Motion pictures, 1912-1939: Catalog of Copyright Entries

I ACCUSE. Released by United Artists Corp. 1922. 8 reels.

Credits: Written and directed by Abel Gance.

I AIN'T GOT NOBODY. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Bonfiglio.

I AM A CRIMINAL. 1938. 8 reels, sd.

Credits: Producer, E. B. Derr; director, William Nigh; original story, Harrison Jacobs; screenplay, John W. Krafft; film editor, Russell Schoengarth; music director, Abe Meyer.

I AM A FUGITIVE FROM A CHAIN GANG. 1932. 10 reels. From the story "I Am a Fugitive from a Georgia Chain Gang" by Robert E. Burns.

Credits: Director, Mervyn Le Roy; screenplay, Howard J. Green, Brown Holmes.

I AM A FUGITIVE FROM A GEORGIA CHAIN GANG. SEE I Am a Fugitive from a Chain Gang.

I AM A POLYGAMIST. SEE Polygamy.

I AM A THIEF. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Robert Florey; story and screenplay, Ralph Block, Doris Malloy; dialogue director, Frank McDonald.

I AM GUILTY. Associated Producers, Inc. 1921. 7 reels.

Credits: Produced and supervised by J. Parker Read, Jr.; director, Jack Nelson; scenario, Bradley King; continuity, Charles J. Stumar.

I AM SUZANNE. 1933. 8,959 ft., sd.

Credits: Director, Rowland V. Lee; story and screenplay, Rowland V. Lee, Edwin Justus Mayer; music director, Louis de Francesco; editor, Harold Schuster.

I AM THE LAW. 1922. 7 reels. From the story "Poetic Justice of Uko San" by James Oliver Curwood.

Credits: Director, Edwin Carewe; scenario, Raymond L. Schrock.

I AM THE LAW. Presented by C. C. Burr. 1923. 6,500 ft. Adapted from the work "The Poetic Justice of Uko San" [by James Oliver Curwood].

Credits: Producer and director, Edwin Carewe; story and scenario, Raymond L. Schrock.

I AM THE LAW. 1938. 9 reels, sd. Based on the Liberty Magazine serial by Fred Allhoff.

Credits: Producer, Everett Riskin; director, Alexander Hall; screenplay, Jo Swerling; film editor, Viola Lawrence; music director, Morris Stoloff.

Credits: Story and direction, Ivan Abramson.

I AM THE MAN. 1925. 7 reels.

Credits: Written and directed by Ivan Abramson.

I AM THE WAY. SEE A Reproduction of the Famous Oil Painting "I Am The Way".

Credits: Production and adaptation, George L. Tucker.

I BELIEVED IN YOU. 1934. 6,172 ft., sd.

Credits: William Anthony McGuire; director, Irving Cummings; screenplay, William Conselman; music director, Samuel Kaylin.

I CAME FIRST. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

I CAN EXPLAIN. 1922. 5 reels.

Credits: Producer and director, George D. Baker; adaptation, Edgar Franklin.

I CONQUER THE SEA! 1936. 7 reels, sd.

Credits: Director, Victor Halperin; story adaptation, Richard Carroll; dialogue, Rollo Lloyd, Howard Higgin.

I COVER THE WAR. 1937. 7 reels, sd.

Credits: Associate producer, Paul Malvern; director, Arthur Lubin; original story, Barnard McConville; screenplay, George Waggner; film editor, Charles Craft.

I COVER THE WATERFRONT. 1933. 8 reels. Based on the book by Max Miller.

Credits: Producer, Edward Small; director, James Cruze; screenplay, Wells Root; additional dialogue, Jack Jevne; film editor, Grant Whytock.

I DIDN'T RAISE MY BOY TO BE A SOLDIER. SEE I'm Glad My Boy Grew Up To Be a Soldier.

I DON'T REMEMBER. 1935. 888 ft., sd.

Credits: Story, screenplay, and direction, Preston Black.

I DON'T WANT TO KNOW WHO YOU ARE. SEE Ich Will Nicht Wissen Wer Du Bist.

I DON'T WANT TO MAKE HISTORY. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Dave Hoffman.

I DREAM TOO MUCH. 1935. 11 reels, sd.

Credits; Producer, Pandro S. Berman; director, John Cromwell; story, Elsie Finn, David G. Wittels; screenplay, Edmund North, James Gow; editor, William Morgan; music, Jerome Kern; lyrics, Dorothy Fields; music director, Max Steiner; orchestra conducted by Andre Kostelanetz.

I EATS MY SPINACH. (A Popeye Cartoon) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

I FEEL LIKE A FEATHER IN THE BREEZE. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson and Harold Walker.

I FOUND STELLA PARISH. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 9 reels, sd.

Credits: Director, Mervyn LeRoy; story, John Monk Saunders; screenplay, Casey Robinson.

I GIVE MY HEART. 1936. 7 reels, sd. From the operetta "The DuBarry" by Paul Knepler and J. M. Welleminsky.

Credits: Director, Marcel Varnel; adaptation and scenario, Frank Launder, Roger Burford, Kurt Siodmak; film editor, E. B. Jarvis; music, C. Millocker; lyrics, Desmond Carter; music arrangements, Theo Mackeben; music director, Harry Acres.

I GIVE MY LOVE. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Producer, B. F. Zeldman; director, Karl Freund; story, Vicki Baum; screenplay and dialogue, Doris Anderson; adaptation, Milton Krims; film editor, Edward Curtiss.

I HATE WAR. 1937. 3 reels, sd.

Credits: Written and narrated by Tom Terriss; editor, Milton Schwarz.

I HATE WOMEN. 1934. 6,450 ft.

Credits: Director, Aubrey H. Scotto; story and screenplay, Mary E. McCarthy.

I HAVE LIVED. Presented by George R. Batcheller. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Louis E. Heifetz; screenplay and dialogue, Winifred Dunn.

I HAVEN'T GOT A HAT. (Merrie Melodies) Vitaphone. 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Rollin Hamilton, Jack King; music, Bernard Brown.

I HEARD. SEE Betty Boop in I Heard.

I, JERRY, TAKE THEE JOAN. SEE Merrily We Go to Hell.

I KNOW EVERYBODY AND EVERYBODY'S RACKET. Rowland-Brice. 1933. 2 reels, sd.

Credits: Director, Monte Brice; story, Mark Hellinger.

I LIKE BABIES AND INFINKS. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Graham Place.

I LIKE IT THAT WAY. 1934. 7 reels.

Credits: Director, Harry Lachman; story, Harry Sauber; screenplay, Chandler Sprague, Joseph Santley.

I LIKE MOUNTAIN MUSIC. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

I LIKE MOUNTAIN MUSIC. (Merrie Melodies, no. 10) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore Freleng, Larry Martin; music score, Frank Marsales.

I LIKE YOUR NERVE. 1931. 7 reels, sd.

Credits: Roland Pertwee; director, William McGann; adaptation, Huston Branch; dialogue, Roland Pertwee.

I LIVE FOR LOVE. Warner Bros. Productions Corp. Presented by Warner Bros. Pictures and The Vitaphone Corp. 1935. 8 reels, sd.

Credits: Director, Busby Berkeley; story and screenplay, Jerry Wald, Julius J. Epstein, Robert Andrews; music and lyrics, Allie Wrubel, Mort Dixon.

I LIVE MY LIFE. 1935. 10 reels, sd., b&w. Based upon a short story by A. Carter Goodloe.

Credits: Producer, Bernard H. Hyman; director, W. S. Van Dyke; screenplay, Joseph L. Mankiewicz; story, Gottfried Reinhardt, Ethel Borden; film editor, Tom Held; music, Dimitri Tiomkin.

I LOST MY HEART IN HEIDELBERG. SEE The Student's Romance.

I LOVE A LASSIE. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough. 1931. 1 reel, sd.

I LOVE AN ACTRESS. SEE The Great Flirtation.

I LOVE THAT MAN. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown; story, Gene Towne, Graham Baker; screenplay, Gene Towne, Graham Baker, Casey Robinson.

I LOVE TO SINGA. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Charles Jones, Virgil Ross; music, Norman Spencer.

I LOVE YOU. Triangle Film Corp. 1923. 6 reels. Re-edited and re-titled.

I LOVE YOU. SEE Lovin' the Ladies.

I LOVE YOU MADLY. SEE Te Quiero con Locura.

I LOVED A WOMAN. Presented by First National, Inc. and The Vitaphone Corp. 1933. 80 mins., sd. Based on novel by David Karsner.

Credits: Director, Alfred E. Green; screenplay, Charles Kenyon, Sidney Sutherland; film editor, Bert Levy.

I LOVED YOU WEDNESDAY. 1933. 6,900 ft., sd. From the comedy of the same name which is a revised version of "It Couldn't Happen Twice" by Molly Ricardel and William Du Bois.

Credits: Directors, Henry King, William Cameron Menzies; screenplay, Philip Klein, Horace Jackson; editor, Frank Hull.

I MARRIED A DOCTOR. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 9 reels, sd. From the novel "Main Street" by Sinclair Lewis.

Credits: Director, Archie Mayo; dramatization, Harriet Ford, Harvey O'Higgins; screenplay, Casey Robinson.

I MARRIED A SPY. 1938. 6 reels, sd. From the novel "Secret Lives" by Paul de Sainte-Colombe.

Credits: Producer, Hugh Perceval; director, Edmond Greville; screenplay, Basil Mason, Hugh Perceval, Edmond Greville.

I MET HIM IN PARIS. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Wesley Ruggles; story, Helen Meinardi; screenplay, Claude Binyon; editor, Otho Lovering; music director, Boris Morros.

I MET MY LOVE AGAIN. Released thru United Artists. 1938. 8 reels, sd. Based upon the novel "Summer Lightning" by Allene Corliss.

Credits: Directors, Arthur Ripley, Joshua Logan; screenplay, David Hertz; film editors, Otho Lovering, Edward Mann; music director, Rox Rommell.

I-O-U MY HEART. Trailer. 1936. 1 reel, sd.

I ONLY HAVE EYES FOR YOU. (Merrie Melodies) 1937. 8 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Bob Clampett, Virgil Ross; music, Carl W. Stalling.

I PROMISE TO PAY. 1937. 7 reels, sd.

Credits: Director, D. Ross Lederman; original screenplay, Mary C. McCall, Jr., Lionel Houser; film editor, James Sweeney; music director, Morris Stoloff.

I QUIT! Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

I SCREAM. 1934. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley, Eddie Moran.

I SELL ANYTHING. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Robert Florey; story, Albert J. Cohen, Robert T. Shannon; screenplay, Brown Holmes, Sidney Sutherland.

I STAND ACCUSED. 1938. 7 reels, sd.

Credits: Associate producer and director, John H. Auer; original screenplay, Gordon Kahn; additional dialogue, Alex Gottlieb; film editor, Ernest Nims; music director, Cy Feuer.

I STAND CONDEMNED. Released thru United Artists. 1936. 8 reels, sd. Based on "Moscow Nights" by Pierre Benoit.

Credits: Producer, Alexis Granowsky; director, Anthony Asquith; scenario, Eric Siepmann; film editor, Francis D. Lyon.

I STOLE A MILLION. 1939. 10 reels, sd.

Credits: Associate producer, Burt Kelly; director, Frank Tuttle; original story, Lester Cole; screenplay, Nathanael West; film editor, Edward Curtis.

I SURRENDER, DEAR. (Educational Comedies) 1931. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

I SURRENDER, DEAR. Presented By E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earl Rodney, Harry McCoy; film editor, William Hornbeck.

I TAKE THIS WOMAN. 1931. 8 reels. From the novel "Lost Ecstasy" by Mary Roberts Rinehart.

Credits: Director, Marion Gering; adaptation, Vincent Lawrence.

I THANK YOU. SEE Eddie White in I Thank You.

I WANNA BE A LIFE GUARD. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

I WANNA PLAY HOUSE. (Merrie Melodies) 1936. 1 reel.

Credits: Animation, Cal Dalton, Sandy Walker.

I WANT MY MAN. 1925. 7 reels. From the novel "The Interpreter's House" by Struthers Burt.

Credits: Director, Lambert Hillyer; adapted and supervised. Earl Hudson; scenario, Joseph Poland, Earle Snell.

Credits: Producer, Charles E. Bartlett.

I WANT TO BE AN ACTRESS. (A Scrappy Cartoon) 1937. 628 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

I WANT TO FORGET. 1918. 5 reels.

Credits: Scenario and direction, James Kirkwood; story, Harry O. Hoyt, Hamilton Smith.

I WANTED RED WINGS. SEE Baby Rabbit in I Wanted Red Wings.

I WAS A CONVICT. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Aubrey Scotto; original story, Robert D. Andrews; screenplay, Ben Markson, Robert D. Andrews; film editor, Gene Milford; music director, Cy Feuer.

I WAS A SPY. Gaumont British Picture Corp. 1933. 7,750 ft., sd.

Credits: Director, Victor Saville; story, Marthe McKenna; scenario and dialogue, W. P. Lipscomb; additional dialogue, J. H. Beith.

I WILL BE FAITHFUL. SEE Human Cargo.

I WILL REPAY. 1916. 3 reels.

I WILL REPAY. 1917. 5 reels. Based on the story "A Municipal Report" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, William P. Searle; adaptation, William Addison Lathrop.

I WISH I HAD WINGS. (Merrie Melodies, no. 2) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawings, Rollin Hamilton, Paul Smith; music score, Frank Marsales.

I WISHED ON THE MOON. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson.

I WONDER WHO'S KISSING HER NOW. 1931. 1 reel.

Credits: Max E. Fleischer; director, Dave Fleischer.

I YAM LOVE SICK. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, William Henning.

I YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

IBANEZ' TORRENT. Cosmopolitan. 1926. 6,769 ft. From the novel by Vicente Blasco Ibanez.

Credits: Director, Monta Bell; adaptation, Dorothy Farnum; film editor, Frank Sullivan.

ICE ANTICS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1939. 841 ft., sd., tinted.

Credits: Director, David Miller; music score, David Snell.

ICE BOX PIRATES. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, Scott Darling.

ICE BOXED. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould.

ICE COLD. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Directors, W. Scott Darling, C. Richard Wallace.

ICE CUT-UPS. (News World of Sports) 1936. 1 reel.

Credits: Narration, Jack Kofoed; described by Ford Bond.

THE ICE FLOOD. Jewel. 1926. 6 reels.

Credits: Director, George B. Seitz; story, Johnston McCully; scenario, George B. Seitz, Gladys Lehman.

THE ICE FOLLIES OF 1939. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w, color sequences.

Credits: producer, Harry Rapf; director, Reinhold Schunzel; story, Leonard Praskins; screenplay, Leonard Praskins, Florence Ryerson, Edgar Allan Woolf; film editor, W. Donn Hayes; music directors, Franz Waxman, Georgie Stoll.

ICE FROLIC. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Cyrus D. Wood, Eddie Forman.

ICE. THE FOOD DISTRIBUTOR. 1937. For Ice Refrigeration Bureau. Filmstrip. 55 frames, sd.

ICEBOUND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,471 ft. From the play by Owen Davis.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

ICELAND—LAND OF THE VIKINGS. (Fitzpatrick-M. G. M. Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. Fitzpatrick; music Nathaniel Shilkret; photographer, Frank Goodliffe.

THE ICELESS ARCTIC. (Camera Adventures) 1932. 1 reel, sd.

Credits: Producers, Pat Dowling, Hobart Brownell; narrative, Tom J. Geraghty.

THE ICE MAN. SEE Charles Rogers in The Ice Man.

