"The art of the Alhambra is eminently decorative, light, and smiling; it expresses the well being, the repose, the riches of life; its grace lay almost entirely in its youth. Not having the severe lines that rest the eye, these works paled when their first freshness faded. Theirs was a delicate beauty that has suffered more than others from the deterioration of its details." RENÉ BAZIN. IN his "Terre d' Espagne," M. RenÉ Bazin speaks of the faded city of Cordova, and the term is singularly exact. It is a tranquil, faded ghost, not a nightmare ghost, but an aloof, melancholy specter. I have been haunted by it often since the day and night spent there. Dull and unimportant as it now is, hard to be imagined as the Athens of the West with almost a million inhabitants and an enlightened dynasty of Caliphs, yet, like a true ghost, vague in feature, Cordova succeeds in making itself unforgettable. The past covers it like a mist. It gave me more the sensation of the Moslem than any other spot in Spain: Allah, not Christ, is its brooding spirit. We strolled hither and thither through its preternaturally quiet streets which are lined with I should not say our very vivid impression of Cordova depended on chance details,—the hour of arrival, a personal mood, the weather. Of course the strangeness was heightened by our coming from the north, through a cold night of travel on the train that made the transition from the central plateau of the Castiles to the semi-tropical coast belt of Andalusia, an abrupt one. Toledo, the last seen Castilian town, had been so distinctly Christian in spite of Moorish remains, and our night-flitting over the level sea of La Mancha was so possessed by that espaÑol neto, the adventuresome Don, that suddenly to awake among Having grown familiar with the orderly streets of Cordova by day, it was quite without fear that we took a night ramble. Not a soul was astir. What were they doing, these cloistered people? It was as deserted as Stamboul at night, more lonely even, for here was not a single yellow cur to bay the moon, nor the iron beat of the watchman's staff; and though like the Orient in some aspects, these streets were far too orderly and the houses too spotless. Perhaps there lay the source of the indefinable fascination; this was neither East nor West, but a place stranded in time, made by circumstances that never will be repeated. The Oriental influenced the Spaniard deeply, a psychological as well as a racial influence. I often felt that the dignified gravity which so distinguishes a Spaniard from his fellow Latins is a trait acquired unconsciously from his Arab neighbors: nothing like it is found except among races whose ancestors dwelt in the desert. Also the excessive generosity and hospitality of the Spaniard are oriental virtues, just as the Andalusian procrastination and acceptance of fate are oriental failings. We too often forget that there were generations when, religious hatred The soul of a Spanish city is always the Cathedral, and Cordova has what it called one, but it is no more a Christian church than the Caaba at Mecca. The canons in Charles V's time tore out the center of the Mosque and built a Plateresque-Gothic capilla mayor and coro. It A building every one of whose stones has been laid in earnest faith, seems to have a spirit that will never desert it, let the ritual change as it may. Santa Sophia is Christian in spite of eight thousand Mussulmans prostrated there on the 27th of Ramazan: the Gregorian chant still echoes in Westminster Abbey. So here the canons' efforts were in vain, the Mezquita makes heretics of us all, we turn to the Mihrab as the holy of holies, not to the High Altar. The Mihrab is a dream of art, the mosaics are richer and softer in hue than an eastern rug. Leo, the Christian Emperor on the Bosphorus, sent Byzantine workmen to teach the Caliph this art. The enclosing carvings have the distinction of being in marble, not in the customary plaster, When we left the Mosque, the obsession of the East still continued in the courtyard, where about the fountain sat groups of idlers only wanting the fez and turban for completion. Once the Mezquita opened on this court, there was no dividing wall, the trees planted in symmetrical lines carried on the rows of columns within, and an absolutely enchanting sight it must have been to look from this orange grove far into the dim interior All tourists in Spain go to Granada, so they know the confusing station of Bobadilla where trains from north, south, east, and west, meet and exchange passengers; the journey from there on to Granada gives a beautiful glimpse of Andalusia; picturesquely set towns, scattered white villas, olive groves, even in winter the grass as green as spring. As apples, in the Basque provinces, and carrots at Toledo, so here oranges were piled up in masses. The last thirty miles of the journey were through the historic vega, a veritable garden of Eden in fertility. Before we reached Granada it was dark and above the city was rising an early moon as big as one in a Japanese print. The proprietor of the Pension-Villa Carmona in the Alhambra grounds was there to meet us, and we soon rattled off for the long drive up to the Moorish citadel. A night arrival at Granada enhances the romantic effect. It is mysterious to turn in from the noisy streets of the town at the Carlo Quinto gate and under the heavy foliage of elm trees slowly to mount the Alhambra hill; there is a gurgle and rush of running water on every side, one has the feeling of being in a thick Alpine forest. The horses mount slowly, wind and turn, pass through various gates and at length It was Ford I think who started the statement which most guide books have gone on repeating that the Duke of Wellington planted these elms ("the Duke" occupies more space in Murray's Hand-book than los Reyes CatÓlicos themselves!) He may have planted some, but a certain old book of travels, yellow with age, tell us that just these same elm trees were growing and just the same kind of songster