“Leaving Biskra is like dying—a thing we must all get through somehow,” an American lady wailed, partly because she “just hated going,” but still more because of her fate at being condemned to get up at the unearthly hour of 5 A.M. to catch the first train. This used to be the only train in the day, but now matters have so far progressed that on three days in the week a new one has been added as far as Batna, which saves much tribulation on the part of those who wish to see Timgad and cannot bear beginning their day with the sun. Dawn, however, is as beautiful as sunset, so that it is perhaps as well even for the lazy to be obliged to see it sometimes. The four or five hours on the backward journey seem long. The keenness of excitement is wanting; there are only the glimpse of El Kantara, and some smiling greetings as the train passes through, to help pass the time. In the afternoon it soon gets dark, and the train goes crawling on slowly as if groping its way. It is not possible to get up much enthusiasm until In consequence perhaps of this it is quite usual to arrive by the early train, lunch at the station, then drive straight out—a matter of three hours, “do” the ruins with a rush, and return in the dark. But there is too much to see and study for this to be satisfactory, except for those who do not really care for antiquities at all. It is certainly better to put up at Timgad for a night or two, and make the best of the inn, which, though rough, is new and perfectly clean, and that is more than can be said for the more pretentious one at Batna. It has always been our lot to arrive at Batna during a spell of cold weather, of the sort that is a positive surprise to those who expect continual warmth in the far South. The cold is so great that it is almost a penance to drive at all, and this even as late as the end of March. As the start has to be made fairly early, about eight o’clock, it is rather chilly work. However, the situation is thoroughly understood and prepared for. Foot-warmers, so scalding that they are a comfort for the three hours, and any amount of rugs are provided. Every one looks as if starting for a sleigh drive, mere This is our experience, whilst others, both before and after, felt the heat to an equally intense degree, for there is no shelter, when once the town is left behind, from either cold winds or broiling sun. Nothing is to be seen on either side but the wide, undulating plains, cultivated more or less at first, but later on growing wilder and wilder. Our last visit was after a heavy snowfall, the countryside flooded with sunshine, sky and cloud, mountain and plain, dazzlingly and intolerably bright. The snow, though only a couple of inches deep on the road, was twice that number of feet in the drifts; the sheep and the Arab shepherds looking thoroughly out of place as well as miserable, their woollen garments and fleeces forming a brown and dingy contrast to the pure whiteness. As a snow landscape the scene was charming, the mountains of the Aures gaining much in dignity from their white robes. As a rule it must be owned that the drive is a trifle monotonous, notwithstanding the space and width and the sense of air and freedom. At first the soldiers exercising their horses, and the groups of Arabs coming in to town to do their marketing, provide some interest. Then Lambessa becomes visible, the PrÆtorium rising like a castle from amongst the trees. The modern village consists of barracks and a few houses and cafÉs, but the ruins of the ancient LambÆsis are scattered far and wide. Formerly, it seems to have Glimpses of walls and triumphal arches show among the olives and fruit trees of the farms, as the long, curving road sweeps up the hill out of the valley and on to the wold. The heat of the sun melts the snow so rapidly that the rich dark browns of the soil begin to make a restful contrast with the prevailing whiteness. For miles and miles the horses trot quietly on, passing only one or two houses and a few Bedawin tents on the way, then suddenly in the distance, set among the hills, under a great range of snow peaks, are seen two houses, some ruined pillars, and an arch. Timgad at last! Desolation itself: not a tree, hardly a touch of green, where once all was forest; nothing but the inn, plain and uninteresting as a house from a child’s Noah’s Ark! the group of buildings and shanties which form the Museum, and a dwelling for the Directeur who superintends the excavations. The ancient city of Tamugadi, or Thamagas, called also Thanutada by Ptolemy, was finely situated on rising ground with a wide outlook over the now barren wold, whose browns and reds, blending with the soft blues and purples of the hills, make a beautiful background to the pale gleaming of the slender pillars still left upright. The town was never very large, but was important and much mentioned in history. There are inscriptions in the Forum which tell of the 30th Legion Ulpia, and of the victories of Trajan over the Parthians. The foundation stone was laid by Lucius Munatius Gallus in the reign of Trajan A.D. 100. The building was rapidly carried out according to a definite prearranged plan, and shows plainly that the Romans would not tolerate any temporary buildings or poor craftsmen even in their most distant colonies, but that they required both solid workmanship and a certain measure of magnificence in all that they undertook. The city was built thirty-six years after the great fire in Rome in the days of Nero. The consequences of that fire, and of the new ideas for avoiding future conflagrations mentioned by Tacitus, were here carried into effect by building all the more considerable houses in a detached form with a clear space all round them. This is one of the remarkable differences between Timgad and its rival Pompeii. Its later history is full of sad tales of religious disputes and much fighting in the fourth century. The head of the Donatists, Bishop Optatus, who persecuted the orthodox with great cruelty, joined Count Gildon (under whose sway Africa trembled for ten years) in his revolt against the Emperor Honorius. They were both overthrown, the Bishop was taken prisoner, and suffered in his turn, ending his days in prison. St. Augustine often alludes to Count Gildon and his terrible doings. In A.D. 535 the city was already in ruins, but later on the citadel was restored, and at the time of the Arab invasion was evidently in Christian hands, for the ruins of a church built in A.D. 646 still remain. The end of the city came with the close of the seventh century, when it must have been taken by force, sacked, and burned, as so many of the buildings and even the soil show traces of fire. However, the attraction of Timgad does not lie so much in its history as in the beauty of the ruins that remain, and in the interest of comparing with Pompeii another and larger city—a city more important and as perfectly preserved, and now, thanks to the excavations, spread open like a book. Not that the excavations are at all complete even