THE ICEMAN'S BALL. 1932. 2 reels.

Credits: Director, Mark Sandrich; story, Ben Holmes, Tom Lennon; adaptation and dialogue, Bobby Clark, Mark Sandrich.

ICE MAN'S LUCK. (Oswald Snappy) 1929. 1 reel.

Credits: R. C. Hamilton.

THE ICE MEN. (Bill Corum, no. 6) 1937. 1 reel, sd.

ICH WILL NICHT WISSEN WER DU BIST (I DON'T WANT TO KNOW WHO YOU ARE). 1933. 10 reels, sd.

Credits: Director, Geza von Bolvary; story, Ernest Marischka, Gustav Holm; English titles, Michael L. Simmons; music, Robert Stolz.

ICY EYES. SEE Felix the Cat in Icy Eyes.

I'D CLIMB THE HIGHEST MOUNTAIN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

I'D GIVE MY LIFE. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the play "The Noose" by H. H. Van Loan and Willard Mack.

Credits: Producer, Richard A. Rowland; director, Edwin L. Marin; screenplay, George O'Neil; additional dialogue, Ben Ryan; music and lyrics, Con Conrad, Herb Magidson; music director, Boris Morros.

I'D LOVE TO TAKE ORDERS FROM YOU. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Bob Clampett, Cecil Surry; music, Norman Spencer.

I'D RATHER BE YOUR WIFE THAN YOUR WIDOW. Presented by Goodrich. 1938. 1 reel, sd.

IDA, QUEEN OF THE AIR. SEE The Circus Queen.

IDAHO. 1925. 2 reels each. © Pathe Exchange, Inc.

Credits: Story, Theodore Burrell; adaptation, Frank Leon Smith.

1. Road Agents. © 25Feb25; LP21163.

2. Hands Up. © 25Feb25; LP21164.

3. The Stampede. © 25Feb25; LP21177.

4. Forbidden Testimony. © 4Mar25; LP21222.

5. Lawless Laws. © 9Mar25; LP21223.

6. Aroused. © 24Mar25; LP21266.

7. The Trap. © 24Mar25; LP21267.

8. The White Streak. © 6Apr25; LP21332.

9. Unmasked. © 8Apr25; LP21343.

10. Vigilantes. © 15Apr25; LP21359.

IDAHO RED. 1929. 6 reels.

Credits: Director, Robert DeLacy; story and continuity, Frank Howard Clark.

THE IDEA MAN. 1923. 1 reel.

Credits: Director, William Watson.

THE IDEAL LOVE. 1921. 5 reels. Title changed from "Dad's Girl."

IDENTIFIED. (Your True Adventures) 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Cyrus D. Wood.

IDIOT'S DELIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 12 reels, sd., b&w. Based on the play by Robert E. Sherwood as produced by The Theatre Guild, Inc.

Credits: Producer, Hunt Stromberg; director, Clarence Brown; screenplay, Robert E. Sherwood; film editor, Robert J. Kern; music score, Herbert Stothart.

IDLE CHATTER. SEE Kramer and Boyle in Idle Chatter. Lou Holtz in Idle Chatter.

THE IDLE CLASS. 1921. 2 reels.

Credits: Written and directed by Charles Chaplin.

IDLE HANDS. SEE The Millionaire.

THE IDLE RICH. 1915. 1,000 ft.

Credits: Henry Beldon; director, Charles Ranson.

THE IDLE RICH. L-Ko. 1915. 2 reels.

THE IDLE RICH. 1922. 5 reels. Adapted from the story "Junk" by Kennett Harris.

Credits: Producer and director, Maxwell Karger; scenario, June Mathis.

THE IDLE RICH. 1929. 9 reels. From the play "White Collars" by Edith Ellis, which was based on the novelette by Edgar Franklin [pseud. of E. F. Stearns].

Credits: Director, William De Mille; film editor, Conrad A. Nervig.

AN IDLE ROOMER. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

AN IDLE ROOMER. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

IDLE ROOMERS. (Cameo Comedies) 1931. 9 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

IDLE TONGUES. First National. 1924. 6 reels. From the novel "Dr. Nye" by Joseph C. Lincoln.

Credits: Supervision, Thomas H. Ince; director, Lambert Hillyer; adaptation, C. Gardner Sullivan.

IDLE WIVES. Universal Special. 1916. 7 reels. From the novel by James Oppenheim.

Credits: Producers, the Smalleys; directed and adapted by Lois Weber, Phillips Smalley; scenario, Lois Weber.

IDLE WORKERS. (A Mirthquake Comedy) 1921. 2 reels.

Credits: Producer, Norman Manning.

THE IDLER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

THE IDLER. 1914. 5 reels. Adapted from the play by C. Haddon Chambers.

THE IDOL DANCER. 1920. 7 reels.

Credits: Story, Gordon Ray Young; scenario, S. E. Z. Taylor.

THE IDOL OF FATE. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Will M. Hough.

THE IDOL OF SEVILLE. Released by Educational Film Exchanges, Inc. 1932. 21 min., sd. Suggested by the opera "Carmen."

Credits: Supervision, Antoine De Vally; director, Howard Higgin.

IDOL OF THE CROWDS. 1937. 6 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original story, George Waggner; screenplay, George Waggner, Harold Buckley; film editor, Charles Craft.

THE IDOL OF THE NORTH. 1921. 6 reels.

Credits: Director, R. William Neill; story, Jack Clark Miller; scenario, Frank S. Beresford.

Credits: Director, Webster Cullison.

IDOLS. SEE The Oath.

IDOLS OF CLAY. Gold Seal. 1915. 3 reels.

Credits: Scenario and production, Robert Leonard.

IDOLS OF CLAY. 1920. 6 reels.

Credits: Story, Onida Bergere.

THE IDYL OF RED GULCH. SEE The Man from Red Gulch.

AN IDYLL OF THE HILLS. Rex. 1915. 2 reels.

IF AT FIRST YOU DON'T SUCCEED. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

IF I HAD A MILLION. 1932. 9 reels, sd. Based on the novel "Windfall" by Robert D. Andrews.

Credits: Directors, Ernst Lubitsch, Norman Taurog [and others]; screenplay, Claude Binyon [and others].

IF I MARRY AGAIN. 1924. 8 reels.

Credits: Director, John Francis Dillon; story, Gilbert Frankau.

IF I WERE FREE. 1933. 7 reels, sd. From the play "Behold We Live" by John Druten.

Credits: Associate producer, Kenneth MacGowan; director, Elliott Nugent; screenplay, Dwight Taylor; film editor, Arthur Roberts; music director, Max Steiner.

IF I WERE KING. 1920. 8 reels. From the story and play by Justin Huntly McCarthy.

Credits: Director, J. Gordon Edwards; scenario, E. Lloyd Sheldon.

IF I WERE KING. Presented by Adolph Zukor. 1938. 11 reels, sd. From the play by Justin Huntly McCarthy.

Credits: Producer and director, Frank Lloyd; screenplay, Preston Sturges; film editor, Hugh Bennett.

IF I WERE KING. SEE The Vagabond King.

IF I WERE QUEEN. Presented by P. A. Powers. Released by Film Booking Offices of America, Inc. 1922. 6 reels. From the story "The Three Cornered Kingdom" by Vernet Rabell.

Credits: Director, Wesley Ruggles; scenario, Carol Warren.

IF I WERE SINGLE. 1927. 7 reels.

Credits: Director, Roy Del Ruth; story and scenario, Robert Lord.

IF I WERE YOUNG AGAIN. 1914. 2,000 ft.

Credits: Producer, F. J. Grandon.

IF I'M ELECTED. 1932. 1 reel.

Credits: Director, Alf Goulding; story, A. Dorian Otvos, Jack Henley.

IF IT HAD ONLY BEEN TRUE. SEE Bingle's Nightmare.

IF MARRIAGE FAILS. Released by F. B. O. 1925. 7 reels.

Credits: Director, John Ince; story and scenario, C. Gardner Sullivan.

IF MEN PLAYED CARDS AS WOMEN DO. 1929. 1 reel.

Credits: Story, George S. Kaufman.

IF MY COUNTRY SHOULD CALL. Red Feather. 1916. 5 reels. Suggested by a story by Virginia Terhune Van de Water.

Credits: Director, Joseph De Grasse; scenario, Ida May Park.

IF ONLY JIM. 1921. 5 reels.

Credits: Director, Jacques Jaccard; story, Philip V. Mighels; scenario, George C. Hull.

IF THE GODS LAUGH. SEE Fighting Love.

IF THIS ISN'T LOVE. 1934. 2 reels, sd.

Credits; Producer, Lee Marcus; director, Leigh Jason; story, Leigh Jason, John Clymer; additional dialogue, John Twist; film editor, John Lockert; music director, Roy Webb.

IF WINTER COMES. 1923. 12 reels, b&w, tinted sequences. From the novel by A. S. M. Hutchinson.

Credits: Director, Harry Millarde; scenario, Paul Sloane.

IF WOMEN ONLY KNEW. 1921. 6 reels. Based on "Meditations on Marriage" by Balzac.

Credits: Director, E. H. Griffith; adaptation, Gardner Hunting.

IF YOU BELIEVE IT, IT'S SO. 1922. 7 reels.

Credits: Director, Tom Forman; adaptation, Waldemar Young; story, Perley Poore Sheehan.

IF YOU COULD ONLY COOK. 1935. 7 reels, sd.

Credits: Director, William A. Seiter; story, F. Hugh Herbert; screenplay, Gertrude Purcell, Howard J. Green; film editor, Gene Havlick.

IGLOO. 1932. 6 reels.

Credits: Director, Ewing Scott; narrative by Edward T. Lowe, Wilfred Lucas; narrator, Gayne Whitman.

IGNATZ'S ICY INJURY. 1916. 2 reels.

IHRE HOHEIT BEFIEHLT (HER HIGHNESS COMMANDS) 1931. 92 min., sd.

Credits: Supervision, Max Pfeiffer; director, Hanns Schwarz; scenario, Paul Frank, Billie Wilder; music, Werner R. Heymann.

I'LL BE GLAD WHEN YOU'RE DEAD YOU RASCAL YOU. 1932. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Ralph Somerville.

I'LL BE SUING YOU. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd.

Credits: Director, Gus Meins; film editor, Louis McManus.

I'LL FIX IT. Nestor. 1918. 1 reel.

I'LL FIX IT. 1934. 7 reels, sd.

Credits: Director, Roy William Neill; story, Leonard Spigelgass; screenplay, Ethel Hill, Dorothy Howell.

I'LL GET HER YET. Imp. 1916. 2 reels.

Credits: Written and produced by Roy Clements.

I'LL GET HIM YET. Paramount. Presented by New Art Film Co. 1919. 5 reels.

Credits: Director, Elmer Clifton; story, Harry Carr.

I'LL GIVE A MILLION. 1938. 6,700 ft., sd.

Credits: Director, Walter Lang; story, Cesare Zavattini, Gaici Mondaini; screenplay, Milton Sperling, Boris Ingster; music director, Louis Silvers.

I'LL LOVE YOU ALWAYS. 1935. 7 reels, sd.

Credits: Director, Leo Bulgakov; story, Lawrence Hazard; screenplay, Vera Caspary; film editor, Richard Cahoon.

I'LL NAME THE MURDERER. 1936. 7 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story and screenplay, Philip Dunham; special dialogue, Edwin K. O'Brien; editor, Charles Henkle; music and lyrics, Gene Johnston, C. Ward Dudley; music director, Gene Johnston.

I'LL SAY SO. 1918. 5 reels.

Credits: Director, Raoul A. Walsh; scenario and editing, Ralph H. Spence.

I'LL SHOW YOU THE TOWN. Jewel. 1925. 8 reels. From the novel by Elmer Davis.

Credits: Director, Harry A. Pollard; scenario, Raymond L. Schrock.

I'LL TAKE ROMANCE. 1937. 9 reels, sd.

Credits: Producer, Everett Riskin; director, Edward H. Griffith; story, Stephen Morehouse Avery; screenplay, George Oppenheimer, Jane Murfin; film editors, Otto Meyer, William Lyon; music director, Morris Stoloff.

I'LL TAKE THAT ONE. (Checker Comedies) 1930. 2 reels, sd.

Credits: Producer, Gordon Bostock; director, Monty Banks; film editor, A. Knott.

I'LL TAKE VANILLA. (Hal Roach Comedy) (A Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Charles Parrott, Eddie Dunn; film editor, William Terhune.

I'LL TELL THE WORLD. 1934. 9 reels.

Credits: Director, Edward Sedgwick; story, Lincoln Quarberg, Frank Wead; screenplay, Dale Van Every, Ralph Spence.

AN ILL WIND. 1930. 2 reels.

ILLEGAL. 1932. 72 min., sd.

Credits: Director, William McGann; story, Irving Asher; screenplay and dialogue, Roland Pertwee.

ILLEGAL TRAFFIC. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Director, Louis King; original story and screenplay, Robert Yost, Lewis Foster, Stuart Anthony.

ILLICIT. Warner Bros, and Vitaphone. 1931. 8 reels, sd. Based on the play by Edith Fitzgerald and Robert Riskin.

Credits: Director, Archie Mayo; screen adaptation, Harvey Thew.

ILLUMINATION. 1931. 997 ft.

ILLUSION. 1929. Si. & sd. From the novel by Arthur Train.

Credits: Director, Lothar Mendes; titles, Richard H. Digges, Jr.; adaptation, E. Lloyd Sheldon.

ILLUSIONS. SEE Fred Keating in Illusions.

THE ILLUSTRIOUS CORPSE. SEE Strangers of the Evening.

I'M A BIG SHOT NOW. (Merrie Melody) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Jack Carr, Riley Thomson; music, Bernard Brown.

I'M A FATHER. 1935. 2 reels.

Credits: Director, James W. Horne; story and screenplay, Preston Black; film editor, James Sweeney.

I'M A FUGITIVE FROM A CHAIN STORE. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Edmund Joseph.

I'M A WILD WOMAN. 1930. 1 reel, sd.

Credits: Director, Jack Partington.

I'M AFRAID THAT'S ALL. SEE Red Corcoran—I'm Afraid That's All.

I'M AFRAID TO COME HOME IN THE DARK. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; arranged by Max Fleischer.

I'M CURED. 1924. 2 reels.

Credits: Director, Eugene De Rue.

I'M FOREVER BLOWING BUBBLES. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer.

I'M FROM MISSOURI. 1939. 9 reels, sd. Based on stories by Homer Croy and Julian Street.

Credits: Producer, Paul Jones; director, Theodore Reed; screenplay, John C. Moffitt, Duke Atteberry; film editor, Archie Marshek.

I'M FROM THE CITY. 1938. 66 min., sd.

Credits: Producer, William Sistrom; direction and original story, Ben Holmes; screenplay, Nicholas T. Barrows, Robert St. Clair, John Grey; editor, Ted Cheesman; music director, Roy Webb.

IM GEHEIMDIENST (SECRET SERVICE). 1931. 11 reels.

Credits: Director, Gustav Ucicky; scenario, Walter Reisch.

I'M GLAD MY BOY GREW UP TO BE A SOLDIER. 1915. 4 reels. A version of the song "I Didn't Raise My Boy To Be a Soldier".

Credits: Director, Frank Beal; scenario, Gilson Willets.

I'M JUST A JITTERBUG. (A Walter Lantz Cartune) 1939. 1 reel.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, Merle Gilson, Hicks Lokey.

I'M MUCH OBLIGED. (Broadway Brevity) 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

I'M NO ANGEL. 1933. 9 reels.

