  In this old-world district, amidst the pastures and corn-lands of Normandy, superstition had taken a hold which the passage of centuries and the advent of revolution had done very little to lessen. Few of the people could read, and fewer still could write. They knew nothing but what their priests and politicians told them to believe. They went to their beds with the poultry, and rose as the cock crew: they went to mass, as their ducks to the osier and weed ponds; and to the conscription as their lambs to the slaughter. They understood that there was a world beyond them, but they remembered it only as the best market for their fruit, their fowls, their lace, their skins. Their brains were as dim as were their oil-lit streets at night; though their lives were content and mirthful, and for the most part pious. They went out into the summer meadows chanting aves, in seasons of drought to pray for rain on their parching orchards, in the same credulity with which they groped through the winter-fog bearing torches, and chanting dirges to gain a blessing at seed-time on their bleak, black fallows. The beauty and the faith of the old mediÆval life were with them still; and with its beauty and its faith were its bigotry and cruelty likewise. They led simple and contented lives; for the most But they believed in sorcery and in devilry: they were brutal to their beasts, and could be as brutal to their foes: they were steeped in legend and tradition from their cradles; and all the darkest superstitions of dead ages still found home and treasury in their hearts and at their hearths. They had always been a religious people in this birth country of the Flamma race: the strong poetic reverence of their forefathers, which had symbolised itself in the carving of every lintel, corbel or buttress in their streets, and the fashion of every spire on which a weather-vane could gleam against the sun, was still in their blood; the poetry had departed, but the bigotry remained. "The earth and the air are good," she thought, as she lay there watching the dark leaves sway in the foam and the wind, and the bright-bosomed birds float from blossom to blossom. For there was latent in her, all untaught, that old pantheistic instinct of the divine age, when the world was young, to behold a sentient consciousness in every leaf unfolded to the light; to see a soul in every created thing the day shines on; to feel the presence of an eternal life in every breeze that moves, in every grass that grows; in every flame that lifts itself to heaven; in every bell that vibrates on the air; in every moth that soars to reach the stars. Pantheism is the religion of the poet; and nature had made her a poet, though man as yet had but made of her an outcast, a slave, and a beast of burden. "The earth and the air are good," she thought, watching When a man clings to life for life's sake, because it is fair and sweet, and good in the sight and the senses, there may be weakness in his shudder at its threatening loss. But when a man is loth to lose life although it be hard, and joyless, and barren of all delights, because this life gives him power to accomplish things greater than he, which yet without him must perish, there is the strength in him, as there is the agony of Prometheus. With him it must die also: that deep dim greatness within him, which moves him, despite himself; that nameless unspeakable force which compels him to create and to achieve; that vision by which he beholds worlds beyond him not seen by his fellows. Weary of life he may be; of life material, and full of subtlety; of passion, of pleasure, of pain; of the kisses that burn, of the laugh that rings hollow, of the honey that so soon turns to gall, of the sickly fatigues, and the tired, cloyed hunger, that are the portion of men upon earth. Weary of these he may be; but still if the gods have breathed on him, and made him mad with the madness that men have called genius, there will be that in him greater than himself, which he knows,—and cannot know without some fierce wrench and pang,—will be numbed and made impotent, and drift away, lost for evermore, into that eternal night, which is all that men behold of death. The grass of the Holy River gathers perfume from the marvellous suns, and the moonless nights, and the gorgeous bloom of the east, from the aromatic breath of the leopard, and the perfume of the fallen pomegranate, and the sacred oil that floats in the lamps, and the caress of the girl-bather's feet, and the myrrh-dropping unguents that glide from the maiden's bare limbs in the moonlight,—the grass holds and feeds on them all. But not till the grass has been torn from the roots, and been crushed, and been bruised and destroyed, can the full odours exhale of all it has tasted and treasured. Even thus the imagination of man may be great, but it can never be at its greatest until one serpent, with merciless fangs, has bitten it through and through, and impregnated it with passion and with poison,—that one deathless serpent which is memory. And, indeed, to those who are alive to the nameless, universal, Eternal Soul which breathes in all the grasses of the fields, and beams in the eyes of all creatures of earth and air, and throbs in the living light of palpitating stars, and thrills through the young sap of forest trees, and stirs in the strange loves of wind-borne plants, and hums in every song of the bee, and burns in every quiver of the flame, and peoples with sentient myriads every drop of dew that gathers on a hare-bell, every bead of water that ripples in a brook—to them the mortal life of man can seem but little, save at once the fiercest and the feeblest thing that does exist; at once the most cruel and the most impotent; tyrants of direst destruction, and bondsmen of lowest captivity. The earth has always most charm, and least pain, to the poet or the artist when men are hidden away under their roofs. Then they do not break its calm with either their mirth or their brutality; then the vile and revolting coarseness of their works, that blot it with so much deformity, is softened and obscured in the purple breaths of shadow, and the dim tender gleam of stars. When the world was in its youth, it had leisure to treasure its recollections; even to pause and look back; to see what flower of a fair thought, what fruit of a noble art, it might have overlooked or left down-trodden. But now it is so old, and is so tired; it is purblind, and heavy of foot; it does not notice what it destroys; it desires rest and can find none; nothing can matter greatly to it; its dead are so many that it cannot count them; and being thus worn and dulled with age, and suffocated under the weight of its innumerable memories, it is very slow to be moved, and swift—terribly swift—to forget. Why should it not be? It has known the best, it has known the worst that ever can befall it. And the prayer that to the heart of man seems so freshly born from his own desire, what is it on the weary ear of the world, save the same old, old cry which it has heard through all the ages, empty as the sound of the wind, and for ever—for ever—unanswered? For there is nothing so cruel in life as a Faith;—the Faith, whatever its name may be, that draws a man on all his years through on one narrow path, by one tremulous light, and then at the last, with a laugh—drowns him. I think I see!—the great God walked by the edge of the river, and he mused on a gift to give man, on a joy that should be a joy on the earth for ever; and he passed by the lily white as snow, by the thyme that fed the bees, by the gold heart in the arum flower, by the orange flame of the tall sandrush, by all the great water-blossoms which the sun kissed and the swallows loved, and he came to the one little reed pierced with the snake's-tongues, and all alone amidst millions. Then he took it up, and cut it to the root, and killed it; killed it as a reed—but breathed into it a song audible and beautiful to all the ears of men. Was that death to the reed?