Phil dropped into the "Evening Star" office to write an item about the approaching Christmas fair at Center Church, for which she was the publicity agent. Incidentally she asked Billy Barker, the editor, to instruct her in the delicate art of proof-reading. As he was an old friend she did not mind letting him into the secret of "The Dogs of Main Street." Barker's editorial sense was immediately roused by Phil's disclosure. He said he would write to "Journey's End" for advance sheets and make it a first-page feature the day it appeared. Montgomery was a literary center; in the early eighties it had been referred to by the Boston "Transcript" as the Hoosier Athens; and the Athenians withheld not the laurel from the brows of their bards, romancers, and essayists. Not since Barker had foreshadowed the publication of "The Deathless Legion," General Whitcomb's famous tale of the CÆsars, had anything occurred that promised so great a sensation as the news that Phil had ventured into the field of authorship. Barker even fashioned phrases in which he meant to publish the glad tidings,—"a brilliant addition to the Hoosier group"; "a new Jane Austen knocks at the door of Fame," etc. He jotted down a list of the commonest typographical symbols, and warned Phil against an over-indulgence in changes, as it might prejudice the "Journey's End" office against her. "I was about to offer you a job, Phil, but now that you're a high-priced magazine writer I'm ashamed to do it. Our local has skipped and I'm almost up against going out to chase a few items myself. You might pull out that church fair a few joints, or I'll be reduced to shoving in boiler plate "You haven't heard rumors that the Hastings is to be turned into a fil-lum show-house, have you?" asked Phil, fishing a lead pencil stub from her pocket. "Lord, no! Has our own Hamlet come to that? Write a hot roast of it; turn the screw on this commercializing of our only theater—this base betrayal of public confidence by one to whom we all looked for nobler things. I'm sore at Lawrence anyhow for kicking at our write-up of those outlaws who strolled through here playing 'She Never Told Her Love.' The fact is that girl told it in the voice of one who should be bawling quick orders in a hole-in-the-wall restaurant. Here's where we taunt Mr. Hastings with his own lofty idealism. Have all the fun with him you like; and not a soul shall ever know from me who knocked him." Phil nibbled her pencil meditatively. "You've got the wrong number. Lawrince hasn't found the price yet; he's only getting estimates; but you'd better coax him to make the change—bring the drammer closer to the hearts of the people. None of these cheap fil-lums where a comic dog runs in and upsets the tea-table, just as the parson is about to say grace, but the world's greatest artists brought within the reach of all who command the homely nickel. Do you follow me, O protector of the poor?" "I see your family pride is stung, Phil. Let it go at that. There's a cut of Hastings as Romeo that I'm utilizing as a paper-weight, and I'll run that just to show there's no hard feeling. By the by, Phil, how's your pa getting on with the traction company?" "Nothing doing! I'm not as foolish as I am young. And besides I don't know." The editor took a turn across the room and rumpled his hair. He pointed to a clipping on his desk from the SCANDAL IN SYCAMORE TRACTION Phil's face grew serious. Her father had not been home for several days and she knew that his business in Indianapolis had absorbed his time and attention increasingly. "I'm sure I don't know anything about it," she answered, "and of course if you thought I did you wouldn't ask me." "Of course not, Phil. But it's a mess. And I don't know whether to print something about it or let it go. Bill Holton's out of town and I don't like to shoot without giving him a chance. But I owe him a few. If the company goes bust, there's going to be a row round here we won't forget in a hurry. Every widow and orphan in the county has got some of that stuff. They worked that racket as hard as they could—home road for the home people. What's the answer?" Phil drew up the editor's clip of paper and wrote:— "Mr. Amzi Montgomery went to Indianapolis yesterday to attend the Nordica concert." Barker stared at this item blankly. "What's that got to do with it?" "Nothing," said Phil indifferently; "it's only an item." "Amzi's always going to concerts," remarked the editor inconsequently. "I thought maybe he wasn't going to this one, for the excellent reason that he declined to take me along." Barker ran his hand through his hair, looked at Phil with dawning intelligence, and his brow cleared. "I haven't said anything," remarked Phil discreetly, "because I don't know anything." "Guess I'll go out and sniff the local feeling on this proposition. It's about time I blew the lid off and said a few things about Bill Holton. If Bernstein brings in copy for his Christmas 'ad,' whistle for the boy and tell 'em to hustle it. Hang your stuff on the hook and I'll write the heads later. Don't let your playful humor get away with you, and if any farmers come in with the biggest pumpkin ever raised on Sugar Creek, note the