Esprit and Morals.—The German, who possesses the secret of knowing how to be tedious in spite of wit, knowledge, and feeling, and who has habituated himself to consider tediousness as moral, is in dread in the presence of French esprit lest it should tear out the eyes of morality—but a dread mingled with “fascination,” like that experienced by the little bird in the presence of the rattlesnake. [pg 193] Amongst all the celebrated Germans none possessed more esprit than Hegel, but he also had that great German dread of it which brought about his peculiar and defective style. For the nature of this style resembles a kernel, which is wrapped up so many times in an outer covering that it can scarcely peep through, now and then glancing forth bashfully and inquisitively, like “young women peeping through their veils,” to use the words of that old woman-hater, Æschylus. This kernel, however, is a witty though often impertinent joke on intellectual subjects, a subtle and daring combination of words, such as is necessary in a society of thinkers as gilding for a scientific pill—but, enveloped as it is in an almost impenetrable cover, it exhibits itself as the most abstruse science, and likewise as the worst possible moral tediousness. Here the Germans had a permissible form of esprit and they revelled in it with such boundless delight that even Schopenhauer's unusually fine understanding could not grasp it—during the whole of his life he thundered against the spectacle that the Germans offered to him, but he could never explain it.