  Each, 16mo, paper, 40 cents per volume; cloth, 75 cents. In the Blue Pike. A Romance of German Life in the early Sixteenth Century. Translated by Mary J. Safford. 1 volume. "Dr. Ebers's romances founded on ancient history are hardly equaled by any other living author.... He makes the men and women and the scenes move before the reader with living reality."—Boston Home Journal. "Georg Ebers writes stories of ancient times with the conscientiousness of a true investigator. His tales are so carefully told that large portions of them might be clipped or quoted by editors of guide-books and authors of histories intended to be popular."—New York Herald. For sale by all booksellers; or sent by mail on receipt of price by the publishers. By A. CONAN DOYLE.
There is a flavor of Dumas's Musketeers in the life of the redoubtable Brigadier Gerard, a typical Napoleonic soldier, more fortunate than many of his compeers because some of his Homeric exploits were accomplished under the personal observation of the Emperor. His delightfully romantic career included an oddly characteristic glimpse of England, and his adventures ranged from the battlefield to secret service. In picturing the experiences of his fearless, hard-fighting and hard-drinking hero, the author of "The White Company" has given us a book which absorbs the interest and quickens the pulse of every reader.
"Cullingworth, ... a much more interesting creation than Sherlock Holmes, and I pray Dr. Doyle to give us more of him."—Richard le Gallienne, in the London Star. "Every one who wants a hearty laugh must make acquaintance with Dr. James Cullingworth."—Westminster Gazette. "Every one must read; for not to know Cullingworth should surely argue one's self to be unknown."—Pall Mall Gazette. "One of the freshest figures to be met with in any recent fiction."—London Daily News. "'The Stark Munro Letters' is a bit of real literature.... Its reading will be an epoch-making event in many a life."—Philadelphia Evening Telegraph. "Positively magnetic, and written with that combined force and grace for which the author's style is known."—Boston Budget.
"Too much can not be said in praise of these strong productions, that, to read, keep one's heart leaping to the throat and the mind in a tumult of anticipation to the end.... No series of short stories in modern literature can approach them."—Hartford Times. "If Mr. A. Conan Doyle had not already placed himself in the front rank of living English writers by 'The Refugees,' and other of his larger stories, he would surely do so by these fifteen short tales."—New York Mail and Express. "A strikingly realistic and decidedly original contribution to modern literature."—Boston Saturday Evening Gazette. New York: D. APPLETON & CO., 72 Fifth Avenue. BY S. R. CROCKETT.
It is safe to predict for the quaint and delightful figure of Cleg Kelly a notable place in the literature of the day. Mr. Crockett's signal success in his new field will enlarge the wide circle of his admirers. The lights and shadows of curious phases of Edinburgh life, and of Scotch farm and railroad life, are pictured with an intimate sympathy, richness of humor, and truthful pathos which make this new novel a genuine addition to literature. It seems safe to say that at least two characters—Cleg and Muckle Alick—are likely to lead Mr. Crockett's heroes in popular favor. The illustrations of this fascinating novel have been the result of most faithful and sympathetic study.
"Here are idyls, epics, dramas of human life, written in words that thrill and burn.... Each is a poem that has an immortal flavor. They are fragments of the author's early dreams, too bright, too gorgeous, too full of the blood of rubies and the life of diamonds to be caught and held palpitating in expression's grasp."—Boston Courier. "Hardly a sketch among them all that will not afford pleasure to the reader for its genial humor, artistic local coloring, and admirable portrayal of character."—Boston Home Journal. "One dips into the book anywhere and reads on and on, fascinated by the writer's charm of manner."—Minneapolis Tribune.
