We Beginners.—How many things does an actor see and divine when he watches another on the stage! He notices at once when a muscle fails in some gesture; he can distinguish those little artificial tricks which are so calmly practised separately before the mirror, and are not in conformity with the whole; he feels when the actor is surprised on the stage by his own invention, and when he spoils it amid this surprise.—How differently, again, does a painter look at some one who happens to be moving before him! He will see a great deal that does not actually exist in order to complete the actual appearance of the person, and to give it its full effect. In his mind he attempts several different illuminations of the same object, and divides the whole by an additional contrast.—Oh, that we now possessed the eyes of such an actor and such a painter for the province of the human soul!