Credits: Director, Wesley Ruggles; story, screenplay, and dialogue, Mae West; continuity, Harlan Thompson.

I'M TELLING YOU. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn; dialogue staged by Max E. Hayes.

I'M YOUR HUSBAND. Nestor. 1916. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

IMA VAMP, FAIRYLAND, and MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

IMAGINE MY EMBARRASSMENT. SEE Frank Orth and Ann Codee in Imagine My Embarrassment.

IMITATION OF LIFE. Presented by Carl Laemmle. 1934. 12 reels, sd. From the novel by Fannie Hurst.

Credits: Producer, Carl Laemmle, Jr.; director, John M. Stahl; screenplay, William Hurlbut; film editor, Phil Cohn.

THE IMMIGRANT. 1917. 2 reels.

THE IMMORTAL BRUSH. 1938. 9 min., sd., color.

Credits: Commentator, Dwight West.

Credits: Written and directed by Ivan Abramson.

THE IMMORTAL VOICE. 1923. 1 reel.

Credits: Director, J. A. Norling.

THE IMMOVABLE GUEST. (Paramount-Flagg Comedy) 1919. 2 reels. Based on the comedy by James Montgomery Flagg.

THE IMP. 1919. 5 reels.

Credits: Director, Robert Ellis; story, Elsie Janis, Edmund Goulding.

IMPACT. (How to Break 90, no. 5) Presented by Warner Bros. Pictures and the Vitaphone Corp. 1933. 1 reel.

Credits: Director, George E. Marshall; story, Andrew Bennison.

THE IMPATIENT MAIDEN. 1932. 9 reels. From the novel by Donald Henderson Clarke.

Credits: Director, James Whale; screenplay, Richard Schayer, Winifred Dunn.

AN IMPERFECT IMPOSTER. SEE Irish Luck.

THE IMPERFECT LOVER. Century. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

IMPERIAL DELHI. (A FitzPatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1938. 779 ft., sd., color.

Credits: Music, Jack Shilkret; photographer, Hone M. Glending.

1. © title & 46 prints, 3Nov15; descr., 22Nov15; MU456.

2. © title & 49 prints, 3Nov15; descr., 22Nov15; MU457.

3. © title & 29 prints, 3Nov15; descr., 22Nov15; MU458.

4. © title & 43 prints, 3Nov15; descr., 22Nov15; MU459.

IMPERIAL INDIA. Powers. (Dr. Dorsey's Travel Pictures) 1916. 1 reel each. © Universal Film Mfg. Co., Inc.

1. Sports of the Rajahs. © 29Jun16; MP657.

2. The Devil Dancers of India. © 11Jul16; MP667.

4. The Rough Riders of India. © 21Jul16; MP677.

THE IMPERIAL RUSSIAN COSSACKS WITH CAPTAIN N. F. SANIN. 1928. 1 reel.

THE IMPERSONATION OF TOM. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Corneilius Shea.

THE IMPERSONATOR. 1914. 3 reels. Adapted from the novel by Mary Imlay Taylor.

IMPORTANT NEWS. (A Miniature) 1936. 1 reel, sd., b&w.

Credits: Director, Edwin Lawrence.

Credits: Director, John B. O'Brien.

THE IMPOSSIBLE MRS. BELLEW. 1922. 7 reels. From the novel by David Lisle [pseud.]

Credits: Director, Sam Wood; adaptation, Percy Heath, Monte M. Katterjohn.

THE IMPOSTER. 1913. 3 reels.

THE IMPOSTER. SEE A Daughter of Luxury.

THE IMPOSTOR. Released by Mutual Film Corp. 1918. 5 reels.

Credits: Director, Dell Henderson; scenario, Anthony P. Kelly.

THE IMPOSTOR. Released by F. B. O. 1926. 6 reels.

Credits: Director, Chet Withey; story, Clifford Howard; screenplay, Ewart Adamson.

THE IMPRACTICAL JOKER. (Betty Boop Cartoon) 1937. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

IMPRESSIONS. SEE Albert Carroll in Impressions.

IMPRESSIONS OF TSCHAIKOWSKY'S OVERTURE 1812. 1929. 1 reel.

IMPROPAGANDA. (Paramount-Flagg Comedy) 1919. 2 reels.

Credits: Director, Saul Harrison; story, James Montgomery Flagg.

IMPULSE. 1922. 5 reels. Adapted from the story "Her Unknown Knight" by Maude Woodruff Newell.

IMPULSES. SEE A Sporting Chance.

IN A BLACKSMITH SHOP. 1927. 1 reel, sd.

Credits: Director, Bryan Foy.

IN A CAGE WITH POLAR BEARS. Powers. 1916. 1/2 reel.

IN A CLOCK STORE. (Silly Symphony, no. 22) 1931. 1 reel.

IN A GLASS DARKLY. SEE Vampire.

IN A JACKPOT. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

IN A JAPANESE TEA GARDEN. 1913. 1 reel.

IN A LOOKING GLASS. Black Cat. 1916. 33 min.

Credits: Charles Michelson; director, L. C. Windom.

IN A MERMAID LAIR. 1920. 1 reel.

IN A MOMENT OF TEMPTATION. 1927. 6 reels.

Credits: Director, Philip Carle; original story, Laura Jean Libbey.

IN A MONASTERY CELLAR. 1927. 1 reel.

Credits: Director, Bryan Foy.

IN A MONASTERY GARDEN. (Musical Moods) 1934. 1 reel, sd., color.

Credits: Music, Albert W. Ketelbey; director of orchestra, Rosario Bourdon.

IN A MUSIC SHOPPE. 1928. 2 reels.

Credits: Written and directed by James A. Fitzpatrick.

IN A PIG'S EYE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnnie Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film editor, Edward Mann.

IN A PROHIBITION TOWN. 1914. 1 reel.

Credits: J. Edward Hungerford.

IN AGAIN. Century. 1921. 2 reels.

Credits: Story and direction, Tom Buckingham.

IN AGAIN—OUT AGAIN. 1917. 5 reels.

Credits: Producer, John Emerson; story, Anita Loos.

IN AGAIN, OUT AGAIN. Nestor. 1917. 1 reel.

IN AGAIN, OUT AGAIN. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

IN AGAIN, OUT AGAIN. 1930. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue staged by Max E. Hayes.

IN AN ARABIAN NIGHT CLUB. 1929. 1 reel.

Credits: Story, Sam Jacobson.

IN AND AROUND KEY WEST, FLORIDA. 1918. Split reel.

IN AND OUT. 1929. 2 reels, sd. From the Wildcat stories by Hugh Wiley.

Credits: Production and adaptation, Monte Brice; director, Nat Nazarro.

IN AND OUT LAWS. SEE Felix the Cat in In and Out Laws.

IN ARCADIA. 1916. 1 reel.

Credits: Director, Courtlandt Van Deusen.

IN BAD. 1924. 2 reels.

Credits: Director, Billy West.

IN BAD ALL AROUND. 1919. 2 reels.

Credits: Director, Billy Watson.

IN BARCELONA. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN BATIK LAND. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN BED—IN BAD. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

IN BORROWED PLUMES. 1926. 6 reels. From the Smart Set story by Leroy Scott.

Credits: Director, Victor Hugo Halperin.

IN BRIDAL ATTIRE. 1914. 1 reel.

Credits: Director, Lee Beggs.

IN CALIENTE. First National. 1935. 9 reels, sd.

Credits: Director, Lloyd Bacon; story and adaptation, Ralph Block, Warren Duff; screenplay, Jerry Wald, Julius Epstein; film editor, Jimmy Gibbons; music and lyrics, Harry Warren, Al Dubin; music director, Leo F. Forbstein.

IN CHRISTMAS CANYON. SEE Across the Burning Trestle.

IN CONFERENCE. (Educational's Comedies) (Mack Sennett Comedies) 1931. 21 min., sd.

Credits: Director, Eddie Cline.

IN DEEP. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Charles Lamont.

IN DEFIANCE OF THE LAW. 1914. 3 reels. Adapted from the novel "Isobel" by James Oliver Curwood.

Credits: Producer, Colin Campbell.

IN DREAMY JUNGLE TOWN. Rex. 1916. 1 reel.

IN DUTCH. 1918. 2 reels.

Credits: Director, J. G. Blystone.

IN DUTCH. (Aesop's Fable) 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

IN EARLY ARIZONA. 1938. 5 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate Gatzert; film editor, Dwight Caldwell.

IN EVERY WOMAN'S LIFE. 1924. 7 reels. From the novel "Belonging" by Olive Wadsley.

Credits: Director, Irving Cummings; screenplay, Albert Shelby LeVino.

IN FAR MANDALAY. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN FAST COMPANY. 1924. 6 reels.

Credits: Director, James W. Horne; story, Alfred A. Kohn; scenario, Garrett Elsden Fort.

IN FINISTERE. (Paramount-Burton Holmes Travel Picture) 1920. 1 reel.

IN FOLLY'S TRAIL. 1920. 5 reels.

Credits: Director, Rollin Sturgeon; story, Katherine Leiser Robbins; scenario, Doris Schroeder.

IN FOR LIFE. Bluebird. 1927. 1 reel.

Credits: Director, Jay Belasco.

IN FOR THIRTY DAYS. 1919. 5 reels.

Credits: Director, Webster Cullison; story, Luther A. Reed; scenario, George D. Baker, Tom J. Geraghty.

IN GAY MADRID. 1930. 9 reels, sd., b&w. From the novel "La Casa de la Troya" by Alejandro Perez Lugin.

Credits: Producer, Robert Z. Leonard; dialogue continuity, Bess Meredyth, Salisbury Field, Edwin Justus Mayer; film editor, William S. Gray; music, Fred E. Ahlert, Xavier Cugat, Herbert Stothart.

Credits: Producer, E. A. Martin.

IN HER MOTHER'S FOOTSTEPS. 1915. 2,000 ft.

IN HIS BROTHER'S PLACE. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Harry L. Franklin; story, Hale Hamilton; scenario, A. S. LeVino.

IN HIS CUPS. (Fable, no. 421) 1929. 1 reel.

Credits: Paul Terry.

IN HIS FATHER'S FOOTSTEPS. Demonstrating the Danger of Insanitary Farm Conditions. 1915. Produced under the auspices of the New York State Department of Health.

Credits: Director, Eugene Rowland.

IN HIS MIND'S EYE. Big U. 1915. 1 reel.

Credits: Producer, Charles Giblyn; scenario, Bess Meredyth.

IN HIS OWN TRAP. Rex. 1916. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

IN HIS STEPS. (Presented by Edward L. Alperson) 1936. 8 reels, sd. Suggested by the story by Charles M. Sheldon.

Credits: Producer, B. F. Zeidman; director, Karl Brown; screenplay, Karl Brown, Hinton Smith; film editors, Edward Schroeder, Duncan Mansfield; music supervision, Abe Meyer.

IN HIS STEPS. SEE The Martyrdom of Philip Strong. Sins of the Children.

IN HOCK. 1923. 1 reel.

IN HOLLAND. 1929. 5 reels, b&w.

Credits: Director, Norman Taurog; story and scenario, Paul Gerald Smith.

IN HOLLYWOOD WITH POTASH AND PERLMUTTER. First National. 1924. 7 reels. From the Broadway stage success "Business Before Pleasure" by Montague Glass and Jules Eckert Goodman.

Credits: Director, Al Green; adaptation, Frances Marion.

IN HONOR'S WEB. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Perry N. Vekroff; scenario, Sam Taylor.

IN HOT WEATHER. 1922. 1 reel.

IN JAVA SEA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN JUDGEMENT OF. 1918. 5 reels.

Credits: Director, Will S. Davis; story and scenario, George D. Baker.

IN JUNGLE WILDS. 1916. 1 reel.

Credits: Director, L. W. Chaudet.

IN LEOPARD LAND. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, J. Edward Hungerford.

IN LIEU OF DAMAGES. 1914. 1 reel.

Credits: Hapsburg Liebe; director, Richard R. Ridgely.

IN LINE OF DUTY. (Western Featurette) 1929. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, William Lester.

IN LOVE AT 40. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Arthur Ripley; story, Joe Cunningham; film editor, Edward Mann.

IN LOVE WITH A FIREMAN. Joker. 1916. 1 reel.

Credits: Walter H. Newman; producer, William W. Beaudine.

IN LOVE WITH LIFE. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

IN LOVE WITH LOVE. 1924. 6 reels.

Credits: Director, Rowland V. Lee; story, Vincent Lawrence; adaptation and scenario, Robert N. Lee.

IN LOVE'S LABORATORY. 1917. 1 reel.

Credits: Story, Edward H. Griffith.

IN LOVE'S OWN WAY. 1915. 3 reels.

Credits: Producer, John E. Ince.

IN MIZZOURA. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels. Based on the story by Augustus Thomas.

Credits: Director, Hugh Ford; scenario, Beulah Marie Dix.

IN MONKEYLAND. Powers. 1917. 1/2 reel.

IN MOROCCO. (A Columbia Tour) 1939. 1 reel, sd.

Credits: Producer, AndrÉ de la Varre; narrator, Milton Cross.

IN MY GONDOLA. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1936. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

IN NACHT UND EIS. SEE Shipwrecked In Icebergs.

IN NAME ONLY. 1939. 94 min., sd. From the novel "Memory of Love" by Bessie Breuer.

Credits: Pandro S. Berman in charge of production; producer, George Haight; director, John Cromwell; screenplay, Richard Sherman; editor, William Hamilton; music, Roy Webb.

IN NEW MADRID. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

IN NORTH CHINA; AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

IN OLD ARIZONA. 1929. 7 reels, sd., b&w.

Credits: Directors, Raoul Walsh, Irving Cummings; scenario, adaptation and dialogue, Tom Barry.

IN OLD CALIENTE. 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original screenplay, Norman Houston, Gerald Geraghty; film editor, Edward Mann; music director, Cy Feuer.

IN OLD CALIFORNY. SEE Faro Nell.

IN OLD CHEYENNE. Presented by George W. Weeks. 1931. 62 min., sd.

Credits: Supervision, Webb-Douglas; director, Stuart Payton; story, Bennet Cohn; continuity and dialogue, Betty Burbridge.

IN OLD CHICAGO. 1938. 10,002 ft., sd. Based on the story "We the O'Learys" by Niven Busch.

Credits: Director, Henry King; screenplay, Lamar Trotti, Sonya Levien; music director, Louis Silvers.

IN OLD ENGLAND. 1917. 1 reel.

IN OLD GRANADA. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN OLD GUATEMALA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN OLD KENTUCKY. 1920. 7 reels. From the play by Charles T. Dazey.

Credits: Directors, Marshall Neilan and staff; scenario, Thomas J. Geraghty.

IN OLD KENTUCKY. 1927. 7 reels, sd., b&w. Suggested by the play by Charles Dazey.

Credits: Producer and director, John M. Stahl; screenplay, A. P. Younger; adaptation, A. P. Younger, Lew Lipton; titles, Marion Ainslee, Ruth Cummings; film editors, Basil Wrangell, Margaret Booth.

IN OLD KENTUCKY. 1927. 7 reels. Suggested by the play by Charles Dazey.

Credits: Produced and directed by John M. Stahl; screenplay, A. P. Younger; adaptation, A. P. Younger, Lew Lipton; film editors, Basil Wrangell, Margaret Booth.

IN OLD KENTUCKY. Presented by Fox Film Corp. 1935. 7,649 ft., sd. From the play by Charles T. Dazey.

