Count Victor heard the woman's lamentation die away in the pit of the stair before he ceased to wonder at the sound and had fully realised the unpleasantness of his own incarceration. It was the cries of the outer assault that roused him from mere amazement to a comprehension of the dangers involved in his being thus penned in a cell and his enemies kept at bay by some wooden bars and a wooden-head. He felt with questioning fingers along the walls, finding no crevice to suggest outer air till he reached the window, and, alas! an escape from a window at that height seemed out of the question without some machinery at hand.

“I suspected the little clown's laughter,” said he to himself. “The key of the mystery lies between him and this absurd Baron, and I begin to guess at something of complicity on the part of M. Bethune. A malediction on the whole tribe of mountaineers! The thing's like a play; I've seen far more improbable circumstances in a book. I am shot at in a country reputed to be well-governed even to monotony; a sombre host puzzles, a far too frank domestic perplexes; magic flutes and midnight voices haunt this infernal hold; the conventional lady of the drama is kept in the background with great care, and just when I am on the point of meeting her, the perplexing servitor becomes my jailer. But yes, it is a play; surely it is a play; or else I am in bed in Cammercy suffering from one of old Jeanne's heavy late suppers. It is then that I must waken myself into the little room with the pink hangings.”

He raised the point of the sword to prick his finger, more in a humorous mood than with any real belief that it was all a dream, and dropped it fast as he felt a gummy liquor clotting on the blade.

“Grand Dieu!” said he softly, “I have perhaps pricked some one else to-night into his eternal nightmare, and I cannot prick myself out of one.”

The noise of the men outside rose louder; a gleam of light waved upon the wall of the chamber, something wan and elusive, bewildering for a moment as if it were a ghost; from the clamour he could distinguish sentences in a guttural tongue. He turned to the window—the counterpart of the one in his own bedroom, but without a pane of glass in its narrow space. Again the wan flag waved across the wall, more plainly the cries of the robbers came up to him. They had set a torch flaring on the scene. It revealed the gloomy gable-end of Doom with a wild, a menacing illumination, deepening the blackness of the night beyond its influence, giving life to shadows that danced upon rock and grass. The light, held high by the man Count Victor had wounded, now wrapped to his eyes in a plaid, rose and fell, touched sometimes on the mainland showing the bracken and the tree, sometimes upon the sea to show the wave, frothy from its quarrel with the fissured rock, making it plain that Doom was a ship indeed, cast upon troubled waters, cut off from the gentle world.

But little for the sea or for the shore had Count Victor any interest; his eyes were all for the wild band who clamoured about the flambeau. They wore such a costume as he had quarrelled with on his arrival; they cried “Loch Sloy!” with something of theatrical effect, and “Out with the gentleman! out with Black Andy's murderer!” they demanded in English.

He craned his head out at the Window and watched the scene. The tall man who had personally assailed him seemed to lead the band in all except their clamour, working eagerly, directing in undertones. They had brought a ladder from the shore, apparently provided for such an emergency, and placed it against the wall, with a view to an escalade. A stream of steaming water shot down upon the first who ventured upon the rounds, and he fell back with ludicrous whimperings. Compelled by the leader, another ventured on the ladder, and the better to watch his performance Count Victor leaned farther out at his window, secure from observation in the darkness. As he did so, he saw for the first time that on his right there was a lighted window he could almost touch with his hand as he leaned over. It flashed upon him that here was the woman's room, and that on the deep moulding running underneath the windows he could at some little risk gain it, probably to find its door open, and thus gain the freedom Mungo had so unexpectedly taken from him. He crept out upon the ledge, only then to realise the hazards of such a narrow footing. It seemed as he stood with his hands yet grasping the sides of the window he sought to escape by, that he could never retain his balance sufficiently to reach the other in safety. The greatest of his physical fears—greater even than that of drowning which sometimes whelmed him in dreams and on ships—was the dread of empty space; a touch of vertigo seized him; the enemy gathered round the torch beneath suddenly seemed elves, puny impossible things far off, and he almost slipped into their midst. But he dragged back his senses. “We must all die,” he gasped, “but we need not be precipitate about the business,” and shut his eyes as he stood up, and with feet upon the moulding stretched to gain grip of the other window. Something fell away below his right foot and almost plunged him into space. With a terrific effort he saved himself from that fate, and his senses, grown of a sudden to miraculous acuteness, heard the crumbled masonry he had released thud upon the patch of grass at the foot of the tower, apprising the enemy of his attempt. A wild commingling of commands and threats came up to him; the night seemed something vast beyond all former estimates, a swinging and giddy horror; the single star that peered through the cloud took to airy dancing, a phantom of the evening heavens; again he might have fallen, but the material, more deadly, world he was accustomed to manifested itself for his relief and his salvation. Through the night rang a pistol shot, and the ball struck against the wall but an inch or two from his head.

“Merci beaucoup!” he said aloud. “There is nothing like a pill,” and his grasp upon the sides of the illuminated window was quite strong and confident as he drew himself towards it. He threw himself in upon the floor just in time to escape death from half a dozen bullets that rattled behind him.

Safe within, he looked around in wonder. What he had come upon was not what he had expected,—was, indeed, so incongruous with the cell next door and the general poverty of the castle as a whole that it seemed unreal; for here was a trim and tasteful boudoir lit by a silver lamp, warmed by a charcoal fire, and giving some suggestion of dainty womanhood by a palpable though delicate odour of rose-leaves conserved in pot-pourri. Tapestry covered more than three-fourths of the wall, swinging gently in the draught from the open window, a harpischord stood in a corner, a couch that had apparently been occupied stood between the fireplace and the door, and a score of evidences indicated gentility and taste.

