After this “these two,” as Mr. Hunstanton called them, “got on,” to make use also of his expression, very well. Pandolfini was very modest, and he was not in love as a boy of twenty falls in love. Men take the malady in different ways. His imagination had not rushed instantly to the point of marrying Diana, appropriating her, carrying her off, which is the first impulse of some kinds of love. Her appearance to him was like the appearance of a new great star in the sky, dwindling and dimming all the rest, but at the same time expanding and glorifying the world, making a new world of it, lighting up everything both old and new with its light. Darkness and despondency would have covered the earth had that new glory of light suffered eclipse; but he had not yet realised the idea of transferring it to his own home, and making the serene He watched her as narrowly as a jealous husband, though in a very different sense, to make quite sure that she was everything he believed her to be. But Pandolfini was subtle as his race, notwithstanding that he was an Anglomane, and declared his enthusiasm for all the English virtues of openness, candour, and calm. He did not show his devotion as a blundering Englishman would have done. No one suspected him of his worship of Diana—no one—except two very acute observers, who made no communication to each other, but on the contrary avoided the subject—to wit, Diana herself and Mrs. Hunstanton. As for Diana, she was unconscious as long as possible, and denied it stoutly to herself as long as possible; yet nevertheless had the fact conveyed to her in the very air, by minute and all but invisible indications which she would not admit but could not gainsay. And her friend divined, being his friend also, and a silent observer, the very reverse of her kind busybody of a husband, to whom the idea Thus the course of events went on. When “these two” had a little talk together, Mr. Hunstanton would chuckle and rub his hands with pleasure. “Yes, I think they are getting on a little better,” he said. “Why they should not have taken to each other, is a thing I cannot comprehend. With so many things in common! But you see the Italian does not understand the Englishwoman, nor the Englishwoman the Italian. She is too independent for him; and he is too—too——too everything for her. The more they see of each other, the more they will respect each other; but there will never be any real understanding between them. A pity, isn’t it?—for there are not two better people in the world.” “Dear Diana,” said Mrs. Norton, to whom he was talking. “It is not that she has really any strongmindedness about her; but there is no doubt that gentlemen always do prefer women to be dependent: they don’t like a girl to say like Diana that she does not want assistance, that she can manage her affairs, and all that sort of thing. That is what I think is such a pity. Of course it would be a great deal better “W—well,” said Mr. Hunstanton: his land marched with the Chase, and there were matters in which it did not appear so very clear to him that a gentleman would be an advantage. “To be sure she never will give in to prosecuting poachers or that sort of thing, which is positive quixotism and folly.” “And there are matters which a gentleman must understand so much the best.” “W—well,” said Mr. Hunstanton again. “Arguments don’t answer, you see; it is not a thing that can be argued about. Natural propriety and all that, and abstract justice—and—— Diana knows what to say for herself; but then the fact is, that this must be treated as a practical question. It don’t bear argument. I’m glad to see them talking to each other a little; but it will never go beyond that.” “Did you wish it to go beyond that?” said Mrs. Norton, quickly. “Who—I? Oh no, dear no; why should I wish it? Bless me! that was not what I was thinking of. I thought they might be friends. I like my friends to take to each other. Now, you appreciate Pandolfini: why shouldn’t Diana? that is all I say. But people “I have never seen anything that was not nice in Mr. Pandolfini,” said Mrs. Norton. “He has always been so good. How kind he has been to Sophy and me! Indeed you are all kind. I don’t wonder at it so much among those who know my child’s sterling qualities, though, I trust, I am always grateful. But when a man like Mr. Pandolfini, who knows next to nothing of her, is equally kind, as kind as her oldest friend, why that, I must say, is remarkable. It shows such a kind nature—it must be so disinterested——” “Disinterested?” said Mr. Hunstanton. “Do