Firmstone had done a very unusual thing for him in working himself up to the point where anything that threatened delay in his proposed rescue of Élise made him impatient. The necessity for immediate action had impressed itself so strongly upon him that he lost sight of the fact that others, even more deeply concerned than himself, might justly claim consideration. He knew that in some way Zephyr was more or less in touch with Pierre and Madame. Just how or why, he was in no mood to inquire.

Only a self-reliant mind is capable of distinguishing between that which is an essential part and that which seems to be. So it happened that Firmstone, when for the second time he met Zephyr at the Devil's Elbow, listened impatiently to the latter's comments on the loss of the safe. When at last he abruptly closed that subject and with equal abruptness introduced the one uppermost in his mind the cold reticence of Zephyr surprised and shocked him.

The two men had met by chance, almost the first day that Firmstone had assumed charge of the Rainbow properties, and each had impressed the other with a feeling of profound respect. This respect had ripened into a genuine friendship. Zephyr saw in Firmstone a man who knew his business, a man capable of applying his knowledge, whose duty to his employers never blinded his eyes to the rights of his workmen, a man who saw clearly, acted decisively, and yielded to the humblest the respect which he exacted from the highest. These characteristics grew on Zephyr until they filled his entire mental horizon, and he never questioned what might be beyond. Yet now he had fear for Élise. Firmstone was so far above her. Zephyr shook his head. Marriage was not to be thought of, only a hopeless love on the part of Élise that would bring misery in the end. This was Zephyr's limit, and this made him coldly silent in the presence of Firmstone's advances. Firmstone was not thus limited. Zephyr's silent reticence was quickly fathomed. His liking for the man grew. He spoke calmly and with no trace of resentment.

"Of course, Élise is nothing to me in a way. But to think of a girl with her possibilities being dwarfed and ruined by her surroundings!" He paused, then added, "I wish my sister had come out with me. She wanted to come."

Zephyr caught at the last words for an instant, then dropped them. His answer was abrupt and non-committal. "There are some things that are best helped by letting them alone."

Firmstone rose. "Good night," he said, briefly, and started for the mill.

Firmstone was disappointed at Zephyr's reception; but he had reasoned himself out of surprise. He had not given up the idea of freeing Élise from her associates. That was not Firmstone.

The next morning, as usual, he met Miss Hartwell at breakfast.

"I am going up to the mine, this morning. Wouldn't you like to go as far as the Falls? It is well worth your effort," he added.

"I would like to go very much." She spoke meditatively.

"If that means yes, I'll have a pony saddled for you. I'll be ready by nine o'clock."

Miss Hartwell looked undecided. Firmstone divined the reason.

"The trail is perfectly safe every way, and the pony is sure-footed, so you have nothing to fear."

"I believe I will go. My brother will never find time to take me around."

"I'll get ready at once."

A seeming accident more often accomplishes desirable results than a genuine one. Firmstone was fairly well satisfied that one excursion to the Falls would incline Miss Hartwell to others. If she failed to meet Élise on one day she was almost certain to meet her on another.

Promptly at nine the horses were at the door, and as promptly Miss Hartwell appeared in her riding habit. In her hand she carried a sketch-book. She held it up, smiling.

"This is one weakness that I cannot conceal."

"Even that needn't trouble you. I'll carry it."

"You seem to have a weakness as well." She was looking at a small box which Firmstone was fastening to his saddle.

"This one is common to us all. We may not be back till late, so Benny put up a lunch. The Falls are near Paradise; but yet far enough this side of the line to make eating a necessity."

They mounted and rode away. Firmstone did not take the usual trail by the Blue Goose, though it was the shorter. The trail he chose was longer and easier. At first he was a little anxious about his guest; but Miss Hartwell's manner plainly showed that his anxiety was groundless. Evidently she was accustomed to riding, and the pony was perfectly safe. The trail was narrow and, as he was riding in advance, conversation was difficult, and no attempt was made to carry it on. At the Falls Firmstone dismounted and took Miss Hartwell's pony to an open place, where a long tether allowed it to graze in peace.

Miss Hartwell stood with her eyes resting on reach after reach of the changing vista. She turned to Firmstone with a subdued smile.

"I am afraid that I troubled you with a useless burden," she said.

"I do not know to what you refer in particular; but I can truthfully deny trouble on general principles."

"Really, haven't you been laughing at me, all this time? You must have known how utterly hopeless a sketch-book and water-colours would be in such a place. I think I'll try botany instead. That appeals to me as more attainable."