Credits: Producer, Edward Butcher; director, George Marshall; screenplay, Sam Hellman, Gladys Lehman; additional dialogue, Henry Johnson; music director, Arthur Lange.

IN OLD MAZUMA. 1931. 2 reels.

Credits: Director, Nat Ross; continuity and dialogue, Hampton Del Ruth.

IN OLD MEXICO. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Edward D. Venturini; screenplay, Harrison Jacobs; film editor, Robert Warwick.

IN OLD MONTEREY. 1939. 8 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Joseph Kane; original story, Gerald Geraghty, George Sherman; screenplay, Gerald Geraghty, Dorrell McGowan, Stuart McGowan; film editor, Edward Mann; music supervision, Raoul Kraushaar.

IN OLD SANTA FE. Presented by Nat Levine. 1934. 7 reels, sd.

Credits: Supervision, Victor Zobel; director, David Howard; story, Wallace MacDonald, John Rathmell; screenplay, Colbert Clark, James Gruen; film editor, Thomas Scott.

IN OLD WYOMING. 1937. 1 reel, sd.

IN ONION THERE IS STRENGTH. Joker. 1916. 1 reel.

Credits: Director, Allen Curtis; scenario, William Warren Schoene.

IN PAYMENT OF THE PAST. 1916. 1 reel.

Credits: Marc E. Jones; director, Burton L. King.

Credits: Producer, George L. Tucker.

IN PERSON. 1935. 9 reels, sd. From the novel by Samuel Hopkins Adams.

Credits: Producer, Pandro S. Berman; director, William A. Seiter; screenplay, Allan Scott; editor, Arthur Schmidt; music director, Roy Webb; music and lyrics, Dorothy Fields, Oscar Levant.

IN PURSUIT OF POLLY. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Chet Withey; story, Mann Page, Izola Forrester; scenario, Eve Unsell.

IN QUEST OF A MINNIE. SEE Mother's Angel, In Quest of a Minnie, and Memories.

IN QUEST OF A STORY. 1914. 1 reel.

IN QUEST OF THE LATCH STRING. SEE The Love Net.

Credits: Scenario, Alex Frank.

IN RED DOG TOWN. 1915. Split reel.

Credits: Director, David Kirkland; adaptation, John Emerson, Anita Loos.

IN SEARCH OF A SINNER. 1920. 5 reels. From the story by Charlotte Thompson.

Credits: Director, David Kirkland; adaptation, John Emerson, Anita Loos.

IN SEARCH OF A SINNER. 1921. 5 reels.

Credits: Director, David Kirkland.

** Joseph M. Schenck; 5Dec21; LP17285.

IN SEARCH OF A THRILL. 1923. 5 reels.

Credits: Director, Oscar Apfel; story, Kate Jordan; screenplay, Basil Dickey, Winifred Dunn.

IN SEARCH OF A WIFE. Gold Seal. 1915. 2 reels.

Credits: Producer, William Worthington; story, Robert McGowan; scenario, F. McGrew Willis.

1. The Great Secret. © title, descr. & 60 prints, 10May19; LU13686.

2. Whiskey Straight. © title, descr. & 60 prints, 10May19; LU13687.

3. At Any Cost. © title, descr. & 40 prints, 10May19; LU13688.

4. © title, descr. & 40 prints, 24Jun19; LU13884.

5. © title, descr. & 40 prints, 24Jun19; LU13885.

6. © title, descr. & 40 prints, 24Jun19; LU13886.

7. © title, descr. & 40 prints, 24Jun19; LU13887.

IN SECRET. SEE The Black Secret.

IN SHANGHAI AND MACAO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN SOCIETY—AND OUT. 1916. 1 reel.

Credits: Thomas J. Gray; producer, Harry Jackson.

IN SPITE OF DANGER. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Anthony Coldeway; film editor, Otto Meyer.

IN SPITE OF HIM. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

IN THE AIR. 1926. 2 reels.

Credits: Producer, Joe Rock.

IN THE AMAZON JUNGLE. 1915. 1 reel.

Credits: Producer, L. W. Chaudet.

IN THE BACKGROUND. 1915.

IN THE BAG. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

IN THE BAG. (Slim Summerville Comedy) 1932. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin.

IN THE BAG. (Tom and Jerry Cartoon) 1932. 7-1/4 min.

Credits: John Foster, George Rufle.

IN THE BAG. 1934. 2 reels.

Credits: Direction and editing, Holbrook Todd; continuity, Howard Christie; commentation and dialogue, Clif Howell.

IN THE BALANCE. 1917. 5 reels. Adapted from the novel "The Hillman" by E. Phillips Oppenheim.

Credits: Director, Paul Scardon; scenario, Garfield Thompson.

IN THE BEGINNING—NEW ENGLAND. SEE The City.

IN THE BISHOP'S CARRIAGE. SEE She Couldn't Help It.

IN THE BOARDING HOUSE. 1915. Split reel.

IN THE CARQUINEZ WOODS. SEE Tongues of Flame.

IN THE CLAW OF THE LAW. L-Ko. 1915. 1 reel.

IN THE CLUTCHES OF DEATH. (The Great Hokum Mystery) (A Johnnie Walker Novelty) Atlas Sound Studios. Educational Film Exchanges, Inc. Presented by E. W. Hammons. 1932. 1,228 ft., sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

IN THE CLUTCHES OF MILK. Victor. 1917. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, C. B. Hoadley.

IN THE DARK. 1915. 3,000 ft.

IN THE DAYS OF BUFFALO BILL. Universal Special. 1922. 2 reels each.

Credits; Director, Edward Laemmle; story and scenario, Robert Dillon.

1. Bonds of Steel. © 1Aug22; LP18102.

2. In the Enemies' Hands. © 10Aug22; LP18148.

3. The Spy. © 21Aug22; LP18170.

4. The Swords of Grant and Lee. © 25Aug22; LP18181.

5. The Man of the Ages. © 1Sep22; LP18192.

6. Prisoners of the Sioux. © 9Sep22; LP18207.

7. Shackles of Fate. © 14Sep22; LP18219.

8. The Last Shot. © 21Sep22; LP18235.

9. From Tailor to President. © 30Sep22; LP18268.

10. Empire Builders. © 7Oct22; LP18293.

11. Perils of the Plains. © 12Oct22; LP18321.

12. The Hand of Justice. © 24Oct22; LP18377.

13. Trails of Peril. © 30Oct22; LP18358.

14. The Scarlet Doom. © 2Nov22; LP18373.

15. Men of Steel. © 7Nov22; LP18378.

16. The Brink of Eternity. © 13Nov22; LP18411.

17. A Race to the Finish. © 17Nov22; LP18424.

18. Driving the Golden Spike. © 23Nov22; LP18434.

IN THE DAYS OF DANIEL BOONE. Universal Special. 1923. 2 reels each, except no. 1 which is 3 reels. © Universal Pictures Corp.

Credits: Directors, Frank Messenger, William Craft, Jay Marchant; scenario, Jefferson Moffitt; Story, Paul Bryan, Jefferson Moffitt.

1. His Country's Need. © 21May23; LP18984.

2. At Sword's Point. © 1Jun23; LP19017.

3. Liberty or Death. © 9Jun23; LP19103.

4. Foiling the Regulators. © 27Jun23; LP19162.

5. Perilous Paths. © 5Jul23; LP19181.

6. Trapped. © 7Jul23; LP19189.

7. In the Hands of the Enemy. © 7Jul23; LP19200.

8. Over the Cliff. © 28Jul23; LP19254.

9. The Flaming Forest. © 4Aug23; LP19288.

10. Running the Gauntlet. © 14Aug23; LP19314.

11. The Wilderness Trail. © 21Aug23; LP19337.

12. The Fort in the Forest. © 28Aug23; LP19359.

13. The Boiling Springs. © 6Sep23; LP19382.

14. Chief Blackfish Attacks. © 10Sep23; LP19397.

15. Boone's Triumph. © 17Sep23; LP19422.

IN THE DAYS OF FAMINE. 1915. 3 reels.

Credits: Producer, Theodore Marston.

IN THE DAYS OF SLAVERY. 1914. 1 reel.

Credits: Richard R. Ridgely.

IN THE DAYS OF THE MISSIONS. SEE A Yoke of Gold.

IN THE DAYS OF THE THUNDERING HERD. 1914. 5 reels.

Credits: Director, Colin Campbell.

Credits: Producer, Fred W. Huntley.

IN THE DEAD O' NIGHT. Imp. 1916. 2 reels.

Credits: Willis Woods; director, Douglas Gerrard.

IN THE DEVILDOG HOUSE. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Ben Holmes; story, Ben Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, George Crone.

IN THE DIPLOMATIC SERVICE. 1916. 5 reels.

Credits: John C. Clymer, Hamilton Smith; adapted and produced by Francis X. Bushman.

IN THE DOG HOUSE. 1934. 2 reels, sd.

Credits: Director, Arthur Ripley; story and screenplay, Richard Smith, Arthur Ripley; film editor, William A. Lyon.

IN THE DOUGH. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley.

IN THE DRAGON'S CLAWS. 1915. 2,000 feet.

IN THE FIRST DEGREE. Presented by Sterling Productions, Inc. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Reginald Wright Kaufman.

IN THE GARDEN. 1913. 1 reel.

Credits: William Brede.

IN THE GARDEN OF CHARITY. SEE Tides of Passion.

IN THE GLASS HOUSE. 1926. 1 reel.

IN THE GOOD OLD DAYS. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

IN THE GOOD OLD SUMMER TIME. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

IN THE GRASP OF THE LAW. Laemmle. 1915. 1 reel.

Credits: Written and produced by Frank Lloyd.

IN THE HEADLINES. 1929. 8 reels.

Credits: Director, John G. Adolfi; story, James A. Starr; screenplay, Joseph Jackson.

IN THE HEADLINES. Trailer. 1929. 1 reel.

IN THE HEART OF A FOOL. First National. 1921. 7 reels. From the novel by William Allen White.

Credits: Producer and director, Allan Dwan; adaptation, Lilian Ducey.

IN THE HEART OF A SHELL. Rex. 1916. 1 reel.

Credits: Producer, H. C. Matthews.

IN THE HEART OF CHINA. Powers. 1917. 1/2 reel.

IN THE HEART OF INDIA. 1917. 1 reel.

IN THE HEART OF INDIA, AS SEEN BY DR. DORSEY. Powers. 1916.

IN THE HEART OF NEW YORK. Gold Seal. 1916. 3 reels.

Credits: William Addison Lathrop; director, Ben Wilson.

IN THE HEART OF THE HILLS. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

IN THE HILLS BEYOND. Powers. 1915. 1 reel.

Credits: Scenario and production by Sydney Ayres.

IN THE HILLS OF KENTUCKY. 1914. 2,000 ft.

IN THE HOLLOW OF HER HAND. 1918. 5 reels. From the story by George Barr McCutcheon.

Credits: Scenario and direction, Charles Maigne.

IN THE HOUR OF DISASTER. 1916. 3 reels.

Credits: Written and directed by Romaine Fielding.

IN THE HOUSE OF THE CHIEF. 1916. 3 reels.

Credits: Director, T. N. Heffron.

IN THE KING'S SERVICE. 1915. 2 reels.

Credits: Director, Thomas Santschi.

IN THE LAND OF ARCADIA. 1914. 2 reels.

Credits: Director, Wilfred North.

IN THE LAND OF KING COTTON. Powers. 1916. 1 reel.

IN THE LAND OF LIGHT AND GLOOM. Powers. 1917. 1/2 reel.

IN THE LAND OF MANY TEMPLES. Powers. 1917. 1/2 reel.

IN THE LAND OF THE MIKADO. 1915. Split reel.

Credits: Homer Croy.

IN THE LAND OF THE SON OF HEAVEN, AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

IN THE LAP OF THE GODS. Victor. 1916. 1 reel.

Credits: Producer and director, Donald MacDonald; scenario, Constance Crawley, Arthur Maude.

IN THE LATIN QUARTER. 1914. 2 reels.

Credits: Director, Lionel Belmore.

IN THE LINE OF DUTY. 1914. 1 reel.

Credits: Producer, Colin Campbell.

IN THE MEXICAN QUARTER. SEE Border Cafe.

IN THE MIDST OF THE WILDS. 1915. 1 reel.

Credits: Producer, Lloyd B. Carleton.

IN THE MINES WITH VERNON RICKARD AND THE BLACK DIAMOND FOUR. 1928. 1 reel.

IN THE MONEY. 1933. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

IN THE MOON'S RAY. 1916. 2 reels.

IN THE MORNING. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

IN THE NAME OF LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,862 ft. From the play "The Lady of Lyons" by Bulwer Lytton.

Credits: Director, Howard Higgin; screenplay, Sada Cowan.

IN THE NAME OF THE CZAR. SEE The Nihilist's Daughter.

IN THE NAME OF THE LAW. 1922. 6 reels.

Credits: Producer and director, Emory Johnson; story, Emilie Johnson.

IN THE NEXT ROOM. First National and Vitaphone. 1930. 7 reels. Adapted from the play by Eleanor Robson Belmont and Harriet Ford, and based on the book "The Mystery of the Boule Cabinet" by Burton E. Stevenson.

Credits: Director, Edward Cline; screen version, Harvey Gates.

IN THE NEXT ROOM. Trailer. 1929. 1 reel, sd.

IN THE NICK OF TIME. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Robert Dillon.

IN THE NICK OF TIME. 1929. 2 reels, sd.

Credits: Director, Murray Roth; story, Edmund Joseph.

IN THE NIGHT. Victor. 1916. 3 reels.

Credits: H. W. Bergman.

IN THE OLD ATTIC. 1913. 1 reel.

Credits: Director, Frederick Tomson.

IN THE OLD DUTCH TIMES. 1913. 1 reel.

Credits: Richard Ridgely.

IN THE ORIENT, FEATURING TONY SARG'S MARIONETTES. 1930. 1 reel, sd.

Credits: Supervision, Tony Sarg; director, Basil Smith.

IN THE PALACE OF THE KING. 1915. 6 reels. From the novel by F. Marion Crawford.

Credits: Director, Fred P. Wright.

IN THE PALACE OF THE KING. 1923. 8 reels. From the story by F. Marion Crawford.

Credits: Director, Emmett Flynn; adaptation, June Mathis.

IN THE PARK. 1915. 1 reel.

IN THE PARK. (Topics of the Day, no. 2) 1930. 1 reel, sd.

Credits: Alfred T. Mannon.

IN THE PARK. (Tom and Jerry Cartoon) 1933. 750 ft.

Credits: Frank Sherman, George Rufle.

IN THE PARK. SEE Brown & Whitaker.

IN THE PAVILION. SEE The Glorious Fool.

IN THE PLUMBER'S GRIP. 1915. 1 reel.

Credits: Guy Cunningham.

IN THE RICE FIELDS OF JAPAN. SEE Rice Fields and Rice Fed Wrestlers of Japan.

IN THE ROCKS OF INDIA. Powers. 1917. 1/2 reel.

IN THE ROUGH. (Farrell Golf Series, no. 3) 1931. 1 reel, sd.

Credits: Producer, Terry Ramsaye; director, Clyde Elliott.

IN THE SECRET SERVICE. SEE Behind the Mask.

IN THE SHADE OF THE OLD APPLE SAUCE. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

IN THE SHADE OF THE OLD APPLE TREE. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer; director, Dave Fleischer.

IN THE SHADOW. 1913. 1 reel.

Credits: Director, James Lackaye.

IN THE SHADOW OF DEATH. 1915. 2 reels. Adapted from "Fate and the Pomegranate" by Mary Imlay Taylor.