you think that is the word? When a man, who is not an old man, pays attention to a pretty young girl—well, it may be very kind, and all that—but I don’t think disinterested is the word I should use.” “What could we do for him?” cried Mrs. Norton. “You may say Diana, too; but then she knows us, and I hope she is fond of us; but Mr. Pandolfini, what could we do for him? It must all be kindness—pure kindness—for we never can pay him back.” “Aha! is that how it is?” said Mr. Hunstanton to himself. “Is that how what is?” she asked, a little sharply. “Nothing, nothing, my dear lady—I meant nothing,” said Mr. Hunstanton. “So that is how it is! I must say I thought as much. I generally can see through a millstone as well as another, when there is anything to be seen: and I allow that I thought it—so that is what is coming. Holloa! who is that at the other end of the room?—the Snodgrasses, I should say, if there was anything in the world which could bring them to Pisa: the—Snodgrasses! I shall expect to see the parish march in next, in full order, in clean smock-frocks, farmers and ploughmen. Actually the Snodgrasses! if one can trust one’s eyes. Excuse me, Mrs. Norton, I must go and see. I hope the Hall has not been burnt down, and that there is nothing the matter with the children. I must go and see.” “The Snodgrasses!” Mrs. Norton said under her breath, with something like consternation. She had once entertained a very high opinion of the Snodgrasses. They were the clergy of the parish, and she had a belief in the clergy, very natural to one who had herself belonged to that sacred caste. What had brought them here at this moment? Was it, could it be, a ridiculous pursuit of Diana, who, of course, had never thought of them? or was it anything else? She drew a little nearer to the door to hear what she could. “Who could have thought of seeing you here?” she said, as the rector came up to her with that expressive grasp of the hand which was one of his special gifts, and which everybody remarked as the very embodiment of cordiality and friendliness, a sort of modest embrace. He was not glad to see her particularly, nor she to see him; but if they had flown into each other’s arms it could scarcely have been a warmer greeting than that silent clasping of hands, without even a “How d’ye do?” to impair its eloquence. “Wonderful, isn’t it?” he said; “but the truth is, dear Bill was not at all well. I can’t tell what is the matter with him. But not well at all—quite out of work and out of heart——” “Chest?” said Mrs. Norton, solemnly. “No, I don’t think so. Nothing organic they tell me. Only want of tone, want of energy. As Easter was over so early this year, and nothing particular going on, I thought I might as well carry out an old intention and come to Italy “This is entirely a chest place,” said Mrs. Norton, still very serious. “I don’t think it is supposed very good for other complaints.” “Ah, I don’t think it will do dear Bill any harm,” said the rector. “I could quite suppose I was in my own parish, looking round. Miss Trelawny is blooming as usual.” “Blooming is not the word I would apply to Diana, Mr. Snodgrass; but she is very well.” “Ah, you were always rather a purist about language. Well, then, you must allow that your niece is blooming. I never saw Miss Sophy look so well.” “My niece has been very much appreciated here,” said Mrs. Norton. “She has found herself among people who understand her, and that is always an addition to one’s happiness.” “Surely,” said the rector, to whom the idea of Sophy as a person not understood by her surroundings was novel. He objected to Sophy and her aunt as “parasites,” just as Sophy and her aunt objected to himself and his dear “Bill” as annoyances to Diana. “It is too bad,” Mrs. Norton cried, hurrying across to Mrs. Hunstanton after this little encounter. “Diana hates these men—and she cannot get rid of them wherever she goes. “Diana is a great deal too kind to everybody,” said Mrs. Hunstanton. “She has a way of concealing when she is bored which I call downright hypocrisy—but I don’t see why she should hate them in particular, poor men!” “Look at that!” said Mrs. Norton, with a certain vehemence. It was the curate whom she pointed out, and Pandolfini, who was by, profited also by the indication. He was standing straight up in a corner, poor curate, shy and frightened of the voluble groups about, among whom there were several Italians and a good deal of polyglot conversation. Mr. William Snodgrass knew no language but his own, and was not very fluent even