The ever-changing tide of fashion brings in its wake a constant development of new and original ideas in the furnishing of our garden plots. Flowers have been with us ever since the first settlement of our country and so has a love for life in the open. This is an inheritance that has deepened with the passing years. So rapidly has this developed that to-day it demands our gardens as living rooms. It is this aspect of garden life that develops new and unusual features in equipment.

While we may flatter ourselves that we as garden lovers have originated this idea, yet it is of ancient origin. History relates that in the gardens of the early Romans and Greeks, garden seats were found. With the changing of styles in floral-culture the ornate came into existence, much used during the Italian Renaissance. Reproductions of their ideas are found in replica in many of the formal gardens of the twentieth century.

Logs, carelessly thrown on the ground, may have been the first seats used by our garden ancestors. Later on with the development of the one-path posy bed, seats were hollowed out of old trees. They formed a picturesque bit, clothed during the summer months in their garments of green, for trailing vines were encouraged to run rampant over their sides. These with the green arbor or pergola and the vine-clad summer house were the three styles of seats favored by the Colonial dames.

Styles and usage of furniture in this special way are as clearly defined as in interior decoration. The modern garden equipped with English, American or Italian furniture, gives a pleasing variety. The principal materials necessary for manufacture are stone, marble, terra cotta or wood. Of these, the latter suggests less expense, while the former can be purchased at any sum you wish.

Stone or marble are absolutely necessary in formal or Italian gardens, as they provide a proper medium for expression that nothing else would satisfy. Look at the gleam of the white marble shown up by its background of green trees and see what a charm it has in the furnishing of your garden plot. Take it all in all, it is the only right setting for an elaborate garden, partly on account of its being a descendant of the Italian Renaissance period which makes it desirable in designs that follow out the character of that period. Rarely, if ever, do we find this simple in form, but rather elaborately carved with representations of animals or figures. As an ornamental feature, it cannot be excelled, but as a garden seat it is not practical, being cold and hard to sit upon. Properly speaking, it should be placed at the head of a walk or topping the garden steps. This is on account of its decorative character and the necessity of making it fit into the floral scheme. The price is prohibitive except to the rich, although it varies with the elaboration of the carving.

Terra cotta, while not as often used, has its advantages. It can be moulded readily into any form desired. While it is not always suitable, yet its warmth of color, which is either buff or red, makes it admirable when one desires to bring out certain effects in the planting of beds. It is, perhaps, the least used of any of the materials. A seat four feet in length can be purchased for from forty dollars upwards.

Concrete seats are the kind that are most commonly used for formal and informal gardens. We should remember, however, that we must not mix formal and informal furniture promiscuously, otherwise the result will be disastrous. One should bear in mind in treating this subject that formal pieces resemble well-bred people. They fit suitably into any place in their surroundings. It is far different, however, with informal pieces which are entirely wrong and out of place in formal settings. This fact applies to concrete which is suitable for almost any occasion for it possesses almost endless possibilities as far as form is concerned. Rightly mixed, it can be moulded into almost any shape that you desire, which accounts for the fact that in its designs many of the elaborate garden seats are copied. This makes it popular and constantly in demand, on account of its less cost. To all intents and purposes, it is quite as durable as stone or marble. It has still another advantage, in that its neutral gray tint harmonizes picturesquely with almost any setting of shrubbery or flowers.

The least expensive of any of the materials that is used for this purpose is wood. It has this advantage, that it can be formed in such a great variety of shapes that there is always found some piece that is suitable for every taste and occasion. If you contrast it with marble or stone, you will realize that it has the advantage of being lighter in weight, and capable of being carried around from place to place with little or no trouble. Take it all in all, the best place for it to be at home in is the informal garden.

The kind of garden that most of us live in and enjoy intimately is the plot where wooden settles and chairs are used. Care should be taken, however, in the selection of material in order that it may have lasting qualities. One reason for its use is that unlike marble and stone it is not cold to sit upon, and is really comfortable. The best kind of wood, if you can afford it, is teakwood, which lasts for centuries. It is the most expensive, particularly the antique pieces. Those of to-day are shoddily put together and cannot resist weathering as do the century-old ones.

Many people prefer pine on account of less cost. This is all right, provided great care is taken to keep it well covered with paint of the glossy kind. The advantage of this over the other is that it can be readily wiped clean before using. Anyone who is a garden lover will appreciate this fact, for no matter how carefully placed, the seats will accumulate a reasonable amount of leaves and dirt.

