CHAPTER I

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How Pinocchio Discovered That He Had a Heart and Had Become a Real Boy

He yawned, stuck out his tongue and licked the end of his nose, opened his eyes, shut them again, opened them once more and rubbed them vigorously with the back of his hand, jumped up, and then sat down on the sofa, listening intently for several minutes, after which he scratched his noddle solemnly. When Pinocchio scratched his head in this way you could be sure that there was trouble in the air. And so there was. The room was empty, the windows closed, and the door as well; no noise came from the still quiet street; a deep silence filled the air, yet there, right there, close to him, he heard queer sounds like blows—tick-tock ... tick-tock ... tick-tock ... tick-tock.

Tick-Tock

It sounded like some one who was amusing himself by rapping with his knuckles on a wooden box—tick-tock ... tick-tock ... tick-tock.

"But who is it?" called out the puppet, suddenly, jumping down from the sofa and running to peer into every corner of the room. When he had knocked over the chest, rummaged the wardrobe with the mirror, upset the little table, turned over the chairs, pulled the pictures off the walls, and torn down the window-curtains, he found himself seated on the floor in the middle of the room, dead tired, his face all smeared with dust and spider-webs, his shirt in tatters, his tongue hanging out like a pointer's returning from the hunt. Yet there, close to him, he still heard that strange tick-tock ... tick-tock ... tick-tock ... and it seemed as if those mysterious fingers were rapping even more quickly upon the mysterious wooden box. Pinocchio would have pulled his hair out in desperation if Papa Geppetto hadn't forgotten to make him any. But as the desperation of puppets lasts just about as long as the joy of poor human beings, Pinocchio, laying his right forefinger on the point of his magnificent nose, calmly remarked:

"Let me argue this out. There is no one else in here but me. I am keeping perfectly quiet, not even drawing a long breath, yet the noise keeps up.... Then, since it is not I who am making the noise, some one else must be making it, and as no one outside me is making it, whatever makes it must be inside me."

This seemed reasonable, but Pinocchio, who had not expected he would come to such a conclusion, gave a start, kicked violently, and began to roll around on the ground, yelling as if he would split his throat: "Help! Help!" The thought had suddenly come to him that during the night a mouse had jumped into his mouth and down into his stomach and was searching about in it for some way to get out. But the quieter he kept the noisier grew the tick-tock; in fact, so loud that it seemed to cut off his breath. Fear made him calm.

"Let me argue this out," he said again, laying his forefinger against his nose. "It cannot be a mouse; the movement is too regular, so regular that if I weren't sure that I went to bed without supper I should think I had swallowed Papa Geppetto's watch by mistake.... Hm! If he hadn't told me time and time again that I am only a little puppet without a heart I should almost believe that I had one down inside me, and that this tick-tock were indeed ..."

"Just so!"

"Who said 'Just so'? Who said 'Just so'?" called Pinocchio, looking around in terror. Naturally no one answered him.

"Hm! Did I dream it?" he asked himself. "And even if there is any one who thinks he can frighten me with his 'just so' he will find himself much mistaken. A brave boy does not know what fear is, and I begin to think ...

"'Just so' or not 'just so,' if any one has anything to say to me let him come forward and he will learn what kind of blows I can give."

Pinocchio in the mirror

He turned round and stepped back a few steps. It seemed to him that some one was making a threatening gesture at him. Without hesitating a moment, he rushed forward with his head down, thrashing out blows like a madman. Then he heard a terrible smashing of glass. Pinocchio had hit out at his own image in the wardrobe mirror, which naturally was shattered to bits. There is no need for me to tell you how he felt, because you will have no trouble in picturing it for yourselves.

"But how did I come to make such a blunder?" he asked himself, as soon as he had recovered from his surprise. "How did I happen not to recognize myself in the mirror? Am I really so changed...? Can I indeed be changed into a real little boy or am I a puppet as I always was?"

"Just so! Just so! Just so!"

This time there could be no doubt about it. Pinocchio sprang toward the window, opened it, and stuck his head out. There below, a few feet lower down, was a beautiful terrace covered with flowering plants. In the midst of the plants was a stand, and on the stand a magnificent green parrot who just at that moment was scratching under his beak with his claw, and looking around him with one eye open. Down in the street below there was not a soul to be seen.

