Kem, “the Black Land,” in hieroglyphic, or Kemi, in the later and more familiar demotic, was so called from its dark and fruitful soil, a loam, which turned up freshly, after a recent inundation of the Nile, has, as one traveller describes it, “a brown and velvety lustre.” Through it winds and flows the great river of which Homer speaks as “Egypt’s Heaven descended stream” and that more than any other has set its stamp upon the country and its inhabitants. So potent for weal or woe is it that one scarce wonders it was worshipped as a deity, and the Arabs call it “El Bahari,” the sea. It is difficult to find the word travel in their language, with the Egyptian it is always up and down stream. From the river he drew the fish which formed part of his daily food, its fructifying waters, spreading over the land, called forth abundant harvests, and from the mud on its banks he built the hut in which he lived, or manufactured the bricks for the construction of his Leigh Hunt says of the Nile: “It flows through old hushed Egypt and its sands Like some grave mighty thought threading a dream; And times and things as in that vision seem Keeping along it their eternal stands.” The Nile has been said to be less like a river than a sinuous lake with islands and sand-bars interspersed. The sacred name of the Nile was “Hapi, the Concealed.” The early Egyptians believed that its source was in fountains, bottomless and far away, and the tears of the goddess Isis caused its ebb and flow. The explorations of comparatively modern travellers have solved the mystery of its being, and to-day we know that it springs from great lakes which their discoverers named respectively, Victoria and Albert Nyanza. Of the three great rivers, the Nile, the Mississippi, and the Amazon, the first is the longest, the second has the largest number of ramifications, and the third the greatest volume of water. A Nilometer, a pillar standing in a pit, chronicles the rise of the tide, and great festivities attended the opening of the canals which were dug in all directions to carry its beneficent stream. A human victim was sacrificed to appease the river god. A young girl was each It was a Mohammedan general who put an end to this annual tragedy and refused to permit the usual offering. The river delayed its rising, and the murmurs of the people waxed loud against him. In this dilemma he appealed to the Kadlif Omar, he who destroyed the Alexandria library, saying that if it agreed with the Koran it was useless to preserve it, and if it differed it was pernicious. But in this matter he showed himself larger-minded. He obligingly wrote a letter which was cast into the water and ran thus: A. D. 640, “From Abd Allah Omar, Prince of the Faithful, to the Nile of Egypt. If thou flow of thine own accord, flow not, but if it be Allah, the One, the Mighty, who causeth thee to flow, then we implore Him to make thee flow.” The prayer was successful and the inundation began. Henceforth a mud pillar, originally no doubt in human form, and still called “the Bride of the Nile,” was substituted for a trembling The juncture of the White and Blue Nile shows the difference in the tint of the water for some time after. The Nile has no tides. The dews are heavy in Lower Egypt and the nights cool and refreshing, while the temperature is, as a rule, most agreeable. From the low, long, level shore and with a coast line much the same as three thousand years ago, we follow the river through a fertile valley, which in time narrows between mountains and table-lands of sand. At the cataracts the stream surges and swells round little rocky islands and the rapids cause navigation to be difficult if not dangerous. The Delta, so called from its resemblance to the Greek letter, is a level plain, highly cultivated, varied by lofty dark brown, ancient mounds, on which villages are often built, surrounded by palm trees. The Greeks and Romans divided Egypt into the Delta, or Lower Egypt, and the Thebaid or Upper. The rocks are generally of limestone, till one reaches Thebes, and then they are of sandstone, while at the first Cataract red granite bursts through the sandstone. The granite is yellowish or reddish, with no vegetation on the rocks. The drifts of yellow sand are everywhere. In some parts the mountains are three hundred feet high, and at Thebes they rise to four times that height. On the eastern side they are close to the water, while on the Upper Egypt is bounded by mountains, through which the river has cut its way, their height overshadowing it, but not rising into sharp peaks. It is narrow and cultivated. From the mouth of the Nile to the first cataract is six hundred miles of fertile valley, and it is said that the scenery of the first cataract resembles nothing but that of the second. The beauty of Egypt is in its coloring. The small proportion of green is compensated for by its intensity. Over the velvet soil hangs a sky of turquoise blue, the sand sparkles like precious stones and the clear air is luminous. “The land where it is always afternoon” might almost be named the golden land. The traveller with the poetic or enthusiastic temperament revels in the delicate variety of its hues. He sees the sun turning the sands to gold, the river reflecting the sky, the blue lotus blossoms and the reeds, the picturesque buffaloes standing in the water with sleepy blue eyes and the vivid green of wheat fields. Another describes the rusty gold of the Libyan rocks, the paler hue of the driven sand slopes, the warm mauve of the nearer Pyramid, which from a distance is a tender rose, like the bloom of an apricot, in delicate tone against the sky. Low on the horizon, soft and pearly tints, blue and luminous at the zenith, while opalescent shadows, pale blue and violet and greenish grey, nestle in the hollows of the rocks and curves of From the top of the Pyramids the valley of the Nile looks like a carpet of rich green, the groves of palm trees like figures woven in deeper tints. Another speaks of the palms as sculptured in jasper and malachite against the rosy evening sky. A sense of rest and tranquillity pervades the mind. “Straight in his ears the gushing of the wave Far, far away did seem to mourn and rave.” Even the conscience slumbers. But the prosaic traveller hurries through all with unseeing eyes. Like the tourist who visited Cologne and was too sleepy to