Firmstone looked at his watch.

"I must go on. You are quite sure you won't get tired waiting? I have put your lunch with your sketch-book. I'll be back by two o'clock, anyway."

Miss Hartwell assured him that she would not mind the waiting, and Firmstone went on his way.

Miss Hartwell gathered a few flowers, then opened her botany, and began picking them to pieces that she might attach to each the hard name which others had saddled upon it. At first absorbed and intent upon her work, at length she grew restless and, raising her eyes, she saw Élise. On the girl's face curiosity and disapprobation amounting almost to resentment were strangely blended. Curiosity, for the moment, gained the ascendency, as Miss Hartwell raised her eyes.

"What are you doing to those flowers?" Élise pointed to the fragments.

"I am trying to analyse them."

"What do you mean by that?"

"Analysis?" Miss Hartwell looked up inquiringly; but Élise made no reply, so she went on. "That is separating them into their component parts, to learn their structure."

"What for?" Élise looked rather puzzled, but yet willing to hear the whole defence for spoliation.

"So that I can learn their names."

"How do you find their names?"

It occurred to Miss Hartwell to close the circle by simply answering "analysis"; but she forebore.

"The flowers are described in this botany and their names are given. By separating the flowers into their parts I can find the names."

"Where did the book get the names?"

If Miss Hartwell was growing impatient she concealed it admirably. If she was perplexed in mind, and she certainly was, perplexity did not show in the repose of her face. Her voice flowed with the modulated rhythm of a college professor reciting an oft-repeated lecture to ever-changing individuals with an unchanging stage of mental development. If her choice of answer was made in desperation nothing showed it.

"Botanists have studied plants very carefully. They find certain resemblances which are persistent. These persistent resemblances they classify into families. There are other less comprehensive resemblances in the families. These are grouped into genera and the genera are divided into species and these again into varieties, and a name is given to each."

Élise in her way was a genius. She recognised the impossible. Miss Hartwell's answers were impossible to her.

"Oh, is that all?" she asked, sarcastically. "Have you found the names of these?" Again she pointed to the torn flowers.

Miss Hartwell divided her prey into groups.

"These are the RanunculaceÆ family. This is the Aquilegia CÆrulea. This is the Delphinium Occidentale. This belongs to the PolemoniaceÆ family, and is the Phlox CÆspitosa. These are CompositÆ. They are a difficult group to name." Miss Hartwell was indulging in mixed emotions. Mingled with a satisfaction in reviewing her erudition was a quiet revenge heightened by the unconsciousness of her object.

"You don't love flowers." There was no indecision in the statement.

"Why, yes, I certainly do."

"No; you don't, or you wouldn't tear them to pieces."

"Don't you ever pick flowers?"

"Yes; but I love them. I take them to my room, and they talk to me. They do, too!" Élise flashed an answer to a questioning look of Miss Hartwell, and then went on, "I don't tear them to pieces and throw them away. Not even to find out those hideous names you called them. They don't belong to them. You don't love them, and you needn't pretend you do." Élise's cheeks were flushed. Miss Hartwell was bewildered in mind. She acknowledged it to herself. Élise was teaching her a lesson that she had never heard of before, much less learned. Then came elusive suggestions, vaguely defined, of the two-fold aspect of nature. She looked regretfully at the evidences of her curiosity. She had not yet gone far enough along the new path to take accurate notes of her emotions; but she had an undefined sense of her inferiority, a sense of wrong-doing.

"I am very sorry I hurt you. I did not mean to."

Élise gave a quick look of interrogation. The look showed sincerity. Her voice softened.

"You didn't hurt me; you made me mad. I can help myself. They can't."

Miss Hartwell had left her sketch-book unclosed. An errant breath of wind was fluttering the pages.

"What is that?" Élise asked. "Another kind of book to make you tear up flowers?" Her voice was hard again.

Miss Hartwell took up the open book.

"Perhaps you would like to see these. They may atone for my other wrong-doing."

Élise seated herself and received the sketches one by one as they were handed to her. Miss Hartwell had intended to make comments as necessity or opportunity seemed to demand; but Élise forestalled her.

"This is beautiful; only——" She paused.

Miss Hartwell looked up.

"Only what?"

Élise shook her head impatiently.

"You've put those horrid names on each one of them. They make me think of the ones you tore to pieces."

Miss Hartwell stretched out her hand.

"Let me take them for a moment, please."

Élise half drew them away, looking sharply at Miss Hartwell. Then her face softened, and she placed the sketches in her hand. One by one the offending names were removed.