"A love story pure and simple, one of the old-fashioned, wholesome, sunshiny kind, with a pure-minded, sound-hearted hero, and a heroine who is merely a good and beautiful woman; and if any other love story half so sweet has been written this year, it has escaped our notice."—New York Times. "The general conception of the story, the motive of which is the growth of love between the young chief and heroine, is delineated with a sweetness and a freshness, a naturalness and a certainty, which places 'The Lilac Sunbonnet' among the best stories of the time."—New York Mail and Express. "In its own line this little love story can hardly be excelled. It is a pastoral, an idyl—the story of love and courtship and marriage of a fine young man and a lovely girl—no more. But it is told in so thoroughly delightful a manner, with such playful humor, such delicate fancy, such true and sympathetic feeling, that nothing more could be desired."—Boston Traveller. New York: D. APPLETON & CO., 72 Fifth Avenue. GILBERT PARKER'S BEST BOOKS.
For the time of his story Mr. Parker has chosen the most absorbing period of the romantic eighteenth-century history of Quebec. The curtain rises soon after General Braddock's defeat in Virginia, and the hero, a prisoner in Quebec, curiously entangled in the intrigues of La Pompadour, becomes a part of a strange history, full of adventure and the stress of peril, which culminates only after Wolfe's victory over Montcalm. The material offered by the life and history of old Quebec has never been utilized for the purposes of fiction with the command of plot and incident, the mastery of local color, and the splendid realization of dramatic situations shown in this distinguished and moving romance. The illustrations preserve the atmosphere of the text, for they present the famous buildings, gates, and battle grounds as they appeared at the time of the hero's imprisonment in Quebec.
"Mr. Parker here adds to a reputation already wide, and anew demonstrates his power of pictorial portrayal and of strong dramatic situation and climax."—Philadelphia Bulletin. "The tale holds the reader's interest from first to last, for it is full of fire and spirit, abounding in incident, and marked by good character drawing."—Pittsburg Times.
"Interest, pith, force and charm—Mr. Parker's new story possesses all these qualities.... Almost bare of synthetical decoration, his paragraphs are stirring because they are real. We read at times—as we have read the great masters of romance—breathlessly."—The Critic. "Gilbert Parker writes a strong novel, but thus far this is his masterpiece.... It is one of the great novels of the year."—Boston Advertiser.
"A book which no one will be satisfied to put down until the end has been matter of certainty and assurance."—The Nation. "A story of remarkable interest, originality, and ingenuity of construction."—Boston Home Journal. "The perusal of this romance will repay those who care for new and original types of character, and who are susceptible to the fascination of a fresh and vigorous style."—London Daily News.
"No adventures were ever better worth recounting than are those of Antonio of Monte Velluto, a very Bayard among outlaws.... To all those whose pulses still stir at the recital of deeds of high courage, we may recommend this book.... The chronicle conveys the emotion of heroic adventure, and is picturesquely written."—London Daily News. "It has literary merits all its own, of a deliberate and rather deep order.... In point of execution 'The Chronicles of Count Antonio' is the best work that Mr. Hope has yet done. The design is clearer, the workmanship more elaborate, the style more colored.... The incidents are most ingenious, they are told quietly, but with great cunning, and the Quixotic sentiment which pervades it all is exceedingly pleasant."—Westminster Gazette. "A romance worthy of all the expectations raised by the brilliancy of his former books, and likely to be read with a keen enjoyment and a healthy exaltation of the spirits by every one who takes it up."—The Scotsman. "A gallant tale, written with unfailing freshness and spirit."—London Daily Telegraph. "One of the most fascinating romances written in English within many days. The quaint simplicity of its style is delightful, and the adventures recorded in these 'Chronicles of Count Antonio' are as stirring and ingenious as any conceived even by Weyman at his best."—New York World. "Romance of the real flavor, wholly and entirely romance, and narrated in true romantic style. The characters, drawn with such masterly handling, are not merely pictures and portraits, but statues that are alive and step boldly forward from the canvas."—Boston Courier. "Told in a wonderfully simple and direct style, and with the magic touch of a man who has the genius of narrative, making the varied incidents flow naturally and rapidly in a stream of sparkling discourse."—Detroit Tribune. "Easily ranks with, if not above, 'A Prisoner of Zenda.' ... Wonderfully strong, graphic, and compels the interest of the most blasÉ novel reader."—Boston Advertiser. "No adventures were ever better worth telling than those of Count Antonio.... The author knows full well how to make every pulse thrill, and how to hold his readers under the spell of his magic."—Boston Herald. "A book to make women weep proud tears, and the blood of men to tingle with knightly fervor.... In 'Count Antonio' we think Mr. Hope surpasses himself, as he has already surpassed all the other story-tellers of the period."—New York Spirit of the Times.
