Phil was not visible the next morning when at seven o'clock Kirkwood glanced about the house for her. She had indulged herself in the matter of rising since the high-school bell no longer regulated her habits, and her father had hardly expected to see her. There was no morning newspaper to read—he took a Chicago daily at his office—and he opened the windows and doors to admit the air. Domestic affairs interested Thomas Kirkwood little. During the years in which Phil was passed from aunt to aunt he had lived at the Morton House, and after establishing the new home that he might have her with him, one or another of the aunts had supervised his household, and at times, to his discomfiture, all had taken a hand at it. This rented cottage where the Kirkwoods lived was in the least fashionable part of Main Street, beyond the commercial district and near the railroad. Trains thundered through a cut not far from the rear fence, and the cars of the Sycamore Traction Company rumbled by at intervals. The cottage was old but comfortable, and it was remarked that Kirkwood had probably chosen it for the reason that he could go to and from his office without passing his abandoned home. Phil liked living on Main Street. Her devotion to that thoroughfare had been a source of great pain to her aunts. Even as her Uncle Amzi absorbed local color from the steps of his bank, Phil was an alert agent in the field, on nodding terms with the motormen of the interurban cars, and with the jehus, who, cigarette in mouth and hat tipped on one side, drove the village hacks. Captain Joshua Wilson, who had been recorder of his county continuously since he lost a leg at Missionary Ridge, and who wrote a poem every year It was Judge Walters who first called her "Otherwise Phyllis." This was in Phil's school days before she passed from her aunts' custody. The judge delighted in Phil's battles with the aunts. Whenever his wife began to recount a day's occurrences at the supper-table, and the recital opened promisingly, it was the judge's habit to cut short her prefaces with, "Otherwise Phyllis—" and bid her hurry on to the catastrophe, sparing no tragic detail. Kirkwood had never, from the day his wife left him, offered himself in the market-place as an object of sympathy. He had been a man of reserves at all times, and the sudden termination of his married life had merely driven him in further upon himself. If he was broken-hearted, the fragments were well hidden. He felt that he was a failure, and he saw men of less ability passing him in the race. Now and then he had roused himself under stress and demonstrated his unusual gifts by striking successes; but after one of these spurts he would relapse into an indifference to which he seemed increasingly ready to yield. He had risen this morning with a new resolution, attributable to his talk with Nan Bartlett the night before. Even if he did not care for himself, there was always Phil to consider. And Phil was very much to consider. She had decided for herself that the high school had given her all the education she needed. Kirkwood had weighed the matter carefully and decided that she would not profit greatly by a college course—a decision which Phil had stoutly supported. Her aunts favored a year at a finishing school to tone down her rough edges, but having laid their plan before their brother Phil was not, in any view of the case, an ignorant person. She knew a great many things that were not embraced in the high-school curriculum. Her father harbored an old-fashioned love of the poets; which is not merely to say that at some time in his life he had run through them, but that he read poetry as one ordinarily reads novels, quite naturally and without shame. Something of his own love of poetry had passed to his daughter. He had so trained her that literature meant to Phil not printed pages, but veritable nature and life. Books were a matter of course, to be taken up and put down as the reader pleased, and nothing to grow priggish about. She had caught from him an old habit, formed in his undergraduate days, of a light, whimsical use of historical and literary allusions. She entered zestfully into the spirit of this kind of fooling; and, to his surprise, she had developed an astonishing knack of imitation and parody. Sometimes Kirkwood without preluding, would utter a line for Phil to cap; they even composed sonnets in this antiphonal fashion and pronounced them superior to the average magazine product. Phil had not only learned much from her father, but she had absorbed a great deal of lore at the Bartletts', where everything bookish was vitalized and humanized. Kirkwood, hearing the creak of the swinging door between the pantry and dining-room,—a familiar breakfast signal,—chose with care a volume of Bagehot and carried it to the table which had been set, he imagined, by the "girl" selected by his sisters-in-law to carry on his establishment during the winter. He helped himself to grapes, and was eating with his eye on a page of Bagehot when the door swung again and Phil piped a cheerful good-morning. She was an aproned young Phil and her face was flushed from recent proximity to the range. She described her entrance in lines she had fashioned for the purpose:— "She came Kirkwood, concealing his surprise at seeing her, took his cue:— "And he, toying meanwhile with fruitage of the vine, "Oh, the cook has went, to come down to the plain prose of it, daddy. There was one here yesterday, but