"I think that is better."

Élise watched curiously, and her expression did not change with the reception of the sketches.

"Don't you ever get mad?" she asked.

"Sometimes."

"That would have made me awfully mad."

"But I think you were quite right. The names are not beautiful. The flowers are."

"That wouldn't make any difference with me. I'd get mad before I thought, and then I'd stick to it anyway."

"That is not right."

Élise looked somewhat rebuked, but more puzzled.

"How old are you?" she asked.

This was too much. Miss Hartwell could not conceal her astonishment. She recovered quickly and answered, with a smile:

"I was twenty-five, last February."

Élise resumed her examination of the water-colours. There was a look of satisfaction on her face.

"Oh, well, perhaps when I get to be as old as that I won't get mad, either. How did you learn to make flowers?" Her attention was fixed all the time on the colours.

"I took lessons."

"Is it very hard to learn?"

"Not very, for some people. Would you like to have me teach you?"

Élise's face was flushed and eager.

"Will you teach me?" she asked.

"Certainly. It will give me great pleasure."

"When can you begin?"

"Now, if you like."

Miss Hartwell had taste, and she had been under excellent instruction. Her efforts had been praised and herself highly commended; but no sweeter incense had ever been burned under her nostrils than the intense absorption of her first pupil. It was not genius; it was love, pure and simple. There was no element of self-consciousness, only a wild love of beauty and a longing to give it expression. Nominally, at least, Miss Hartwell was the instructor and Élise the pupil; but that did not prevent her learning some lessons which her other instructors had failed to suggest. The comments of Élise on the habits and peculiarities of every plant and flower that they attempted demonstrated to Miss Hartwell that the real science of botany was not wholly dependent upon forceps and scalpel. Another demonstration was to the effect that the first and hardest step in drawing, if not in painting, was a clear-cut conception of the object to be delineated. Élise knew her object. From the first downy ball that pushed its way into the opening spring, to the unfolding of the perfect flower, every shade and variety of colour Élise knew to perfection.

Miss Hartwell's lessons had been purely mechanical. She had brought to them determination and faithful application; but unconsciously the object had been herself, not her subject, and her work showed it. Élise was no genius; but she was possessed of some of its most imperative essentials, an utter oblivion of self and an abounding love of her subjects. Miss Hartwell was astonished at her easy grasp of details which had come to her after much laborious effort.

They were aroused by the click of iron shoes on the stony trail as Firmstone rode toward them.

He was delighted that his first attempt at bringing Élise in contact with Miss Hartwell had been so successful. There was a flush of pleasure on Miss Hartwell's face.

"I believe you knew I would not be alone. Why didn't you tell me about Élise?"

"Oh, it's better to let each make his own discoveries, especially if they are pleasant."

Firmstone looked at the paint-smudged fingers of Élise. "You refused my help in square root, and are taking lessons in painting from Miss Hartwell."

"Miss who?"

Firmstone was astonished at the change in the girl's face.

"Miss Hartwell," he answered.

Élise rose quickly to her feet. Brush and pencil fell unheeded from her lap.

"Are you related to that Hartwell at the mill?" she demanded.

"He is my brother."

Fierce anger burned in the eyes of Élise. Without a word, she turned and started down the trail. Miss Hartwell and Firmstone watched the retreating figure for a moment. She was first to recover from her surprise. She began to gather the scattered papers which Élise had dropped. She was utterly unable to suggest an explanation of the sudden change that had come over Élise on hearing her name. Firmstone was at first astonished beyond measure. A second thought cleared his mind. He knew that Hartwell had been going of late to the Blue Goose. Élise, no doubt, had good grounds for resentment against him. That it should be abruptly extended to his sister was no matter of surprise to Firmstone. Of course, to Miss Hartwell he could not even suggest an explanation. They each were wholly unprepared for the finale which came as an unexpected sequel.

A delicate little hand, somewhat smudged with paint, was held out to Miss Hartwell, who, as she took the hand, looked up into a resolute face, with drooping eyes.

"I got mad before I thought, and I've come back to tell you that it wasn't right."

Miss Hartwell drew the girl down beside her.

"Things always look worse than they really are when one is hungry. Won't you share our lunch?"

With ready tact she directed her words to Firmstone, and she was not disappointed in finding in him an intelligent second. Before many minutes, Élise had forgotten disagreeable subjects in things which to her never lacked interest.

At parting Élise followed the direct trail to the Blue Goose. As Firmstone had hoped, another series of lessons was arranged for.