back in her corner, with her book held obstinately before her, and the small pale hand shading the delicate face, it was impossible to intrude upon Rachel. Agnes sat watching her, quite absorbed and sad—thinking in her own quick creative mind, many a proud thought for Rachel—and fancying she could read in that unvarying and statue-like attitude a world of tumultuous feelings. She was so much occupied that she took no notice of Sir Langham; and even Marian, though she appealed to her twenty times, did not get more than a single word in reply.

“Is she not the most wonderful little genius?” cried Mrs Edgerley, making one of her sudden descents upon Agnes. “I tell everybody she is next to you—quite next to you in talent. I expect she will make quite a furor next season when she makes her dÉbut.”

“But she dislikes it so much,” said Agnes.

“What, music? Oh, you mean coming out: poor child, she does not know what is for her own advantage,” said Mrs Edgerley. “My love, in her circumstances, people have no right to consult their feelings; and a successful singer may live quite a fairy life. Music is so entrancing—these sort of people make fortunes immediately, and then, of course, she could retire, and be as private as she pleased. Oh, yes, I am sure she will be delighted to gratify you, Mr Agar: she will sing again.”

It scarcely required a word from Mrs Edgerley—scarcely a sign. Rachel seemed to know by intuition when she was wanted, and, putting down her book, went to the piano again;—perhaps Agnes was not so attentive this time, for she felt herself suddenly roused a few minutes after by a sudden tremor in the magnificent voice—a sudden shake and tremble, having the same effect upon the singing which a start would have upon the frame. Agnes looked round eagerly to see the cause—there was no cause apparent—and no change whatever in the company, save for the pale spasmodic face of Lord Winterbourne, newly arrived, and saluting his daughter at the door.

Was it this? Agnes could not wait to inquire, for immediately the music rose and swelled into such a magnificent burst and overflow that every one held his breath. To the excited ear of Agnes, it sounded like a glorious challenge and defiance, irrestrainable and involuntary; and ere the listeners had ceased to wonder, the music was over, and the singer gone.

“A sudden effect—our young performer is not without dramatic talent,” said Mr Agar. Agnes said nothing; but she searched in the corner of the sofa with her eyes, watched the side-door, and stole sidelong looks at Lord Winterbourne. He never seemed at his ease, this uncomfortable nobleman; he had a discomfited look to-night, like a man defeated, and Agnes could not help thinking of Charlie, with his sudden enmity, and the old acquaintance of her father, and all the chances connected with Aunt Bridget’s bequest; for the time, in her momentary impulse of dislike and repulsion, she thought her noble neighbour, ex-minister and peer of the realm as he was, was not a match for the big boy.

“Agnes, somebody says Lord Winterbourne is her father—Rachel’s father—and she cannot bear him. Was that what Mrs Edgerley meant?” whispered Marian in her ear with a look of sorrow. “Did you hear her voice tremble—did you see how she went away? They say she is his daughter—oh, Agnes, can it be true?”

But Agnes did not know, and could not answer: if it was true, then it was very certain that Rachel must be right; and that there were depths and mysteries and miseries of life, of which, in spite of all their innocent acquaintance with sorrow, these simple girls had scarcely heard, and never knew.