one's dynastic aunts had picked her for her powers of observation and ready communication, so I fired her hence. And with that careless grace which I hope you find becoming in me I decided to run the shop all by my lonesome for a while. I thought I'd start with breakfast so that any poisons that may creep into the victuals will have time to work while the drug-stores are open. How long do you cook an egg, is it two minutes or two weeks?" "This will never do," said Kirkwood gravely, watching her pour the coffee. "You shouldn't have discharged one cook until you had another." "Tut! There's not enough to do in this house for two able-bodied women—and I'm one! Rose taught me how to make coffee yesterday, and toast and eggs are easy. Just look at that coffee! Real amber? It's an improvement for looks on what you've been brewing for yourself in camp. And I've been watching your winning ways with the camp frying-pan. Rose gave me a cook-book that is full of perfectly adorable ideas. Come up for lunch and I'll show you some real creations." She slipped away into the kitchen and reappeared with toast and boiled eggs. She had cooked the eggs by the watch as Rose had instructed her. Her father relaxed the severity of his countenance to commend them. But he did not like Phil in this new rÔle. The casting forth of the cook provided by the aunts would be regarded as an offense not lightly to Kirkwood pushed aside his Bagehot. He did not know just how to deal with a daughter who, without the slightest warning, dispatched her cook and took upon herself the burden of the household. The coffee was to his liking; it was indubitably better than he had been used to; but the thing would not do. He must show Phil the error of her ways and lose no time about it. "I'm sorry you didn't like the girl they sent you; but you must find another. There's no reason, of course, why you shouldn't choose for yourself; but it's not easy to find help in a town like this. I can't have you doing the housework. That must be understood, Phil." "You're not having me; I'm having me, which is a very different thing. If you had driven me into the kitchen with loud, furious words, I should have rebelled—screamed, and made a terrible scene. But you did nothing of the kind. It happened in this wise. Glancing up quite by chance, as it were, you beheld me pouring coffee of my own brewing. Fatherly pride extinguished any feeling of shock or chagrin. You have smothered any class feeling that may linger in your aristocratic soul and are making a good bluff at enjoying the eating of your breakfast with the lady who cooked it. Could anything be more beautiful? The ayes seem to have it; the ayes have it, as I used to be fond of saying when I was boss of the Philomathean. I wish now I'd taken the domestic science course more seriously and spent less time in the gymnasium. But thus it is we live and learn." Phil's tone made rebuke difficult. He loved her foolishness just as her Uncle Amzi did—just as every one did except her aunts, for whom the affected stiltedness of her speech was merely a part of her general deplorable unconventionality. "Still harping on my daughter's cooking! Please, in current idiom, cut it out. Try marmalade on that too, too perfect toast." He accepted marmalade and returned to the attack. "You see, Phil, everything's different now. You've got to wake up to your social responsibilities." "And be a perfect lady? I know. Amy got me into the back room of the bank yesterday and told me. One's aunts had bullied the old dear into springing the sad intelligence. Then Nan had already given me a session. And now you, too, Brutus, are about to lay the matter before me in a few crisp sentences. But why all this assumption that I'm not a real lady? There's a good deal of loose thinking on that subject, to use one of your own best phrases. If there is nothing more before the house—" Phil had been studiously stuccoing her toast with marmalade, and she bit into it before looking at her father. "You know perfectly well what I mean, Phil. This is a serious time in your life. You've got to adapt yourself to the ways of the world—the world of convention. You must consider yourself as a member of society. It's only in a limited sense that we can be individualists. And I can't have my daughter weighed down with such cares as these you threaten to assume. It would hurt me more than I can tell you if I believed it necessary. But it isn't necessary. None the less I know perfectly well that if it were necessary you would be equal to it—you are equal to anything you undertake. But I can't have you wasting yourself on such things." "Daddy dear, this is getting terribly philosophical. Let us be really serious for a little bit. You know, we haven't much money, have we? Not very much, anyhow." She had broached the matter as delicately as possible. It had been in her mind that she must speak to her father The hurt look that she had seen in his eyes sometimes was heartbreaking. When Phil was younger, she used to ask about her mother, but later she had never referred to her. Her aunts had, after their fashion, not been above using her mother to point a moral. In their lack of appreciation of the keenness of the child's intuitions or her eager imagination, they had established in her a belief that her mother was a bad woman: the facts spoke for themselves. And having had a bad mother it was incumbent upon Phil to choose her path with a particular care and to walk in