name and weight carefully, call the boy and send the precious fruit right home to our wife. Our annual biggest pumpkin is long overdue and undelivered. You might just head that item 'When the Frost is on the Punkin.' We have captious subscribers who check up on favorite quotations and our aim is to please one and all." A desk stood by the window from which the editorial eye in its frenzied rollings enjoyed a fine sweep of Main Street. To Phil Main Street ran round the world. Its variety was infinite. No one knew the ways, the interests, the joys and sorrows of Montgomery better than she. Every one was, in a sense, a character. More or less unconsciously she fitted them all into little dramas, or sketched them with swift, telling strokes. The fact that this Main Street summarized American life; that there were hundreds of Main Streets presenting much the same types, the same mild encounters and incidents, appealed to her sense of humor. Her longest journey in the world had been a summer excursion to New England with her father, and she had been struck by the similarity of the phenomena observable in Williamstown, Pittsfield, Northampton—and Montgomery! In every town, no matter what its name, there was always the same sleepy team in front of the Farmers' Bank, the same boy chasing his hat, the same hack-driver in front of the hotel, the same pretty girl bowing to the same delighted young man near the same town pump or the soldiers' monument in the square. Phil wrote busily. It was easy for her to write, and when, She took up the article relating to Sycamore Traction and read it through to the end. Many of the terms meant nothing to her; but the guarded intimations of improper conduct on the part of the promoters and directors were sufficiently clear. What interested her most of all was the accusation, cautiously attributed "to one in a position to know," that the estate of Samuel Holton had been so manipulated as to conceal part of the assets, and that a movement was on foot to reopen the estate with a view to challenging the inventory. The names of Charles Holton and his Uncle William, president of the First National Bank of Montgomery, appeared frequently in the article, which closed with a statement signed by both men that the stories afloat were baseless fabrications; that the company was earning its charges and that the rumors abroad through the state were the result of a conspiracy by a number of stockholders to seize control of the company. Looking up, Phil saw her father pass the window, and before she could knock on the glass to attract his attention he came in hurriedly. "'Lo, daddy!" "What are you up to, Phil? Where's Barker?" "Out taking the air. His local's quit and I'm doing a few "I must see Barker. Where do you suppose he went?" "He's trying to make up his mind what to do about that," said Phil, indicating the clipping. Kirkwood took from his pocket several sheets of typewritten legal cap, and ran them over. "I want him to print this; it must get in to-day. The people here mustn't be stampeded by those stories. A repetition of them in the 'Star' might do great harm—incalculable harm to the community and to all its interests." "It doesn't sound pretty—that piece in the 'Advertiser.'" "It's all surmise and speculation. That's what I've been in the city about lately; and if they give us a chance we'll pull it out without scandal." "Suppose I write an interview with you along that line and stick your statement on the end of it?" "I'll have to see Barker first: he's supposed to be unfriendly to the Holtons—old political feeling." It occurred to Phil that it was odd for her father to be interposing himself between the Holtons and scandalous insinuations of the press as to their integrity. Tom Kirkwood reflected a moment, then opened the gate in the office railing and sat down beside her. "I've got to get the twelve o'clock train back," he said, "and this must go in to-day. We must reassure the people as quickly as possible." She wrote an opening paragraph without further parley and read it. He made a few changes, and then dictated a statement as attorney for the Desbrosses Trust & Guaranty Company, trustee for the Sycamore bondholders. The stories set afloat at Indianapolis were gross exaggerations, he declared, and there was no occasion for alarm in Kirkwood was lost in thought for several minutes, and then took a sheet of paper and experimented with a number of sentences until these survived his careful editing:— "I personally believe that the affairs of the Sycamore Traction Company will be speedily adjusted in a way that will satisfy those concerned, and meanwhile all efforts to shake public confidence in any of the interests or institutions of Montgomery can only react disastrously upon those guilty of such attempts." He read this over frowningly. "I think that will be all, Phil," he said, handing her a clean copy. While she was numbering the pages, Barker came in and Kirkwood drew him into a corner, where they conversed earnestly. The editor had met that morning many citizens who spoke bitterly of the Sycamore Traction Company. The Indianapolis "Advertiser's" circulation in Montgomery was almost equal to that of