in that. He stood up very straight, as if he had been driven into the corner or was undergoing punishment there, and gazed over everybody’s head, being very tall, at Diana. The very dulness of the gaze had something pathetic in it, like the adoration of a faithful dog. Neither for the strange people nor the new place had the poor curate any eyes. Mrs. Hunstanton looked at him with familiar scorn, as a person well aware of his delusion, and treating it with the contempt it deserved—but Pandolfini gazed with very different feelings at his fellow-worshipper. Even while he smiled at the frightened look upon the poor fello “It is Miss Trelawny upon whom his eyes fix themselves.” “Yes; he does nothing but stare at Diana—silly fellow! As if a woman like Diana, without thinking of her position, would ever look at him.” “Nevertheless,” said Pandolfini, “to turn his eyes to the best, though it be without hope, is not that well?” “It might be very well,” said Mrs. Norton, “if it were not such an annoyance to Diana. At home she cannot move for him—he is always following her about like a dog. And you know, Mr. Pandolfini, if a woman were the best woman that ever lived, that is unworthy of a man.” “I do not know—no, that is not what I should say. When the person is Miss Trelawny, many things may be pardoned,” said the Italian. He was so brown that an additional tint of colour scarcely showed on his face; but as his eyes turned from the curate to Diana, a subdued glow came over his countenance, and a light into his blue eyes. Mrs. Hunstanton, who was a quick observer, caught him in the very act. She “In my dear husband’s time,” she said, “the clergy of a parish were never both absent even for a day. He would have been shocked beyond description at the idea. Do you think it can be right, Mr. Pandolfini, for both the rector and the curate to be away together? If any one is sick, what is to become of them? and they are not even married, so as to leave some one behind who could look after the poor. Do you think it can be right under any circumstances?” And this anxious champion of justice fixed her eyes with an almost severe appeal on the Italian’s face. “Can I tell?” he answered, throwing up his hands and his shoulders with a characteristic gesture. “The curate never leaves his parish in my country. When he would have leisure, he takes it among the rest. A poor priest does not think of villeggiatura, what you call holidays. He is too poor——” “But even the rector,” said Mrs. Norton, insisting. “Of course, if there is a very good curate—yes, yes, they are generally poor in England as well as in other places—a poor curate, that is what people are always saying; but even the rector. Of course, I forgot, I beg your pardon, your priests are never married, poor wretched men! What a bondage to put upon a man! don’t you think so, Mr. Pandolfini?” He laughed; perhaps this little woman and her talk was a relief at the moment. He said: “I have my prejudices. Your English gentleman who is a curate, I do not know him. He is a clergyman: that is different. We may not judge one the other.” “I don’t wish to judge any one; but surely, Mr. Pandolfini, anything so unnatural——” “Not always unnatural. Me! I do not marry myself.” “But you will one day,” said Mrs. Norton, decidedly. “Of course you will. Now, why should not you marry? “But in that way I think it would be better for a man not to have a wife,” cried Mrs. Hunstanton. “I dare say Mr. Pandolfini does not want to take a woman on his shoulders, and do everything for her. Tom does not stand between me and every trouble, I can tell you. He pushes a good share of his on to my shoulders, and gives me many a tangled skein to untwist. I never try to persuade my friends to marry; but you shouldn’t frighten them——” “I—frighten them!” Mrs. Norton’s horror was too deep for words. “I think it is time for us to say good night,” she resumed, with dignity. “Will you look for my niece, Mr. Pandolfini, while I speak a word to Diana? I really cannot let my child be late to-night.” “So that is how it is!” Mrs. Hunstanton said to herself: her husband had said the same, with an in “Do you see them?” said her husband, coming up to her, rubbing his hands; “the very thing I have al Mrs. Hunstanton had a large fan in her hand. It was all she could do not to assail him with it in good sound earnest. “Tom,” she cried, exasperated, “hold your tongue, for heaven’s sake! Don’t be a greater fool than you can help!” Which was a very improper way for a wife to speak to her husband it must be allowed. |