Good-bye to Dharwar, we are on the move again, the comparatively cold-weather tourists take the road south to Bangalore. We jog along at a respectable rate, not too fast and not too slow, say forty-five miles an hour top speed, and twenty-five mean, which allows us to see things to-day and remember what we saw yesterday.

Before leaving, biked down to the Native Town of Dharwar, a place full of interest, picturesque scenes, and somewhat sinister looking people—tried to make a picture of women and men at a well-head, a magnificent subject, but too difficult to do in a few minutes. There were men pulling up kerosene tins over a wheel, hand over hand, from the cool looking depths of the wide red sandstone well and filling goats' skins to sling on cows' backs, and women in sombre reds and blue wrappings, old and young, and rather monkeyish in appearance; still, some were not altogether bad looking. One old woman had almost Savonarola features, and the strip of blue from the sky on her brown back was telling as she and a young woman leant and pulled hand over hand at the rope. The water splashed on to the pavement round the well, reflected the rich colours of cloth and limb and patches of cobalt from the sky. The women seem to consider this is not a bad part of their day's work; to come to the well-head and chat with their neighbours and show off their jewellery, and probably wouldn't thank you for a modern engine to pump up the water in half the time. They are dirty little pigs; can you make out a little beast to the right, comparatively a superior, extra well-dressed beauty, with very polished black hair and a flower in it? No, I am afraid not; the reduction, or reproduction, obscures her charm completely. She looks round about her and rubs a family water pot with a little mud and water off the road, yet by her religion it would be defiled if my shadow fell on it.

I came away almost sick with the feeling of inability to remember all the movements of draperies and colours; this country needs a Philip and a Velasquez in one, to do it justice.

On the way home I pass a tank with two wide nights of steps down to it, banyan trees hang over it, and monkeys gambol on the ground, and about the dusty trunks. Up and down the steps women are passing with stately steps and slow, they loiter at the water's edge and gossip, then fill their dark earthenware bowls, lift them on to their heads with the help of a neighbour, and come slowly up the steps. The little brass bowls they carry on hip or at arm's length glitter with lights that hit the eye like electric sparks. One figure alone would make an artist's study for days. The colour from the red soil reflects under their raised arms and under their cheeks and into the classic folds of their draperies, strong blue, and deep red, in their shadows and throw up rich reflections to the undersides of the wet earthenware bowls; the water laps over their brims, and the sky reflects like sapphire on their upper surfaces.… Who will say, that colour is not the most beautiful thing in the world—the very flower of love and light and fire; the sign of preponderant katabolism or anabolism as the naturalist might possibly put it, to be perfectly explicit!

People dined with us, and inside we had music of the masters by a mistress of music; and outside, some of us discussed names of stars; and dogs and jackals were stirred to the depths of their feelings by the moon: one especially at the end of the compound howled as if it was in a steel trap. At the side of the bungalow the guests' white cattle slept unyoked in the deep shadows of the trees, beside their white covered dumbies, all soft and blurred in silvery haze except where the light fell on a splash-board and shone like a jewel. And in front of us Eucharist lilies and China asters drooped their heads and slept.

Though this is an express train we stop at lots of stations, which, of course, is just what we want, for there are fascinating groups to study all the way, and the slight changes in the character of the country are interesting. We go through first, what I take to be the black cotton soil, and later red soil again.

At one little station a Government official gets out of the train, a Deputy-Commissioner possibly, a dapper, fair man and a lady, a nurse, a fair child, and a fox terrier; in the shadow of some trees I see an escort of lancers and some foot soldiers waiting. We wonder who they can be, getting out in such a measureless, monotonous tract of level country. They seem so fair and isolated in this vast country of dark people.

… The afternoon passes, and as the sun goes down the shadows of our carriages spread wider over the plain. The sky becomes faint rose in the zenith, over the cerulean above the horizon, and the white clothes of the shepherds become golden, and the reds, yellows, and blues of the women's draperies become very vivid. We pass herds of cattle as finely bred as antelopes, all blurred into the glow of the late afternoon and the red soil. Then comes almost desert, flat as water, red gravel with bushes with few green leaves, and here and there a tree with its white stem gleaming against a long-drawn shadow. Over the horizon two hill tops show purple and red, then for ten minutes all flushes ruddy, burning gold, and vermilion, and the light goes out; and there follows a cold blackish violet that almost chills us, till the moon comes in full strength and glorifies the desert with its frosted silvery illumination. Little fires begin to burn alongside the railway, and we see groups of shepherds warming themselves and cooking. The third class passengers at the stations are tucking their chins between their knees and pulling their draperies, most of them scarlet, over their heads, and with the lamplight from above and the smoke of the hubble-bubble that floats over them they make very warm, soft masses of colour.

We stiffer people spread ourselves out over a space ten natives could sit in, and get under our blankets and feel uncommonly comfortable, take one more look at the blurr of moonlight on the silent waste, and address ourselves to sleep, fondly hoping we will remember a little of the beauty of the night 'gainst the "dark days made for our searching."

… The night passes, hour after hour—jogging south; at times we hear a voice calling in the wilderness the name of a station, which we do not know, and do not care to know; and there's a whiff perhaps of burning, a little like peat, from the fuel they burn here, which at home the farmers spread on their fields to make them "bring forth unnatural fruit."[13]