IN THE SHADOW OF DISGRACE. 1914. 2 reels.

Credits: Richard Ridgely.

IN THE SHADOW OF THE HILLS. SEE Cold Steel.

IN THE SHADOW OF THE MOUNTAINS. 1913. 2 reels.

Credits: William Maxwell.

IN THE SHADOWS OF NIGHT. Special Rex. 1917. 1 reel.

Credits: Director, Otis B. Thayer; and scenario, Richard Goodall.

IN THE SOUTHERN HIGHLANDS. 1917. 1/2 reel.

IN THE SPOTLIGHT. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus B. Wood.

IN THE SULTAN'S POWER. 1913. 2 reels.

IN THE SUNSET COUNTRY. Bison. 1915. 3 reels.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

IN THE WEST. 1923. 5 reels.

Credits: Story and direction, George Holt.

IN THIS CORNER. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, George J. Bennett.

IN TOUCH WITH DEATH. 1913. 3 reels.

IN TUNE WITH THE WILD. 1914. 3 reels.

Credits: Written and produced by E. A. Martin.

IN VENICE. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 505 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

IN WALKED CHARLEY. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, Warren Doane; dialogue, H. M. Walker; editor, Richard Currier.

Credits: Director, George Archainbaud.

IN WRONG. 1919. 5 reels.

Credits: Written and directed by James Kirkwood.

IN WRONG WRIGHT. 1920. 2 reels.

Credits: Producer, Albert Russell; story and scenario, Ford Beebe.

IN ZULULAND. 1915. 1,000 ft.

Credits: Written and produced by Will Louis.

INBAD THE SAILOR. Powers. 1917. 1/2 reel.

IN-BAD THE SAILOR. 1924. 2 reels.

Credits: Directors, Ben Stoloff, Clyde Carruth.

INCOME TACT. (Benny Rubin Talkie) 1929. 1 reel.

Credits: Story and direction, Benny Rubin.

THE INCOME TAX COLLECTOR. 1923. 2 reels.

Credits: Directed by Erle C. Kenton.

AN INCOMPETENT HERO. 1914. 1 reel.

Credits: Producer, Mack Sennett.

INCREASING THE PAY CHECK. 1926. 1 reel.

INDEPENDENCE B'GOSH! (Paramount-Flagg Comedy) 1918. 2 reels.

THE INDESTRUCTIBLE WIFE. 1919. 5 reels. From the play by Frederic Hatton and Fanny Hatton.

Credits: Scenario and direction, Charles Maigne.

INDIA ON PARADE. (FitzPatrick M. G. M. Traveltalk) 1937. 849 ft., sd., color.

Credits: Compiled by James A. FitzPatrick; music score, Jack Shilkret; photography, Winton C. Hoch.

INDIA SPEAKS. 1933. 8 reels, sd.

Credits: Producer, Walter A. Futter; dialogue, Norman Houston.

INDIA, THE BRIGHTEST JEWEL IN THE BRITISH CROWN, AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE INDIAN. 1914. 3 reels.

THE INDIAN. 1916. 3 reels.

AN INDIAN DURBAR. 1927. 1 reel.

INDIAN LIFE. 1918. 2 reels.

INDIAN LIFE. 1918. 4 reels.

INDIAN PUDDING. (Terrytoons) 1930. 1 reel.

Credits: Paul Terry, Frank Moser.

INDIAN SERENADE. (Color Rhapsody) Released by Columbia Pictures Corp. 1937. 732 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

Credits: Producer, Lem B. Parker.

INDIAN SUMMER. (Paramount-Post Nature Pictures) 1920. 1 reel.

THE INDIAN SUMMER OF DRY VALLEY JOHNSON. 1917. 4 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Katharine Reed.

INDIAN VILLAGE. (A Century of Progress) 1933. 100 ft.

INDIAN WHOOPEE. (Aesop's Sound Fables) The Van Beuren Corp. 1933. 8 min., 1 reel, sd.

Credits: Mannie Davis.

INDIANAPOLIS SPEEDWAY. 1939. 10 reels, sd.

Credits: Director, Lloyd Bacon; story, Howard Hawks; screenplay, Sig Herzig, Wally Klein.

THE INDIANS ARE COMING. 1930. 2 reels each. Suggested by the story "The Great West That Was" by William F. Cody. © Universal Pictures Corp.

Credits: Director, Henry MacRae; continuity, George H. Plympton, Ford I. Beebe.

1. Pals in Buckskin. © 29Aug30; LP1524.

2. A Call to Arms. © 12Sep30; LP1565.

3. A Furnace of Fear. © 9Aug30; LP1551.

4. The Red Terror. © 26Sep30; MP1945.

5. The Circle of Death. © 6Oct30; LP1617.

6. Hate's Harvest. © 9Oct30; LP1627.

7. Hostages of Fear. © 14Oct30; LP1644.

8. The Dagger Duel. © 23Oct30; LP1665.

9. The Blast of Death. © 5Nov30; LP1699.

10. Redskins Vengeance. © 5Nov30; LP1700.

11. Frontiers Aflame. © 10Nov30; LP1719.

12. The Trail's End. © 15Nov30; LP1728.

THE INDIAN'S LAMENT. Gold Seal. 1917. 3 reels.

Credits: Director, Henry McRae; story, Noble Johnson; scenario, Walter Woods.

THE INDIAN'S LAMENT. 1923. 2 reels. A re-issue.

Credits: Director, Henry McRae; story, Noble Johnson; scenario, Walter Woods.

THE INDIAN'S NARROW ESCAPE. 1915. 1 reel.

INDIA'S MILLIONS. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Basil Ruysdael.

AN INDIGO SUNDAY. 1921. 2 reels.

Credits: Story, Kingsley Benedict.

INDISCREET. United Artists. Presented by Joseph M. Schenck. 1931. 10 reels.

Credits: Director, Leo McCarey; film editor, Hal C. Kern.

INDISCREET PETE. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Harry Sweet.

INDISCRETION. 1915. 1,000 ft. Suggested by story "The Official Introducer" by Mary Rider Mechtold.

INDISCRETION. 1916. 5 reels.

Credits: Director, Wilfred North; story, William Addison Lathrop.

Credits: Producer, A. J. Bimberg; director, William Davis.

THE INDISCRETION OF THE DUCHESS. SEE The Naughty Duchess.

INDIVIDUAL DIFFERENCES IN ARITHMETIC. 1931. 2 reels.

Credits: Diagnostic studies by Guy T. Buswell.

INDIVIDUAL EXERCISES FOR GIRLS AND WOMEN. 1922. 1 reel.

Credits: Director, Edward Cave.

INDOOR GOLF. (A Stern Brothers Comedy) (Keeping up with the Joneses Series) 1927. From cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

INDUCED CURRENTS. 1930. 1,039 ft., 16 min.

INDUSTRIAL CHINA SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE INDUSTRIAL CITY—CITY OF SMOKE. SEE The City.

INDUSTRIAL WORKING CONDITIONS. (Ford Educational Library, Civics, and Citizenship, v. 3) Ford Motion Picture Laboratories. 1921. 1 reel.

THE INEVITABLE. 1915. 1 reel.

THE INEVITABLE. 1917. 5 reels.

Credits: Director, Ben Goetz; scenario, C. Doty Hobart.

THE INEVITABLE MILLIONAIRES. SEE Millionaires.

THE INEVITABLE PENALTY. 1915. 1,000 ft.

Credits: Producer, Percy Winter.

THE INEVITABLE RETRIBUTION. 1915. 1 reel.

INEZ FROM HOLLYWOOD. Presented by Sam E. Rork, Inc. 1924. 7 reels.

Credits: Producer, Alfred E. Green; story, Adela Rogers St. Johns; adaptation, J. G. Hawks.

THE INFAMOUS MISS REVELL. 1921. 5 reels.

Credits: Producer, Dallas M. Fitzgerald; story, William Carey Wonderley; adaptation, Arthur J. Zellner.

INFATUATION. First National Picture, Inc. 1925. 7 reels. Adapted from the play "Caesar's Wife" by W. Somerset Maugham.

Credits: Director, Irving Cummings.

INFERNAL MACHINE. 1933. 6,100 ft., sd. From the novel by Carl Sloboda.

Credits: Director, Marcel Varnel; screenplay, Arthur Kober; editor, Ralph Dixon.

THE INFERNAL TRIANGLE. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gordon Douglas; film editor, Ray Snyder.

THE INFIDEL. Presented by B. P. Schulberg. 1922. 6 reels.

Credits: Charles A. Logue; direction and scenario, James Young.

INFIDELITY. 1917. 5 reels.

Credits; Director, Ashley Miller.

INFLATION. 1933. 1 reel, sd.

Credits: Director, Zion Meyers; explained by Pete Smith.

INFORMATION PLEASE. SEE A Temperamental Wife.

THE INFORMER. 1935. 10 reels, sd. From the book by Liam O'Flaherty.

Credits: Producer and director, John Ford; screenplay, Dudley Nichols; editor, George Hively; music, Max Steiner.

INFUSORIA. 1924. 1 reel.

INGAGI. 1930. 8 reels, sd.

Credits: Screen adaptation, Adam Hull Shirk; editor, William J. Campbell.

THE INGÉNUES, SYNCOPATING SWEETIES. 1928. 1 reel, sd.

THE INGÉNUES, THE BAND BEAUTIFUL. 1928. 1 reel, sd.

INGOMAR OF THE HILLS. 1915. 1 reel.

THE INGRATITUDE OF LIZ TAYLOR. 1915. 2 reels.

Credits; Director, E. J. LeSaint.

INGUINAL HERNIA IN THE MALE. 1929. 3 reels.

INHERITANCE. 1915. 3 reels.

Credits; Joseph A. Roach; director, Clement Easton.

THE INHERITORS. SEE The Gaiety Girl.

INJUN FOOD. (Outdoor Sketches) 1927. 1 reel.

Credits: Robert C. Bruce.

INJUN TROUBLE. (Looney Tunes) 1938. 1 reel, sd.

Credits; Producer, Leon Schlesinger; supervision, Robert Clampitt; animation, Charles Jones, I. Ellis; music director, Carl W. Stalling.

THE INJUSTICE OF JUSTICE. Special Laemmle. 1916. 1 reel.

INKLINGS. 1933. 1 reel.

Credits: Charles J. Geigerich.

INKWELL IMPS. SEE

Koko Kicks.

Koko's Germ Jam.

Ko Ko's Klock.

Koko's Quest.

INLAWFULL. (Smart Set, no. 3) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jean W. Yarbrough, George Jeske; film editor, Lester C. Millbrook.

IN-LAWS ARE OUT. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Arthur Ripley, Carroll Graham; film editor, Edward Mann.

THE INN AT THE RHINE. SEE Die Lindenwirtin vom Rhein.

THE INNER BRUTE. 1915. 2 reels.

THE INNER CHAMBER. 1915. 3,000 ft.

Credits: Producer, Wilbert Melville.

THE INNER CHAMBER. 1921. 6 reels.

Credits: Director, Edward Jose; story, Charles Caldwell Dobie.

THE INNER GLOW. 1916. 3 reels.

Credits: Producer, Harry Davenport; picturized by A. Van Buren Powell.

Credits: Director, Hamilton Smith.

THE INNER RING. 1919. 2 reels.

Credits: Director, George W. Terwilliger; scenario, Calder Johnston.

THE INNER SHRINE. 1917. 5 reels. From the novel by Basil King.

Credits: Director, Frank Reicher; adaptation, Beatrice De Mille, Leighton Osmun.

THE INNER SOUL. Laemmle. 1916. 2 reels.

Credits: F. McGrew Willis; producer, Leon Kent.

THE INNER VOICE. 1920. 7 reels.

Credits: Director, R. William Neill; scenario, Elaine Sterne.

INNOCENCE. Presented by Columbia Pictures. 1924. 6 reels. Adapted from the magazine story "Circumstances Alter Divorce Cases" by Lewis Allen Browne.

Credits: Producer, Harry Cohn; director, Edward J. LeSaint; scenario. Jack Strumwasser.

THE INNOCENCE OF RUTH. 1916. 5 reels.

Credits: Director, John H. Collins.

AN INNOCENT ADVENTURESS. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Robert G. Vignola; story and continuity, Clara Genevieve Kennedy.

INNOCENT, BUT AWKWARD. 1914. 1 reel.

Credits: Director, Sidney Drew.

THE INNOCENT CHEAT. (Peter B. Kyne Series) 1922. 6 reels.

Credits: Director, Ben Wilson; adaptation, J. Grubb Alexander.

AN INNOCENT DELILAH. 1914. 2 reels.

Credits: Director, Ulysses Davis.

AN INNOCENT INFORMER. 1913. 1 reel.

Credits: Guthrie R. Kelly.

THE INNOCENT SINNER. 1917. For Fox Film Corp. 6 reels.

Credits: Direction and adaptation, R. A. Walsh; story, Mary Synon.

AN INNOCENT THIEF. 1915. 1 reel.

Credits: Olive B. Harms; director, Charles M. Seay.

AN INNOCENT VILLAIN. Joker. 1915. 1 reel.

Credits: Written and produced by Harry Wulze.

LES INNOCENTS. SEE The Apaches of Paris.

INNOCENTS OF PARIS. 1929. 7 reels, sd., si. Based on the story by C. E. Andrews.

Credits: Director, Richard Wallace; screenplay, Ethel Doherty; adaptation, Ernest Vajda.

THE INQUIRING (PAINT) REPORTER. 1936. 1 reel.

INSCRUTABLE JAPAN, THE RIDDLE OF THE WORLD. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

INSECT CELEBRITIES. 1915. 1/2 reel.

INSECT ODDITIES. 1915. 1/2 reel.

Credits: Raymond L. Ditmar.

INSIDE BASEBALL. (Bill Cunningham Sports Review) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Director, Howard C. Brown.

Credits: Producer, John L. Hawkinson.

INSIDE FACTS. Laemmle. 1915. 1 reel.

Credits: James Dayton; producer, Richard Stanton.

INSIDE INFORMATION. 1939. 7 reels, sd. Based on the story "47th Precinct" by Martin Mooney and Burnet Hershey.

Credits: Producer, Irving Starr; director, Charles Lamont; screenplay, Alex Gottlieb; film editor, Harry Keller.

INSIDE INFORMATION ABOUT MOTOR OILS. (Socony Screen Talks, no. 3) Presented by Standard Oil Company of New York. 1930. Filmstrip, 117 frames.

THE INSIDE OF THE CUP. 1921. 7 reels. From the story by Winston Churchill.

Credits: Director, Albert Capellani; scenario, Albert Capellani, George D. Proctor.

INSIDE OUT. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Albert Ray.

INSIDE STORY. 1939. 5,454 ft., sd.

Credits: Director, Ricardo Cortez; story, Ben Ames Williams; screenplay, Jerry Cady; music director, Samuel Kaylin.

THE INSIDE STORY OF THE WILLYS SIX. 1930. 1 reel.

INSIDE THE CAPITOL. (The Washington Parade, no. 3) 1939. 1 reel, sd.

Credits: Story, Harry Newman; narrator, Basil Ruysdael; editor, Harry Foster.

INSIDE THE LINES. 1930. 8 reels, sd. From the play by Earl Derr Biggers.

Credits: Producer, William LeBaron; screenplay, Ewart Adamson; adaptation and direction, Roy Pomeroy; dialogue, John Farrow.

INSIDE THE ROPES. (Sports with Bill Corum, no. 1) Released by RKO Radio Pictures. 1935. 1 reel, sd.

