PAGE | CHAPTER I. INTRODUCTION | 9 | | CHAPTER II. THE PSYCHOLOGY OF ECSTASY | 18 | | CHAPTER III. ECSTASY, NOT RHYTHM, ESSENTIAL TO POETRY | 42 | | CHAPTER IV. PROSE THE NATURAL LANGUAGE OF THE LITERATURE OF ECSTASY | 77 | | CHAPTER V. PROSE PRECEDES VERSE HISTORICALLY | 96 | | CHAPTER VI. BLANK VERSE AND FREE VERSE AS FORMS OF PROSE | 111 | | CHAPTER VII. MORAL AND PHILOSOPHICAL IDEAS AS POETRY WHEN WRITTEN WITH ECSTASY | 123 | | CHAPTER VIII. POETRY RISES ABOVE ART FOR ART'S SAKE AND INTUITION | 138 | | CHAPTER IX. HIGH FORM OF POETRY ECSTATIC PRESENTATION OF ADVANCED SOCIAL IDEALS | 152 | | CHAPTER X. LITERATURE OF ECSTASY EMANATES FROM THE UNCONSCIOUS | 179 | | CHAPTER XI. LOVE ECSTASY IN ARABIAN POETRY | 203 | | CHAPTER XII. CONCLUSION | 226 |
THE LITERATURE OF ECSTASY
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