it circumspectly. Phil had, by this time, considered the case from the changing viewpoints natural to the young mind. In that rosy light through which a girl of fifteen is apt to view life,—the first realizations of sex, the age of the first novels,—Phil had not been free from the contemplation of her mother as a romantic figure. For a woman to forsake a husband for a lover was not without precedents. Phil had dreamed over this a good deal, in an impersonal sort of way, and the unknown mother had been glorified in scenes of renunciation, following nobly the high call of a greater love. By a swift transition her father assumed the sympathetic rÔle in the domestic drama. She chanced upon novels in which the spurned husband was exalted to the shame of the dishonorable wife. Her father fitted well into this picture. She even added herself to the dramatis personÆ, not without a sense of her value in the scene. But these were only passing phases. There was no morbid strain in Phil. Her father was the best of companions, and she was quick to recognize his fineness and gentleness and to appreciate his cultivation with its background of solid learning. Phil's question startled her father. Money had never been "No, Phil. We are not rich—far from it. It's hardly possible for a lawyer to grow rich in a town like this. But I haven't been doing as well as I could lately. I've got to do better and I must be about it." He drew himself up in his chair and glanced at his watch. It had stopped, and as the court-house clock boomed eight he set it. It was quite like him to allow his watch to run down. "I was in your office yesterday, daddy, and I hope you won't mind, but I was straightening your desk and I couldn't help seeing some old bills. Several of them had been there a long time. My graduating dress hasn't been paid for—and some things like that. We must economize until those bills are paid. And I was thinking that you ought to get more money out of the building. Rents are going up on Main Street. I heard Paul Fosdick say so. You ought to raise the clothing store rent right away. I don't know of any easier way of getting money," she added drolly, "than by wringing it from the tenants." She laughed, to make it easier for him. "Yes; that's one way of doing it; only Bernstein had a long lease that expires—I'm not sure when it does expire—" he concluded, and the color deepened in his dark cheeks. It was his business to know when the lease on the property expired, and as though reminded by this lapse of "It expires," said Phil, "on the last day of this next December. I looked it up yesterday afternoon in that little memorandum book you keep in your desk." "I guess that's right. I'm glad you mentioned it. I'll see Bernstein right away and ask him if he wants to renew the lease. I suppose I ought to coax a higher rent out of him, but he's been there a long time." "Oh, he'll stand another fifty and be glad of it. His sign is on all the fences in the country—'Bernstein's—The Same Old Place.' It would cost him some money to change that. And you could cheer him up by painting the front of the building. The interurban is bringing a lot more business to Montgomery. I've been thinking we ought to do something about that third floor room where the photograph shop used to be. Bernstein has an upstairs room in the next building where his tailor imparts that final deft touch that adjusts ready-made garments to the most difficult figure. It would be handier for him to conduct the sartorial transformations in the chamber over his own gate, wouldn't it? And I don't think we need wait for that photographer to come back from the penitentiary or wherever he languisheth." She was minimizing the significance of these suggestions—a significance that lay, she knew, in the fact of their coming from her—by lapsing into the absurdities with which she embellished her familiar talk. She pronounced "languisheth" with a prolongation of the last syllable that gave to it a characteristic touch of mockery. "I'd been hoping he'd show up again and cart off his rubbish. But we've had some fun out of the gallery. If we rent it to Bernstein for his retouching mysteries, we shan't have any place to develop our negatives." "That's so; but maybe we can retouch Bernstein for enough extra to get them done for us. It's the ducats, my lord, that move my fancy. The Bernsteins have grown almost disagreeably rich at the same old stand and it's about Sounds of disaster in the kitchen caused Phil to rise hastily and disappear through the swing doors. She returned calmly a moment later. "Only the tea-kettle playing at being a geyser. When we get rich I'm going to have a gas range. They say it's the only way to cook and cook and be a lady still." "That brings us back to cooking—" began her father. "Not at all, daddy. The subject is dismissed forever. I'm going to have that Ethiop who does chores for us clean up the photograph gallery. I'll be down after while, to see how it looks." She bade him good-bye at the front door, and went whistling about the further business of the morning. The sky was blue and the air warmed as the sun climbed into the heavens. Phil felt that she had conveyed to her father a sense of their imperative needs without wounding him. She was resolved to help him if she could. Her pride had been pricked by her Uncle Amzi's proffered aid, which she had carefully avoided mentioning to her father. She knew that it would have hurt him, and she had reasoned, much