“Annapla becomes more interesting,” he reflected, but he spent no time in her boudoir; he made to try the door. It was locked; nor did he wonder at it, though in a cooler moment he might have done so. Hurriedly he glanced about the room for something to aid him to open the door, but there was nothing to suit his purpose. In his search his eye fell upon a miniature upon the mantelshelf—the work, as he could tell by its technique and its frame, of a French artist. It was the presentment of a gentleman in the Highland dress, adorned, as was the manner of some years back before the costume itself had become discredited, with fripperies of the mode elsewhere—a long scalloped waistcoat, a deep ruffled collar, the shoes buckled, and the hair en queue,—the portrait of a man of dark complexion, distinguished and someways pleasant.

“The essential lover of the story,” said Count Victor, putting it down. “Now I know my Annapla is young and lovely. We shall see—we shall see!”

He turned to the door to try its fastenings with his sword, found the task of no great difficulty, for the woodwork round the lock shared the common decay of Doom, and with the silver lamp to light his steps, he made his way along the corridor and down the stair. It was a strange and romantic spectacle he made moving thus through the darkness, the lamp swaying his shadow on the stairway as he descended, and he could have asked for no more astonishment in the face of his jailer than he found in Mungo's when that domestic met him at the stair-foot.

Mungo was carrying hot water in a huge kettle. He put down the vessel with a startled jolt that betrayed his fright.

“God be aboot us! Coont, ye near gied me a stroke there.”

“Oh, I demand pardon!” said Count Victor ironically. “I forgot that a man of your age should not be taken by surprise.”

“My age!” repeated Mungo, with a tone of annoyance. “No' sae awfu' auld either. At my age my grandfaither was a sergeant i' the airmy, and married for the fourth time.”

“Only half his valour seems to run in the blood,” said Count Victor. Then, more sternly, “What did you mean by locking me up there?”

Mungo took up the kettle and placed it to the front of him, with some intuition that a shield must be extemporised against the sword that the Frenchman had menacing in his hand. The action was so droll and futile that, in spite of his indignation, Count Victor had to smile; and this assured the little domestic, though he felt chagrin at the ridicule implied.

“Jist a bit plan o' my ain, Coont, to keep ye oot o' trouble, and I'm shair ye'll excuse the leeberty. A bonny-like thing it wad be if the maister cam' hame and foun' the Macfarlanes wer oot on the ran-dan and had picked ye oot o' Doom like a wulk oot o' its shell. It wisna like as if ye were ane o' the ordinar garrison, ye ken; ye were jist a kin' o' veesitor—”

“And it was I they were after,” said Count Victor, “which surely gave me some natural interest in the defence.”

“Ye were safer to bide whaur ye were; and hoo ye got oot o't 's mair than I can jalouse. We hae scalded aff the rogues wi' het water, and if they're to be keepit aff, I'll hae to be unco gleg wi' the kettle.”

As he said these words he saw, apparently for the first time, with a full understanding of its significance, the lamp in Count Victor's hands. His jaw fell; he put down the kettle again helplessly, and, in trembling tones, “Whaur did ye get the lamp?” said he.

“Ah, mon vieux!” cried Count Victor, enjoying his bewilderment. “You should have locked the lady's door as well as mine. 'Art a poor warder not to think of the possibilities in two cells so close to each other.”

“Cells!” cried Mungo, very much disturbed. “Cells! quo' he,” looking chapfallen up the stairway, as if for something there behind his escaped prisoner.

“And now you will give me the opportunity of paying my respects to your no doubt adorable lady.”

“Eh!” cried Mungo, incredulous. A glow came to his face. He showed the ghost of a mischievous smile. “Is't that way the lan' lies? Man, ye're a dour birkie!” said he; “but a wilf u' man maun hae his way, and, if naething less'll dae ye, jist gang up to yer ain chaumer, and ye'll find her giein' the Macfarlanes het punch wi' nae sugar till't.”

The statement was largely an enigma to Count Victor, but he understood enough to send him up the stairs with an alacrity that drove Mungo, in his rear, into silent laughter. Yet the nearer he came to his door the slower grew his ascent. At first he had thought but of the charming lady, the vocalist, and the recluse. The Baron's share in the dangerous mystery of Doom made him less scrupulous than he might otherwise have been as to the punctilio of a domestic's introduction to one apparently kept out of his way for reasons best known to his host; and he advanced to the encounter in the mood of the adventurer, Mungo in his rear beholding it in his jaunty step, in the fingers that pulled and peaked the moustachio, and drew forth a somewhat pleasing curl that looked well across a temple. But a more sober mood overcame him before he had got to the top of the stair. The shouts of the besieging party outside had declined and finally died away; the immediate excitement of the adventure, which with Mungo and the unknown lady he was prepared to share, was gone. He began to realise that there was something ludicrous in the incident that had kept him from making her acquaintance half an hour ago, and reflected that she might well have some doubt of his courage and his chivalry. Even more perturbing was the sudden recollection of the amused laughter that had greeted his barefooted approach to Doom through two or three inches of water, and at the open door he hung back dubious.

“Step in; it's your ain room,” cried Mungo, struggling with his kettle; “and for the Lord's sake mind your mainners and gie her a guid impression.”

It was the very counsel to make a Montaiglon bold.

He entered; a woman was busy at the open window; he stared in amazement and chagrin.