Fear is a fruit of sin, which drove the first father of our flesh from the presence of God, and hath bred an imperfection in a number of the worse part of his posterity. It is the disgrace of nature, the foil of reason, the maim of wit, and the slur of understanding. It is the palsy of the spirit where the soul wanteth faith, and the badge of a coward that cannot abide the sight of a sword. It is weakness in nature and a wound in patience, the death of hope and the entrance into despair. It is children's awe and fools' amazement, a worm in conscience and a curse to wickedness. In brief, it makes the coward stagger, the liar stammer, the thief stumble, and the traitor start. It is a blot in arms, a blur in honour, the shame of a soldier, and the defeat of an army.

Breton's next little prose book, published in the following year, 1616--year of the death of Shakespeare--was a set of Characters, "The Good and the Bad," without suggestion that they were built upon the lines of Bacon's Essays. Bacon's Essays first appeared as a set of ten in 1597, became a set of forty in the revised edition of 1612, and of fifty-eight in the edition of 1625, published a year before their author's death. In their sententious brevity Bacon's Essays have, of course, a style more nearly allied to the English Character Writing of the Seventeenth Century than to the Sixteenth Century Essays of Montaigne, which were altogether different in style, matter, and aim. This, for example, was Bacon's first Essay in the 1597 edition:--