the "Evening Star"; and on the wintry corners of Main Street, in the lobby of the Morton House, and in the court-house, men were speculating as to the effect of the reports from Indianapolis upon the Holton bank. The Holtons were Democrats and the "Evening Star" was the Republican county organ. Barker disliked William Holton on personal grounds and here was his chance for reprisal. "They're all crooks," said the editor hotly; and cut Kirkwood short with "No one knows that better than you." Kirkwood ignored this thrust. "It isn't your feeling or mine, Barker, about these Barker was reluctant to yield. His paper was one of the most influential country papers in the state. He was proud of its reputation and anxious to do nothing that would injure its hard-won prestige. "That's all right, Kirkwood, but how about that swindling construction company the Holtons worked as a side line? The bad service the company has given from the start pretty nearly proves that there was crooked work there. How do you get around that?" "You'll have to believe what I say, that we will handle it all to the satisfaction of the public. But smashing a bank won't help any. We're trying to manage in such way that no innocent party will suffer." "Well, there's nothing innocent about these Holtons. Sam died and got out of it, but Will and this young Charlie are off the same block. And now Jack's come back to make trouble for them. I don't see myself jumping in to protect these fellows; if they've got themselves in a hole, let them wiggle out." "You're not talking like a reasonable human being, Barker. Try to overcome personal prejudices. Just remember that several hundred people—our friends and Barker shrugged his shoulders and walked to his desk. He read Phil's introduction and the accompanying statement with Kirkwood's name attached. "All right, Tom. But remember that this is personal to you; I wouldn't do it for any other man on earth." "You're doing it for the town, Barker. We're all friends and neighbors here; and I give you my word that you won't regret it. I've got to run, Phil. Sorry; but I'll be back in a day or two. How are Nan and Rose?" "Fine." "Nan staying with you?" "No; I've moved over there for a few days." "That's all right. Give them my compliments." The door closed on him as Barker came back from the composing-room, where he had carried the Sycamore article and ordered it double-leaded. Phil, gathering up her belongings, lingered for a word. Barker ripped the wrapper from an exchange absently. "Phil, you've never suspected your father of being a little touched in his upper story, have you?" "That short-circuited; say it some other way," observed Phil, buttoning her glove. "That dad of yours, Phil, if he ain't plumb crazy, is the whitest white man that ever trod the footstool. I always suspected him of being tolerably highminded, but I guess if ever a man climbed on top of his soul and knew that he was the boss of it with the help of Almighty God, that man is Tom Kirkwood. It's got me fuddled, Phil. It's addled me like the report of a tariff commission or an argument for Phil pondered this as she walked toward Buckeye Lane. It was not necessary for her to understand the intricacies of the traction company's troubles to realize that her father had interceded for the Holtons. Barker's praise of him warmed her heart. She knew that her father was by no means tame and bloodless. In many long talks, tramping and camping, they had discussed nearly every subject under the sun; and she knew that his wrath blazed sometimes at the evils and wrongs of the world. Once she had gone unbidden to the court-house to hear him speak in a criminal case, where he had volunteered to defend an Italian railroad laborer who had been attacked by a gang of local toughs and in the ensuing fight had stabbed one of his assailants. Kirkwood was not an orator by the accepted local standard,—a standard established by "Dan" Voorhees and General "Tom" Nelson of an earlier generation,—but that afternoon, after pitilessly analyzing the state's case, he had yielded himself to a passionate appeal for the ignorant alien that had thrilled through her as great music did. She had never forgotten that; it had given her a new idea of her father. There had been something awful and terrifying in his arraignment of the witnesses who sought to swear away the cowed prisoner's liberty. Her father's gentleness, his habitual restraint, had seemed finer and nobler after that. In the nature of her upbringing Phil had developed the habit of thinking her way out of perplexities. Her intimate knowledge of the history and traditions of Montgomery furnished the basis for a healthy philosophy, and the wide range of her well-directed reading had opened doors that let in upon her intelligence much of the light and shadow of human experience. Happiness was not, she knew, an inalienable right, but something to be sought and worked for. Her thoughts played about her father and his life—that broken column of a life, with its pathetic edges! What would become She was conscious that some one was walking rapidly behind her, and she whirled round as her name was spoken. It was Fred Holton, who had evidently been following her. "Why so formal! Why didn't you whistle?" she asked, shaking hands with him. "Those birds you sent me were meat for gods. 