singing in 1789. "The ascent toward the Alhambra," wrote the Rev. Joseph Townsend in that year, "is through a shady and well watered grove of elms abounding with nightingales whose melodious warbling is not confined to the midnight hour; here, incessant, it is equally the delight of noon." This part of Granada is charming. But the city below is so dirty and ill-conditioned that it would spoil the Alhambra for a long stay. Even in the darkness on the night of our arrival it was easy to discern what a different aspect it had from most Spanish towns, which, while they are often poor, are frugally clean and self-respecting. Described as the Alhambra has been, it would be fatuous to try it again. I can only give superficial personal impressions. There is no use in disguising that this style of architecture disappointed me enormously. I could admire its extreme elegance, the details of the artesonado ceilings, the ajimez windows, I could acknowledge it was fairy-like, a charming caprice, exquisite jewel-box work: as a whole it left me quite cold. It was too small, it lacked height, there was no grandeur about it,—and all so newly done up with restorations! The first visit gave me an effect of trumpery, and even after I had seen it daily for two weeks, I could not forget that these mathematically correct designs, one yard very like the next, were imprinted by an iron mold on wet plaster. This was skilled artisan's work, not the intellectual Enough for the negative side. For praise, if the Alhambra itself is disappointing, its setting is imperial. The view on which you look out from its romantic ajimez windows has few equals in the world, and accounts easily for the supremacy of this spot in man's thought. You look down on the ravine of the Darro, the white Generalife near by, across the river, the piled-up houses of Granada backed by near hills covered with cactus. From the Torre de la Vela is a grander view. The vega with towns and historic battlefields lies below, and you try to pick out Santa FÉ, which sprang up in eighty days to house the Christian troops, or Zubia, where Isabella was almost captured, or Puente de Pinos, which the discouraged Columbus had reached when the Queen's messenger brought him back to arrange for the great voyage. On this tower, after seven and a half centuries of Moorish rule, the first Christian standard was hoisted by Cardinal Mendoza, on January 2d, 1492, festival still of the countryside, when the There was a lesser view we grew attached to, that from the strip of garden called the Adarves, warm in the sun under the vine-covered bastions. It was laid out by the Emperor, and it fronts the snow range looming above the green mass of park trees. Almost every day we would bring books and sewing there—December, with mountains 12,000 feet high beside us!—and the gardener would set chairs for us at the stone table. Work and books would be dropped for long minutes to look out on those astonishingly noble mountains. If only the city below were well-ordered and clean like Avila or Segovia or We had to descend at times to the repulsive town for sightseeing. We hunted up the Church of San GerÓnimo, where the Gran CapitÁn, that true Castilian knight alike renowned as general and diplomatist, Gonsalvo de Cordova, was buried. Once around his tomb seven hundred captured banners were ranged, but the church since it was sacked in the French invasion has been unused. It was appropriate that the Great Captain found burial in Granada, since it was here he trained the famous legions he was to lead to victory in Italy. Isabella on her deathbed listened with thrilled interest to the news of Gonsalvo's exploits at Naples. Another day, to see the view of the Sierras from the Church of San NicolÁs, we climbed the AlbaicÍn quarter, so squalid and poverty-stricken that the very sheets hung out to dry were a fretwork of patches, and the smells of goats and pigs were awful. A swarm of deformed beggars gathered round us, and I must confess to driving them off indignantly. Then as we descended the hill, down the twisting oriental passages, I was reproached by a little episode that showed a charity wider than mine—not good utilitarian ethics perhaps, but good early Christianity—a woman, poorest of the poor, at a turning of the lane was giving her Still another walk was the beautiful one along the Darro, then up the steep hill between the Generalife and the Alhambra. In that deserted lane one morning as I was passing alone, suddenly the gypsy king stepped out, a startling image of brutal, manly beauty, with his blue-black hair topped by a peaked hat. He approached insolently, with a glance of contemptuous, piercing boldness, struck an attitude, and holding out a package, commanded: "Buy my photograph." With beating heart I hurried by, to turn into the safe Alhambra enclosure with a tremor of relief. The Cathedral of Granada is a pretentious Greco-Roman building, good of its kind, but I do not like that kind. Out of it leads the Royal Chapel, where "los muy altos, catÓlicos, y muy poderosos SeÑores Don Ferdinando y DoÑa Isabel" lie buried with their unfortunate daughter, Juana la Loca, and her Hapsburg husband. These two elaborate Renaissance tombs, the wood carved retablo and a notably fine reja, make this Capilla Real a unique spot. From one end of her land to the other this incomparable woman has left her mark; at Valladolid the remembrance of her marriage; Segovia whence she started out to claim her kingdom; at Burgos the tomb of her parents; Salamanca where her son was educated, and whose library faÇade is in her grandiose style; Avila where this only son lies buried; Santiago where her hospice still harbors the needy; Seville where she gave audience in the AlcÁzar; her refuge for the insane here in Granada;—hardly a city that she did not visit and endow: "If thy rare qualities, sweet gentleness, Thy meekness saint-like, wife-like government Obeying in commanding, and thy parts Sovereign and pious, else could speak thee out The Queen of earthly queens." |