The clear strong June sunshine streamed in through the window and turned the white of the poet's page to a dazzling silver splendour.

"Hang it all!" he cried, and he threw down the yellow-brown penholder. "It's too much! It's not to be borne! It's not human!"

He turned out his pockets. Two-and-seven-pence. He could draw the price of an ode and a roundelay from the Spectator—but not to-day, for this was a Bank Holiday, Whit Monday, in fact. Then he thought of his tobacco jar. Sure enough, there lurked some halfpence among the mossy shag, and—oh, wonder and joy and cursed carelessness for ever to be blessed—a gleaming coy half-sovereign. In the ticket-pocket of his overcoat a splendid unforeseen shilling—a florin and a sixpence in the velveteen jacket he had not worn since last year. Ten—and two—and one—and two and sevenpence and sixpence—sixteen shillings and a penny. Enough, more than enough, to take him out of this world of burst horsehair chairs and greedy foolscap, of arid authorship and burst bubbles of dreams to the real world, where spring, still laughing, shrank from the kisses of summer, where white may blossomed and thrushes sang.

"I'll have a holiday," he said, "who knows—I may get an idea for a poem!"

He cleaned his boots with ink; they were not shiny after it, but they were at least black. He put on his last clean shirt and the greeny-blue Liberty tie that his sister had sent him for his April birthday. He brushed his soft hat—counted his money again—found for it a pocket still lacking holes—and went out whistling. The front door slammed behind him with a cheerful conclusive bang.

From the top of an omnibus he noted the town gilded with June sunlight. And it was very good.

He bought food, and had it packed in decent brown paper, so that it looked like something superfluous from the stores.

And he caught the ten something train to Halstead. He only just caught it.

He blundered into a third-class carriage, and nearly broke his neck over an umbrella which lay across the door like an amateur trap for undesired company.

By some extraordinary apotheosis of Bank Holiday mismanagement, there was only one person in the carriage—the owner of the trap-umbrella. A girl, of course. That was inevitable in this magic weather. He had knocked her basket off the seat, and had only just saved himself from buffeting her with his uncontrolled shoulder before he saw that she was a girl. He took off his hat and apologised. She smiled, murmured, and blushed.

He settled himself in his corner, and unfolded the evening paper of yesterday which, by the most fortunate chance, happened to be in his pocket.

Over it he glanced at her. She was pretty—with a vague unawakened prettiness. Her eyes and hair were dark. Her hat seemed dowdy, yet becoming. Her gloves were rubbed at the fingers. Her blouse was light and bright. Her skirt obscure and severe. He decided that she was not well off.

His eyes followed a dull leader on the question of the government of India. But he did not want to read. He wanted to talk. On this June day, when the life of full-grown spring thrilled one to the finger tips, how could one feed one's vitality, one's over-mastering joy of life, with printer's ink and the greyest paper in London?

He glanced at her again. She was looking out of the window at the sordid little Bermondsey houses, where the red buds of the Virginia creeper were already waking to their green summer life-work. He spoke. And no one would have guessed from his speech that he was a poet.

"What a beautiful day!" he said.

"Yes, very," said she, and her tone gave no indication of any exuberant spring expansiveness to match his own.

He looked at her again. No. Yes. Yes, he would try the experiment he had long wanted to try—had often in long, silent, tÊte-À-tÊte journeys dreamed of trying. He would skip all the pitiful formalities of chance acquaintanceship. He would speak as one human being to another—would assume the sure bond of a common kinship. He said—

"It is such a beautiful day that I want to talk about it! Mayn't I talk to you? Don't you feel that you want to say how beautiful it is—just as much as I do?"

The girl looked at him. A scared fold in her brow warned him of the idea that had seized her.

"I'm really not mad," he said; "but it does seem so frightfully silly that we should travel all the way to—to wherever you are going, and not tell each other how good June weather is."

"Well—it is!" she owned.

He eagerly spoke: he wanted to entangle her in talk before her conventional shrinking from chance acquaintanceship should shrivel her interest past hope.

"I often think how silly people are," he said, "not to talk in railway carriages. One can't read without blinding oneself. I've seen women knit, but that's unspeakable. Many a time in frosty, foggy weather, when the South Eastern has taken two hours to get from Cannon Street to Blackheath, I've looked round the carriage and wanted to say, 'Gentlemen, seeing that we are thus delayed, let us each contribute to the general hilarity by telling a story—we might gather them into a Christmas number afterwards—in the manner of the late Mr. Charles Dickens,' then I've looked round the carriage full of city-centred people, and wondered how they'd deal with the lunatic who ventured to suggest such an All-the-year-round idea. But nobody could be city-centred on such a day, and so early. So let's talk."

