"I have made me a garden and orchard, and have planted trees and all kinds of fruit." Thus spake the wise Solomon who in all his glory found time to enjoy his flowers. Nowadays, blossoming plants are intermixed with marble fragments, and the garden contains many interesting features that were then unknown. Sir William Temple, on his return from a visit to Holland, where he went for garden study, tells us that he found that four things were absolutely necessary in order to complete a perfect garden. "Flowers, Fruit, Shade, and Water."

Originality is to-day the key-note in every garden design. Gardens have been developed with the passing of time so that instead of one type we find an infinite variety of styles, each one of them so distinctive that one need have little fear of repetition in results. Here we find the formal, the Italian garden while over yonder is the wild, and the rambling one. They are carefully designed to bring out some individual scheme. Unlike the little posy plots of long ago with their unobtrusive green arbors, now we come upon a large space which has been laid out for picture effects. This is the work of the landscape architect, who takes as much pride in his garden structures, as does the architect in the design of his house. He vies with his rivals in producing odd effects with marble fragments and artistic combinations in his color scheme.

Each one of the many types, that are shown at the present day, shows distinctive features. These appear and disappear in endless variety, and among them are the pergola and the arch, the latter a grandchild of the green arbor that was in evidence in our grand-dames' time.

Unlike those seen in the old-fashioned gardens, it is not always built of wood. Sometimes it is so placed as to define the terraces, leading with its shadowy treatment to delightful glimpses of vistas beyond, well laid out for this very purpose. Again we find it shadowing the garden at one side, where it makes a covered walk, under which one can pass, and view the garden pleasantly.

Simple and unostentatious were the early gardens, for not until 1750, was there found any trace of garden architecture in the North. It was about that year that one Theodore Hardingbrook, came to this country bringing with him a fund of information to strengthen and enlarge this line of work. He gathered around him a faithful, interested little band of students, and taught them new ideas, and awakened an ambition for new designs in Colonial flower plots. Then was evolved the little summer house with its cap of green, which stood generally at the foot of the garden path ending the central walk and it was then that the green arbor came into existence, spanning the centre of the little plot. Covered with vines it made a pleasant break in the otherwise straight lines of the old-fashioned garden, and it also gave a touch of old-world gardens to the new-world plan.

This was not the commencement of pergola construction, which had its origin in the vineyards of sunny Italy. They were not like those of to-day, wonderfully beautiful in design but rude and rustic, roughly put together as a support for the vines. Through the intersecting crevices fell glorious clusters of pale green and royal purple grapes, to ripen in the glimmering shade. These rough arbors, shadowed by hardy vines, graced the Italian hillsides, when Columbus as a wool comber's son frolicked the summer days away long years before he discovered the new country that lay across the sea.

The birth of this feature was not romantic but plebeian, for it was built for practical use only. The hardy Italian grape growers had come to a realizing sense that their fruit throve better if held aloft, and so they conceived the idea of a supporting arbor. As the bright sun filtered through the vines, the picturesqueness caught the attention of gardeners on large estates and from this was evolved the long pillared pathways over which cultivated vines were twined, casting their long shadows far over the path beyond in Roman gardens.

When larger and better gardens were demanded to meet the architecture of the large, square, Colonial homes, green arbors were popular. They were crudely put together, often the work of the village carpenter, simple and unconventional in their treatment yet prettily draped with vines. During the summer months they were especially picturesque and inviting, with their little wooden seats placed on either side. To the garden came the gallant, dressed in knee breeches and wearing powdered wig, there to meet his lady love, bending low he plucked from the branches of the trailing vine a flower to deck his fair beloved's hair.

