ith the exception of the famous tartan shawls, which we come across again in Edinburgh on the backs of the lower-class women, nothing in the costume of the inhabitants could remind you that you were not in Paris, London, Brussels, or any other haunt of that badge of modern civilisation, the chimney-pot. In Glasgow this does not shock you more than it would in Manchester or Birmingham; but, in the romantic city of Edinburgh, even the whistle of the railway engine annoys you; the cap and kilt are sadly felt wanting, and you almost want to stop the passers-by and ask them: "Where are your kilts?" You feel as if you were cheated out of something.

Alas! the national costume of the Scotch is almost a thing of the past: it is no longer a dress—it is a get-up.

You may see it yet at fancy dress balls, in the army of Her Britannic Majesty, at the Paris Opera-Comique, and in the comic papers.

I believe the Royal Princes occasionally don it, when they go to Scotland in the autumn to shoot; but even in the remote Highlands the national costume is dying out, and if you count upon seeing Scotchmen, dressed Scotch fashion in Scotland, you will be disappointed. As well look for lions in the outskirts of Algiers, or a pretty woman in the streets of Berne.

A gentleman in kilts would make as great a sensation in the streets of Edinburgh as he would on the Boulevard des Italiens. Nay, more, if he stood still, he might have pence offered him.

The costume of Dickson in La Dame Blanche is only seen on the backs of those splendid Highlanders whom the maidservants in large towns hire by the afternoon on Sundays to accompany them to the parks.

In London you will sometimes see Highlanders—from Whitechapel—playing the bagpipes and dancing reels, talents which bring an ample harvest of pennies in populous neighbourhoods, but which would fall rather flat in Edinburgh.

I cannot imagine anything much more picturesque than Princes Street at night, when the old city in amphitheatre-shape, on the other side of the valley, stands out from the sky which it seems to touch with its old sombre majestic castle, and its houses ten or twelve stories high, rising tier above tier up the side of the hill, and shining with a thousand lights. I can understand that the inhabitants of Edinburgh enjoy to come out in the evening and feast their eyes on the enchanting sight, and this even in winter, when the street is a very funnel for the east wind which blows across straight from the Scandinavian icebergs.

Edinburgh is the only town in Great Britain, which I have visited, whose streets are not shunned by respectable people at night.

A fine road about two miles long leads to Leith, which stands for PirÆus to the Scotch Athens. There, in the mud and smoke, dwells a population of sixty thousand toil-stained folk, who contrast strongly with their elegant neighbours of Edinburgh. There is nothing here to attract the eye of the traveller, unless it be the harbour with its two piers—one 3,530, the other 3,123 feet long—where the inhabitants can go and breathe the sea air, away from the noise and smoke of the town.

Along the coast to the west, two miles from Leith, we come upon the interesting village of Newhaven. Here we find a little world apart, composed of fisherfolk, all related one to another, it is said. They treat as Philistines all who did not first see the light in their sanctuary, and the result is that they are constantly intermarrying. All the men work at fishing. The women go to Edinburgh to sell what their husbands catch, and bring back empty baskets and full pockets. These worthy women would think they were robbing their dear village if they bought the least thing in Edinburgh. Needless to say, the little community prospers. To see the costume of the women, who, in no point imitate the ridiculous get-up of their sisters in great towns; to see the activity and zeal for their work, one would believe oneself in France.

"All the skippers own their own boats, and the pretty little houses they live in," said the Scotchman who accompanied me.

And how neat and clean they look, those little white houses covered with climbing plants of all sorts! The whole scene speaks loudly of the work, thrift, and order of the people.

By pushing on two miles further we come to Granton. There we can take the boat which will carry us over the Firth of Forth, and set us down at Burntisland in Fifeshire; but instead of there taking the train to the north of Scotland, we will stop to see Rossend Castle.

Standing on a promontory, which dominates the Firth of Forth and the hills of Edinburgh, Rossend Castle is one of the most romantic places in Scotland.

Its old square tower contains the bedroom used by Mary Stuart when she travelled in Fifeshire, and stopped at the castle. The present owner, whose hospitality is proverbial in the neighbourhood, has religiously preserved the room intact. It is there just as it existed three hundred years ago, with its two little turret-rooms, oak wainscoting, and a thousand relics of its unhappy visitor.

The portrait of Mary Stuart at Rossend is the most striking that I saw in Scotland. Placed over the mantelpiece, it seems to fill the room with its dreamy melancholy gaze. It seems to follow you, and you cannot take your eyes off it. I occupied this room for four nights, a prey to the saddest thoughts. It was in the month of January, and the wind, which was blowing hard across the Firth, roared round the tower. With my feet before the fire, which burned in the immense fireplace, I let my fancy reconstruct the scene in which poor Chastelard lost his head, first figuratively, and then in reality.

As I mentioned in the preceding chapter, my young and handsome countryman Pierre de Boscosel de Chastelard had conceived a mad passion for the queen. He had dared to declare this love in the Holyrood Palace. His offence was forgiven.

Imagining, from the fact of his having been pardoned, that he had succeeded in inspiring affection in the heart of his royal mistress, the poor moth must needs flutter again around the flame, which was to be his destruction. The romantic troubadour secretly followed the queen from Edinburgh to Rossend Castle, and, on the night of the 14th of February, 1562, hid himself in her chamber, until she was almost undressed for the night, when he left his hiding-place, and, seizing the queen in his arms, so alarmed her, that she screamed for protection. This woman who, to avenge Rizzio's death, did not hesitate to have a barrel of powder placed under her husband's bed, felt herself insulted. Her cries attracted her attendants, and Murray was ordered by the indignant queen to stab the young madman dead then and there. But Murray preferred to wreak his wrath on Chastelard, whom he hated, by having him hanged. The poor secretary, who had been so favoured by his mistress that all the courtiers were jealous of him, who had so often beguiled her solitude by his poems and his music, went cheerfully to the scaffold. Like Cornelius de Witt, who, a century later, recited Horace's Justum et tenacem while the executioner of The Hague put him to the torture, Chastelard mounted the scaffold calm and smiling, reciting Rousard's Ode to Love.

"I die not without reproach, like my ancestor Bayard," said he; "but, like him, I die without fear."

And then, turning his eyes towards the castle inhabited by Mary Stuart, he cried:

"Adieu, thou cruel but beautiful one, who killest me, but whom I cannot cease to love!"

Rossend Castle is a veritable poem in stone. Do not visit Edinburgh without pushing to Burntisland. The chÂtelain is justly proud of his romantic home, and does the honours of it with a kind grace that charms the visitor.