Plain settles and benches which belong to the informal type can be placed anywhere, according to inclination. These need not, of necessity, be made of plain wooden strips, but can be varied by making them rustic in design. Use for this purpose limbs of the same size without removing the bark. They require so little work in putting them together that a village carpenter can accomplish this task, or if you are a genius you can do it yourself. An objection which many people offer is that they need repairing often, or replacing. Considering the cost, this is not a serious objection.

For a simple Colonial cottage, such pieces as these would be appropriate for use in your garden and you can add a tea table and a few chairs suggestive of afternoon tea, the position being determined by views, for the placing is of as much importance as the piece itself. If possible, have low-growing trees droop over it to give the required shade.

For the elegant mansion, the home of the wealthy, more elaborate pieces are a necessity. One thing should not be forgotten in their choice and that is they should be heavy enough to stay on the ground and resist the strong northeast winds that during a heavy rain sweep over your flower-plot.

Flagstone sometimes gives a variety as well as limestone, but there are several other materials that give a pleasing color and texture, such as the pink granite and the red, black and green slates. Of these, the red is most effective when streaked with another color. Do not choose the Quincy granite; the texture is cold in appearance and the weather never softens the color.

A fault that must not be overlooked is to build your seats too high, thirteen inches being the proper height. The back should always be taken into consideration and made tall enough to support the head so that you will be comfortable when you come to view your garden plot.

It is not always possible to have this piece of furniture placed under the shade of a tree or shrubbery. This necessitates the planning of a summer house, arbor or pergola. Over these, vines can be trained, so that in reality it is much more picturesque than if you had used simply the green shade.

Chairs can be used for this same purpose, in fact, they are very good as they provide a variation of the general theme. They are particularly advisable if it is a backyard garden where a settle might prove too overpowering. Like the garden seat, they can be made of wood. Cedar and locust are preferable if you wish pretty rustic effects. Cypress also is lasting, and if you prefer to give it a coat of paint, it will do service for many years.

For rustic chairs or seats, there is another idea for shelter that is practical. It is to roof it over and shingle the board. It has advantages over anything else in that it affords protection from the summer sun and acts as a windbreak on cold days, besides doing away with the dropping of insects from the leafy tangle of an arbor. No matter how charming a garden may be in its floral arrangement, it requires additions and accessories to display to the best advantage its worth. Just as a house is cozy or barren according to the style of furniture employed, so a garden is beautiful in proportion to the type of ornaments used.

Probably the coming into style of the formal Italian type of garden has done much to develop this feature. Until late years, scant heed was paid to fitness, and in consequence much of the old-time charm found in the Colonial garden was lost.

When planning for your garden seat or chair, take into consideration the planting. In your choice of colors you should vary the scheme to fit in with the particular seat. A white requires different surroundings from a gray or a rustic type. Wrong coloring brings about inharmonious effects and they should be carefully considered in the making a perfect whole. Another thing should be thought out and that is as to whether there is a shade provided by the over-hanging limbs of a tree or by the trailing of vines.

Vines are always interesting. You can use them in a mass, showing one general effect, or you can combine them. Nothing is so pretty in the early spring as the Wisterias, on account of their being not only hardy, but tall growers. Many people claim the best varieties are those grafted on to specially selected stock, thus making them sure bloomers. The soil should also be taken into consideration, for while they thrive in light, sandy conditions, yet deep, rich earth promotes stronger growth. The Magnifica is, perhaps, as vigorous as any. It is such a rapid grower that it shoots up from thirty to forty feet in a season. It blossoms rather later than some varieties which show soft, lavender blue blooms. Why not mix this with the Chinese white, whose pure white flowers show long, drooping clusters.

If you are looking for foliage in the early fall, the Vitis Henryana can be used. Its leaves are decorative in effect, being a velvety green with veins of silvery white. It is of Chinese origin and in the fall the foliage turns to a beautiful red. For July and August blossoming, there is the Bignonia Grandiflora or Mammoth-flowered Trumpet creeper. This is a splendid climbing vine, perfectly hardy, giving a growth of from eight to ten feet in a season. Its flowers, which are shown during July and August, are orange red and trumpet-shaped, following as they do after the Wisteria has faded, they bring about an entirely different color scheme. This makes it practical for one to plant a succession of bloom, making each set of flowers correspond with the coloring of the vines.

A very pleasing contrast can be brought out by combining the magnolia-scented White Moon Flower, with a beautiful Blue Dawn. The former is a summer climber, growing from fifteen to twenty feet in height. It makes a beautiful shade for trellises and bears in the season a profusion of large trumpet-shape snow-white flowers that are richly scented and very beautiful. There is also a heavenly blue that combines artistically with the white. One feature of this vine is its thick, overlapping, glossy foliage, and its nightly scores of immense silky blooms which are of rare fragrance. By actual count a strong vine will bear from one to three thousand blossoms in a season. There has within the last few years been discovered a new variety that opens early in the morning and remains so nearly all day.