—or life? Would a thousand summers of life by the waterside have been worth that one thrill of song when a god first spoke through it? It is odd that you should live in a palace, and he should want for bread; but then he can create things, and you can only buy them. So it is even, perhaps. A word that needs compelling is broken by the heart before the lips give it. It is to plant a tree without a root to put faith in a man that needs a bond. "You are glad since you sing!" said the old man to her as she passed him again on her homeward way and paused again beside him. "The birds in cages sing," she answered him, "but think you they are glad?" "Are they not?" She sat down a moment beside him, on the bank which was soft with moss, and odorous with wild flowers curling "Are they? Look. Yesterday I passed a cottage, it is on the Great South Road; far away from here. The house was empty; the people no doubt were gone to labour in the fields; there was a wicker cage hanging to the wall, and in the cage there was a blackbird. The sun beat on his head; his square of sod was a dry clod of bare earth; the heat had dried every drop of water in his pan; and yet the bird was singing. Singing how? In torment, beating his breast against the bars till the blood started, crying to the skies to have mercy on him and to let the rain fall. His song was shrill; it had a scream in it; still he sang. Do you say the merle was glad?" "What did you do?" asked the old man, still breaking his stones with a monotonous rise and fall of his hammer. "I took the cage down and opened the door." "And he?" "He shot up in the air first, then dropped down amidst the grasses, where a little brook which the drought had not dried was still running; and he bathed and drank, and bathed again, seeming mad with the joy of the water. When I lost him from sight he was swaying among the leaves on a bough over the river; but then he was silent." "And what do you mean by that?" Her eyes clouded; she was mute. She vaguely knew the meaning it bore to herself, but it was beyond her to express it. All things of nature had voices and parables for her, because her fancy was vivid, and her mind was still too dark, and too profoundly ignorant, for her to be able to shape her thoughts into metaphor or deduction. The bird had spoken to her; by his silence as by his song; but what he had uttered she could not well utter again. Save indeed that song was not gladness, and neither was silence pain. "The future?" she said at last, "that means something that one has not, and that is to come—is it so?" "Something that one never has, and that never comes," muttered the old man, wearily cracking the flints in two; "something that one possesses in one's sleep, and that is farther off each time that one awakes; and yet a thing that one sees always, sees even when one lies a dying they say—for men are fools." In one of the most fertile and most fair districts of northern France there was a little Norman town, very, very old, and beautiful exceedingly by reason of its ancient streets, its high peaked roofs, its marvellous galleries and carvings, its exquisite greys and browns, its silence and its colour, and its rich still life. Its centre was a great cathedral, noble as York or Chartres; a cathedral, whose spire shot to the clouds, and whose innumerable towers and pinnacles were all pierced to the day, so that the blue sky shone and the birds of the air flew all through them. A slow brown river, broad enough for market boats and for corn barges, stole through the place to the sea, lapping as it went the wooden piles of the houses, and reflecting the quaint shapes of the carvings, the hues of the signs and the draperies, the dark spaces of the dormer windows, the bright heads of some casement-cluster of carnations, the laughing face of a girl leaning out to smile on her lover. All around it lay the deep grass unshaven, the leagues on leagues of fruitful orchards, the low blue hills tenderly interlacing one another, the fields of colza, where the white head-dress of the women-workers flashed in the sun like a silvery pigeon's wing. To the west there were the deep green woods, and the wide plains golden with gorse of Arthur's and of Merlin's lands; and beyond, to A beautiful, old, shadowy, ancient place: picturesque everywhere; often silent, with a sweet sad silence that was chiefly broken by the sound of bells or the chaunting of choristers. A place of the Middle Ages still. With lanterns swinging on cords from house to house as the only light; with wondrous scroll-works and quaint signs at the doors of all its traders; with monks' cowls and golden croziers and white-robed acolytes in its streets; with the subtle smoke of incense coming out from the cathedral door to mingle with the odours of the fruits and flowers in the market-place; with great flat-bottomed boats drifting down the river under the leaning eaves of its dwellings; and with the galleries of its opposing houses touching so nearly that a girl leaning in one could stretch a Provence rose or toss an Easter egg across to her neighbour in the other. Doubtless there were often squalor, poverty, dust, filth, and uncomeliness within these old and beautiful homes. Doubtless often the dwellers therein were housed like cattle and slept like pigs, and looked but once out to the woods and waters of the landscapes round for one hundred times that they looked at their hidden silver in an old delf jug, or at their tawdry coloured prints of St. Victorian or St. ScÆvola. But yet much of the beauty and the nobility of the old, simple, restful, rich-hued life of the past still abode there, and remained with them. In the straight, lithe form of their maidens, untrammelled by modern garb, and moving with the free majestic grace of forest does. In the vast, dim, sculptured chambers, where the grandam span by This little town lay far from the great Paris highway and all greatly frequented tracks. It was but a short distance from the coast, but near no harbour of greater extent than such as some small fishing village had made in the rocks for the trawlers. Few strangers ever came to it, except some wandering painters or antiquaries. It sent its apples and eggs, its poultry and honey, its colza and corn to the use of the great cities; but it was rarely that any of its own people went thither. Now and then some one of the oval-faced, blue-eyed, lithe-limbed maidens of its little homely households would sigh and flush and grow restless, and murmur of Paris; and would steal out in the break of a warm grey morning whilst only the birds were still waking; and would patter away in her wooden shoes over the broad, white, southern But none such ever did come back. They came back no more than did the white sweet sheaves of the lilies which the women gathered and sent to be bought and sold in the city—to gleam one faint summer night in a gilded balcony, and to be flung out the next morning, withered and dead. One amongst the few who had thus gone whither the lilies went, and of whom the people would still talk as their mules paced homewards through the lanes at twilight, had been Reine Flamma, the daughter of the miller of YprÉs. "There are only two trades in a city," said the actors to her, with a smile as bitter as her own, "only two trades—to buy souls and to sell them. What business have you here, who do neither the one nor the other?" There was music still in this trampled reed of the river, into which the gods had once bidden the stray winds and the wandering waters breathe their melody; but there, in the press, the buyers and sellers only saw in it a frail thing of the sand and the stream, only made to be woven for barter, or bind together the sheaves of the roses of pleasure. Art was to him as mother, brethren, mistress, offspring, religion—all that other men hold dear. He had none of these, he desired none of them; and his genius sufficed to him in their stead. It was an intense and reckless egotism, made alike cruel and sublime by its intensity and purity, like the egotism of a mother in her child. To it, as the mother to her child, he would have sacrificed every living creature; but to it also, like her, he would have sacrificed his very existence as unhesitatingly. But it was an egotism which, though merciless in its tyranny, was as pure as snow in its impersonality; it was untainted by any grain of avarice, of vanity, of selfish desire; it was independent of all sympathy; it was simply and intensely the passion for immortality:—that sublime selfishness, that superb madness, of all great minds. Art had taken him for its own, as Demeter, in the days of her desolation, took the child Demophoon to nurture him as her own on the food of gods, and to plunge him through the flames of a fire that would give him immortal life. As the pusillanimous and sordid fears of the mortal mother lost to the child for evermore the possession of Olympian joys and of perpetual youth, so did the craven and earthly cares of bodily needs hold the artist back from the radiance of the life of the soul, and drag him from the purifying fires. Yet he had not been utterly discouraged; he strove against the Metanira of circumstance; he did his best to struggle free from the mortal bonds that bound him; and, as the child Demophoon mourned for the great goddess that had nurtured him, refusing to be comforted, so did he turn from the base consolations of the senses and the appetites, and beheld ever before his sight the ineffable majesty of that Mater Dolorosa who once and for ever had anointed him as her own. Men did not believe in him; what he wrought saddened and terrified them; they turned aside to those who fed them on simpler and on sweeter food. His works were great, but they were such as the public mind deems impious. They unveiled human corruption too nakedly, and they shadowed forth visions too exalted, and satires too unsparing, for them to be acceptable to the multitude. They were compounded of an idealism