Mrs. Lennox’s cure went on through the greater part of the month of September, and the friendship that had been begun so successfully grew into intimacy perhaps in a shorter time than would have been credible had the conditions of life been less easy. In the space of two or three days Mr. Everard had become almost a member of Mrs. Lennox’s party. He dined with them two evenings out of three. He walked by the elder lady’s chair when she went to her bath, he was always ready to give her his arm when she wished it, to help her to her favorite seat in the garden, to choose a place for her from which she could most comfortably hear the music. All these services to herself Aunt Sophy was quite aware were the price the young man paid for permission to approach Rosalind, to admire and address her, to form part of her surroundings, and by degrees to become her almost constant companion. Mrs. Lennox agreed with Mr. Ruskin that this sort of apprenticeship in love was right and natural. If in spite of all these privileges he failed to please, she would have been sorry for him indeed, but would not have felt that he had any right to complain. It was giving him his chance like another; and she was of opinion that a lover or two on hand was a cheerful thing for a house. In the days of Messrs. Hamerton and Rivers the effect had been very good, and she had liked these unwearied attendants, these unpaid officers of the household, who were always ready to get anything or do anything that might happen to be wanted. It was lonely to be without one of those hangers-on, and she accepted with a kind of mild enthusiasm the young man who had begun his probation by so striking an exhibition of his fitness for the post. It may be objected that her ready reception of a stranger without any introduction or guarantee of his position was imprudent in the extreme, for who could undertake that Rosalind might not accept this suitor with more ready sympathy than she had shown for the others? And there can be no doubt that this was the case; but as a matter of fact Mrs. Lennox was not prudent, and it was scarcely to be expected that she should exercise a virtue unfamiliar to her in respect to the young man who had, as she loved to repeat, saved the lives of the children. He was one of the Essex Everards, she made no doubt. She had always forgotten to ask him, and as, she said, they had never got upon the subject of his family, he had said nothing to her about them. But there was nothing wonderful in that. It is always pleasant when a young man does talk about his people, and lets you know how many brothers and sisters he has, and all the family history, but a great many young men don’t do so, and there was nothing at all wonderful about it in this case. A young man who is at Aix for the baths, who has been at most places where the travelling English go, who can talk like other people about Rome and Florence, not to speak of a great many out-of-the-way regions—it would be ridiculous to suppose that he was not “of our own class.” Even Aunt Sophy’s not very fastidious taste detected a few wants about him. He was not quite perfect in all points in his manners; he hesitated when a man in society would not have hesitated. He had not been at any university, nor even at a public school. All these things, however, Mrs. Lennox accounted for easily—when she took the trouble to think of them at all—by the supposition that he had been brought up at home, most likely in the country. “Depend upon it, he is an only child,” she said to Rosalind, “and he has been delicate—one can see that he is delicate still—and they have brought him up at home. Well, perhaps it is wrong—at least, all the gentlemen say so; but if I had an only child I think I should very likely do the same, and I am sure I feel very much for his poor mother. Why? Oh, because I don’t think he is strong, Rosalind. He colors like a girl when he makes any little mistake. He is not one of your bold young men that have a way of carrying off everything. He does make little mistakes, but then that is one of the things that is sure to happen when you bring boys up at home.”

Rosalind, who became more and more inclined as the days went on to take the best view of young Everard’s deficiencies, accepted very kindly this explanation. It silenced finally, she believed, that chill and horrible doubt, that question which she had put to herself broadly when she saw him first, which she did not even insinuate consciously now, but which haunted her, do what she would. Was he, perhaps, not exactly a gentleman? No, she did not ask that now. No doubt Aunt Sophy (who sometimes hit upon the right explanation, though she could not be called clever) was right, and the secret of the whole matter was that he had been brought up at home. There could be no doubt that the deficiencies which had at first suggested this most awful of all questions became rather interesting than otherwise when you came to know him better. They were what might be called ignorances, self-distrusts, an unassured condition of mind, rather than deficiencies; and his blush over his “little mistakes,” as Mrs. Lennox called them, and the half-uttered apology and the deprecatory look, took away from a benevolent observer all inclination towards unkindly criticism. Mrs. Lennox, who soon became “quite fond of” the young stranger, told him frankly when he did anything contrary to the code of society, and he took such rebukes in the very best spirit, but was unfortunately apt to forget and fall into the same blunder again. There were some of these mistakes which kept the ladies in amusement, and some which made Rosalind, as she became more and more “interested,” blush with hot shame—a far more serious feeling than that which made the young offender blush. For instance, when he found her sketch-book one morning, young Everard fell into ecstasies over the sketch Rosalind had been making of the lake on that eventful afternoon which had begun their intercourse. It was a very bad sketch, and Rosalind knew it. That golden sheet of water, full of light, full of reflections, with the sun blazing upon it, and the hills rising up on every side, and the sky looking down into its depths, had become a piece of yellow mud with daubs of blue and brown here and there, and the reeds in the foreground looked as if they had been cut out of paper and pasted on. “Don’t look at it. I can’t do very much, but yet I can do better than that,” she had said, finding him in rapt contemplation of her unsatisfactory performance, and putting out her hand to close the book. He looked up at her, for he was seated by the table, hanging over the sketch with rapture, with the most eager deprecation.

“I think it is lovely,” he said; “don’t try to take away my enjoyment. I wonder how any one can turn a mere piece of paper into a picture!”

“You are laughing at me,” said Rosalind, with a little offence.

