The meeting with her new relation had a great effect upon Dora’s mind. It troubled her, though there was no reason in the world why the discovery that her mother had a sister, and she herself an aunt, should be painful. An aunt is not a very interesting relation generally, not enough to make a girl’s heart beat; but it added a complication to the web of altogether new difficulties in which Dora found herself entangled. Everything had been so simple in the old days—those dear old days now nearly three months off, before Mr. Mannering fell ill, to which now Dora felt herself go back with such a sense of happiness and ease, perhaps never to be known again. Then everything had been above board: there had been no payments to make that were not made naturally by her father, the fountainhead of everything, who gave his simple orders, and had them fulfilled, and provided for every necessity. Now Dora feared a knock at the door of his room lest it should be some indiscreet messenger bringing direct a luxury or novelty which it had been intended to smuggle in so that he might not observe it, or introduce with some one’s compliments as an accidental offering to the sick man. To hurry off Janie or Molly downstairs with these good things intended to tempt It was no worse to conceal the appearance of this new and strange personage on the scene, the relation of whom she had never heard, and whose existence was to remain a secret; but still it was a bigger secret than any that concerned the things that were to eat or drink, or even Mrs. Simcox’s bills. Concealment is an art that has to be carefully learnt, like other arts, and it is extremely difficult to some minds, who will more easily acquire the most elaborate handicraft than the trick of selecting what is to be told and what is “But how should that be? It says in the Bible that people must not do evil that good may come. But to do good that evil may come, I never heard of that.” “There are many things in the world that you never heard of, Dora, my dear.” “Oh yes, yes, I know,” cried the girl impatiently. “You are always saying that, because I am young—as if it were my fault that I am young; but that does not change anything. It is no matter, then, whether you have any meaning in what you do or not?” “Sometimes it appears as if it was no matter. We walk blindly in this world, and often do things unawares that we would put our hands in the fire rather than do. You say an unguarded word, meaning nothing, and it falls to the ground, as you think, but afterwards springs up into a poisonous tree and blights your life; or you take a turn to the right hand instead of the left when you go out from your own door, and it means ruin and death—that’s fatality, and it’s everywhere,” said Miss Bethune, with a deep sigh. “I do not believe in it,” said Dora, standing straight and strong, like a young tree, and holding her head high. “Nor did I, my dear, when I was your age,” Miss Bethune said. At this moment there was a light knock at the door, and there appeared suddenly the young man whom Miss Bethune had met in the Square, and who had come as the messenger of the lady who was Dora’s aunt. “She is asking me what fatality is,” said Miss Bethune. “I wonder if you have any light to throw on the subject? You are nearer her age than I.” The two young people looked at each other. Dora, though she was only sixteen, was more of a “Fatality?” he said. “I think it’s a name people invent for anything particularly foolish which they do, when it turns out badly: though they might have known it would turn out badly all the time.” “That is exactly what I think,” cried Dora, clapping her hands. “This is the young lady,” said young Gordon, “whom I used to help to pack the toys for. I hope she will let me call her Miss Dora, for I don’t know her by any other name.” “To pack the toys?” said Dora. Her face grew blank, then flashed with a sudden light, then grew quite white and still again, with a gasp of astonishment and recognition. “Oh!” she cried, and something of disappointment was in her tone, “was it—was it she that sent them?” In the commotion of her feelings a sudden deep red followed the paleness. Dora was all fancy, changeableness, fastidiousness, imagination, as was natural to her age. Why was she disappointed to know that her yearly presents coming out of “Yes,” said Miss Bethune, “we ought to have thought of that at once. Who else could have followed with such a faithful imagination, Dora? Who could have remembered your age, and the kind of things you want, and how you would grow, but a kind woman like that, with all the feelings of a mother? Oh, we should have thought of it before.” Dora at first made no reply. Her face, generally so changeable and full of expression, settled down more and more into opaqueness and a blank rigidity. She was deeply disappointed, though why she could not have told—nor what dream of a fairy patroness, an exalted friend, entirely belonging to the realms of fancy, she had conceived in her childish imagination as the giver of these gifts. At all events, the fact was so. Mrs. Bristow, with her heavy crape veil, ready to fall at any moment over her face, with the worn lines of her Without being himself aware of it, the young man gave a glimpse into the distant Southern home, in which it would appear he had been brought up, which was in reality very touching and attractive, though it reduced Dora to a more and more strong state of revolt. On the other hand, Miss Bethune listened to him with a rapt air of happiness, which was more wonderful still—asking a hundred questions, never tiring of any detail. Dora bore it all as long as she could, feeling herself sink more and more from the position of a young princess, mysteriously loved and cherished by a distant friend, half angelic, half queenly, into that of a little girl, whom a fantastic kind relation wished to pet and to bewilder, half in love and half in fun, taking