clear and cold as crystal, and of a reality cruel and voluptuous as love. They were penetrated with an acrid satire and an intense despair: the world caring only for a honied falsehood and a gilded gloss in every art, would have none of them. "See you—what he lacks is only the sinew that gold gives. What he has done is great. The world rightly seeing must fear it; and fear is the highest homage the world ever gives. But he is penniless; and he has many foes; and jealousy can with so much ease thrust aside the greatness which it fears into obscurity, when that greatness is marred by the failures and the feebleness of poverty. Genius scorns the power of gold: it is wrong; gold is the war-scythe on its chariot, which mows down the millions of its foes and gives free passage to the sun-coursers with which it leaves those heavenly fields of light for the gross battle-fields of earth." It is true that the great artist is as a fallen god who remembers a time when worlds arose at his breath, and at his bidding the barren lands blossomed into fruitfulness; the sorcery of the thyrsus is still his, though weakened. The powers of lost dominions haunt his memory; the remembered glory of an eternal sun is in his eyes, and makes the light of common day seem darkness; the heart sickness of a long exile weighs on him; incessantly he He is as a god, since he can call into palpable shape dreams born of impalpable thought; as a god, since he has known the truth divested of lies, and has stood face to face with it, and been not afraid; a god thus. But a cripple inasmuch as his hand can never fashion the shapes that his vision beholds; an alien because he has lost what he never will find upon earth; a beast, since ever and again his passions will drag him to wallow in the filth of sensual indulgence; a slave, since oftentimes the divinity that is in him breaks and bends under the devilry that also is in him, and he obeys the instincts of vileness, and when he would fain bless the nations he curses them. "I do not know," she said, wearily afresh. "Marcellin says that every God is deaf. He must be deaf—or very cruel. Look; everything lives in pain; and yet no God pities and makes an end of the earth. I would—if I were He. Look—at dawn, the other day, I was out in the wood. I came upon a little rabbit in a trap; a little, pretty, soft black-and-white thing, quite young. It was screaming in its horrible misery; it had been screaming all night. Its thighs were broken in the iron teeth; the trap held it tight; it could not escape, it could only scream—scream—scream. All in vain. When I had set it free it was mangled as if a wolf had gnawed it; the iron teeth had bitten through the fur, and the flesh, and the bone; it had lost so much blood, and it ArslÀn smiled as he heard. "Child,—men care for a god only as a god means a good to them. Men are heirs of heaven, they say; and, in right of their heritage, they make life hell to every living thing that dares dispute the world with them. You do not understand that,—tut! You are not human then. If you were human, you would begrudge a blade of grass to a rabbit, and arrogate to yourself a lease of immortality." "Of a winter night," she said, slowly, "I have heard old Pitchou read aloud to Flamma, and she reads of their God, the one they hang everywhere on the crosses here; and the story ran that the populace scourged and nailed to death the one whom they knew afterwards, when too late, to have been the great man that they looked for, and that, being bidden to make their choice of one to save, they chose to ransom and honour a thief: one called Barabbas. Is it true?—if the world's choice were wrong once, why not twice?" ArslÀn smiled; the smile she knew so well, and which had no more warmth than the ice floes of his native seas. "Why not twice? Why not a thousand times? A thief has the world's sympathies always. It is always the Barabbas—the trickster in talent, the forger of stolen wisdom, the bravo of political crime, the huckster of plundered thoughts, the charlatan of false art, whom the She only dimly comprehended, not well knowing why her words had thus roused him. She pondered awhile, then her face cleared. "But the end?" she asked. "The dead God is the God of all these people round us now, and they have built great places in His honour, and they bow when they pass His likeness in the highway or the market-place. But with Barabbas—what was the end? It seems that they loathe and despise him?" ArslÀn laughed a little. "His end? In Syria may be the vultures picked his bones, where they lay whitening on the plains—those times were primitive, the world was young. But in our day Barabbas lives and dies in honour, and has a tomb that stares all men in the face, setting forth his virtues, so that all who run may read. In our day Barabbas—the Barabbas of money-greeds and delicate cunning, and the theft which has risen to science, and the assassination that kills souls and not bodies, and the crime that deals moral death and not material death—our Barabbas, who is crowned Fraud in the place of mailed Force, lives always in purple and fine linen, and ends in the odours of sanctity with the prayers of priests over his corpse." He spoke with a certain fierce passion that rose in him whenever he thought of that world which had rejected him, and had accepted so many others, weaker in brain and nerve, but stronger in one sense, because more dishonest; and as he spoke he went straight to a wall on his right, where a great sea of grey paper was stretched, untouched and ready to his hand. She would have spoken, but he made a motion to silence. "Hush! be quiet," he said to her, almost harshly, "I have thought of something." And he took the charcoal and swept rapidly with it over the dull blank surface till the vacancy glowed with life. A thought had kindled in him; a vision had arisen before him. The scene around him vanished utterly from his sight. The grey stone walls, the square windows through which the fading sun-rays fell; the level pastures and sullen streams, and paled skies without, all faded away as though they had existed only in a dream. All the empty space about him became peopled with many human shapes that for him had breath and being, though no other eye could have beheld them. The old Syrian world of eighteen hundred years before arose and glowed before him. The things of his own life died away, and in their stead he saw the fierce flame of eastern suns, the gleaming range of marble palaces, the purple flush of pomegranate flowers, the deep colour of oriental robes, the soft silver of hills olive crested, the tumult of a city at high festival. And he could not rest until all he thus saw in his vision he had rendered as far as his hand could render it; and what he drew was this. A great thirsty, heated, seething crowd; a crowd that had manhood and womanhood, age and infancy, youths and maidens within its ranks; a crowd in whose faces every animal lust and every human passion were let loose; a crowd on which a noon sun without shadow streamed; a sun which parched and festered and engendered all corruption in the land on which it looked. This crowd was in a city, a city on whose flat roofs the myrtle and the cistus bloomed; above whose walls the plumes of olives waved; upon whose distant slopes the darkling cedar groves rose straight against the sky, And triumphant in the throng, whose choice he was, seated aloft upon men's shoulders, with a purple robe thrown on his shoulders, there sat a brawny, grinning, bloated, jibbering thing, with curled lips and savage eyes, and satyr's leer: the creature of greed, of lust, of obscenity, of brutality, of avarice, of desire. This thing the people followed, rejoicing exceedingly, content in the guide whom they had chosen, victorious in the fiend for whom they spurned a deity; crying, with wide open throats and brazen lungs,—"Barabbas!" There was not a form in all this close-packed throng which had not a terrible irony in it, which was not in itself a symbol of some appetite or of some vice, for which women and men abjure the godhead in them. A gorged drunkard lay asleep with his amphora broken beneath him, the stream of the purple wine lapped eagerly by ragged children. A money-changer had left the receipt of custom, eager to watch and shout, and a thief clutched both hands full of the forsaken coins and fled. A miser had dropped a bag of gold, and stopped to catch at all the rolling pieces, regardless in his greed how the crowd trampled and trod on him. A mother chid and struck her little brown curly child, because he stretched his arms and turned his face towards the thorn-crowned captive. A priest of the temple, with a blood-stained knife thrust in his girdle, dragged beside him, by the throat, a little tender lamb doomed for the sacrifice. A dancing woman with jewels in her ears, and half On one of the flat roof tops, reclining on purple and fine linen, looking down on the street below from the thick foliage of her