INSIDE THE WHITE HOUSE. (The Washington Parade) 1939. 987 ft., sd.

Credits: Story, Harry Newman; described by Dan Seymour.

THE INSIDE TRACK WITH THERMOID. 1936. For Thermoid Rubber Co. 1 reel, sd.

INSOMNIA. 1916. 1 reel.

Credits: Producer, Earle Metcalfe.

L'INSOUMISE. SEE Fazil.

THE INSPECTOR'S DOUBLE. Joker. 1916. 1 reel.

Credits: Harry Wulze, Charles J. Wilson, Jr.; director, W. W. Beaudine.

Credits: Poem and arrangements, Clay M. Greene.

INSPIRATION. Presented by Samuel Zierler. 1928. 7 reels.

Credits: Director, Bernard McEveety; story and continuity, Arthur Hoerl.

INSPIRATION. 1931. 10 reels, sd., b&w.

Credits: Producer and director, Clarence Brown; dialogue. Gene Markey; film editor, Conrad A. Nervig.

THE INSTALLMENT COLLECTOR. 1929. 1 reel.

Credits: Director, Fred Fleck; story, Fred Allen.

THE INSTALLMENT PLAN. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. De Vonde.

INSULTIN' THE SULTAN. (Willie Whopper Cartoon) 1934. 1 reel.

Credits: Animation, Grim Natwick, Benny Wolf.

INSURANCE. 1930. 1 reel, sd.

INSURE YOUR WIFE. SEE Asegure a Su Mujer!

INSURING CUTEY. 1915. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

THE INSURRECTION. 1915. 3,000 ft.

INTELLIGENT BUYING IS AS IMPORTANT AS INTELLIGENT SELLING. 1928. 1 reel.

AN INTERCEPTED VENGEANCE. 1915. 1 reel.

Credits: Director, Ulysses Davis.

INTERESTING TAILS. (Grantland Rice Sound Sportlight) 1929. 1 reel, sd.

Credits: Jack Eaton.

INTERFERENCE. 1929. 6,643 ft., si. & 7,487 ft., sd. Based on the play by Roland Pertwee and Harold Dearden.

Credits: Director, Lothar Mendes; screenplay, Louise Long; adaptation, Hope Loring.

INTERFERENCE. SEE Without Regret.

INTERIOR DECORATION. 1924. 1 reel.

INTERIOR DECORATION AND THE USE OF LINOLEUM. Presented by W. & J. Sloane Mfg. Co. 1929. Filmstrip, 64 frames.

INTERLOCUTORY. SEE Tomorrow's Love.

Credits: Director, Oscar Apfel; story, Clara S. Beranger; scenario, Wallace C. Clifton.

THE INTERLUDE. SEE Stanton's Last Fling.

INTERMEZZO. Released through United Artists. 1939. 8 reels, sd.

Credits: Producer, David O. Selznick; director, Gregory Ratoff; original story, Gustav Molander, Gosta Stevens; screenplay, George O'Neil; supervising film editor, Hal C. Kern; film editor, Francis D. Lyon; music director, Lou Forbes.

INTERNATIONAL AUTO RACES, INDIANAPOLIS SPEEDWAY, MAY 20, 1914. 1914. 2 reels.

THE INTERNATIONAL BOXING CONTEST FOR THE HEAVYWEIGHT CHAMPIONSHIP OF THE WORLD BETWEEN JOE LOUIS OF DETROIT AND TOMMY FARR, HELD AT THE YANKEE STADIUM IN NEW YORK, AUGUST, 1937. © 1937. Sd., b&w., 35 mm.

INTERNATIONAL BRIDGE. SEE Fugitive Road.

THE INTERNATIONAL CRIME. Presented by Edward L. Alperson. 1938. 7 reels, sd.

Credits: Producers, Max and Arthur Alexander; director, Charles Lamont; screenplay, Jack Natteford; additional dialogue, Jack Krafft; film editor, Charles Henkel.

INTERNATIONAL HOUSE. 1933. 6,119 ft., sd.

Credits: Director, Edward Sutherland; story, Neil Brant, Louis E. Heifetz; screenplay, Frances Martin, Walter DeLeon; music and lyrics, Ralph Rainger, Leo Robin.

THE INTERNATIONAL JEWEL THIEVES. SEE Lieutenant Daring and the Mystery of Room 41.

AN INTERNATIONAL MARRIAGE. 1916. 5 reels.

Credits: Director, Frank Lloyd.

INTERNATIONAL NEWS. Volume 9, no. 73 to Volume 10, no. 78 released by Universal. 1923-28. 1 reel each.

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1927.

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23. © 16Mar27; MP3971.

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Volume 9, 1927.

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Volume 10, 1928.

1. © 4Jan28; MP4795.

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For subsequent issues SEE International Newsreel.

INTERNATIONAL NEWSREEL. Released by Universal. 1928-29. 1 reel each. For preceding issues SEE International News.

Volume 10, 1928.

Volume 11, 1929.

After the issue of July 27, 1929, International Newsreel was merged with M. G. M. News to form M. G. M. International Newsreel.

INTERNATIONAL POLO GAMES, ENGLAND-UNITED STATES, JUNE 10TH AND 14TH 1913. 1 reel.

INTERNATIONAL RHYTHMS. (Nu-Atlas Musical, no. 11) Presented by RKO Radio Pictures, Inc. 1938. 10 min., sd.

Credits: Director, Milton Schwarzwald.

INTERNATIONAL SETTLEMENT. 1938. 7,573 ft., sd.

Credits: Director, Eugene Forde; original story, Lynn Root, Frank Fenton; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

THE INTERNATIONAL SPY. (The Perils of the Secret Service, no. 7) Imp. 1917. 2 reels. Founded on the York Norroy stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

INTERNES CAN'T TAKE MONEY. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Benjamin Glazer; director, Alfred Santell; story, Max Brand [pseud. of Frederick Faust]; screenplay, Rian James, Theodore Reeves; film editor, Doane Harrison.

THE INTERPRETER'S HOUSE. SEE I Want My Man.

AN INTERRUPTED NAP. 1914. 1 reel.

INTERRUPTED WEDDING BELLS. 1912. 1 reel.

AN INTERRUPTION. SEE A Hunchback's Romance.

THE INTERVIEW. 1929. 1 reel.

THE INTERVIEW. SEE Clark and McCullough in The Interview.

THE INTERVIEW AND ITS RELATION TO THE SALE. 1930. 1 reel.

INTIMATE INDIA. Powers. 1917. 1/2 reel.

INTO HER KINGDOM. First National. Presented by Asher, Small, and Rogers. 1926. 7 reels.

Credits: Director, Svend Gade; story, Ruth Comfort Mitchell; adaptation, Carey Wilson.

INTO MOROCCO. (Around the World with Burton Holmes) 1930. 1 reel.

INTO NO MAN'S LAND. Presented by Samuel Zierler. 1928. 6,700 ft. Adapted from the story "You're in the Army Now" by Elsie Werner and Bennett Southard.

Credits: Supervision, Burton King; director, Cliff Wheeler; direction of war scenes, Arthur Guy Empey; continuity, Elsie Werner.

INTO THE DARK. 1915. 1 reel. From the story by F. McGrew Willis.

Credits: Producer, Burton L. King.

INTO THE LIGHT. Rex. 1915. 2 reels.

Credits: Story, Richard E. Enright.

INTO THE NORTHLAND. 1916. 3 reels.

Credits: Director, William Robert Daly.

INTO THE PRIMITIVE. 1916. 5 reels. From the story by Robert Ames Bennet.

Credits: Director, T. N. Heffron.

INTO YOUR DANCE. (Merrie Melodie, no. 8) 1935. 1 reel, sd., b&w.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Cal Dalton, Jack Carr; music, Norman Spencer.

INTOLERANCE. 1916. 13 reels.

THE INTRIGUE. Pallas. 1916. 5 reels.

Credits: Director, Frank Lloyd; story and scenario, Julia Crawford Ivers.

INTRIGUE. 1921. 5 reels.

Credits: Scenario, Alfred Halm.

INTRIGUE; THE GRAND DUKE. Blue Ribbon. 1917. 5 reels.

Credits: Maibelle Heikes Justice; director, John Robertson; adaptation, Joseph F. Poland.

THE INTRIGUERS. 1914. 2 reels.

INTRODUCING CHARLIE CHAPLIN. 1915.

Credits: Wallace Carlson.

INTRODUCING KRAZY KAT AND IGNATZ MOUSE. 1916. 1 reel.

INTRODUCING THE NEW SUPERIOR WHIPPET FOUR. 1928. 1 reel.

INTRODUCING THE WHIPPET SIX. 1928. 1 reel.

INTRODUCING THE WILLYS-KNIGHT STANDARD SIX. 1928. 1 reel.

THE INTRODUCTION OF MRS. GIBBS. 1930. 1 reel, sd.

Credits: Director, Morton Blumenstock; dialogue direction. Max E. Hayes.

THE INTRUDER. 1913.

Credits: Directors, Wilfred North, Maurice Costello.

THE INTRUDER. 1916. 2 reels. A sequel to "The Edge of Things."

THE INTRUDER. 1933. 5,458 ft.

Credits: Director, Albert Ray.

THE INTRUSION OF ISABEL. 1919. 5 reels.

Credits: Director, Lloyd Ingraham; story, Joseph Franklin Poland.

Credits: Producer, John L. Hawkinson.

THE INVENTION. (Fragments of Life) Presented by J. Charles Davis, 2d. 1925. 2 reels.

Credits: Producer and director, F. Herrick Herrick.

THE INVENTOR. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Producers, Fairbanks, Carlisle; dialogue, Gayne Whitman.

THE INVENTORS. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; story, William Watson, Sig Herzig; editor, Barney Rogan.

THE INVENTOR'S PERIL. 1915. 2,000 ft.

THE INVENTOR'S SKETCH. 1913. 1 reel.

INVEST IN REST. 1928. 3 reels.

Credits: Director, Frank H. Tobey.

THE INVISIBLE BOND. Paramount-Artcraft. Presented by Adolph Zukor. 1919. 5 reels. Based on "The See-Saw" by Sophie Kerr Underwood.

Credits; Scenario and direction, Charles Maigne.

THE INVISIBLE DIVORCE. 1920. 6 reels.

Credits: Directors, Thomas R. Mills, Nat C. Deverich; story, Leila Burton Wells; scenario, Katharine Reed.

INVISIBLE ENEMY. 1938. 7 reels, sd.

Credits: Associate producer and director, John H. Auer; original story, Albert J. Cohn, Robert T. Shannon; screenplay, Albert J. Cohn, Alex Gottlieb, Norman Burnstein; film editor, William Morgan; music director, Alberto Colombo.

THE INVISIBLE FEAR. First National. Presented by Louis B. Mayer. 1921. 6 reels.

Credits: Hampton Del Ruth; director, Edwin Carewe; scenario, Madge Tyrone.

THE INVISIBLE GOVERNMENT. SEE Exclusive Rights.

Credits: Director, William J. Bowman; story, Albert E. Smith, C. T. Brady; scenario, Graham Baker.

THE INVISIBLE HOST. SEE The Ninth Guest.

INVISIBLE INK. (Out of The Inkwell) 1921. 1 reel.

Credits: Director, Dave Fleischer; drawn by Max Fleischer.

THE INVISIBLE MAN. Presented by Carl Laemmle. 1933. 8 reels. From the novel by H. G. Wells.

Credits: Director, James Whale; screenplay, R. C. Sherriff.

THE INVISIBLE MENACE. 1937. 59 min., sd. From the play by Ralph Spencer Zink.

Credits: Director, John Farrow; screenplay, Crane Wilbur; dialogue director, Harry Seymour; film editor, Harold McLernon.

THE INVISIBLE POWER. Goldwyn Studios. 1921. 7 reels.

Credits: Producer, supervisor, and director, Frank Lloyd; story and scenario, Charles Kenyon.

THE INVISIBLE RAY. Presented by Carl Laemmle. 1936. 9 reels, sd.

Credits: Producer, Edmund Grainger; director, Lambert Hillyer; original story, Howard Higgins, Douglas Hodges; screenplay, John Colton; film editor, Bernard Burton.

THE INVISIBLE WEB. Black Cat. 1917. 29 min.

Credits: H. Tipton Steck; director, Richard Foster Baker.

INVISIBLE WOUNDS. SEE The New Commandment.

AN INVITATION AND AN ATTACK. 1915. 2 reels. A dramatic adaptation of the Young Lord Stranleigh stories by Robert Barr.

Credits: Director, Charles J. Brabin.

INVITATION TO HAPPINESS. 1939. 10 reels, sd.

Credits: Producer and director, Wesley Ruggles; story, Mark Jerome; screenplay, Claude Binyon; film editor, Alma Macrorie.

INVITED OUT. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Thomas J. Gray.

INYAH, THE JUNGLE GODDESS. SEE Forbidden Adventure.

IOLE, THE CHRISTIAN. 1915. 1 reel.

Credits: Producer, Burton L. King; story, F. M. Willis.

Credits: Written and produced by Walter Macnamara.

IRELAND OR BUST. (Paul Terry-Toons) 1932. 6 min., sd.

IRELAND—THE EMERALD ISLE. (A FitzPatrick Traveltalk) 1934. 1 reel, sd., color.

Credits: Director, Ruth FitzPatrick; music, Nathaniel Shilkret; photographer, Roy Fernstrom.

IRELAND—THE MELODY ISLE. (James A. FitzPatrick's Traveltalks) 1932. 1 reel.

Credits: Compiler, James A. FitzPatrick; photographer, Frank Goodliffe.

IRENE. 1926. 9 reels. Adapted from the play by James Montgomery.

Credits: Director, Alfred E. Green; continuity, Rex Taylor.

IRENE FRANKLIN, AMERICAN COMEDIENNE, WITH JERRY JARNAGIN. 1929. 1 reel, sd.

IRENE FRANKLIN, THE AMERICAN COMEDIENNE 1929. 1 reel, sd.

IRENE RICH & COMPANY IN THE BEAST. 1928. 1 reel, sd.

Credits: Barry Townly; director, Bryan Foy.

IRENE RICH IN LEAD KINDLY LIGHT. 1928. 1 reel, sd.

IRENE STONE, ASSISTED BY ESTHER LA RETTE, IN SONGS AS YOU LIKE THEM. 1928. 1 reel, sd.

IRENO. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, Aubrey Scotto, Andrew Bennison.

Credits: Cecil M. Hepworth.

IRIS. SEE A Slave of Vanity.

IRISH FANTASY. 1929. 1 reel.

Credits: Director, O. O. Dull; continuity, Sidney Lazarus.

IRISH HEARTS. 1927. 6 reels.

Credits: Director, Byron Haskin; story, Melville Crosman; screenplay, Bess Meredyth, Graham Baker.

THE IRISH IN AMERICA. 1915. 3,000 ft.

Credits: Producer, Sidney Olcott.

THE IRISH IN US. First National. Presented by First National and The Vitaphone Corp. 1935. 8 reels.

Credits: Director, Lloyd Bacon; story idea, Frank Orsatti; screenplay, Earl Baldwin.

IRISH LUCK. Paramount. 1925. 7,008 ft. Adapted from the story "An Imperfect Imposter" by Norman Venner.

Credits: Producer and director, Victor Heerman; screenplay, Gom J. Geraghty.

IRISH LUCK. 1939. 7 reels, sd. Based on the story "Death Hops the Bells" by Charles Molyneux Brown.

Credits: Associate producer, Grant Withers; director, Howard Bretherton; screenplay, Mary McCarthy; film editor, Russell Schoengarth.

