  “The admirable New Art Library.”—Connoisseur. New Volume. Perspective.
“Makes perspective quite fascinating.—Aberdeen Journal. “An indispensable book to the student of art.”—Daily Graphic. Recently Issued. Water Colour Painting.
“Mr. Rich’s work has placed him among the comparatively few water-colourists of to-day who count, and the work of his students proves that he can teach.”—Saturday Review. The Artistic Anatomy of Trees.
“Like all the volumes of the New Art Library, thorough in its teaching, eminently practical in its manner of presenting it, and splendidly illustrated.”—Connoisseur. The Practice and Science of Drawing.
“No work on Art has been published in recent years which might be more advantageously placed in the hands of a young student. Every page shows robust common sense expressed in a clear style.... We imagine that Mr. Speed is an admirable teacher, and cordially recommend his treatise.”—AthenÆum. The Practice of Oil Painting and Drawing.
“If students were to follow his instructions, and still more, to heed his warnings, their painting would soon show a great increase in efficiency.”—Manchester Guardian. Human Anatomy for Art Students.
“Combines the best scientific and artistic information.”—Connoisseur. Modelling and Sculpture.
“Will be found an invaluable aid to the student.... Takes the student step by step through the various technical processes, the text being supplemented by over a hundred excellent illustrations.”—Studio. Seeley, Service & Co., Ltd., 38 Great Russell St. Photo] [Alinari Supposed Portrait of the Poet Bastianini Benivieni. A direct cast from the original now in Paris and formerly kept in the Louvre Museum. THE GENTLE ART A HISTORY OF THE METHODS OF PRODUCING BY “Le dernier mot de l’art je le trouve dans la contrefaÇon” WITH 31 ILLUSTRATIONS LONDON TO |
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