She had laughed, as he had meant her to laugh. Now she seemed to throw away some scruple in the gesture with which she shrugged her shoulders and turned to him.

"Very well," she said, and she was smiling. "Only I've nothing to say."

"Never mind; I have," he rejoined, and proceeded to say it. It seemed amusing to him as an experiment to talk to this girl, this perfect stranger, with a delicate candour that he would not have shown to his oldest friend. It seemed interesting to lay bare, save for a veiling of woven transparent impersonality, his inmost mind. It was interesting, for the revelation drew her till they were talking together in a world where it seemed no more than natural for her to show him her soul: and she had no skill to weave veils for it.

Such talk is rare: so rare and so keen a pleasure, indeed, as to leave upon one's life, if one be not a poet, a mark strong and never to be effaced.

The slackening of the train at Halstead broke the spell which lay on both with a force equal in strength, if diverse in kind.

"Oh!" she said, "I get out here. Good-bye, good-bye."

He would not spoil the parting by banalities of hat-raising amid the group of friends or relations who would doubtless meet her.

"Good-bye," he said, and his eyes made her take his offered hand. "Good-bye. I shall never forget you. Never!"

And then it seemed to him that the farewell lacked fire: and he lifted her hand to his face. He did not kiss it. He laid it against his cheek, sighed, and dropped it. The action was delicate and very effective. It suggested the impulse, almost irresistible yet resisted, the well-nigh overwhelming longing to kiss the hand, kept in check by a respect that was almost devotion.

She should have torn her hand away. She took it away gently, and went.

Leisurely he got out of the train. She had disappeared. Well—the bright little interlude was over. Still, it would give food for dreams among the ferny woods. The first lines of a little song hummed themselves in his brain—

He wished the journey had been longer. He would never see her again. Perhaps it was just as well. He crushed that last thought. It would be good to dwell through the day on the thought of her—the almost loved, the wholly lost.

Her eyes were very pretty, especially when they opened themselves so widely as she tried to express the thoughts that no one but he had ever cared to hear expressed. The definite biography—dead father, ailing mother—hard work—hard life—hard-won post as High School Mistress, were but as the hoarding on which was pasted the artistic poster of their meeting—their parting. He sighed as he walked along the platform. The promise of June had fulfilled itself: he was rich in a sorrow that did not hurt—a regret that did not sting. Poor little girl! Poor pretty eyes! Poor timid, brave maiden-soul!

Suddenly in his walk he stopped short.

Obliquely through the door of the booking-office he saw her. She was alone. No troops of friends or relations had borne her off. She was waiting for someone; and someone had not come.

What was to be done? He felt an odd chill. If he had only not taken her hand in that silly way which had seemed at the time so artistically perfect. The railway carriage talk might have been prolonged prettily, indefinitely. But that foolish contact had rung up the curtain on a transformation scene, whose footlights needed, at least, a good make-up for the facing of them.

She stood there—looking down the road; in every line of her figure was dejection; hopelessness itself had drawn the line of her head's sideward droop. His make-up need be but of the simplest.

She had expected to meet someone, and someone had not come.

His chivalric impulses, leaping to meet the occasion's call, bade him substitute a splendid replacement—himself, for the laggard tryst-breaker. Even though he knew that that touch of the hand must inaugurate the second volume of the day's romance.

He came behind her and spoke.

"Hasn't he come?" He did not like himself for saying "he"—but he said it. It belonged to the second volume.

She turned with a start and a lighting of eyes and lips that almost taught him pity. Not quite: for the poet's nature is hard to teach.

"He?" she said, decently covering the light of lips and eyes as soon as might be. "It was a friend. She was to come from Sevenoaks. She ought to be here. We were to have a little picnic together." She glanced at her basket. "I didn't know you were getting out here. Why—" The question died on trembling lips.

"Why?" he repeated. There was a pause.

"And now, what are you going to do?" he asked, and his voice was full of tender raillery for her lost tryst with the girl friend, and for her pretty helplessness.

"I—I don't know," she said.

"But I do!" he looked in her eyes. "You are going to be kind. Life is so cruel. You are going to help me to cheat Life and Destiny. You are going to leave your friend to the waste desolation of this place, if she comes by the next train: but she won't—she's kept at home by toothache, or a broken heart, or some little foolish ailment like that,"—he prided himself on the light touch here,—"and you are going to be adorably kind and sweet and generous, and to let me drink the pure wine of life for this one day."

