Illustrated I I.It was Christmas Eve in a great Bavarian town. A joyous crowd pushed its way through the streets white with snow, in the confusion of the fog, the rumble of carriages, and the clamor of bells, toward the booths, stalls, and cook-shops in the open air. Great fir-trees bedecked with dangling gewgaws were being carried about, grazing the ribbons and flowers of the booths and towering above the crowd like shadows of Thuringian forests,—a breath of Nature in the artificial life of winter. It is twilight. The lingering lights of sunset, sending a crimson glow through the fog, can still be seen from the gardens beyond the Residence; and in the town the very air is so full of animation and festivity that every light which blinks through a window-pane seems to be dangling What the deuce is the old usurer up to? Can he too be celebrating Christmas? Has he assembled his friends and family to drink to the Vaterland? Impossible. Everybody knows that old Cahn has no Fatherland but his money-safe. Neither has he relatives nor friends; he has only creditors. His sons, or rather his partners, have been away for three months with the army. They are trading yonder behind the luggage-vans of the landwehr, selling brandy, buying clocks, ripping the knapsacks fallen by the wayside, and searching the pockets of the dead at "Aff you zumting to zell?" And now he is trotting along hurriedly with his basket on his arm, because the military hospital closes at five, and because two Frenchmen are waiting for him there, in that great gloomy building behind the iron grating of narrow windows, where Christmas finds nothing to cheer its vigil but the pale lamps that burn at the bedside of the dying. II.These two Frenchmen are Salvette and Bernadou, two light-infantry men, two ProvenÇals from the same village, enlisted in the same battalion and wounded by the same shell. But Salvette has proved the hardier of the two; he is able now to get up and to take a few steps from his bed to the window. Bernadou, on the other hand, has no desire to recover. Behind the faded "Ah, my poor Salvette, what a dreary Christmas this will be! If we only had a few cents left, we could buy a little loaf of white bread and a bottle of light wine. It would be nice to sprinkle the Yule log with you once more before—" And his sunken eyes shine when he thinks of the wine and the white bread. But what is to be done? They have nothing left, the poor wretches,—no watches, no money. True, Salvette has a money-order for forty francs stored away in the lining of his vest. But that must be kept in reserve for the day of their release, or rather for the first halt at a French III.The solemn midnight, ringing from all the steeples of the great city, falls lugubriously on the insomnia of the wounded. The hospital is silent, lighted only by the night lamps that swing from the ceiling. Gaunt shadows float over the beds and the bare walls with a perpetual swaying, which seems like the oppressed breathing of the people lying there. Every now "Are you asleep, Bernadou?" On the little table by his friend's bed Salvette has laid a bottle of Lunel wine and a pretty round Christmas loaf with a twig of holly stuck in the top. The wounded man opens his eyes, dark and sunken with fever. In the uncertain light of the night lamps and the reflection of the long roofs, where the moon dazzles herself in the snow, this improvised Christmas supper strikes him as something fantastic. "Come, wake up, countryman; let it not be said that two ProvenÇals let Christmas go by without sprinkling it with a draught of wine—" And Salvette raises him on his pillows with a mother's tenderness. He fills the glasses, cuts the bread. They drink and speak of Provence. Bernadou seems to be cheered by the reminiscences and the white wine. With that childishness which invalids seem to find again in the "What shall it be,—'The Host' or 'The Three Kings' or 'Saint Joseph told me'?" "No; I prefer 'The Shepherds.' That is the one we used to sing at home." "Very well, then. Here goes, 'The Shepherds.'" And in a low voice, with his head under the bed-curtains, Salvette begins to sing. At the last verse, when the shepherds have laid down their offering of fresh eggs and cheeses, and Saint Joseph speeds them with kind words,— "Shepherds, Take your leave,"— poor Bernadou slips back and falls heavily on his pillow. His comrade, who believes that he has gone to sleep again, shakes him by the arm and calls him; but the wounded man remains motionless, and the twig of holly lying beside him looks like the green palm that is laid on the couch of the dead. Salvette has understood; he is slightly tipsy with the celebration and the shock of his sorrow; and with a voice full of tears he sings out, filling the silent dormitory with the joyous refrain of Provence,— "Shepherds, Take your leave." |