These green arbors gave a distinct individuality to the old-time garden. Over them were carefully twined the Dutchman's pipe. It showed nestled away beneath its leaves, tiny, almost invisible little green pipes that were coveted by the little ones for "Let's pretend smoke." Invariably, the yellow and white Baltimore Belle rose sometimes known as the Seven Sisters, lent their charm, boldly peering out from under the vine to watch the lovers seated on the simple seats. They gave them a welcoming nod as they swayed to and fro in the passing breeze, mingling their blossoms, with a dainty Scotch rose and the pink moss, that seemingly grew on the same stem. It is the former rose that was the greatest favorite, for it lasted longer, giving dashes of yellow like sunshine to light the dark, autumnal days.

Now and again, we come unexpectedly upon a garden such as this. It lies in the heart of a Colonial city, hidden away from passers-by behind a high paling fence.

The twentieth century pergola in the modern garden lends itself to a great variety of treatment. It is an important feature and should be properly treated in order to bring out the right effect. Often the amateur, when dabbling with garden culture, neglects this feature on his grounds and gives it a wrong setting.

It must be remembered that the mere setting out of a garden does not always bring about the best results. It should be done with some definite aim in view, such as color or suitability to situation. In this way only can one obtain perfection. There should be taken into consideration the formation of the different beds, especially those that are in close proximity. It cannot be a successful experiment unless carefully planned.

If you have never tried to form combinations that will intensify the loveliness of the grounds by a happy gathering of right colors, you have missed a delightful experience. This idea does not come quickly to the amateur floriculturist, but once he fully grasps it, he turns as if by instinct to the structural part of the garden plan. It is then that he realizes that while he has not seemed to have progressed during his first year's work, yet he has laid a solid foundation that will stand him in good stead. In the midst of his garden he rears a house of flowers, placing it in a situation where he can watch the growth and maturing of the plants. Each corner of the garden is given separate treatment. In some gardens, where the space is small, it would be impossible to carry out the pergola scheme. Then it can be simplified and condensed into the child of the pergola, the arch, excellent for decorative effects. This means for flower showing can be made of wire, simply fastened to posts, bent into shape, or of wood and painted white; either of these methods is satisfactory and can, if properly used, be most successful.

The arch, to fit in with the garden plan, should span the entrance. Over it should be trained either a blossoming vine or many, to work out a succession of bloom. Sometimes it will be the wisteria with its drooping clusters of lavender, or the rambler rose found in such a variety of colors to-day. These two with the clematis, are especially adapted for this purpose, if one is willing to use proper fertilizer and depth of planting.

In order to insure better and more prolific growth, the vines should be cut back to about six or eight inches in height when first set out. It must be remembered in dealing with them that they are like little children, each one requiring individual care. We must also be sure that the soil is frequently stirred to avoid caking.

Properly placed, the curved trellis is a joy. It gives a decorative setting to the garden proper. As the eye travels down the path, it greets a charming bit of color in the bed of solid green that tops the roof.

The arch would not be a proper note of setting for every garden. There are only certain kinds with which it blends. The narrow path demands it, for it needs a break to show it at its best. A judicious fashioning of a series of arches, extending here and there along the entire depth of the walk is sometimes attractive. They serve to break the monotony and add a flower note that is delightful. In the planning of these, great care should be taken that they are set at proper intervals. They should be on the same level and correspond in width, otherwise the result would be a wavy line that is most distressing.

The color scheme depends on garden planting. If lavender is chosen it should be reproduced all through the line. Do not be so foolish as to choose one vine only but plant them in order to make a succession of bloom. One does not wish to view a spot of color now and a mass of green later on.

There are so many different kinds of vines that can be planted for this use, each one of which is admirable, that it is hard to choose. Commencing with the earliest why not take the American or the loose-cluster wisteria. It has many advantages over other vines, in that it is a strong grower and bears an abundant cluster of flowers resembling the sweet pea in formation.

One can reasonably assert, that the wisteria is the leading flower for the pergola or arbor. It dons a rich and graceful foliage and unlike other vines, has two distinct seasons of bloom. It is especially good if one wishes to carry out a one-tone color scheme, making lavender the key-note, and using this particular vine for the early bloom in May, at which time the luxuriant clusters of drooping flowers show their wonderful shading as they peer through the arches dropping down below the leafy growth and making a note of exquisite beauty. In August, when they show their second season of bloom, the flowers are less abundant.

