| PAGE |
| CHAPTER I. INTRODUCTION | 9 |
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| CHAPTER II. THE PSYCHOLOGY OF ECSTASY | 18 |
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| CHAPTER III. ECSTASY, NOT RHYTHM, ESSENTIAL TO POETRY | 42 |
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| CHAPTER IV. PROSE THE NATURAL LANGUAGE OF THE LITERATURE OF ECSTASY | 77 |
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| CHAPTER V. PROSE PRECEDES VERSE HISTORICALLY | 96 |
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| CHAPTER VI. BLANK VERSE AND FREE VERSE AS FORMS OF PROSE | 111 |
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| CHAPTER VII. MORAL AND PHILOSOPHICAL IDEAS AS POETRY WHEN WRITTEN WITH ECSTASY | 123 |
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| CHAPTER VIII. POETRY RISES ABOVE ART FOR ART'S SAKE AND INTUITION | 138 |
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| CHAPTER IX. HIGH FORM OF POETRY ECSTATIC PRESENTATION OF ADVANCED SOCIAL IDEALS | 152 |
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| CHAPTER X. LITERATURE OF ECSTASY EMANATES FROM THE UNCONSCIOUS | 179 |
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| CHAPTER XI. LOVE ECSTASY IN ARABIAN POETRY | 203 |
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| CHAPTER XII. CONCLUSION | 226 |