'Then mighty Jove, "If Dian filled that order," said Fred, "it would get her into trouble with the game warden." "That was one good thing about the gods," remarked Phil as he caught step with her; "they didn't have to be afraid of policemen. How did you come to tear yourself loose from Stop 7 to-day?" "Trouble, if you want the real truth." They had reached the college and were walking along the Buckeye Lane side of the campus. Fred was wrapped in his ulster and wore an old fur cap with its ear-flaps gathered up and tied on top. Now that the first pleasure of the meeting had passed, an anxious look had come into his face. He stared straight ahead, walking doggedly. "I came into town to see your father, but I just missed him. I wanted to talk to him." "He hasn't been in town much lately and he was only here for an hour this morning. But he'll be back in a few days." "I'm sorry," said Fred, "not to see him to-day." Just what business he had with her father she could not imagine; but she was sorry for his trouble, whatever it might be. In her recent reflections touching the Holtons she "Miss Kirkwood—" "Well, Mr. Holton, if you will be real nice, I'll let you call me Phil. I met you before I grew up—that night I danced in the cornfield. The moon introduced and chaperoned us, after a fashion, so we'll consider that you belong to the earlier period of what might be called my life. That was my last fling. When I came home that night I was a grown-up. How do you like that, Fred?" "More than I care to say!" And his face lighted. He realized perfectly that knowing his diffidence she was trying to make things easier for him, just as she had at her party. Phil was wondering whether she dared ask him to go to the Bartletts' with her for luncheon. "It's lonesome, Phil, not having anybody to talk to about your troubles. There are times when we've got to lean up against advice." "They say I never do much leaning," Phil replied. "My aunts say it. There ought to be a place like a post-office where you could poke in a question and get the answer right back; but there isn't." "Our folks are in a lot of trouble, according to the papers," said Fred. "That's what I wanted to see your father about." "Oh!" "I felt that I ought to see him as soon as possible." "I wouldn't trouble about what's in the papers. That's what my father came back for to-day—to head off the home papers about the traction company." "Just how do you mean?" he asked, clearly puzzled. "I thought he was on the other side of the case." "Well, the 'Star' this evening will say that everything will be all right, and for people not to get excited. I don't see why you should bother. You're a farmer and not mixed up in the traction business." "They say Charlie didn't play straight in settling father's estate; that it's going to be opened up and that we've got to give back what we got from it. The 'Advertiser' had all that this morning. Perry brought me his paper and we talked it over before I came in. He said it wasn't any of my business; but I think it is. We owe it to father—all of us—if there's anything wrong, to show our willingness to open up the estate. I thought I'd like to tell your father that." "We've got to turn back here. I understand how you feel, but I can't advise you about that. That article said you weren't responsible—it said in very unpleasant words that you had been robbed, and that giving you the farm and making you think that was your fair share was a part of the fraud. If they should go into that, you might get a lot more. Isn't that so?" "I don't believe Charlie did it; I don't believe it any more than I believe that my father made money unfairly out of the building of the trolley line. But it's up to us to reply to this attack in a way to stop all criticism. We can't have people thinking such things about us," he went on more earnestly. "It's ghastly! And I'm going to surrender the farm; I won't keep it if these things are true or half true. I won't hold an acre of it until these questions are settled!" "That sounds square enough. But I don't know anything about it. Just on general principles, as long as you're not mixed up in the fuss, I'd hang on to my farm, particularly if you were entitled to more than you got. But you need a lawyer, not a girl to talk to." "I suppose that's so; and I oughtn't to have talked to you about it at all. But somehow—" They had reached the Bartletts' again and Phil paused with her hand on the gate. She had decided not to ask him in to luncheon; his mood was not one that promised well for "Somehow, I felt that I'd like to tell you how I felt about it. I shouldn't want you to think we were as bad as that story in the 'Advertiser' makes us out." "That's all right, Fred. This will all come out right"; and Phil swung open the gate and stepped into the little yard. "I want," said Fred, detainingly, speaking across the gate; "I want you to think well of me! I care a good deal about what you think of me!" "Oh, everybody thinks well of you!" answered Phil, and caught up the drumstick and announced herself. |