They should be followed by the Clematis Jackman. This vine, if it reaches maturity, is most effective, but it has the distinct disadvantage that though it starts right, and sends out shoots, they are apt to blight early and disappoint the gardener by dying before putting forth its wonderfully beautiful flowers. June, the month of roses, is a suitable time for one to watch for the blossoming of this vine.

Many people avoid the Coboea Scandens on account of the large, conspicuous flowers it produces. They make a decided mistake when they shun this particular vine, for it has good qualifications for pergola covering. No vine grows more rapidly, as it reaches often from twenty-five to thirty feet in a single season. It bursts into blossom in July, in rich, purple, trumpet-shaped flowers.

For the successful growth of vines many things have to be considered but principally the soil. The amateur makes a mistake in starving the ground, and thus losing half the quality it would otherwise have had. In order to obtain the best results, put plenty of barn-yard manure, or bone meal, at the foot of the trellis, and this should be plentifully renewed at the commencement of each year.

Rambler roses are one of the most effective treatments for arbor or pergola growth, and the most popular of these are the white, yellow, crimson and pink. Each year new varieties are put upon the market and if one wishes to follow the new ideas they will be forced to constantly change the plants.

In some cases, the pergola is used to form a trellised pavilion or summer house to shelter a marble statue and again with carved setting to outline a bed, as the central feature around which the flowers are arranged. Thus the simple vineyard trellis has been transformed into a gem of graceful construction, and we find it to-day, with its slender marble columns, supporting a delicately carved marble roof of slabs, over and through which the green of the vine, and the glint of the flower hover, dipping down between the intervening sections, in festoons of green and color.

It can well be called a distinctive summer structure, for with the sun streaming through its mass of vines, it shadows the walks from May until late October. In the long winter months boxed in it stands like a sentinel guarding the long, bare paths, and showing a leafless network of interlacing vines.

The pergola of to-day is not like that of yesterday. When first introduced into our gardens it was taken up on many small estates, and so badly designed that it combined badly with the garden. It was then it fell into disfavor and was pronounced a failure for use in our garden plan.

But landscape gardeners, with an eye to the unique, felt that it was a necessary rounding-out of the garden design, and rescued from ignominy, it took its place in right surroundings, in the heart of the garden with a border of elaborate flower designs. Garden seats were placed inside and when it fronted on an Italian garden, a fountain was often introduced, the musical tinkle of the spouting water giving a special charm.

Among the many designs the simplest is a simple rustic frame structure, appropriate for small or wild gardens. It is formed of cedar posts driven four feet into the ground, and reaching to the height of eight feet. This is covered with a beam or a slab roof structure over which is trained the morning glory, the California creeper, or the grape. This latter is much used, the picturesqueness of the ripening fruit adding to its attractiveness. These pergolas are generally eight feet wide and have for a flooring irregular flags through which peer grass or moss.

This type of garden furniture is perfectly well adapted to Italian, English, or Colonial types of architecture, and is constructed often of marble. It is not merely an ornament but a useful adjunct to a garden, and can be made of concrete, or cobblestone, if one does not wish to go to the expense of using marble.

There is a modern form of this feature that is a development from century-old customs, the porch-pergola which is fast supplanting the old covered porches of yesterday. This is designed with an open, vine-covered roof. It gives an added charm to the exterior of the house and furnishes a shady nook for sunny days, without the drawback of the old porch whose roof darkened the house in winter by withholding the sun.

No one, no matter how small their grounds, need deny themselves a pergola. It is such an important feature and so decorative that it is almost a necessity. For the little backyard it may be simply a rustic porch planted in the middle of the garden. Properly laid out, it can be used as an out-of-doors living room. Across the end a hammock can be swung, while table and chairs can be fitted in at one side.