"Oh, you ugly beast! Was it you who was chattering 'just so, just so, just so'?"

The parrot burst out into a crazy laugh and began to sing in his cracked voice:

"Coccorito wants to know

Who the glass gave such a blow.

Coccorito knows it well

And the master he will tell."

"Hah! Hah! Hah!" And he burst out into another guffaw. Patience, which is the only heritage of donkeys, was certainly not Pinocchio's principal virtue. Moreover, the parrot laughed in such a rude manner that he would have annoyed Jove himself.

The Parrot

"Stop it, idiot!"

"Idiot, idiot, 'yot, 'yot."

"Beast!"

"Beast!"

"Take care ..."

"Take ca-a-a-re."

"I'll give it to you."

"You, you, you."

"Ho! Ho! Ho! Ho!

Who the glass gave such a blow?

Coccorito knows it well

And the master he will tell."

"Will you? I'll make you shut up. Take this, you horrid beast!"

There was a large terra-cotta pot with a fine plant of basil in it standing on the window-sill, and the furious Pinocchio seized it in both hands and hurled it down with all his force. Coccorito would have come to a sad ending if the god of parrots had not protected his topknot. The flower-pot grazed the stand and was shattered against the marble parapet, and the pieces, falling down, hit against the large stained-glass window opening on to the terrace and broke it.

Pinocchio, who could hardly believe that he had done so much damage, stood still a moment and gazed stupidly at the pile of broken pieces and at the parrot, who laughed as if he would burst. But when Pinocchio saw a big officer rush angrily over the terrace, with his hair brushed up on his head, a huge mustache beneath his curved nose, and a thick switch in his hand, he was seized with such a fright that he threw over his shoulders the first thing in the way of clothing he could lay his hand on, rushed to the door, opened it with a kick, ran through a small room adjoining, sped down the stairs at breakneck speed, flung open the street door and—Heavens! He felt a violent blow on his stomach and, as if hurled from a catapult, he was thrown into the air and fell down the rest of the steps, his legs out before him. But he didn't stay still when he got to the bottom. He sprang up like a jack-in-the-box, rubbed himself on the injured part, and was off again. He seemed to see some one strolling there in the middle of the street; he thought he heard himself called twice or thrice by a well-known voice, but the fear which was driving him bade him run, and he ran with all the strength he had in his body.

The Parrot

Poor Papa Geppetto! It was indeed he who was strolling in the middle of the street and who, seeing Pinocchio flying out of the house like a madman, wrapped in a flowered chintz curtain, had called to him imploringly.

And so it was—in his hurry Pinocchio had thrown over his shoulders one of the curtains of his room, and if I must tell you all the truth, he was a perfectly comical sight. Soon Pinocchio had a string of people at his heels crying out: "Catch the madman! Give it to the madman!"

Catch him! That was easy to say, but it was no easy matter to grab hold of the rascal. Indeed, his pursuers were soon weary, and Pinocchio might have thought himself safe if a dog hadn't suddenly joined in the game. It was a large jet-black poodle that had come from no one knew where. With a couple of bounds he had caught up with Pinocchio and had seized the curtain in his teeth and was dragging it through the dust. Suddenly he stiffened on his four legs and Pinocchio gave a little whirl and found himself face to face with the animal.

"Ho, ho, ho! What do I see? Oh, Medoro, don't you recognize me? Give me your paw."

Medoro growled and shook the curtain violently, which was still knotted about Pinocchio's waist. It was only then that he noticed the strange covering he had on and burst out laughing.

"Oh, Medoro! What do you really want to do with this rag? I'll give it to you willingly."

He had scarcely undone the knots when Medoro made a spring and was off down the street they had come, the curtain in his teeth. The puppet stood there, quite upset. Medoro had given him a lesson. The dog that had been so friendly had turned on him and, after having pulled the miserable old curtain off him, had made off without paying any further attention to his old friend.

The dog had turned on him

"A fine way of doing!" he grumbled. "I'll catch cold running around after that rag. Papa Geppetto won't even thank him.... I had better tried to mend the mirror of the wardrobe or the general's window."