citron boughs and her red Syrian roses, was an Egyptian wanton; and leaning beside her, tossing golden apples in her bosom, was a young centurion of the Roman guard, languid and laughing, with his fair chest bare to the heat, and his armour flung in a pile beside him. And thus, in like manner, every figure bore its parable; and above all was the hard, hot, cruel, cloudless sky of blue, without one faintest mist to break its horrible serenity, whilst high in the azure ether and against the sun, an eagle and a vulture fought, locked close, and tearing at each other's breasts. Six nights this conception occupied him. His days were not his own, he spent them in a rough mechanical labour which his strength executed while his mind was far away from it; but the nights were all his, and at the end of the sixth night the thing arose, perfect as far as his hand could perfect it; begotten by a chance and ignorant word as have been many of the greatest works the world has seen;—oaks sprung from the acorn that a careless child has let fall. When he had finished it his arm dropped to his side, he stood motionless; the red glow of the dawn lighting the depths of his sleepless eyes. It was a level green silent country which was round her, with little loveliness and little colour; but as She tossed her head back to watch the flight of a single swallow; she caught a handful of green leaves and buried her face in them. She listened in a very agony of memory to the rippling moisture of a little brook. She followed with her eyes the sweeping vapours of the rain-clouds, and when a west wind rose and blew a cluster of loose apple blossoms between her eyes—she could no longer bear the passionate pain of all the long-lost sweetness, but flinging herself downward, sobbed with the ecstasy of an exile's memories. The hell in which she had dwelt had denied them to her for so long. "Ah God!" she thought, "I know now—one cannot be utterly wretched whilst one has still the air and the light and the winds of the sky." And she arose, calmer, and went on her way; wondering, even in that hour, why men and women trod the daily measures of their lives with their eyes downward and their ears choked with the dust; hearkening so little to the sound of the breeze in the grasses, looking so little to the passage of the clouds against the sun. The ground ascended as it stretched seaward, but on it there were only wide dull fields of colza or of grass lying, sickly and burning, under the fire of the late afternoon sun. The slope was too gradual to break their monotony. Above them was the cloudless weary blue; below them was the faint parched green; other colour there was none; She asked him no questions; she walked mutely and patiently by his side; she hated the dull heat, the colourless waste, the hard scorch of the air, the dreary changelessness of the scene. But she did not say so. He had chosen to come to them. A league onward the fields were merged into a heath, uncultivated and covered with short prickly furze; on the brown earth between the stunted bushes a few goats were cropping the burnt-up grasses. Here the slope grew sharper, and the earth seemed to rise up between the sky and them, steep and barren as a house-roof. Once he asked her— "Are you tired?" She shook her head. Her feet ached, and her heart throbbed; her limbs were heavy like lead in the heat and the toil. But she did not tell him so. She would have dropped dead from exhaustion rather than have confessed to him any weakness. He took the denial as it was given, and pressed onward up the ascent. The sun was slanting towards the west; the skies seemed like brass; the air was sharp, yet scorching; the dull brown earth still rose up before them like a wall; they climbed it slowly and painfully, their hands and their teeth filled with its dust, which drifted in a cloud before them. He bade her close her eyes, and she obeyed him. He stretched his arm out and drew her after him up the ascent, which was slippery from drought and prickly from the stunted growth of furze. On the summit he stood still and released her. "Now look." She opened her eyes with the startled, half-questioning Then, with a great cry, she sank down on the rock, trembling, weeping, laughing, stretching out her arms to the new glory that met her sight, dumb with its grandeur, delirious with its delight. For what she saw was the sea. Before her dazzled sight all its beauty stretched, the blueness of the waters meeting the blueness of the skies; radiant with all the marvels of its countless hues; softly stirred by a low wind that sighed across it; bathed in a glow of gold that streamed on it from the westward; rolling from north to south in slow, sonorous measure, filling the silent air with the ceaseless melody of its wondrous voice. The lustre of the sunset beamed upon it; the cool fresh smell of its waters shot like new life through all the scorch and stupor of the day; its white foam curled and broke on the brown curving rocks and wooded inlets of the shores; innumerable birds, that gleamed like silver, floated or flew above its surface; all was still, still as death, save only for the endless movement of those white swift wings and the murmur of the waves, in which all meaner and harsher sounds of earth seemed lost and hushed to slumber and to silence. The sea alone reigned, as it reigned in the young years of the earth when men were not; as, may be, it will be its turn to reign again in the years to come, when men and all their works shall have passed away and be no more seen nor any more remembered. ArslÀn watched her in silence. He was glad that it should awe and move her thus. The sea was the only thing for which he cared, or which had any power over him. In the northern winters of his youth he had known the ocean, in one wild night's work, undo all that men had done to check and rule it, and He had seen its storms wash away at one blow the corn harvests of years, and gather in the sheep from the hills, and take the life of the shepherd with the life of the flock. He had seen it claim lovers locked in each other's arms, and toss the fair curls of the first-born as it tossed the riband weeds of its deeps. And he had felt small pity; it had rather given him a certain sense of rejoicing and triumph to see the water laugh to scorn those who were so wise in their own conceit, and bind beneath its chains those who held themselves masters over all beasts of the field and birds of the air. Other men dreaded the sea and cursed it; but he in his way loved it almost with passion, and could he have chosen the manner of his death would have desired that it should be by the sea and through the sea; a death cold and serene and dreamily voluptuous: a death on which no woman should look and in which no man should have share. He watched her now for some time without speaking. When the first paroxysm of her emotion had exhausted itself, she stood motionless, her figure like a statue of bronze against the sun, her head sunk upon her breast, her arms outstretched as though beseeching that wondrous brightness which she saw to take her to itself and make her one with it. Her whole attitude expressed an unutterable worship. She was like one who for the first time hears of God. "What is it you feel?" he asked her suddenly. He knew without asking; but he had made it his custom to dissect all her joys and sufferings with little heed whether he thus added to either. At the sound of his voice she started, and a shiver shook her as she answered him slowly, without withdrawing her gaze from the waters. "It has been there always—always—so near me?" "Before the land, the sea was." "And I never knew!"— Her head drooped on her breast; great tears rolled silently down her cheeks; her arms fell to her sides; she shivered again and sighed. She knew all that she had lost—this is the greatest grief that life holds. "You never knew," he made answer. "There was only a sand-hill between you and all this glory; but the sand-hill was enough. Many people never climb theirs all their lives long." The words and their meaning escaped her. She had for once no remembrance of him, nor any other sense save of this surpassing wonder that had thus burst on her—this miracle that had been near her for so long, yet of which she had never in all her visions dreamed. She was quite silent; sunk there on her knees, motionless, and gazing straight, with eyes unblenching, at the light. There was no sound near them, nor was there anything in sight except where above against the deepest azure of the sky two curlews were circling around each other, and in the distance a single ship was gliding, with sails silvered by the sun. All signs of human life lay far behind; severed from them by those steep scorched slopes swept only by the plovers and the bees. And all the while she looked slow tears gathered in her eyes and fell, and the loud hard beating of her heart was audible in the hushed stillness of the upper air. He waited awhile: then he spoke to her. "Since it pains you, come away." A great sob shuddered through her. "Give me that pain," she muttered, "sooner than any joy. Pain? pain?