IRISH MELODY. (Musical Moods) Released by First Division. 1935. 1 reel.

Credits: Director of orchestra, Rosario Bourdon; visual accompaniment, Robert C. Bruce.

IRISH PASTORAL. (Along the Road to Romance on the Magic Carpet of Movietone) 1936. 1 reel, sd.

IRISH STEW. (Paul Terry Toons) 1930. 1 reel, sd.

Credits: Frank Moser, Paul Terry.

IRISH SWEEPSTAKES. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons, 1934. 512 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

IRMA IN WONDERLAND. Powers Juvenile. 1916. 1 reel.

Credits: Written and directed by Lule Warrenton.

IRON AND STEEL. 1914. 2 reels.

Credits: Maurice Costello, Robert Gaillord.

IRON AND STEEL. (Industrial Geography, v. 1, pts. 1, 2) Ford Motion Picture Laboratories. 1920. 1 reel.

IRON AND STEEL. (Ford Educational Library, Industrial Geography of the United States) Ford Motion Picture Laboratories. 1922. 1 reel.

THE IRON CHALICE. SEE Red Dice.

20. The Triumph of the Laughing Mask.

THE IRON CODE. 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, Arthur Henry Gooden.

THE IRON DERBY. (A Whirlwind Comedy) 1927. 2 reels.

Credits: Director, Gene Walsh.

THE IRON DUKE. 1934. 9 reels, sd.

Credits: Director, Victor Saville; original screenplay, H. M. Harwood; music director, Louis Levy; editor, Ian Dalrymple.

THE IRON HAND. Red Feather. 1916. 5 reels.

Credits: Producer, Ulysses Davis; story, Geo. E. Hall; scenario, F. McGrew Willis.

THE IRON HAND. SEE The Eldest Son Rules.

THE IRON HEART. 1920. 5 reels.

Credits: Directors, Paul Caseneuve, Denison Clift; story and scenario, Denison Clift.

THE IRON HORSE. 1924. 12 reels, b&w, tinted sequences.

Credits: Director, John Ford; story, Charles Kenyon, John Russell; scenario, Charles Kenyon.

Credits: Director, Jay Marchant; story and continuity, Arthur Henry Gooden, William E. Wing.

THE IRON MAN. 1930. 1 reel, sd.

Credits: John Foster.

THE IRON MAN. 1931. 8 reels.

Credits: Producer and director, Tod Browning; story, William R. Burnett; screenplay and dialogue, Francis Edwards Faragoh.

THE IRON MAN. SEE A Battle of Hearts.

THE IRON MASK. 1929. 11 reels. Based on "The Three Musketeers" and "The Man In the Iron Mask" by Alexander Dumas, and the memoirs of D'Artagnan, Richelieu, and De Rochefort.

Credits: Director, Allan Dwan.

THE IRON MASK. 1929. 11 reels. Based on "The Three Musketeers" and "The Man in the Iron Mask" by Alexander Dumas, and the Memoirs of d'Artagnan, Richelieu, and De Rochefort.

Credits: Director, Allan Dwan.

IRON MINNIE'S REVENGE. SEE The Engineer's Daughter.

THE IRON MULE. (Educational-Tuxedo Comedy) 1925. 2 reels.

Credits: Director, Grover Jones.

IRON ORE TO PIG IRON. 1927. 1 reel.

THE IRON RIDER. 1920. 5 reels. From the story by Frank L. Packard.

Credits; Director, Scott Dunlap; arranger, Jules Furthman.

Credits: Director, George Archainbaud; story, Horace Hazelton [pseud. of Charles Stokes Wayne].

THE IRON RIVALS. Bison. 1916. 2 reels.

Credits: F. M. Wiltermood; producer, Henry McRae.

THE IRON STAIR. SEE The Branded Soul.

Credits: Supervision, Thomas H. Ince; director, Reginald Barker; scenario, C. Gardner Sullivan.

THE IRON STRAIN. 1915. 6 reels.

Credits: C. Gardner Sullivan.

Credits: Directors, R. N. Bradbury, Paul Hurst; story, Albert E. Smith, Cyrus Townsend Brady; scenario, Graham Baker.

IRON TO GOLD. 1922. 5 reels.

Credits: Director, Bernard J. Durning; story, George Owen Baxter; scenario, Jack Strumwasser.

THE IRON TRAIL. 1921. 7 reels. Based upon the novel by Rex Beach.

Credits: Director, R. William Neill; scenario, Dorothy Farnum.

THE IRON WILL. 1916. 3 reels.

THE IRON WOMAN. 1916. For the Metro program. 6 reels. Adapted from the book by Margaret Deland.

Credits: Director, Carl Harbaugh; scenario, Walter C. Clifton.

THE IRON MASTER. 1914. 2 reels. From the novel by Georges Ohnet, originally published under the title "Le Maitre de Forges."

THE IRON MASTER. 1932. 7 reels.

Credits: Director, Chester M. Franklin; screenplay, Adele Buffington; editor, Mildred Johnston.

THE IRONMASTER. SEE American Methods.

IRONS IN THE FIRE. (E. M. Newman's Our Own United States) 1936. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

THE IRRESISTIBLE LOVER. Universal Jewel. 1927. 7 reels.

Credits: Supervision, Carl Laemmle, Jr.; director, William Beaudine; story, Joseph F. Poland.

IRRIGATION. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

IRRIGATION. 1928. 1 reel.

IRVING AARONSON AND HIS COMMANDERS, FEATURING RED STANLEY AND PHIL SAXE. 1929. 1 reel.

IRVING AARONSON AND HIS COMMANDERS: SHE'S NOBODY'S SWEETHEART NOW [and others]. (Metro Movietone Act) 1930. 1 reel, sd.

IS ANY GIRL SAFE? 1916. 5 reels.

IS CHRISTMAS A BORE? 1915. 1 reel.

Credits: Director, Sidney Drew.

IS EVERYBODY HAPPY? Presented by Hal Roach. 1928. 2 reels, b&w.

Credits: Director, Hal Yates; supervision and story, Leo McCarey; editor, Richard Currier.

IS EVERYBODY HAPPY? 1929. 9 reels.

Credits: Director, Archie L. Mayo; story, Joseph Jackson, James A. Starr; scenario, Joseph Jackson.

IS EVERYBODY HAPPY? Trailer. 1929. 1 reel, sd.

IS GOD DEAD? SEE The Answer.

IS LIFE WORTH LIVING? 1921. 5 reels. Picturized from the story "The Open Door" by George Weston.

IS MATRIMONY A FAILURE? 1922. 6 reels. Based on "The Open Door" by Oscar Blumenthal and Gustav Kadelburg, and the American adaptation by Leo Ditrichstein.

Credits: Director, James Cruze; adaptation, Walter Woods.

IS MONEY ALL? Laemmle. 1917. 1 reel.

Credits: Scenario and direction, Ruth Ann Baldwin; story, E. Magnus Ingleton.

IS MY FACE BLACK? Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; story, Milton Hocky, Fred Rath.

IS MY FACE RED? 1932. 7 reels, sd. From the play by Ben Markson and Allen Rivkin.

Credits: Executive producer, David O. Selznick; director, William Seiter; screenplay, Casey Robinson, Ben Markson; music director. Max Steiner.

IS MY PALM READ. 1933. 1 reel, sd.

Credits: Director, David Fleischer.

IS THAT NICE? Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Walter A. Sinclair; adaptation and continuity, Paul Gangelin.

IS THERE JUSTICE? Presented by George W. Weeks. 1931. 65 min., sd.

Credits: Supervision, Clifford P. Broughten; director, Stuart Paton; story, Betty Burbridge.

IS ZAT SO? 1927. 7 reels. From the play by James Gleason and Richard Taber.

Credits: Director, Alfred E. Green; scenario, Philip Klein.

IS ZAT SO? SEE Two Fisted.

ISA KREMER, INTERPRETER OF BALLAD AND FOLK SONGS SINGS CHITTARATA (NEAPOLITAN SONG) [and others]. 1927. 1 reel, sd.

ISA KREMER SINGING THE SECOND MINUET. 1929. 1 reel, sd.

ISHAM JONES AND HIS ORCHESTRA. 1934. 1 reel, sd.

Credits: Director, Roy Mack.

ISHMAEL. SEE Hearts of Youth.

I-SKI LOVE-SKI YOU-SKI. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Browsky, George Germanetti.

ISLAND IN THE SKY. 1938. 6,100 ft., sd.

Credits: Director, Herbert Q. Leads; original story, Jerry Cady; screenplay, Frances Hyland, Albert Ray; music director, Samuel Kaylin.

ISLAND OF CEYLON, INDIA. 1912. 1 reel.

THE ISLAND OF DESIRE. 1916. For the Fox Film Corp. 5 reels. From the story by J. Allan Dunn.

Credits: Adapted and directed by Otis Turner.

THE ISLAND OF INTRIGUE. 1919. 5 reels. From the novel by Isabelle Ostrander.

Credits: Director, Henry Otto; scenario, June Mathis, A. S. Le Vino.

ISLAND OF LOST MEN. 1939. 7 reels, sd. Based on a play by Norman Reilly Raine and Frank Butler.

Credits: Associate producer, Eugene Zukor; director, Kurt Neumann; screenplay, William R. Lipman, Horace McCoy; film editor, Ellsworth Hoagland.

ISLAND OF LOST SOULS. 1932. 8 reels, sd. From a novel by H. G. Wells.

Credits: Director, Erie C. Kenton; screenplay, Waldemar Young, Philip Wylie.

ISLAND OF PERILS. Presented by Sol Lesser. 1932. 3 reels.

Credits: Narrative, Walter Anthony; editor, Carl Himm.

THE ISLAND OF PERVERSITY. 1913. 1 reel.

Credits: Alice A. Methley.

THE ISLAND OF REGENERATION. 1915. 6 reels.

Credits: Director, Harry Davenport.

THE ISLAND OF REGENERATION. 1920. 5 reels. From the story by Cyrus Townsend Brady.

Credits: Director, Harry Davenport.

THE ISLAND OF SURPRISE. 1916. 5 reels.

Credits: Director, Paul Scardon.

THE ISLAND OF YESTERDAY—SUMATRA, DUTCH WEST INDIES. 1920. 1 reel.

ISLAND WIVES. 1922. 5 reels.

Credits: Director, Webster Campbell; story, Bob Dexter; scenario, William B. Courtney.

THE ISLANDS OF THE PACIFIC. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

THE ISLE OF BERMUDA. (Along the Royal Road to Romance upon the Magic Carpet of Movietone) 1934. 1 reel, sd.

THE ISLE OF CONQUEST. Presented by Joseph M. Schenck. 1919. 5 reels. From the novel "By Right of Conquest" by Arthur Hornblow.

Credits: Director, Edward JosÉ; adaptation, John Emerson, Anita Loos.

THE ISLE OF CONTENT. 1915. 3 reels.

Credits: Director, George Nichols.

THE ISLE OF DEAD SHIPS. SEE The Isle of Lost Ships.

ISLE OF ESCAPE. 1930. 6 reels, sd. Based on the play by G. C. Dixon, from the novel by Jack McLaren.

Credits: Director, Howard Bretherton; screenplay, Lucian Hubbard, J. Grubb Alexander.

ISLE OF ESCAPE. Trailer. 1930. 1 reel.

THE ISLE OF FORGOTTEN WOMEN. 1927. 6 reels.

Credits: Director, George B. Seitz; story, Louella Parsons; adaptation, Norman Springer.

ISLE OF FURY. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 6 reels. Based on a novel by Somerset Maugham.

Credits: Director, Frank McDonald; screenplay, Robert Andrews, William Jacobs.

THE ISLE OF LIFE. Red Feather. 1916. 5 reels. Based on a novel by Stephen French Whitman.

Credits: Director, Burton George; scenario, Fred Myton.

THE ISLE OF LIFE. SEE The Blonde Saint.

THE ISLE OF LOST SHIPS. First National. 1923. 8 reels.

Credits: Crittenden Marriott; producer and director, Maurice Tourneur.

THE ISLE OF LOST SHIPS. Presented by Richard A. Rowland. 1929. 9 reels. Based on the novel "The Isle of Dead Ships" by Crittenden Marriott.

Credits: Director, Irvin Willat.

THE ISLE OF LOST SHIPS. Trailer. First National. 1929. 1 reel, sd.

THE ISLE OF LOVE. Presented by Fred J. Balshofer. 1922. 5 reels.

Credits: Written and directed by Fred J. Balshofer.

THE ISLE OF PINGO PONGO. (Merrie Melodies) 1938. 1 reel, sd.

Credits: Story, George Manuell; animation, Irven Spence.

THE ISLE OF RETRIBUTION. 1926. 7 reels. From the story by Edison Marshall.

Credits: Director, James P. Hogan; adaptation, Fred Kennedy Myton.

THE ISLE OF SPICE. (Van Beuren Travelog) (Vagabond, no. 3) 1935. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

ISLES OF ENCHANTMENT. SEE E. M. Newman's Isles of Enchantment.

ISLES OF ROMANCE. SEE No Place To Go.

ISN'T LIFE WONDERFUL. 1925. 9 reels.

Credits: Story, Geoffrey Moss.

ISN'T THAT AWFUL? 1934. 1 reel, sd.

Credits: Director, Roy Mack; story, Goodman Ace.

ISOBEL; or, THE TRAIL'S END. 1920. 6 reels.

Credits: Adaptation and direction, Edwin Carewe; scenario, Robert B. Kurrle.

ISOBEL. SEE In Defiance of the Law.

IT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6,452 ft. Based on the novel by Elinor Glyn.

Credits: Producers, Elinor Glyn, Clarence Badger; director, Clarence Badger; adaptation, Elinor Glyn; screenplay, Hope Loring, Louis D. Lighton.

IT ALL DEPENDS. 1915. 1,000 feet.

IT ALMOST HAPPENED. Nestor. 1915. 1 reel.

Credits: Al E. Christie; producer, Horace Davey.

IT ALWAYS HAPPENS. 1935. 2 reels.

Credits: Director, Del Lord; story and screenplay, Ewart Adamson.

IT CAN BE DONE. 1921. 5 reels.

Credits: Director, David Smith; story, Frederick J. Jackson.

IT CAN BE DONE. Jewel. 1929. 7 reels.

Credits: Story, Mann Page, Edward J. Montagne; adaptation, Earle Snell, Nan Cochrane.

IT CAN'T BE DONE. Nestor. 1918. 1 reel.

Credits: Raymond L. Schrock; director, Sidney M. Goldin.

IT CAN'T BE TRUE. Powers. 1916. 1 reel.

Credits: Craig Hutchinson.

IT CAN'T LAST FOREVER. 1927. 7 reels, sd.

Credits: Associate producer, Harry L. Decker; director, Hamilton MacFadden; story and screenplay, Lee Leob, Harold Buchman; film editor, Gene Milford; music, Ben Oakland; music director, Morris Stoloff.

IT COULD HAPPEN TO YOU. 1937. 8 reels, sd.

Credits: Associate producer, Leonard Fields; director, Phil Rosen; story, Nathanael West; screenplay, Samuel Ornitz, Nathanael West.

IT COULD HAPPEN TO YOU. 1939. 6,360 ft. sd.

Credits: Director, Alfred Werker; original story, Charles Hoffman; screenplay, Allen Rivkin, Lou Breslow; music director, Samuel Kaylin.

IT COULDN'T HAPPEN TWICE. SEE I Loved You Wednesday.

IT COULDN'T HAVE HAPPENED. 1936. 7 reels, sd.