The thought of all the troubles he had caused the poor man in so short a time made Pinocchio rather melancholy, and two big tears shone in his bright little eyes. But suddenly he sighed a deep sigh, shrugged his shoulders several times, and with his head high and his hands on his hips, set off again on his way, whistling a popular song.

He had not gone a hundred steps when he stopped suddenly, cocked his ear, listened a moment quietly, and then flung himself into the fields which bordered the street. The wind brought from far off the gay notes of a military band.

There was a huge crowd, but Pinocchio didn't give that a thought, in spite of the fact that he was very tired with his long run. By pushing and poking and kicks in the shins he got up into the front row. Soldiers were passing. At the head was a company of bicycle sharpshooters (bersaglieri), then the band, then the regiment, the Red Cross ambulance, and soldiers, and a long line of sappers. Everybody clapped, threw kisses and flowers, and overwhelmed the bersaglieri with little gifts. The soldiers broke ranks and mingled with the crowd and answered the applause with loud cheers for Italy, the King, and the Army. Some of them marched along in the midst of their families; weeping mothers begged their sons to be careful; the fathers bade them be brave, reminding them of the fighting in '48, '66, '70—the glorious years of our emancipation. The little boys kept close to their fathers, proud to see them armed like the heroes of old legends, and many of the girls besought their sweethearts: "Write to me, won't you? Every day I want you to write to me. If I don't get letters from you I shall think that you are dead and I shall weep so bitterly."

Dead! This word affected Pinocchio so that suddenly he felt his heart beating loudly—that strange tick-tock, tick-tock, tick-tock which had startled him earlier that morning.

Dead? "Oh! where are they going?" he asked a sprightly old man who was standing near by, shouting, "Hurrah for Italy!" as if he were a boy.

"They are going to the war."

"Are they really off to war? Will they fire only powder from their guns, or real, lead bullets, too?"

"Indeed yes, real bullets, too."

"And will they all die?"

"We hope not all of them—but they are going to fight for the honor and greatness of their country, and he who dies for his country may die happy."

Pinocchio did not breathe. He scratched his head solemnly, and with his eyes and mouth made such a face that if the little old man had seen it he would probably have boxed his ears for him. This "die happy" was silly. Death had always frightened him whenever he had come near to it.

"Have you been to war?" Pinocchio asked the little old man, half ironically.

"Can't you see?" and he pointed to a row of medals pinned on his coat.

"And you would go back?"

"Certainly, if they would take me as a volunteer."

This reply brought a strange longing to Pinocchio, all the more that the tick-tock, tick-tock, tick-tock in the box inside of his body was making so much noise that it rang in his ears. And then the gay notes of the band, the joyous air of the soldiers, the cheers of the crowd, suddenly brought a strange idea into his head. The war, with its cannon, marches on one side, fighting on the other, horses dashing, flags waving in the wind, songs of victory, medals on the breast, prisoners tied together like sausages, war trophies, danced before his eyes in a fantastic dance. The war must be just the place for him, all the more so when he thought that it couldn't be easy to get to it if the little old man who had been there so often couldn't go now.

"I, too, will go to the war with the soldiers," he said, in a low voice, and without wasting a moment he pushed his way between the troops, who, now that they were approaching the station, began to close up the ranks. He found himself by the side of a young blond soldier, who seemed more lonely and sad than the others.

"Will you take me with you?" Pinocchio asked, pulling at his coat.

"Where?"

"To the war."

"You? Are you crazy?"

"No, indeed."

"And you ask me to take you with me?"

"Whom, then, must I ask?"

"There is the guard down there, that one with a blue scarf over his shoulder."

When Pinocchio got an idea in his head he had to work it out at any cost. So he repeated his demand to the lieutenant of the guard, who, smiling under his mustache, pointed out the captain inspecting the troops. But the captain could decide nothing without the consent of the battalion commander, who, for his part, would have had to ask the approval of the colonel. He advised Pinocchio to hasten matters by going to the adjutant, who could present his request directly to the general.

They were now in the station. The soldiers took their places in the huge cars, around which crowded their families, friends, and the cheering, curious throng. At the end of the train some first-class carriages were attached into which the orderlies carried the hand-baggage of their higher officers. In front of one compartment reserved for one of these was piled up a regular mountain of small objects—little packages, boxes, rugs, furs, which a cavalry soldier was trying to carry inside. The adjutant, a few feet away, was looking on, trembling with impatience and vexation.