in the fashion of Nan Bartlett, that her father owed it to himself to exercise his unquestioned gifts to reËstablish himself in his profession. As he left her and walked toward the street, she was aware that he strode away more quickly than was his wont. Phil's morning was not eventless. The telephone jingled three times, as three aunts demanded to know why she had parted with the maid-of-all-work they had installed in the Kirkwood kitchen. Aunt Josie was censorious and Aunt Fanny mildly remonstrative; Aunt Kate sought light as to the reason for the cook's early passing, as she was anxious to try her herself. Phil disposed of these calls with entire good humor. Then a senior, between lectures at the college, asked her if she would go driving with him Sunday afternoon. The senior, in the security of his fraternity house, prolonged the Phil employed the telephone to order of the grocer and butcher, made beds, swept rooms, and sat down with a new magazine, dropped at the door by the postman, to run her eyes over the pictures. One or two things she was sure her father would like; a sketch of Massenet she must call to Rose Bartlett's attention. She planned luncheon and began the peeling of potatoes with a page of Keats propped on the table beside her—a trick she had learned at the Bartletts'. "Endymion" need suffer nothing from proximity to potatoes, though it should be said that Phil's paring would have distressed a frugal housekeeper. While thus employed a step sounded on the brick walk, and a young man knocked at the open door without glancing in. He chewed a straw as he observed the chimneys of the adjoining house, and Phil, sitting by the kitchen table, paused in her paring to make sure of his identity. Then she placed her pan of potatoes on the table and crossed quickly to the door. "Good-morning, madam. Would you like—" He extended two apples as samples. Phil glanced at them with interest. They were not the best of apples, as any one could see. Fred Holton removed his hat and pulled the straw from his mouth. "I beg your pardon, Miss Kirkwood," he said, with a gravity that was not mitigated by a slight quivering of Phil's lips as she continued to ignore their earlier acquaintance. "I didn't know this was your house or I shouldn't have come in." "Well, I suppose that's so," observed Holton doubtfully, letting one of the apples fall. Phil picked it up with the quick reach of a shortstop. She ignored his apologies for failing to recover it himself, and examined the apple critically. "If you haven't any better apples in your wagon than this, you're not likely to sell many," Phil commented. "This one's spotted and it's a safe guess that a worm nestles within. You ought to pick out the best for samples." "They're not a very good lot," confessed Holton. "It's an old orchard and it hasn't had any attention. I'm going to put out some new trees next year." "That's a good idea," Phil observed reflectively. "I've noticed that they've been planting pears and apples in several places around there. Uncle Amy got a good first crop this year from his young orchard. But he had a man spray the bugs off. There are a lot of things to do to an orchard. The land Uncle Amy turned into an orchard runs right up to your place, and it must be the same kind of land. But it isn't as easy as it looks—apples isn't." "Apples isn't?" he repeated soberly. "Oh, cheer up, that's a joke! I know apples aren't!" The young man smiled. "Mine isn't, I'm afraid, from what you say about them." "I think maybe that speck isn't a wormhole, after all," said Phil, subjecting the apple she still held to another scrutiny. "You might give us a half a bushel of these. My ambitions lead me toward apple pie, and if it doesn't come out well I can blame your apples." He smiled again, and frank admiration shone in his eyes as they surveyed Phil with more assurance. "If you really want some of these I'll bring them in. Half a bushel?" "Give it up." "Then I'll tell you. It's a 'Liza Browning. You'd better learn the names of apples before you go much further in the business. Any farmhand can tell you. Uncle Amy's taught me about twenty. What's the price of this precious fruit?" "Oh, I couldn't charge you for these, you know. You see—" "Then I won't take them—nary an apple! You bring in those apples and I'll pay you just the same price you ask everybody else." Her attention was attracted by a black cat moving along the alley fence with noble unconcern. Phil stepped out upon the brick walk, drew back her arm and threw the apple. It struck the fence immediately beneath the cat, which vanished on the alley side. "Good shot. You almost got him!" "Almost nothing!" said Phil scornfully. "You didn't suppose I wanted to hit the wretch, did you? He's an old pal of mine and would be lonesome if I didn't scare him to death occasionally." Holton brought the apples in a sack which he emptied into a basket Phil found for the purpose. His absence had been prolonged. To measure half a bushel of apples is not ordinarily a serious matter, but in this instance the vendor chose fastidiously. The fruit that went into the sack was beyond question the best in the wagon. "How much?" asked Phil, surveying her purchase, purse in hand. "Oh, about a quarter." She handed him a fifty cent piece. "Please don't try that again—not here! I've been "Good-morning, Miss Kirkwood." He looked at her intently, laughed, threw the sack over his shoulder and went out, holding the coin in his hand. |