Credits: Director, Phil Rosen; screenplay, Arthur T. Horman.

IT CURED HUBBY. 1914. Split reel.

IT DIDN'T WORK OUT RIGHT. Victor. 1916. 1 reel.

Credits: Written and directed by Robert F. Hill.

IT DOESN'T PAY. 1915. 1 reel.

IT HAD TO BE GOOD TO GET WHERE IT IS. 1933. Filmstrip.

IT HAD TO HAPPEN. 1936. 7,184 ft., sd.

Credits: Director, Roy Del Ruth; story, Rupert Hughes; screenplay, Howard Ellis Smith, Kathryn Scola; music director, Arthur Lange.

IT HAPPENED ALL RIGHT. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, Walter Graham; story, David Freedman.

IT HAPPENED IN HOLLYWOOD. (Red Star Comedy) 1931. 2 reels.

Credits: Director, Ralph Ceder; story and dialogue, Al Boasberg.

IT HAPPENED IN HOLLYWOOD. 1937. 7 reels, sd.

Credits: Associate producer, Myles Connolly; director, Harry Lachman; story, Myles Connolly; screenplay, Ethel Hill, Harvey Ferguson, Sam Fuller; film editor, Al Clark; music director, Morris Stoloff.

IT HAPPENED IN HONOLULU. Red Feather. 1916. 5 reels.

Credits: Written and produced by Lynn Reynolds.

IT HAPPENED IN NEW YORK. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Associate producer, J. Edmund Grainger; director, Alan Crosland; original story, Ward Morehouse, Jean Dalrymple; screenplay, Seton I. Miller, Rian James; editor, Murray Seldeen, Maurice Pivar.

IT HAPPENED IN PIKERSVILLE. 1916. 1 reel.

Credits: Director, Jerold T. Hevener.

IT HAPPENED IN ROOM 7. Victor. 1917. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

IT HAPPENED IN SNAKEVILLE. 1915. 1 reel.

IT HAPPENED ON A FRIDAY. Nestor. 1915. 1 reel.

Credits: Eugene Spofford; producer, Al. E. Christie.

IT HAPPENED ON WASH DAY. 1915. 400 ft.

IT HAPPENED ONE DAY. (Hal Roach Comedy) (Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Eddie Dunn; film editor, William Terhune.

IT HAPPENED ONE NIGHT. 1934. 11 reels, sd. Based on the Cosmopolitan magazine story by Samuel Hopkins Adams.

Credits: Director, Frank Capra; screenplay, Robert Riskin; film editor, Gene Havlick.

IT HAPPENED OUT WEST. Presented by Twentieth Century-Fox. 1937. 6 reels, sd. Based on a work by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Howard Bretherton; screenplay, Earle Snell, John Roberts; film editors, Arthur Hilton, Olive Hofman.

IT HAPPENED TO HIM. 1929. Presented by Adolph Zukor and Jesse L. Lasky. 1 reel, sd.

Credits: Director, S. Jay Kaufman.

IT HAPPENED WHILE HE FISHED. Nestor. 1915. 1 reel.

Credits: Story, Peter B. Kyne; scenario and production, Horace Davey.

IT IS NEVER TOO LATE TO MEND. 1912. 2 reels. Based on the novel by Charles Reade.

IT IS THE LAW. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, Robert Dillon.

IT IS THE LAW. 1924. 8 reels, b&w, tinted sequences. From the play by Elmer L. Rice and Hayden Talbot.

Credits: Director, J. Gordon Edwards; scenario, Curtis Beaton.

IT ISN'T BEING DONE THIS SEASON. 1921. 5 reels. From the story by Thomas Edgelow.

Credits: Director, George L. Sargent; scenario, C. G. Baker, Harry Dittmar.

IT MAKES A DIFFERENCE. Rex. 1917. 1 reel.

Credits: Director, Ruth Ann Baldwin; story, Ida M. Evans; scenario, Charles Wilson, Ruth Ann Baldwin.

IT MAY BE YOU. 1915. 1,000 ft.

Credits: Lawrence Corey; director, Will Louis.

IT MAY HAPPEN TO YOU. (A Crime Does Not Pay Subject) 1937. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, John C. Higgins.

IT MIGHT BE WORSE. 1931. 2 reels, sd.

Credits: Director, Norman Taurog; story, Edwin Burke.

IT MIGHT HAPPEN TO YOU. Presented by J. Charles Davis, 2d. 1925. 2 reels.

Credits: Director, F. Herrick-Herrick; scenario, Alma June Leaman.

IT MUST BE LOVE. Presented by John McCormick. 1926. 8 reels. From the story "Delicatessen" by Brooke Hanlon.

Credits: Director, Alfred E. Green; adaptation, Julian Josephson.

IT NEARLY HAPPENED. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

IT NEVER COULD HAPPEN. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.

IT NEVER GOT BY. Metro-Drew. 1916. 1 reel.

Credits: William H. Rice; producer, Sidney Drew.

IT NEVER RAINS. Educational Films Corp. of America. Distributed by Fox Film Corp. Presented by E. W. Hammons. 1935. 2 reels. From the stage play by Aurania Rouverol.

Credits: Director, Alf Goulding; screenplay, Glen Lambert.

IT OUGHT TO BE A CRIME. 1931. 2 reels, sd.

Credits: Director, Albert Ray; story, Nunnally Johnson.

IT PAYS TO ADVERTISE. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Donald Crisp; story, Roi Cooper Megrue, Walter Hackett; scenario, Elmer Harris.

IT PAYS TO ADVERTISE. 1931. 5,764 ft. From the play by Roi Cooper Megrue and Walter Hackett.

Credits: Director, Frank Tuttle; adaptation, Arthur Kober, Ethel Doherty.

IT PAYS TO EXERCISE. 1918. 2 reels.

Credits: Director, Richard Jones.

IT SOUNDED LIKE A KISS. Nestor. 1916. 1 reel.

Credits: Bess Meredyth; director, Louis William Chaudet.

Credits: Narrator, Ed Thorgersen.

IT WAS TO BE. 1915. 3 reels.

Credits: Producer, Joseph Kaufman.

IT WASN'T POISON AFTER ALL. 1913.

Credits: Mark Swan.

THE ITALIAN. 1915.

Credits: Producer, Thomas H. Ince.

ITALIAN LIBYA. (Along the Road to Romance on the Magic Carpet of Movietone) 1937. 893 ft., sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Lowell Thomas.

ITALIAN RIVIERA. (Along the Road to Romance on the Magic Carpet of Movietone) 1935. 1 reel, sd.

ITALY, LAND OF INSPIRATION. (A FitzPatrick Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

Credits: Compiled and edited by Tom Bret.

ITALY, THE NEW AND THE OLD. The Vitaphone Corp. 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

ITCHING FOR REVENGE. L-Ko. 1915. 1 reel.

ITCHING FOR REVENGE. Century. 1925. 2 reels.

Credits: Written and directed by Noel Smith.

THE ITCHING HOUR. (Louise Fazenda Series, no. 4) 1931. 2 reels.

Credits: Director, Lewis R. Foster; story and dialogue, E. V. Durling, Frank Gray.

ITCHING PALMS. 1923. 6 reels. From the play "When Jerry Comes Home" by Roy Brian.

Credits: Director, James W. Horne; film editor, J. Wilkinson.

IT'S A BEAR. 1914. 1 reel.

Credits: Harry G. Bates.

IT'S A BEAR. 1916. 1 reel.

Credits: Producer and director, Dave Smith.

IT'S A BEAR. 1924. 2 reels.

Credits: Director, Reggie Morris.

IT'S A BIRD. 1919. 2 reels.

IT'S A BOY. 1920. 2 reels.

Credits: Supervision, Mack Sennett; director, Noel Smith.

IT'S A CINCH. 1932. 20 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

IT'S A CRUEL WORLD. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

IT'S A GIFT. Presented by Adolph Zukor. 1934. 7 reels, sd.

Credits: Producer, William LeBaron; director, Norman McLeod; story, Charles Bogle; screenplay, Jack Cunningham.

IT'S A GOOD STUNT. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Editor, H. A. Woodmansee; narrator, Ward Wilson, commentator, Milton Hocky.

IT'S A GREAT LIFE. 1920. 6 reels. From the story "Empire Builders" by Mary Roberts Rinehart.

Credits: Director, E. Mason Hopper; scenario, Edward T. Lowe.

IT'S A GREAT LIFE. 1929. 11 reels, sd., b&w.

Credits: Producer and director, Sam Wood; story, Byron Morgan, Alfred Block; dialogue, Willard Mack; treatment and comedy dialogue, Al Boasberg; film editor, Frank Sullivan; music, Dave Dreyer; lyrics, Ballard MacDonald.

IT'S A GREAT LIFE! Presented by Adolph Zukor. 1935. 7 reels, sd.

Credits: Producer, Adolph Zukor; director, Edward F. Cline; story, Arthur Lake, Sherman Rogers; screenplay, Paul Gerard Smith, Harlan Thompson; music and lyrics, Leo Robin, Lewis E. Gensler, Frederick Hollander.

IT'S A GREEK LIFE. (Rainbow Parade Cartoon, no. 12) An RKO Radio release. 1936. 1 reel.

Credits: Director, Dan Gordon.

IT'S A LIVING. 1937. 1 reel, sd.

Credits: Gayne Whitman; narrator, Rush Hughes.

IT'S A NATURAL. 1937. For U. S. Tire Dealers Mutual Corp. Filmstrip, 120 frames, sd.

IT'S A PIPE. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Ben Stoloff; story, Sydney Lanfield, J. Walter Ruben.

IT'S A SMALL WORLD. 1935. 7 reels, sd. From the story "Highway Robbery" by Albert Treynor.

Credits: Director, Irving Cummings; screenplay, Gladys Lehman, Sam Hellman; musical director, Arthur Lange.

IT'S A TOSS-UP. 1937. 1 reel, sd.

IT'S A WISE CHILD. 1931. 9 reels, sd., b&w. From the play by Laurence E. Johnson.

Credits: Producers, Robert Z. Leonard, Marion Davies; dialogue continuity, Laurence E. Johnson; film editor, Margaret Booth.

IT'S A WONDERFUL WORLD. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w.

Credits: Producer, Frank Davis; director, W. S. Van Dyke II; original story, Ben Hecht, Herman J. Mankiewicz; screenplay, Ben Hecht; film editor, Harold F. Kress; music score, Edward Ward.

IT'S ALL OVER. 1930. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Rube Welch.

IT'S ALL OVER NOW. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

IT'S ALL OVER NOW. 1937. 2 reels, sd.

Credits: Director, Roy Mack; continuity, Cyrus Wood; editor, Bert Frank.

IT'S ALL WRONG. Nestor. 1916. 1 reel.

Credits; Ben Cohn; producers, M. S. Forrester, Pat Rooney.

IT'S ALL YOURS. 1937. 8 reels, sd.

Credits: Producer, William Perlberg; director, Elliott Nugent; story, Adelaide Heilbron; screenplay, Mary C. McCall, Jr.; film editor. Gene Havlick; music director, Morris Stoloff.

IT'S AN ILL WIND. (Looney Tunes) 1939. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway, Cal Dalton; story, Melvin Millar; animation, Herman Cohen; music director, Carl W. Stalling.

IT'S CHEAPER TO BE MARRIED. Victor. 1917. 1 reel.

Credits: W. Warren Schone; director, Allan Curtis.

IT'S EASY TO MAKE MONEY. 1919. 5 reels.

Credits: Director, Edwin Carewe; original story, John H. Blackwood; scenario, Finis Fox.

IT'S EASY TO REMEMBER. 1935. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson.

IT'S GOT EVERYTHING (1937). 1936. For the Radio Section, General Electric Co. 1 reel, sd.

IT'S GREAT TO BE ALIVE. 1933. 6,210 ft., sd.

Credits: Director, Alfred Werker; story, John D. Swain; adaptation, Paul Perez; dialogue, Arthur Kober; editor, Barney Wolf.

IT'S GREAT TO BE MARRIED. Victor. 1916 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

IT'S IN THE AIR. 1935. 8 reels, sd., b&w.

Credits: Producer, Harry Rapf; director, Charles F. Riesner; original story and screenplay, Byron Morgan, Lew Lipton; film editor, William S. Grey; musical score, William Axt.

IT'S IN THE STARS. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, David Miller; screenplay, Robert Lees, Fred Rinaldo; music adaptation, David Snell.

IT'S LOVE AGAIN. 1936. 9 reels, sd.

Credits: Director, Victor Saville; original screenplay, Marion Dix, Lesser Samuels; scenario, Marion Dix; additional dialogue, Austin Melford; music score, Louis Levy, Bretton Byrd; music and lyrics, Sam Coslow, Harry Woods; editor, Al Barnes.

IT'S LOVE I'M AFTER. 1937. 90 min., sd.

Credits: Director, Archie L. Mayo; original story, Maurice Hanline; screenplay, Casey Robinson; film editor, Owen Marks; music director, Leo F. Forbstein.

IT'S ME. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Harry Sweet.

Credits: Director, Lois Weber.

IT'S ON THE RECORD. Mentone. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

IT'S SPORT IN ANY LANGUAGE. 1933. 1 reel, sd.

Credits; Narrator, Ford Bond.

IT'S THE CATS. 1934. 2 reels, sd.

Credits: Director, Al Ray; story and screenplay, Andrew Bennison.

IT'S THE MCCOY. (Melody Master) 1939. 10 min., sd.

Credits: Director, Joseph Henabery.

IT'S THE NATURAL THING TO DO. (A Popeye Cartoon) 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Tom Johnson, Lod Rossner.

IT'S THE OLD ARMY GAME. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the play by Joseph P. McEvoy.

Credits: Producer and director, Edward Sutherland; screenplay, Tom J. Geraghty.

IT'S THERE FOR THE ASKING. 1937. For U. S. Tire Dealers Mutual Corp. Filmstrip, 72 frames, sd.

IT'S TOUGH TO BE FAMOUS. First National and Vitaphone. 1932. 8 reels, sd.

Credits: Director, Alfred E. Green; story, Mary McCall, Jr.; adaptation; Robert Lord.

IT'S UP TO YOU. 1936. 5 reels, sd.

Credits: Director, Christy Cabanne; original story and screenplay, Charles A. Logue; editor, Carl Pierson.

IT'S WORK. SEE E. M. Newman's It's Work.

I'VE BEEN AROUND. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Producer, B. F. Zeidman; director, Philip Cahn; story and screenplay, John Meehan, Jr.; film editor, Raymond Curtiss.

I'VE GOT RINGS ON MY FINGERS. 1929. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

I'VE GOT TO SING A TORCH SONG. (Merrie Melody, no. 1) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; supervisor, Tom Palmer; animation, Jack King.

I'VE GOT YER NUMBER. Joker. 1916. 1 reel.

Credits: A. E. Bishop; producer, Allen Curtis.

I'VE GOT YOUR NUMBER. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Ray Enright; story, William Rankin; screenplay, Warren Duff, Sidney Sutherland.

THE IVORY-HANDLED GUN. Buck Jones Productions. Presented by Carl Laemmle. 1935. 6 reels, sd.

Credits: Director, Ray Taylor; original story, Charles E. Barnes; screenplay, Jack Neville; film editor, Bernard Loftus.

Credits: Picturized by Maurice Tourneur.

THE IVORY TRAIL. SEE Jungle Mystery.

THE IVY AND THE OAK. Rex. 1916. 2 reels.

Credits: Director, Donald MacDonald; story, Reginald Wright Kaufman; scenario, Alice von Saxmar.

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