now, for nearly two-thirds of the city are still untouched, though the work was begun as long ago as 1880, and the French Government allows a considerable sum, £1500 to £2000, yearly for the purpose. Under the circumstances it is strange that these, the finest ruins in Algeria, should have been almost unknown until quite recently. The older travellers, Bruce and Shaw, wrote much on the subject, and the former left some splendid drawings of the ruins. Most modern writers, however, up to 1890, content themselves with a visit to the comparatively unimportant Lambessa, and ignore Timgad altogether. The French even had so little notion of its existence, that an old French General told us that when he was quartered at Batna some thirty years ago no one had The pride of the place is that it is not a “lath and plaster” city of pleasure, like Pompeii, but a solid, business-like town, built of stone and marble, where nothing inferior to good brick-work has been found. On the other hand, the colonists of North Africa could not be expected to rival the luxurious citizens of Pompeii in their collection of gems and works of art, exquisite bronzes and sculpture, and delicate frescoes. The fate of the two cities was so different, that even supposing Timgad to have possessed as rich a store of treasures, it was not possible for many to remain in the ruins after much fighting and looting. Consequently the statues found are not of the highest order, and the Museum does not contain many wonders. In mosaics alone it is rich: a great many have been found in perfect preservation and very fine. They consist not only of geometric patterns, but of large and important subject-pieces with colossal figures, and each year more and finer mosaics are added to the collection. When found, they are carefully taken up The main entrance is through a gate in a rough paling, but this fence is only a farce, put there to guide tourists to the Museum, as it does not extend round the ruins, which are quite unprotected on the further side. Opposite the Museum stand the ruins of a basilica, and a few steps farther up the well-paved street are the graceful columns of the so-called Salle de reunion, where, amongst many Roman capitals lying on the ground, is one of Byzantine origin. This street ascends to the Forum, where it is crossed by another, the main thoroughfare, the via Decumanus Maximus, leading to the Arch of Trajan and the market. Evidently the traffic here was far heavier than in other parts of the city, as the ruts in the pavement are so deeply worn. There are no stepping-stones as at Pompeii, but the paving of all the streets is still in such good condition that carriages can be driven through them all. The water-supply and the many fountains, as well as the whole system of drainage, are very elaborate and carefully planned. The sewers are indeed so large that it is possible to walk through them, and in many cases without even bending the head. The spacious and stately Forum seems to have been surrounded by a colonnade double towards the via Decumanus Maximus, with a temple at one end. Many of the pillars are still standing, and others have been replaced on their ancient bases. The long distance between the columns, especially on the east and south sides, show clearly that the architraves that surmounted them were of wood. The Forum was paved with great flagstones, but a large portion is now missing. Well-preserved and perfect inscriptions are set up round the Forum in front of the pillars. The theatre was a fine one, capable of holding in its seats, porticoes, and galleries some 4000 spectators. It is in good preservation, but not peculiar in any way. One of the best views is from the hill just above the Auditorium. The city unfolds itself, disclosing all the intricacies of its former life—the wide open space of the Forum, the great temples and baths, the fine arch, some handsome houses, the narrow streets, and the small dwellings huddled together in the poor quarters. As at Pompeii, there is the curious effect of a town with the upper portion sliced off by a giant’s hand; but here it is not so marked, for many of the buildings have escaped more or less—some even are untouched, and the pillars are often erect and complete, several having been replaced during the excavations. Timgad has some unusual features. In a house between the Forum and the theatre is an elegant atrium with ten columns, having a central fountain or well surrounded at some little distance by semicircular flower-boxes of marble, charming in design, and said to be unique. The market, again, is quite unusual, and has been described as an “archÆological revelation,” no such ancient municipal mart being known in Africa. It lies beyond the Arch of Trajan, and the entrance was The baths are remarkable for their splendour and the perfection of the arrangements for heating. They were decorated with fine mosaics in geometric patterns, and also between the columns of the gallery with designs of figures and animals. A good many of these mosaics are still left in their places, but are carefully covered over with a thin layer of soil to prevent theft or damage. On great occasions, such as the visit of the President, this is swept away, but ordinary mortals have to content themselves with glimpses of small portions of the pavement that the foreman scrapes clear with his foot. There were formerly several baths, and at one time as many as seven Christian basilicas. Of the temples the most imposing was, and is, even in its ruins, that of Jupiter Capitolinus. It stands on a hill, the highest point in the city. Two columns with Corinthian capitals are still standing, but, to judge by the immense quantity of debris of marbles of all colours found in the cella, it must have been truly magnificent. The marble is supposed to have been brought from Mahouna, near Guelma. The triumphal arch, or Arch of Trajan, the finest in Africa, is almost perfect, though slightly restored. However, much cannot have been done, because there is scarcely any difference between its condition now and when drawn by Bruce. The arch has three openings, and both sides are alike. It is built of warm golden sandstone, and the beautiful fluted Corinthian columns are of a stone so fine and white that it looks like marble. The capitals, bases, and pilasters are of the same stone. Over the two side gateways are niches for statues, only one of which is left. The whole is simple in design and beautiful in form and colour, whilst from its position it becomes the key-note of all views of the city. In these days of her desolation and abandonment, Timgad is only inhabited by the two or three Frenchmen who superintend the Arabs in the work of excavation, and by the family of the innkeeper, who have not too much to do in feeding the travellers who appear now and then in the middle of the day for a few hours. So it is odd to awake one morning to find the whole place alive with crowds of men, their mules and horses; the ground in front of the inn and up to the Museum |