get up and look at the Cathedral, he gapes at the Pyramids, viewing them perhaps as “warts on the face of creation,” and sees no glory in the heavens, no beauty in the earth, the story of the ages has no charm for him. Long before “Once upon a time,” if such a period can be conceived of, the great monuments were raised, the colossal temples were built, which have been the wonder of all succeeding centuries, and yet still back of and beyond that, stretching away to the confines of Eternity, we picture to ourselves the land as it then was, without these marvels of Art, when Nature ruled supreme. Then as now the plains stretched out, the yellow cliffs rose against the azure sky, the Before Menes, the first king of whom any distinct record has yet been recovered, man, civilized man, possessed the earth. In tracing the course of Egyptian history we never, as with many other nations, seem to reach primeval humanity. Like Minerva, springing ready armed from the brain of Jupiter, the earliest Egyptian known is in a measure civilized. The wild savage, who develops into the more perfect man, exists in theory, but we cannot lay our hand upon him. Some authorities, as Professor Petrie, attribute the beginning of Egyptian civilization, as the Greeks found it, to Mesopotamian influences, Claiming to be the most ancient of peoples the old story tells how the Egyptians yet yielded their pretensions to the Phrygians. The king caused a shepherd to bring up two children, nursed by a goat, and to observe what word they first spoke. Running towards him they cried “Beccos,” the Phrygian for bread, which decided the question, but the wise mother goat perhaps considered they were but imitating her “ba-a!” The early Egyptian believed that Osiris and Isis, brother and sister, as also husband and wife, were the children of Seb (Saturn), and Nepthys was the sister of Isis. The two were called “the incubators,” who spread their wings over the mummy to impart new life, Isis, represented as a female figure, wearing on her head the pshent or crown of Upper and Lower Egypt, was the earth, the receptive one, was regarded as the mother of all and held somewhat the position to the Egyptians that Juno did to the Greeks. The Egyptians also believed that the heavens were upheld by four pillars and that the stars were lamps lighted therein at night. Osiris and Isis stood for the Nile and Egypt, and Osiris was the sun’s power, the winter solstice, We of to-day thrust from us the thought of death, and live as much as may be in the present. Not so the Egyptian, it pervaded his daily life and it shared in his feasts and festivals. It rang in his laughter, “Let us eat and drink for to-morrow we die!” and his favorite occupation was the building of his tomb. No other nation possesses such a variety of monuments, says one writer. Their stone quarries were inexhaustible, their facilities for transportation on the great river unlimited, and the sand and the climate combined to preserve what the hand of man erected. Kings pressed their signets on the mountains that the generations to come might know of them and their power. The sun and soil of Egypt, we are told, demands one breed of men and will no other. The children of aliens die, and the special race characteristics remain to the present day. The Fellah woman, in the picture often seen, crouching beside the statue of an ancient king, has the same contour of face, the same high cheek bones and nose, and the same immutable expression. As the life rule of Egypt’s great river changes not, year after year repeating the same history, so the race shows the same characteristics, century after century. She shares with China her changelessness. Like Japan, she has her types Co-existent with, prior even, perhaps, to the pyramids is the great Sphinx. Maspero believed A picture of the Sphinx, by Elihu Vedder, is very impressive. The great head looms skyward, the desert spreads around, the silence of Eternity broods over all. A crouching figure, old and tattered, kneels before it and lays his ear to the silent lips, as if to learn their hidden secrets. The land is rich in fruits and vegetables, but it has comparatively few trees, and no great variety Other flowers include the rose, jassamine, narcissus, lily, convolvulus, violet, chrysanthemum, geranium, dahlia, basil, etc. The horse was not an early inhabitant—there were camels, elephants, and cattle of special breeds, doves and other birds and many varieties Everywhere possible at the present day excavation is going on. Seventy-five centimes a day was at one time the rate for the diggers and fifty for the children who carried away the baskets of rubbish, the food consisting of bread, water, a few dates, cucumbers or onions, and, rarely if ever, any meat. “The Nile shore,” says Bayard Taylor, “shows either palm groves, fields of cane or doura, young wheat, or patches of bare sand blown from the desert. The villages have mud walls and the tombs of Moslem saints looking like white ovens. The Arabian and Libyan mountains sweep into the foreground, the yellow cliffs overhang and recede into a violet haze at the horizon, while the blue evening shadows lie on rose-hued mountain walls.” Life in the East moves more slowly, even in modern times, than in the strenuous West. One traveller playfully remarks that one can perceive in the face after a Nile voyage something of the patience and resignation of the Sphinx, and another says that Egypt is the best place in the world to rest, and recommends that one “go 600 or 700 miles up the Nile before the season opens and occupy a hotel alone. You will find each day at least forty-eight hours long, and you will think of nothing but Egyptian antiquities Egypt may be likened to a woman with coloring and charm, who surpasses sometimes in attraction another of more beautiful and regular form. In this land of golden light, of perpetual sunshine, lived and moved the Egyptian queen. Different and yet the same as her sisters of to-day, now she seemed a goddess in might and beauty, and again as the meanest of her slaves, swayed by ambitions, torn by passions, swept by waves of love and hate—a woman still. Each in turn played her little part on the stage of life and passed beyond the curtain, leaving a few, and but few, traces of her existence. Passed into “the land which loveth silence,” the dim Amenti of the gods. |