"The story runs on as smoothly as a brook through lowlands; it excites your interest at the beginning and keeps it to the end."—New York Herald. "An exquisite story.... No person sensitive to the influence of what makes for the true, the lovely, and the strong in human friendship and the real in life's work can read this book without being benefited by it."—Buffalo Commercial. "The book has universal interest and very unusual merit.... Aside from its subtle poetic charm, the book is a noble example of the power of keen observation."—Boston Herald.
"There is intrigue enough in it for those who love a story of the ordinary kind, and the political part is perhaps more attractive in its sparkle and variety of incident than the real thing itself."—London Daily News. "A drama of biting intensity, a tragedy of inflexible purpose and relentless result."—Pall Mall Gazette.
"An extremely clever work. Miss Hunt probably writes dialogue better than any of our young novelists.... Not only are her conversations wonderfully vivacious and sustained, but she contrives to assign to each of her characters a distinct mode of speech, so that the reader easily identifies them, and can follow the conversations without the slightest difficulty."—London AthenÆum. "One of the best writers of dialogue of our immediate day. The conversations in this book will enhance her already secure reputation."—London Daily Chronicle. "A creation that does Miss Hunt infinite credit, and places her in the front rank of the younger novelists.... Brilliantly drawn, quivering with life, adroit, quiet-witted, unfalteringly insolent, and withal strangely magnetic."—London Standard.
"One of the brightest books of the year."—Boston Budget. "Altogether delightful, fascinating, unusual."—Cleveland Amusement Gazette. "A study in character.... Just as entertaining as though it were the conventional story of love and marriage. The clever hand of the author of 'The Green Carnation' is easily detected in the caustic wit and pointed epigram."—Jeannette L. Gilder, in the New York World.
"Simplicity of style, strength, and delicacy of character study will mark this book as one of the most significant of the year."—New York Press. "Thoroughly entertaining, and more—it shows traces of a creative genius something akin to Dickens."—Boston Traveller. "In many respects the best of all the books of lighter literature brought out this season."—Providence News. "Highly pleasing and gracefully recorded reminiscences of early suburban life and youthful experience told in a congenial spirit and in very charming prose."—Boston Courier.
"There have been many workers among novelists in the field of royal portraiture, but it may be safely stated that few of those who have essayed this dubious path have achieved more striking results than M. Couperus. 'Majesty' is an extraordinarily vivid romance of autocratic imperialism."—London Academy. "No novelist whom we can call to mind has ever given the world such a masterpiece of royal portraiture as Louis Couperus's striking romance entitled 'Majesty.'"—Philadelphia Record. "There is not an uninteresting page in the book, and it ought to be read by all who desire to keep in line with the best that is published in modern fiction."—Buffalo Commercial.
"A delicate pathos makes itself felt as the narrative progresses, whose cadences fall on the spirit's consciousness with a sweet and soothing influence not to be measured in words."—Boston Courier. "One of the most impressive of recent works of fiction, both for its matter and especially for its presentation."—Milwaukee Journal. "An intensely interesting story. A curious interweaving of old superstitions which govern a nervous woman's selfish life, and the brisk, modern ways of a wholesome English girl."—Philadelphia Ledger.
"Contains some superb specimens of original thought."—New York World. "The style is direct and incisive, and holds the unflagging attention of the reader."—Boston Journal. "A powerful story, very simple, very direct."—Chicago Evening Post.
In this striking story the author has treated an original motive with rare self-command and skill. His book is most interesting as a story, and remarkable as a literary performance.
"This is a strong bit of good literary workmanship.... The book has the value of being a real sketch of our own mining regions, and of showing how, even in the apparently dull round of work, there is still material for a good bit of literature."—Philadelphia Ledger.