"Quick! Quick! You lazybones! Quick! Quick! Mollica. General Win-the-War will be here in a minute and his things are not yet inside. I'll put you under arrest for a fortnight."

"I respectfully beg the adjutant to observe that I have only two hands for the service of my general and of my country."

"And I beg you to observe that the train is about to start off."

"If the adjutant would order some one to give me a hand ..."

"There isn't any one to be had, confound it!"

Just at that moment Pinocchio advanced resolutely toward the adjutant to put forward his request to be enlisted.

"Mr. Adjutant ... I have come ... to ..."

The adjutant didn't let Pinocchio say another word, but caught hold of him under the chin, squeezed him, shook him gently ... and said:

"Good! I understand ... you want to do something for the army.... Good boy! You are the best kind of a volunteer. Fine! Help Private Mollica to carry in all this stuff and your country will be grateful to you. And you, Mollica, hurry up. I beg you to observe that now you have the four hands you requested for the job. We understand each other, heh?"

Then he was off toward a group of soldiers who were chalking on the door of one of the railway carriages in large letters: "Through Train—Venice—Trieste—Vienna." A big crowd had gathered around, stopping the traffic.

"Ho, boys, who told you to write through train? Next time ask permission from your superior officer.... There will be a little stop before we get there."

"Doesn't matter, sir, as long as we get there."

"Well! You can tell when a train leaves, but not whether it will ever arrive."

"Hurrah for Italy!"

"Good boys! I like that. But rub out what you have written. You are first-class soldiers, you are. We understand each other, heh?" And off he went.

With Pinocchio's aid Private Mollica performed miracles. In a few minutes the general's things were inside, beautifully arranged in the baggage-racks.

"You are a prodigy, boy, I tell you. You have done me a great service and my adjutant will be so pleased that if you will promise to keep guard here a moment I will go to tell him so that he can thank you in the general's name."

"Go along; I'll stay," Pinocchio replied, and took up a position in front of the door that was so soldierly you might have taken him for a distant relative of Napoleon the Great before St. Helena.

But a minute had not gone by and Mollica had not got a hundred steps away when Pinocchio turned as pale as death and trembled so with fright that he almost fell off the step. He had caught sight a short way off of General Win-the-War surrounded by a crowd of officers; and with his marvelous vision had recognized in him Papa Geppetto's furious tenant, whose stained glass he had shattered a few hours before, all on account of saucy Coccorito.

He was lost; there was no possible way of escape! Win-the-War was coming direct to his compartment and the adjutant was guiding him. The crowd in the way divided before him and the soldiers stood stiffly at attention. Even Mollica stood there straight as a ramrod.... Pinocchio gave a leap into the compartment, hoping to escape by the opposite door. But it was not possible to open it.... He heard the sound of the approaching steps, the ring of the spurs.... Pinocchio flung himself down on the floor of the compartment and hid himself, face downward, under one of the seats.

The general, a colonel, and the adjutant got in. A band struck up the national air; thousands of voices cheered the King, Italy, and the Army. The soldiers responded with youthful courage.... You heard a continual medley of good-bys and good wishes, and the quick, sharp repetition of commands. A hundred voices were singing, "Farewell, my dear one, farewell"; a hundred others sang Garibaldi's Hymn.... There was a profound silence in the compartment. Perhaps the superior officers felt the great responsibility of the moment and were moved by it. Pinocchio didn't dare breathe for fear of betraying himself, but in his breast the tick-tock, tick-tock, tick-tock beat so loudly that he thought it must resound all along the wooden walls of the carriage. The notes of the national air seemed to be quicker ... the cries of the crowd louder ... the locomotive whistled shrilly a desperate good-by ... the train began to move....

"Gentlemen," said the general to his two companions, "let Italy's fate now be fulfilled. To-morrow we shall cross the frontier, for the glory of our King and for the greatness of our country. Long live Italy!"

There was so much emotion in the old soldier's voice that Pinocchio felt as if a rope were strangling his throat. When the train was under way, rumbling noisily along the rails, he burst out crying and discovered that he had a heart just as if he were a real boy!

                                                                                                                                                                                                                                                                                                           

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