—it is life, heaven—liberty!" For suddenly those words which she had heard spoken around her, and which had been to her like the mutterings of the deaf and the dumb, became real to her with thousand meanings. The seagulls were lost in the heights of the air; the ship sailed on into the light till the last gleam of its canvas vanished; the sun sank westward lower and lower till it glowed in a globe of flame upon the edge of the water: she never moved; standing there on the summit of the cliff, with her head drooped upon her breast, her form thrown out dark and motionless against the gold of the western sky, on her face still that look of one who worships with intense honour and passionate faith an unknown God. The sun sank entirely, leaving only a trail of flame across the heavens; the waters grew grey and purple in the shadows; one boat, black against the crimson reflections of the west, swept on swiftly with the in-rushing tide; the wind rose and blew long curls of seaweed on the rocks; the shores of the bay were dimmed in a heavy mist, through which the lights of the little hamlets dimly glowed, and the distant voices of fishermen calling to each other as they drew in their deep-sea nets came faint and weirdlike. What she wanted was to live. Live as the great moor bird did that she had seen float one day over these pale, pure, blue skies, with its mighty wings outstretched in the calm grey weather; which came none knew whence, and which went none knew whither; which poised silent and stirless against the clouds; then called with a sweet wild love-note to its mate, and waited for him as he sailed in from the misty shadows where the sea In the springtime of the year three gods watched by the river. The golden flowers of the willows blew in the low winds; the waters came and went; the moon rose full and cold over a silvery stream; the reeds sighed in the silence. Two winters had drifted by and one hot drowsy summer since their creator had forsaken them, and all the white still shapes upon the walls already had been slain by the cold breath of Time. The green weeds waved in the empty casements; the chance-sown seeds of thistles and of bell-flowers were taking leaf between the square stones of the paven places; on the deserted threshold lichens and brambles climbed together; the filmy ooze of a rank vegetation stole over the loveliness of Persephone and devoured one by one the divine offspring of Zeus; about the feet of the bound sun king in Pheroe and over the calm serene mockery of Hermes' smile the grey nets of the spiders' webs had been woven to and fro, across and across, with the lacing of a million threads, as Fate weaves round the limbs and covers the eyes of mortals as they stumble blindly from their birthplace to their grave. All things, the damp and the dust, the frost and the scorch, the newts and the rats, the fret of the flooded waters, and the stealing sure inroad of the mosses that everywhere grew from the dews and the fogs, had taken and eaten, in hunger or sport, or had touched, and thieved from, then left, gangrened and ruined. The three gods alone remained; who being the sons of In the still, cold, moonlit air their shadows stood together. Hand in hand; looking outward through the white night-mists. Other gods perished with the faith of each age as it changed; other gods lived by the breath of men's lips, the tears of prayer, the smoke of sacrifice. But they,—their empire was the universe. In every young soul that leaps into the light of life rejoicing blindly, Oneiros has dominion; and he alone. In every creature that breathes, from the conqueror resting on a field of blood to the nest bird cradled in its bed of leaves, Hypnos holds a sovereignty which nothing mortal can long resist and live. And Thanatos,—to him belongs every created thing, past, present, and to come; beneath his feet all generations lie; and in the hollow of his hand he holds the worlds; though the earth be tenantless, and the heavens sunless, and the planets shrivel in their courses, and the universe be shrouded in an endless night, yet through the eternal desolation Thanatos still will reign, and through the eternal darkness, through the immeasurable solitudes, he alone will wander, and he still behold his work. Deathless as themselves their shadows stood; and the worm and the lizard and the newt left them alone and dared not wind about their calm clear brows, and dared not steal to touch the roses at their lips, knowing that ere the birth of the worlds these were, and when the worlds shall have perished these still will reign on:—the slow, A late light strayed in from the grey skies, pale as the primrose flowers that grew amongst the reeds upon the shore; and found its way to them, trembling; and shone in the far-seeing depths of their unfathomable eyes. The eyes which spake and said: "Sleep, dreams, and death:—we are the only gods that answer prayer." Night had come; a dark night of earliest spring. The wild day had sobbed itself to sleep after a restless life with fitful breath of storm and many sighs of shuddering breezes. The sun had sunk, leaving long tracks of blood-red light across one-half the heavens. There was a sharp crisp coldness as of lingering frost in the gloom and the dulness. Heavy clouds, as yet unbroken, hung over the cathedral and the clustering roofs around it in dark and starless splendour. Over the great still plains which stretched eastward and southward, black with the furrows of the scarce-budded corn, the wind blew hard; blowing the river and the many streamlets spreading from it into foam; driving the wintry leaves which still strewed the earth thickly, hither and thither in legions; breaking boughs that had weathered the winter hurricanes, and scattering the tender blossoms of the snowdrops and the earliest crocuses in all the little moss-grown garden ways. The smell of wet grass, of the wood-born violets, of trees whose new life was waking in their veins, of damp earths turned freshly upwards by the plough, were all blown together by the riotous breezes. Now and then a light gleamed through the gloom where a little peasant boy lighted home with a torch some old A dim glow from the west, which was still tinged with the fire of the sunset, fell through a great square window set in a stone building, and striking across the sicklier rays of an oil lamp reached the opposing wall within. It was a wall of grey stone, dead and lustreless like the wall of a prison-house, over whose surface a spider as colourless as itself dragged slowly its crooked hairy limbs loaded with the moisture of the place, which was an old tower, of which the country folk told strange tales, where it stood among the rushes on the left bank of the stream. A man watched the spider as it went. It crept on its heavy way across the faint crimson reflection from the glow of the sunken sun. It was fat, well-nourished, lazy, content; its home of dusky silver hung on high, where its pleasure lay in weaving, clinging, hoarding, breeding. It lived in the dark; it had neither pity nor regret; it troubled itself neither for the death it dealt to nourish itself, nor for the light without, into which it never wandered; it spun and throve and multiplied. It was an emblem of the man who is wise in his generation; of the man whom Cato the elder deemed divine; of the Majority and the Mediocrity who rule over the earth and enjoy its fruits. This man knew that it was wise; that those who were like to it were wise also: wise with the holy wisdom which is honoured of other men. He had been unwise—always; and therefore he stood watching the sun die, with hunger in his soul, with famine in his body. For many months he had been half famished, as were the wolves in his own northern mountains in the winter solstice. For seven days he had only been able to crush He might have found some to fill it for him no doubt. He lived amidst the poor, and the poor to the poor are good, though they are bad and bitter to the rich. But he did not open either his lips or his hand. He consumed his heart in silence; and his vitals preyed in anguish on themselves without his yielding to their torments. He was a madman; and Cato, who measured the godliness of man by what they gained, would have held him accursed;—the madness that starves and is silent for an idea is an insanity, scouted by the world and the gods. For it is an insanity unfruitful; except to the future. And for the future who cares,—save these madmen themselves? He watched the spider as it went. It could not speak to him as its fellow once spoke in the old Scottish story. To hear as that captive heard, the hearer must have hope, and a kingdom,—if only in dreams. This man had no hope; he had a kingdom indeed, but it was not of earth; and, in an hour of sheer cruel bodily pain, earth alone has dominion and power and worth. The spider