“I—laughing! I would as soon laugh in church. I think it is beautiful. I can’t imagine how you do it. Why, there are the reflections in the water just as you see them. I never thought before that it was so pretty.”

“Oh!” Rosalind cried, drawing a long breath. It hurt her that he should say so, and it hurt still more to think that he was endeavoring to please her by saying so. “I am sure it is your kindness that makes you praise it; but, Mr. Everard, you must know that I am not quite ignorant. When you say such things of this daub it sounds like contempt—as if you thought I did not know better.”

“But suppose I don’t know any better?” he said, looking up at her with lustrous eyes full of humility, without even his usual self-disgust at having said something wrong. “Indeed, you must believe me, I don’t. It is quite true. Is it a fault, Miss Trevanion, when one does not know?”

What could Rosalind say? She stood with her hand put out towards the book, looking down upon the most expressive countenance, a face which of itself was a model for a painter. There was very little difference between them in age, perhaps a year or so to his advantage, not more; and something of the freemasonry of youth was between them, besides the more delicate link of sentiment. Yes, she said to herself, it was a fault. A man, a gentleman, should not be so ignorant. Something must be wrong before such ignorance could be. But how say this or anything like it to her companion, who threw himself so entirely upon her mercy? She closed the book that had been open before him and drew it hastily away.

“I am afraid,” she said, “your eye is not good; of course it is no fault except to think that I could be so silly, that I could accept praise which I don’t deserve.”

“Ah!” he said, “I see what you mean. You despise me for my ignorance, and it is true I am quite ignorant; but then how could I help it? I have never been taught.”

“Oh!” cried Rosalind again, thinking the apology worse than the fault, bad as that was. “But you have seen pictures—you have been in the galleries?”

“Without any instruction,” he said. “I do admire that, but I don’t care for the galleries. Oh, but I never say so except to you.”

She was silent in the dreadful situation in which she found herself. She did not know how to behave, such unutterable want of perception had never come in her way before.

“Then I suppose,” she said, with awful calm, “the chromo-lithographs, those are what you like? Mine is something like them, that is why you approve of it, I suppose?”

“I like it,” he said simply, “because you were doing it that day, and because that is where I saw you sitting when everything happened. And because the lake and the mountains and the sky all seem yours to me now.”

This speech was of a character very difficult to ignore and pass over as if it meant nothing. But Rosalind had now some experience, and was not unused to such situations. She said hurriedly, “I see—it is the association that interests you. I remember a very great person, a great author, saying something like that. He said it was the story of the pictures he liked, and when that pleased him he did not think so much about the execution. If he had not been a great person he would not have dared to say it. An artist, a true artist, would shiver to hear such a thing. But that explains why you like my daub. It is better than if you really thought it itself worthy of praise.”

“But I—” here young Everard paused; he saw by her eyes that he must not go any further, there was a little kindling of indignation in them. Where had he been all his life that he did not know any better than that? Had he gone on, Rosalind might not have been able to contain herself, and there were premonitory symptoms in the air.

“I wish,” he said, “that you would tell me what is nice and what isn’t.”

“Nice! Oh, Mr, Everard!” Rosalind breathed out with a shudder. “Perhaps you would call Michael Angelo nice,” she added, with a laugh.

“It is very likely that I might; you must forgive me. I have a relation who laughs at me in the same way, but how can one know if one has never been taught?”

“One is never taught such things,” it was on Rosalind’s lips to say, but with an impatient sigh she forbore. Afterwards, when she began to question herself on the subject, Rosalind took some comfort from the thought that Roland Hamerton knew almost as little about art as it is possible for a well-bred young Englishman to know. Ah! but that made all the difference. He knew enough to have thought her sketch a dreadful production; he knew enough to abhor the style of the chromo-lithograph. Even a man who has been brought up at home must have seen the pictures on his own walls. This thought cast her down again, but she began after this to break up into small morsels adapted to her companion’s comprehension the simplest principles of art, and to give him little hints about the fundamental matters which are part of a gentleman’s education in this respect, and even to indicate to him what terms are commonly used. He was very quick; he did not laugh out at her efforts as Roland would have done; he picked up the hints and adopted every suggestion—all which compliances pleased Rosalind in a certain sense, yet in another wrapped her soul in trouble, reviving again and again that most dreadful of all possible doubts, just when she thought that it had been safely laid to rest.

And yet all the while this daily companion made his way into something which, if not the heart, was dangerously near it, a sort of vestibule of the heart, where those who enter may hope to go further with good luck. He was ignorant in many ways. He did not know much more of books than of pictures—sometimes he expressed an opinion which took away her breath—and he was always on the watch for indications how far he might go; a sort of vigilance which was highly uncomfortable, and suggested some purpose on his part, some pursuit which was of more consequence to him than his natural opinions or traditions, all of which he seemed ready to sacrifice at a word. Rosalind was used to the ease of society, an ease, perhaps, more apparent than real, and this eagerness disconcerted her greatly. It was true that it might bear a flattering interpretation, if it was to recommend himself to her that he was ready to make all these sacrifices, to change even his opinions, to give up everything that could displease her. If all expedients are fair in love, is it not justifiable to watch that no word may offend, to express no liking unless it is sure to be in harmony with the tastes of the object loved, to be always on the alert and never to forget the purpose aimed at? This question might, perhaps, by impartial persons, be considered open to a doubt, but when one is one’s self the object of such profound homage it is natural that the judgment should be slightly biassed. And there was a certain personal charm about him notwithstanding all his deficiencies. It was difficult for a girl not to be touched by the devotion which shone upon her from such a pair of wonderful eyes.