the boy into her confidence, who was still more to her and nearer “But Gilchrist is there if he wants anything, Dora.” “Gilchrist is very kind, but she is not quite the same as me,” said Dora, holding her head high. She made Mr. Gordon a little gesture, something between farewell and dismissal, in a very lofty way, impressing upon the young man a sense of having somehow offended, which he could not understand. He himself was very much interested in Dora. He had known of her existence for years. She had been a sort of secret between him and the wife of his guardian, who, he was well aware, never discussed with her husband or mentioned in his presence the child who was so mysteriously dear to her; but bestowed all her confidence on this subject on the boy who had grown up in her house and filled to her the place of a son. He had liked the confidence and the secret and the mystery, without much inquiring what they meant. They meant, he supposed, a family quarrel, such as that which had affected all his own life. Such things are a bore and a nuisance; but, after all, don’t matter very much to any but those with whom they originate. And “Have I said anything I should not have said? Is she displeased?” he said. “It matters very little if she is displeased or not, a fantastic little girl!” cried Miss Bethune. “Go on, go on with what you are saying. I take more interest in it than words can say.” But it was not perhaps exactly the same thing to continue that story in the absence of the heroine whose name was its centre all through. She was too young to count with serious effect in the life of a man; and yet it would be difficult to draw any arbitrary line in respect to age with a tall girl full of that high flush of youth which adopts every semblance in turn, and can put all the dignity of womanhood in the eyes of a child. Young Gordon’s impulse slackened in spite of himself; he was pleased, and still more amused, by the interest he excited in this lady, who had suddenly taken him into her intimacy with no reason that he knew of, and was so anxious to know all his story. It was droll to see her listening in that rapt way,—droll, yet touching too. She had said that he reminded her of somebody she knew—perhaps it was some one who was dead, a young brother, a friend of earlier years. He laughed a little to himself, though he was also affected by this curious unexpected interest in him. But he certainly had not the same freedom and eloquence in talking of the old South American home, now broken up, and the visionary little maiden, who, all unknown herself, had lent it a charm, when “Those guardians of yours must have been very good to you—as good as parents?” she said. “Very good, but not perhaps like parents; for I remember my father very well, and I still have a mother, you know.” “Your father,” she said, turning away her head a little, “was devoted to you, I suppose?” “Devoted to me?” he said, with a little surprise, and then laughed. “He was kind enough. We got on very well together. Do men and their sons do more than that?” “I know very little about men and their sons,” she said hastily; “about men and women I maybe know a little, and not much to their advantage. Oh, you are there, Gilchrist! This is the gentleman I was speaking to you about. Do you see the likeness?” Gilchrist advanced a step into the room, with much embarrassment in her honest face. She uttered a broken laugh, which was like a giggle, and began as usual to fold hems in her apron. “I cannot say, mem, that I see a resemblance to any person,” she said. “You are just a stupid creature!” said her mistress,—“good for nothing but to make an invalid’s beef tea. Just go away, go away and do that.” She turned suddenly to young Gordon, as Gilchrist went out of the room. “That stupid “Bring anything to my mind?” he cried, with great surprise. “What should she bring to my mind?” “It was just a fancy that came into mine. Do you remember the scene in Guy Mannering, where Bertram first sees Dominie Sampson? Eh, I hope your education has not been neglected in that great particular?” “I remember the scene,” he said, with a smile. “It was perhaps a little of what you young folk call melodramatic: but Harry Bertram’s imagination gets a kind of shock, and he remembers. And so you are a reader of Sir Walter, and mind that scene?” “I remember it very well,” said the young man, bewildered. “But about the maid? You said——” “Oh, nothing about the maid; she’s my faithful maid, but a stupid woman as ever existed. Never you mind what I said. I say things that are very silly from time to time. But I would like to know how you ever heard your mother was living, when you have never seen her, nor know anything about her? I suppose not even her name?” “My father told me so when he was dying: he told Mr. Bristow so, but he gave us no further information. I gathered that my mother—— It is painful to betray such an impression.” She looked at him with a deep red rising over “It is not that; it is that I can’t associate that name with anything—anything—to be ashamed of.” “I would hope not, indeed!” she cried, standing up, towering over him as if she had added a foot to her height. She gave forth a long fiery breath, and then asked, “Did he dare to say that?” with a heaving breast. “He did not say it: but my guardian thought——” “Oh, your guardian thought! That was what your guardian would naturally think. A man—that is always of an evil mind where women are concerned! And what did she think?—her, his wife, the other guardian, the woman I have seen?” “She is not like any one else,” said young Gordon; “she will never believe in any harm. You have given me one scene, I will give you another. She said what Desdemona said, ‘I do not believe there was ever any such woman’.” “Bless her! But oh, there are—there are!” cried Miss Bethune, tears filling her eyes, “in life as well as in men’s ill imaginations. But not possible to her or to me!” |