crawled across the grey wall; across the glow from the vanished sun; across a coil of a dead passion-vine, that strayed loose through the floor; across the classic shapes of a great cartoon drawn in chalks upon the dull rugged surface of stone. Nothing arrested it; nothing retarded it, as nothing hastened it. It moved slowly on; fat, lustreless, indolent, hueless; reached at length its den, and there squatted aloft, loving the darkness; its young swarming around, its prey held in its forceps, its nets cast about. Through the open casement there came on the rising It swam in on trembling pinions, and alighted on the golden head of a gathered crocus that lay dying on the stones—a moth that should have been born to no world save that of the summer world of a Midsummer Night's Dream. A shape of Ariel and Oberon; slender, silver, purple, roseate, lustrous-eyed, and gossamer-winged. A creature of woodland waters, and blossoming forests; of the yellow chalices of kingcups and the white breasts of river lilies, of moonbeams that strayed through a summer world of shadows, and dew-drops that glistened in the deep folded hearts of roses. A creature to brush the dreaming eyes of a poet, to nestle on the bosom of a young girl sleeping: to float earthwards on a falling star, to slumber on a lotus leaf. A creature that amidst the still soft hush of woods and waters still tells, to those who listen, of the world when the world was young. The moth flew on, and poised on the fading crocus leaves, which spread out their pale gold on the level of the grey floor. It was weary, and its delicate wings drooped; it was storm-tossed, wind-beaten, drenched with mist and frozen with the cold; it belonged to the moon, to the dew, to the lilies, to the forget-me-nots, and to the night; and it found that the hard grip of winter had seized it whilst yet it had thought that the stars and the summer were with it. It lived before its time,—and it was like the human soul, which being born in the darkness of the world dares to dream of light, and, wandering in vain search of a sun that will never rise, falls and perishes in wretchedness. It was beautiful exceedingly, with the brilliant tropical There fell among the dust and cinder of the lamp a little heap of shrunken, fire-scorched, blackened ashes. The wind whirled them upward from their rest, and drove them forth into the night to mingle with the storm-scourged grasses, the pale dead violets, the withered snow-flowers, with all things frost-touched and forgotten. The spider sat aloft, sucking the juices from the fettered flies, teaching its spawn to prey and feed; content in squalor and in plenitude; in sensual sloth, and in the increase of its body and its hoard. He watched them both: the success of the spider, the death of the moth; trite as a fable; ever repeated as the tides of the sea; the two symbols of humanity; of the life which fattens on greed and gain, and the life which perishes of divine desire. There were no rare birds, no birds of moor and mountain, in that cultivated and populous district; but to her all the little home-bred things of pasture and orchard were full of poetry and of character. The robins, with that pretty air of boldness with which they veil their real shyness and timidity; the strong and saucy sparrows, powerful by the strength of all mediocrities and majorities; all the dainty families of finches in their gay apparellings; the plain brown bird that filled the night with music; the gorgeous oriole ruffling in gold, the gilded princeling of them all; the little blue warblers, the violets of the air; the kingfishers who had hovered so She loved them; they and the fourfooted beasts were the sole things that did not flee from her; and the woeful and mad slaughter of them by the peasants was to her a grief passionate in its despair. She did not reason on what she felt; but to her a bird slain was a trust betrayed, an innocence defiled, a creature of heaven struck to earth. Suddenly on the silence of the garden there was a little shrill sound of pain; the birds flew high in air, screaming and startled; the leaves of a bough of ivy shook as with a struggle. She rose and looked; a line of twine was trembling against the foliage; in its noosed end the throat of the mavis had been caught; it hung trembling and clutching at the air convulsively with its little drawn-up feet. It had flown into the trap as it had ended its joyous song and soared up to join its brethren. There were a score of such traps set in the miller's garden. She unloosed the cord from about its tiny neck, set it free, and laid it down upon the ivy. The succour came too late; the little gentle body was already without breath; the feet had ceased to beat the air; the small soft head had drooped feebly on one side; the lifeless eyes had started from their sockets; the throat was without song for evermore. "The earth would be good but for men," she thought, as she stood with the little dead bird in her hand. Its mate, which was poised on a rose bough, flew straight to it, and curled round and round about the small slain body, and piteously bewailed its fate, and mourned, Vain; for the little joyous life was gone; the life that asked only of God and Man a home in the green leaves; a drop of dew from the cup of a rose; a bough to swing on in the sunlight; a summer day to celebrate in song. All the winter through, it had borne cold and hunger and pain without lament; it had saved the soil from destroying larvÆ, and purified the trees from all foul germs; it had built its little home unaided, and had fed its nestlings without alms; it had given its sweet song lavishly to the winds, to the blossoms, to the empty air, to the deaf ears of men; and now it lay dead in its innocence; trapped and slain because a human greed begrudged it a berry worth the thousandth part of a copper coin. Out from the porch of the mill-house Claudis Flamma came, with a knife in his hand and a basket, to cut lilies for one of the choristers of the cathedral, since the morrow would be the religious feast of the Visitation of Mary. He saw the dead thrush in her hand, and chuckled to himself as he went by. "The tenth bird trapped since sunrise," he said, thinking how shrewd and how sure in their make were these traps of twine that he set in the grass and the leaves. She said nothing; but the darkness of disgust swept over her face, as he came in sight in the distance. She knelt down and scraped a hole in the earth; and laid moss in it, and put the mavis softly on its green and fragrant bier, and covered it with handfuls of fallen rose leaves, and with a sprig or two of thyme. Around her head the widowed thrush flew ceaselessly, uttering sad cries;—who now should wander with him through the sunlight?—who now should rove with him above the blossoming fields?—who now should sit with him beneath the boughs hearing the sweet rain fall between the leaves?—who now should wake with him whilst And, indeed, to those who are alive to the nameless, universal, eternal soul which breathes in all the grasses of the fields, and beams in the eyes of all creatures of earth and air, and throbs in the living light of palpitating stars, and thrills through the young sap of forest trees, and stirs in the strange loves of wind-borne plants, and hums in every song of the bee, and burns in every quiver of the flame, and peoples with sentient myriads every drop of dew that gathers on a harebell, every bead of water that ripples in a brook—to these the mortal life of man can seem but little, save at once the fiercest and the feeblest thing that does exist; at once the most cruel and the most impotent; tyrant of direst destruction and bondsman of lowest captivity. Hence, pity entered very little into his thoughts at any time; the perpetual torture of life did indeed perplex him, as it perplexes every thinking creature, with wonder at the universal bitterness that taints all creation, at the universal death whereby all forms of life are nurtured, at the universal anguish of all existence which daily and nightly assails the unknown God in piteous protest at the inexorable laws of inexplicable miseries and mysteries. But because such suffering was thus universal, therefore he almost ceased to feel pity for it; of the two he pitied the beasts far more than the human kind:—the horse staggering beneath the lash in all the feebleness of hunger, lameness, and old age; the ox bleeding from the goad on the hard furrows, or stumbling through the hooting crowd, blind, footsore, and shivering, to its last home in the slaughter-house; the dog, yielding up its noble life inch by inch under the tortures of the knife, loyally licking "There lived once in the East, a great king; he dwelt far away, amongst the fragrant fields of roses, and in the light of suns that never set. "He was young, he was beloved, he was fair of face and form; and the people, as they hewed stone, or brought water, said amongst themselves, 'Verily, this man is as a god; he goes where