"A bright, moving study of an unusually interesting period in the life of Napoleon,... deliciously told; the characters are clearly, strongly, and very delicately modeled, and the touches of color most artistically done. 'Courtship by Command' is the most satisfactory Napoleon bonne-bouche we have had."—New York Commercial Advertiser.
"Here is a tale to stir the most sluggish nature.... It is like standing on the deck of a wave tossed ship; you feel the soul of the storm go into your blood."—N. Y. Home Journal. "The characters are strongly drawn, the descriptions are intensely dramatic, and the situations are portrayed with rare vividness of language. It is a thrilling story, told with great power."—Boston Advertiser.
"Crowded with these characteristic touches which mark his literary work."—Public Opinion. "Reveals a wonderful knowledge of the workings of the human mind, and it tells a tale that not only stirs the emotions, but gives us a better insight into our own hearts."—San Francisco Argonaut.
"One of the best of the short stories of the day."—Boston Journal. "One of the most remarkable novels of the year."—New York Commercial Advertiser. "Powerful in conception, treatment, and influence."—Boston Globe. New York: D. APPLETON & CO., 72 Fifth Avenue. NOVELS BY HALL CAINE.
"A story of marvelous dramatic intensity, and in its ethical meaning has a force comparable only to Hawthorne's 'Scarlet Letter.'"—Boston Beacon. "A work of power which is another stone added to the foundation of enduring fame to which Mr. Caine is yearly adding."—Public Opinion. "A wonderfully strong study of character; a powerful analysis of those elements which go to make up the strength and weakness of a man, which are at fierce warfare within the same breast; contending against each other, as it were, the one to raise him to fame and power, the other to drag him down to degradation and shame. Never in the whole range of literature have we seen the struggle between these forces for supremacy over the man more powerfully, more realistically delineated than Mr. Caine pictures it."—Boston Home Journal.
"Hall Caine has already given us some very strong and fine work, and 'The Deemster' is a story of unusual power.... Certain passages and chapters have an intensely dramatic grasp, and hold the fascinated reader with a force rarely excited nowadays in literature."—The Critic. "One of the strongest novels which has appeared in many a day."—San Francisco Chronicle. "Fascinates the mind like the gathering and bursting of a storm."—Illustrated London News. "Deserves to be ranked among the remarkable novels of the day."—Chicago Times.
"The welcome given to this story has cheered and touched me, but I am conscious that, to win a reception so warm, such a book must have had readers who brought to it as much as they took away.... I have called my story a saga, merely because it follows the epic method, and I must not claim for it at any point the weighty responsibility of history, or serious obligations to the world of fact. But it matters not to me what Icelanders may call 'The Bondman,' if they will honor me by reading it in the open-hearted spirit and with the free mind with which they are content to read of Grettir and of his fights with the Troll."—From the Author's Preface.
"A new departure by this author. Unlike his previous works, this little tale is almost wholly humorous, with, however, a current of pathos underneath. It is not always that an author can succeed equally well in tragedy and in comedy, but it looks as though Mr. Hall Caine would be one of the exceptions."—London Literary World. "It is pleasant to meet the author of 'The Deemster' in a brightly humorous little story like this.... It shows the same observation of Manx character, and much of the same artistic skill."—Philadelphia Times. New York: D. APPLETON & CO., 72 Fifth Avenue. NOVELS BY MAARTEN MAARTENS.
"Until the Appletons discovered the merits of Maarten Maartens, the foremost of Dutch novelists, it is doubtful if many American readers knew that there were Dutch novelists. His 'God's Fool' and 'Joost Avelingh' made for him an American reputation. To our mind this just published work of his is his best.... He is a master of epigram, an artist in description, a prophet in insight."—Boston Advertiser. "It would take several columns to give any adequate idea of the superb way in which the Dutch novelist has developed his theme and wrought out one of the most impressive stories of the period.... It belongs to the small class of novels which one can not afford to neglect."—San Francisco Chronicle. "Maarten Maartens stands head and shoulders above the average novelist of the day in intellectual subtlety and imaginative power."—Boston Beacon.