Her eyes drooped. Fully inspired, he struck a master-chord in the lighter key.

"You have a basket. I have a brown paper parcel. Let me carry both, and we will share both. We'll go to Chevening Park. It will be fun. Will you?"

There was a pause: he wondered whether by any least likely chance the chord had not rung true. Then—

"Yes," she said half defiantly. "I don't see why I shouldn't—Yes."

"Then give me the basket," he said, "and hey for the green wood!"

The way led through green lanes—through a green park, where tall red sorrel and white daisies grew high among the grass that was up for hay. The hawthorns were silvery, the buttercups golden. The gold sun shone, the blue sky arched over a world of green and glory. And so through Knockholt, and up the narrow road to the meadow whose path leads to the steep wood-way where Chevening Park begins.

They walked side by side, and to both of them—for he was now wholly lost in the delightful part for which this good summer world was the fitting stage—to both of them it seemed that the green country was enchanted land, and they under a spell that could never break.

They talked of all things under the sun: he, eager to impress her with that splendid self of his; she, anxious to show herself not wholly unworthy. She, too, had read her Keats and her Shelley and her Browning—and could cap and even overshadow his random quotations.

"There is no one like you," he said as they passed the stile above the wood; "no one in this beautiful world."

Her heart replied—

"If there is anyone like you I have never met him, and oh, thank God, thank God, that I have met you now."

Aloud she said—

"There's a place under beech trees—a sort of chalk plateau—I used to have picnics there with my brothers when I was a little girl—"

"Shall we go there?" he asked. "Will you really take me to the place that your pretty memories haunt? Ah—how good you are to me."

As they went down the steep wood-path she slipped, stumbled—he caught her.

"Give me your hand!" he said. "This path's not safe for you."

It was not. She gave him her hand, and they went down into the wood together.

The picnic was gay as an August garden. After a life of repression—to meet someone to whom one might be oneself! It was very good.

She said so. That was when he did kiss her hand.

When lunch was over they sat on the sloped, short turf and watched the rabbits in the warren below. They sat there and they talked. And to the end of her days no one will know her soul as he knew it that day, and no one ever knew better than she that aspect of his soul which he chose that day to represent as its permanent form.

The hours went by, and when the shadows began to lengthen and the sun to hide behind the wood they were sitting hand in hand. All the entrenchments of her life's training, her barriers of maidenly reserve, had been swept away by the torrent of his caprice, his indolently formed determination to drink the delicate sweet cup of this day to the full.

It was in silence that they went back along the wood-path—her hand in his, as before. Yet not as before, for now he held it pressed against his heart.

"Oh, what a day—what a day of days!" he murmured. "Was there ever such a day? Could there ever have been? Tell me—tell me! Could there?"

And she answered, turning aside a changed, softened, transfigured face.

"You know—you know!"

So they reached the stile at the top of the wood—and here, when he had lent her his hand to climb it, he paused, still holding in his her hand.

Now or never, should the third volume begin—and end. Should he? Should he not? Which would yield the more perfect memory—the one kiss to crown the day, or the kiss renounced, the crown refused? Her eyes, beseeching, deprecating, fearing, alluring, decided the question. He framed her soft face in his hands and kissed her, full on the lips. Then not so much for insurance against future entanglement as for the sound of the phrase, which pleased him—he was easily pleased at the moment—he said—

"A kiss for love—for memory—for despair!"

It was almost in silence that they went through lanes still and dark, across the widespread park lawns and down the narrow road to the station. Her hand still lay against his heart. The kiss still thrilled through them both. They parted at the station. He would not risk the lessening of the day's charming impression by a railway journey. He could go to town by a later train. He put her into a crowded carriage, and murmured with the last hand pressure—

"Thank God for this one day. I shall never forget. You will never forget. This day is all our lives—all that might have been."

"I shall never forget," she said.

In point of fact, she never has forgotten. She has remembered all, even to the least light touch of his hand, the slightest change in his soft kind voice. That is why she has refused to marry the excellent solicitor who might have made her happy, and, faded and harassed, still teaches to High School girls the Euclid and Algebra which they so deeply hate to learn.

As for him, he went home in a beautiful dream, and in the morning he wrote a song about her eyes which was so good that he sent it to the AthenÆum, and got two guineas for it—so that his holiday was really not altogether wasted.