he lists, and he lies still or rises up as he pleases; and all fruits of all lands are culled for him; and his nights are nights of gladness, and his days, when they dawn, are all his to sleep through or spend as he wills.' But the people were wrong. For this king was weary of his life. "His buckler was sown with gems, but his heart beneath it was sore. For he had been long bitterly harassed by foes who descended on him as wolves from the hills in their hunger, and he had been long plagued with heavy wars and with bad rice harvests, and with many troubles to his nation that kept it very poor, and forbade him to finish the building of new marble palaces, and the making of fresh gardens of delight, on which his heart was set. So he, being weary of a barren land and of an empty treasury, with all his might prayed to the gods that all he touched might turn to gold, even as he had heard had happened to some magician long before in other ages. And the gods gave him the thing he craved; and his treasury overflowed. No king had ever been so rich, as this king now became in the short space of a single summer-day. "But it was bought with a price. "When he stretched out his hand to gather the rose that blossomed in his path, a golden flower scentless and stiff was all he grasped. When he called to him the carrier-dove that sped with a scroll of love words across the mountains, the bird sank on his breast a carven piece of metal. When he was athirst and shouted to his cupbearer for drink, the red wine ran a stream of molten gold. When he would fain have eaten, the pulse and the pomegranate grew alike to gold between his teeth. And lo! at eventide, when he sought the silent chambers of his harem, saying, 'Here at least shall I find rest,' and bent his steps to the couch whereon his best-beloved slave was sleeping, a statue of gold was all he drew into his eager arms, and cold shut lips of sculptured gold were all that met his own. "That night the great king slew himself, unable any more to bear this agony; since all around him was desolation, even though all around him was wealth. "Now the world is too like that king, and in its greed of gold it will barter its life away. "Look you,—this thing is certain—I say that the world will perish, even as that king perished, slain as he was slain, by the curse of its own fulfilled desire. "The future of the world is written. For God has granted their prayer to men. He has made them rich, and their riches shall kill them. "When all green places have been destroyed in the builder's lust of gain:—when all the lands are but mountains of brick, and piles of wood and iron:—when there is no moisture anywhere; and no rain ever falls:—when the sky is a vault of smoke; and all the rivers reek with poison:—when forest and stream, and moor and meadow, and all the old green wayside beauty are things vanished and forgotten:—when every gentle timid thing of brake and bush, of air and water, has been killed because it The earth is crowded full with clay gods and false prophets, and fresh legions for ever arriving to carry on the old strife for supremacy; and if a man pass unknown all the time that his voice is audible, and his hand visible, through the sound and smoke of the battle, he will dream in vain of any remembrance when the gates of the grave shall have closed on him and shut him for ever from sight. When the world was in its youth, it had leisure to treasure its recollections; even to pause and look back, and to see what flower of a fair thought, what fruit of a noble art it might have overlooked or left down-trodden. But now it is so old, and is so tired; it is purblind and heavy of foot; it does not notice what it destroys; it desires rest, and can find none; nothing can matter Why should it not be? It has known the best, it has known the worst, that ever can befall it. And the prayer that to the heart of a man seems so freshly born from his own desire, what is it on the weary ear of the world, save the same old old cry which it has heard through all the ages, empty as the sound of the wind, and for ever—for ever—unanswered? There is no more terrible woe upon earth than the woe of the stricken brain, which remembers the days of its strength, the living light of its reason, the sunrise of its proud intelligence, and knows that these have passed away like a tale that is told; like a year that is spent; like an arrow that is shot to the stars, and flies aloft, and falls in a swamp; like a fruit that is too well loved of the sun, and so, over-soon ripe, is dropped from the tree and forgot on the grasses, dead to all joys of the dawn and the noon and the summer, but still alive to the sting of the wasp, to the fret of the aphis, to the burn of the drought, to the theft of the parasite. She only dimly understood, and yet she was smitten with awe and reverence at that endless grief which had no taint of cowardice upon it, but was pure as the patriot's despair, impersonal as the prophet's agony. For the first time the intellect in her consciously awoke. For the first time she heard a human mind find voice even in its stupor and its wretchedness to cry aloud, in reproach to its unknown Creator: "I am yours! Shall I perish with the body? Why have you ever bade me desire the light and seek it, if for ever you must thrust me into the darkness of negation? Shall I be Nothing?—like the muscle that rots, like the bones that crumble, like the flesh that turns to ashes, and blows in a film on the winds? Shall I die so? I?—the mind of a man, the breath of a god?" He could not bear to die without leaving behind his life some work the world would cherish. Call it folly, call it madness, it is both: the ivory Zeus that was to give its sculptor immortality, lives but in tradition; the bronze Athene, that was to guard the PirÆus in eternal liberty, has long been levelled with the dust; yet with every age the artist still gives life for fame, still cries, "Let my body perish, but make my soul immortal!" The spider had drawn his dusty trail across them; the rat had squatted at their feet; the darkness of night had enshrouded and defaced them; yet with the morning they arose, stainless, noble, undefiled. Amongst them there was one colossal form, on which the sun poured with its full radiance. This was the form of a captive grinding at a millstone; the majestic, symmetrical, supple form of a man who was also a god. In his naked limbs there was a supreme power; in his glance there was a divine command; his head was lifted as though no yoke could ever lie on that proud neck; his foot seemed to spurn the earth as though no mortal tie had ever bound him to the sod that human steps bestrode: yet at the corn-mill he laboured, grinding For it was the great Apollo in PherÆ. The hand which awoke the music of the spheres had been blood-stained with murder; the beauty which had the light and lustre of the sun had been darkened with passion and with crime; the will which no other on earth or in heaven could withstand had been bent under the chastisement of Zeus. He whose glance had made the black and barren slopes of Delos to laugh with fruitfulness and gladness—he whose prophetic sight beheld all things past, present, and to come, the fate of all unborn races, the doom of all unspent ages—he, the Far-Striking King, laboured here beneath the curse of crime, greatest of all the gods, and yet a slave. In all the hills and vales of Greece his Io pÆan sounded still. Upon his holy mountains there still arose the smoke of fires of sacrifice. With dance and song the Delian maidens still hailed the divinity of LÊtÔ's son. The waves of the pure Ionian air still rang for ever with the name of Delphinios. At Pytho and at Clarus, in Lycia and in Phokis, his oracles still breathed forth upon their fiat terror or hope into the lives of men; and still in all the virgin forests of the world the wild beasts honoured him wheresoever they wandered, and the lion and the boar came at his bidding from the deserts to bend their free necks and their wills of fire meekly to bear his yoke in Thessaly. Yet he laboured here at the corn-mill of Admetus; and watching him at his bondage there stood the slender, slight, wing-footed Hermes, with a slow, mocking smile upon his knavish lips, and a jeering scorn in his keen eyes, even as though he cried: "O brother, who would be greater than I! For what hast thou bartered to me the golden rod of thy wealth and thy dominion over the flocks and the herds? For seven chords strung on a shell—for a melody not even thine own! For a lyre outshone by my syrinx hast thou sold all thine empire to me. Will human ears give heed to thy song now thy sceptre has passed to my hands? Immortal music only is left thee, and the vision foreseeing the future. O god! O hero! O fool! what shall these profit thee now?" Thus to the artist by whom they had been begotten the dim white shapes of the deities spoke. Thus he saw them, thus he heard, whilst the pale and watery sunlight lit up the form of the