Of course there is in Mallingham, as in every other country town, a first set and a second set—perhaps even a third, but that must be very close indeed to the unclassed tradesmen set, which is no set at all. And here it may be mentioned that the tradesmen's families are, as a rule, very much more refined and almost invariably better educated than the families of the first or second sets. Some years ago there was an amateur performance of one of Mr. Sutro's delightful plays given in aid of some deserving charity. Charity performances cover, as does Charity itself, a multitude of sins, but the leading lady did not need to make any appeal for leniency, so ably did she represent the part of the refined woman who was not quite sure whether she loved her husband or not. She was the daughter of a professional man, but had never succeeded in getting into the first set; for it must be remembered that there is no graduating from one set to another: one is either accepted or rejected at once. A couple of years later, however, the play was repeated, only this time it was under the highest patronage, so the management resolved to get the real thing. They managed to secure the services of a lady of title for the chief part, and the result was appalling. The refinement had vanished from the part, so had the correct pronunciation of the English language, so had the good taste in the toilettes worn, so had every vestige of intelligence. In place of these we were shown a pert young person with a voice like that of a barmaid in a country inn and a taste in dress to correspond. In the matter of memory for the words of the dialogue also the advantage was certainly on the side of the humbler representative of the part. In one of Mr. Henry James' most delightful short stories the catastrophe of “The Real Thing” is depicted. It was not more pronounced than that of the second representation of the comedy.