"Throughout there is an epigrammatic force which would make palatable a less interesting story of human lives or one less deftly told."—London Saturday Review. "Perfectly easy, graceful, humorous.... The author's skill in character-drawing is undeniable."—London Chronicle. "A remarkable work."—New York Times. "Maarten Maartens has secured a firm footing in the eddies of current literature.... Pathos deepens into tragedy in the thrilling story of 'God's Fool.'"—Philadelphia Ledger. "Its preface alone stamps the author as one of the leading English novelists of to-day."—Boston Daily Advertiser. "The story is wonderfully brilliant.... The interest never lags; the style is realistic and intense; and there is a constantly underlying current of subtle humor.... It is, in short, a book which no student of modern literature should fail to read."—Boston Times. "A story of remarkable interest and point."—New York Observer.
"So unmistakably good as to induce the hope that an acquaintance with the Dutch literature of fiction may soon become more general among us."—London Morning Post. "In scarcely any of the sensational novels of the day will the reader find more nature or more human nature."—London Standard. "A novel of a very high type. At once strongly realistic and powerfully idealistic."—London Literary World. "Full of local color and rich in quaint phraseology and suggestion."—London Telegraph. "Maarten Maartens is a capital story-teller."—Pall Mall Gazette. "Our English writers of fiction will have to look to their laurels."—Birmingham Daily Post. New York: D. APPLETON & CO., 72 Fifth Avenue. TWO REMARKABLE AMERICAN NOVELS.
"Mr. Stephen Crane is a great artist, with something new to say, and consequently with a new way of saying it.... In 'The Red Badge of Courage' Mr. Crane has surely contrived a masterpiece.... He has painted a picture that challenges comparisons with the most vivid scenes of Tolstoy's 'La Guerre et la Paix' or of Zola's 'La DÉbÂcle.'"—London New Review. "In its whole range of literature we can call to mind nothing so searching in its analysis, so manifestly impressed with the stamp of truth, as 'The Red Badge of Courage.' ... A remarkable study of the average mind under stress of battle.... We repeat, a really fine achievement."—London Daily Chronicle. "Not merely a remarkable book; it is a revelation.... One feels that, with perhaps one or two exceptions, all previous descriptions of modern warfare have been the merest abstractions."—St. James Gazette. "Holds one irrevocably. There is no possibility of resistance when once you are in its grip, from the first of the march of the troops to the closing scenes.... Mr. Crane, we repeat, has written a remarkable book. His insight and his power of realization amount to genius."—Pall Mall Gazette. "There is nothing in American fiction to compare with it in the vivid, uncompromising, almost aggressive vigor with which it depicts the strangely mingled conditions that go to make up what men call war.... Mr. Crane has added to American literature something that has never been done before, and that is, in its own peculiar way, inimitable."—Boston Beacon. "Never before have we had the seamy side of glorious war so well depicted.... The action of the story throughout is splendid, and all aglow with color, movement, and vim. The style is as keen and bright as a sword blade, and a Kipling has done nothing better in this line."—Chicago Evening Post.
"The whole story is so completely absorbing that you will sit far into the night to finish it. You lay it aside with the feeling that you have seen a gloriously true picture of the Revolution."—Boston Herald. "The story is a strong one—a thrilling one. It causes the true American to flush with excitement, to devour chapter after chapter until the eyes smart; and it fairly smokes with patriotism."—New York Mail and Express. "The heart beats quickly, and we feel ourselves taking part in the scenes described.... Altogether the book is an addition to American literature."—Chicago Evening Post. "One of the most readable novels of the year.... As a love romance it is charming, while it is filled with thrilling adventure and deeds of patriotic daring."—Boston Advertiser. "This romance seems to come the nearest to a satisfactory treatment in fiction of the Revolutionary period that we have yet had."—Buffalo Courier. "A clean, wholesome story, full of romance and interesting adventure.... Holds the interest alike by the thread of the story and by the incidents.... A remarkably well-balanced and absorbing novel."—Milwaukee Journal. New York: D. APPLETON & CO., 72 Fifth Avenue. |
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