toiler in PherÆ. For even as it was with the divinity of Delos, so is it likewise with the genius of a man, which, being born of a god, yet is bound as a slave to the grindstone. Since even as Hermes mocked the Lord of the Unerring Bow, so is genius mocked of the world, when it has bartered the herds, and the grain, and the rod that metes wealth, for the seven chords that no ear, dully mortal, can hear. And as he looked upon this symbol of his life, the captivity and the calamity, the strength and the slavery of his existence overcame him; and for the first hour since he had been born of a woman ArslÀn buried his face in his hands and wept. He could bend great thoughts to take the shapes that he chose, as the chained god in PherÆ bound the strong kings of the desert and forest to carry his yoke; yet, like the god, he likewise stood fettered to the mill to grind for bread. One evening, a little later, he met her in the fields on the same spot where Marcellin first had seen her as a child amongst the scarlet blaze of the poppies. The lands were all yellow with saffron and emerald with the young corn; she balanced on her head a great brass jar; the red girdle glowed about her waist as she moved: the wind stirred the folds of her garments; her feet were buried in the shining grass; clouds tawny and purple were behind her; she looked like some Moorish phantom seen in a dream under a sky of Spain. He paused and gazed at her with eyes half content, half cold. She was of a beauty so uncommon, so strange, and all that was his for his art:—a great artist, whether in words, in melody, or in colour, is always cruel, or at the least seems so, for all things that live under the sun are to him created only to minister to his one inexorable passion. Art is so vast, and human life is so little. It is to him only supremely just that the insect of an hour should be sacrificed to the infinite and eternal truth which must endure until the heavens themselves shall wither as a scroll that is held in a flame. It might have seemed to ArslÀn base to turn her ignorance, and submission to his will, for the gratification of his amorous passions; but to make these serve the art to which he had himself abandoned every earthly good was in his sight justified, as the death agonies of the youth whom they decked with roses and slew in sacrifice to the sun, were in the sight of the Mexican nation. The youth whom the Mexicans slew, on the high hill of the city, with his face to the west, was always the choicest and the noblest of all the opening flower of their manhood: for it was his fate to be called to enter into the realms of eternal light, and to dwell face to face with the unbearable brightness without whose rays the universe The steel that he draws out from the severed heart of his victim he is ready to plunge into his own vitals: no other religion can vaunt as much of its priests. "What are you thinking of to-night?" he asked her where she came through the fields by the course of a little flower-sown brook, fringed with tall bulrushes and waving willow-stems. She lifted her eyelids with a dreamy and wistful regard. "I was thinking—I wonder what the reed felt that you told me of—the one reed that a god chose from all its millions by the waterside and cut down to make into a flute." "Ah?—you see there are no reeds that make music now-a-days; the reeds are only good to be woven into kreels for the fruits and the fish of the market." "That is not the fault of the reeds?" "Not that I know; it is the fault of men, most likely, who find the chink of coin in barter sweeter music than the song of the syrinx. But what do you think the reed felt then?—pain to be so sharply severed from its fellows?" "No—or the god would not have chosen it." "What then?" A troubled sigh parted her lips; these old fables were fairest truths to her, and gave a grace to every humblest thing that the sun shone on, or the waters begat from their foam, or the winds blew with their breath into the little life of a day. "I was trying to think. But I cannot be sure. These reeds have forgotten. They have lost their soul. They ArslÀn looked at her where she stood; her eyes resting on the reeds, and the brook at her feet; the crimson heat of the evening all about her, on the brazen amphora, on the red girdle on her loins, on the thoughtful parted lips, on the proud bent brows above which a golden butterfly floated as above the brows of Psyche. He smiled; the smile that was so cold to her. "Look: away over the fields, there comes a peasant with a sickle; he comes to mow down the reeds to make a bed for his cattle. If he heard you, he would think you mad." "They have thought me many things worse. What matter?" "Nothing at all;—that I know. But you seem to envy that reed—so long ago—that was chosen?" "Who would not?" "Are you so sure? The life of the reed was always pleasant;—dancing there in the light, playing with the shadows, blowing in the winds; with the cool waters all about it all day long, and the yellow daffodils and the blue bell-flowers for its brethren." "Nay;—how do you know?" Her voice was low, and thrilled with a curious eager pain. "How do you know?" she murmured. "Rather,—it was born in the sands, amongst the stones, of the chance winds, of the stray germs,—no one asking, no one heeding, brought by a sunbeam, spat out by a toad—no one caring where it dropped. Rather,—it grew there by the river, and such millions of reeds grew with it, that Her face lightened with a radiance to which the passion of her words was pale and poor; the vibrations of her voice grew sonorous and changing as the sounds of music itself; her eyes beamed through unshed tears as planets through the rain. Of all the forms with which he had peopled its loneliness, these had the most profound influence on her in their fair, passionless, majestic beauty, in which it seemed to her that the man who had forgotten them had repeated his own likeness. For they were all alike, yet unlike; of the same form and feature, yet different even in their strong resemblance, like elder and younger brethren who hold a close companionship. For Hypnos was still but a boy with his blue-veined eyelids closed, So the gods stood, and so they spoke, even to her; they seemed to her as brethren, masters, friends—these three immortals who looked down on her in their mute majesty. They are the gods of the poor, of the wretched, of the outcast, of the proscribed,—they are the gods who respect not persons nor palaces,—who stay with the exile and flee from the king,—who leave the tyrant of a world to writhe in torment, and call a smile beautiful as the morning on the face of a beggar child,—who turn from the purple beds where wealth and lust and brutal power lie, and fill with purest visions the darkest hours of the loneliest nights, for genius and youth,—they are the gods of consolation and of compensation,—the gods of the exile, of the orphan, of the outcast, of the poet, of the prophet, of all whose bodies ache with the infinite pangs of famine, and whose hearts ache with the infinite woes of the world, of all who hunger with the body or the soul. It became mid-April. It was market-day for all the country lying round that wondrous cathedral-spire, which shot into the air far-reaching and ethereal, like some fountain whose column of water had been arrested aloft and changed to ice. The old quiet town was busy, with a rich sunshine shed upon it, in which the first yellow butterflies of the year had begun to dance. It was high noon, and the highest tide of the market. Flower-girls, fruit-girls, egg-sellers, poultry-hucksters, crowds of women, old and young, had jolted in on their docile asses, throned on their sheepskin saddles; and now, chattering and chaffering, drove fast their trade. On the steps of the cathedral boys with birds'-nests, knife-grinders making their little wheels fly, cobblers hammering, with boards across their knees, travelling pedlars with knapsacks full of toys and mirrors, and holy images, and strings of beads, sat side by side in amicable competition. Here and there a priest passed, with his black robe and broad hat, like a dusky mushroom amongst a bed of many-hued gillyflowers. Here and there a soldier, all colour and glitter, showed like a gaudy red tulip in bloom amidst tufts of thyme. The old wrinkled leathern awnings of the market-stalls glowed like copper in the brightness of noon. The red tiles of the houses edging the great square were gilded with yellow houseleeks. The little children ran hither and thither with big bunches of primroses or sheaves of blue wood-hyacinths, singing. The red and blue serges of the young girls' bodices were like the gay hues of the anemones in their baskets. The brown faces of the old dames under the white roofing of their headgear were like the russet faces of the home-kept apples which they had garnered through all the winter. Everywhere in the shade of the flapping leather, and |
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