The beautiful blue of the Paradise Flower is used when one wishes for this color in decorations. The clusters are large, showing from twenty to thirty at a time and it blossoms continually from the time it becomes established until frost.

For a rustic seat, why not try the wild grape or Crimson Glory vine? It is so strong and hardy, notable for its heavy foliage which makes a splendid shade and in the fall is a mass of rich crimson. We have grown to think of morning glories as a pretty, small flower that grew in our grandmother's garden. Many of us have not realized that they have been developed until now they show gigantic bloom as large as the moon flowers. They have wonderful coloring, marking and variations of indescribable beauty. As a flowering vine they cannot be surpassed, the flowers being borne by the hundreds and of enormous size, measuring often five and six inches across. Many show a rich combination of shading blended together in an enchanting way, being spotted, penciled, mottled, and variegated in every conceivable manner.

If your garden seat is low, let your planting follow the same line, but if it is high and conspicuous, it can be accentuated by tall plants. Hollyhocks, with their stately stalks, are charming for this particular use. There is the hardy perennial with the foliage dwarf and compact. This is found in the Heuchera, which is easily grown from seed and reaches a height of eighteen inches. Of this variety, the Sanguinea is admirable, being the finest of all the red varieties, the flowers taking on the shade of coral red. If you wish, instead of a solid color, to make a combination, why not use the Sanguinea, Sutton's Hybrid, which is found in pretty shades of pink, as well as creamy white, rose and crimson. These blossom in July and August, their stately, well-filled cups, giving a distinction to the seat that could not well be missed.

Fleur-de-lis, sometimes spoken of as the Fairy Queen's home, is always satisfactory and never fails to bloom. No flower can surpass this in delicacy of texture and coloring, and it rivals even the orchids of the tropics in its beauty. They thrive in almost every soil, being one of the easiest plants to cultivate, although a fairly rich earth will materially increase the number and size of the bloom. In planting them, nearly cover the rhizomes. The earliest flowering ones are the Germans, which come into bloom the latter part of May or early in June. These are followed by the Japan variety which follow closely on the former and stay in blossom for a month. Of the German, the Lohengrin is the most vigorous, deep violet mauve in coloring, and the flowers are nearly five inches deep, showing petals two inches across. In direct contrast is the Princess Victoria Louise, light sulphur yellow or rich violet red, edged with crimson, both of which varieties are very handsome.

The double Iris is particularly beautiful for some situations. There is the Antelope with white ground flaked with purple; the Diana, reddish purple flaked with white; the Mount Fell, grayish white, veined with blue and showing yellow center; and the Victor, white veined, violet blue with purple center. Each one of these is well worthy of cultivation.

Nothing is so beautiful as roses, be they climbing or dwarf. For the former, why not use the Climbing Jules Graveraux, which is one of the most valuable, ever-blooming climbers ever introduced. The value of this is that the blooms are immense in size, being as large or larger than any other rose. It even exceeds the J.B. Clark. These roses are perfectly double, white, tinged with blush pink, with a yellow base. In freedom of bloom, it is superior to either Mrs. Peary or Climbing Meteor. Then there is the Empress of China or Appleblossom rose, a strong rampant grower, and a very free bloomer. The buds are pointed, being soft red, turning to lighter. It blooms from May to December in the open ground.

Tea Roses, distinguished by the delicate tea fragrance, are absolutely ever-blooming. They are carried through the winter even in the northern states with careful protection. The most satisfactory method is the banking up with soil. Of these, the yellow Souvenir de Pierre Notting is the most beautiful. It has been introduced by one of the foremost firms of France and is not exceeded by any rose sent out from that country. The blossoms are large, well filled, and open easily. The buds are beautiful and elongated. When fully bloomed, they show an apricot yellow, tinged with golden and mixed with orange yellow. One charm of these flowers is that the edge of the petal shades to a beautiful carmine rose. The open flower is full and double, it being an extremely free blossomer.

One of the latest introductions is the Lady Hillingdon, the color being beyond description. Apricot yellow, shaded to orange on the outer edge of the petal, and becoming deeper and more intense as it reaches the center of the bloom. The buds are produced on long, strong, wiry stems, which are placed well above the foliage, thus giving it a slender and graceful effect. It is valuable in both the amateur and professional growers' gardens. It would be impossible to enumerate the different kinds that are used for this purpose.