THE HEROINE It is strange to think that up to August of 1910, a woman was alive who had won the highest fame many years before most people now living were born. To remember her is like turning the pages of an illustrated newspaper half-a-century old. Again we see the men with long and pointed whiskers, the women with ballooning skirts, bag nets for the hair, and little bonnets or porkpie hats, a feather raking fore and aft. Those were the years when Gladstone was still a subordinate statesman, earning credit for finance, Dickens was writing Hard Times, Carlyle was beginning his Frederick, Ruskin was at work on Modern Painters, Browning composing his Men and Women, Thackeray publishing The Newcomes, George Eliot wondering whether she was capable of imagination. It all seems very long ago since that October night when that woman sailed for Boulogne with her thirty-eight chosen nurses on the way to Scutari. I suppose that never in the world's history has the change in thought and manners been so rapid and far-reaching as in the two generations that have arisen in our country since that night. And it is certain that Florence Nightingale, when she embarked without fuss in the packet, was quite unconscious how much she was contributing to so vast a transformation. With all that sort of thing we are familiar, and every age has known it. The shifts to which the Times was driven in defence show the nature of the assaults: "Young," it wrote of Florence Nightingale, "young (about the age of our Queen), graceful, feminine, rich, popular, she holds a singularly gentle and persuasive influence over all with whom she comes in contact. Her friends and acquaintance are of all classes and persuasions, but her happiest place is at home, in the centre of a very large band of accomplished relatives, and in simplest obedience to her admiring parents." "About the age of our Queen," "rich," "feminine," "happiest at home," "with accomplished relatives," and "simply obedient to her parents," she being then thirty-five—those were the points that the Times knew would weigh most in answer to her accusers. With all that sort of thing, as I said, we are familiar still; but there was one additional line of abuse that has at last become obsolete. For weeks after her arrival at Scutari, the papers rang with controversy over her religious beliefs. She had taken Romish Sisters with her; she had been partly trained in a convent. She was a Papist in disguise, they cried; her purpose was to clutch the dying soldier's spirit and send it to a non-existent Purgatory, instead of to the Hell it probably deserved. She was the incarnation of the Scarlet Woman; she was worse, she was a Puseyite, a traitor in the camp of England's decent Church. "No," cried the others, "she is worse even than a Puseyite. She is a Unitarian; it is doubtful whether her father's belief in the Athanasian Creed is intelligent and sincere." Finally, the climax in her iniquities of mind and conduct reached its height and she was publicly denounced as a Supralapsarian. I doubt whether, at the present day, the coward's horror at the sight of courage, the politician's alarm at the sound of principle, or envy's utmost malignity would go so far as to call a woman that. I dwell on the opposition and abuse that beset Florence Nightingale's undertaking, because they are pleasanter and more instructive than the sentimentality into which her detractors converted their abuse when her achievement was publicly glorified. It is significant that, in its minute account of the Crimean War, the Annual Register of the time appears to have made no mention of her till the war was over and she had received a jewel from the Queen. Then it uttered its little complaint that "the gentler sex seems altogether excluded from public reward." Well, it is matter for small regret that a great woman should not be offered such titles as are bestowed upon the failures in Cabinets, the contributors to party funds, and the party traitors whom it is hoped to restrain from treachery. But whether a peerage would have honoured her or not, there is no question of the disservice done to the truth of her character by those whose sentimental titles of "Lady with the Lamp," "Leader of the Angel Band," "Queen of the Gracious Dynasty," "Ministering angel, thou!" and all the rest of it have created an ideal as false as it is mawkish. Did the sentimentalists, at first so To those who have read her books and the letters written to her by one of the sanest and least ecstatic men of her day, or have conversed with people who knew her well, it is evident that Florence Nightingale was at no point like that. Her temptations led to love of mastery and impatience with fools. Like all great organisers, quick and practical in determination, she found extreme difficulty in suffering fools gladly. To relieve her irritation at their folly, she used to write her private opinions of their value on the blotting-paper while they chattered. It was not for angelic sympathy or enthusiasm that Sidney Herbert chose her in his famous invitation, but for "administrative capacity and experience." Those were the real secrets of her great accomplishment, and one remembers her own scorn of "the commonly received idea that it requires nothing but a disappointment in love, or incapacity for other things, to turn a woman into a good nurse." It was a practical and organising power for getting things done that distinguished the remarkable women of the last century, and perhaps of all ages, far more than the soft and sugary qualities which sentimentality has delighted to plaster on its ideal of womanhood, while it talks its pretty nonsense about chivalry and the weakness of woman being her strength. As instances, one could recall Elizabeth Fry, Sister Dora, Josephine Butler, Mary Kingsley, Octavia Hill, Dr. Garrett Anderson, Mrs. F.G. "Woman is the practical sex," said George Meredith, almost with over-emphasis, and certainly the saying was true of Florence Nightingale. In far the best appreciation of her that has appeared—an appreciation written by Harriet Martineau, who herself died about forty years ago—that distinguished woman says: "She effected two great things—a mighty reform in the cure of the sick, and an opening for her sex into the region of serious business." The reform of hospital life and sick nursing, whether military or civil, is near fulfilment now, and it is hard to imagine such a scene as those Scutari wards where, in William Russell's words, the sick were tended by the sick and the dying by the dying, while rats fed upon the corpses and the filth could not be described. But though her other and much greater service is, owing to its very magnitude, still far from fulfilment, it is perhaps even harder for us to imagine the network of custom, prejudice, and sentiment through which she forced the opening of which Harriet Martineau speaks. |