As a matter of course, Colman objected to the new title when Goldsmith communicated it to him the next day; but the latter was firm on this particular point. He had given the play its name, he said, and he would not alter it now on any consideration.

Colman once again shrugged his shoulders. The production of the play gave him so much practice at shrugging, Goldsmith expressed his regret at not being able to introduce the part of a Frenchman, which he said he believed the manager would play to perfection.

But when Johnson, who attended the rehearsal with Miss Reynolds, the whole Horneck family, Cradock and Murphy, asserted, as he did with his customary emphasis, that no better title than “She Stoops to Conquer” could be found for the comedy, Colman made no further objections, and the rehearsal was proceeded with.

“Nay, sir,” cried Johnson, when Goldsmith was leaving his party in a box in order to go upon the stage, “Nay, sir, you shall not desert us. You must stay by us to let us know when the jests are spoken, so that we may be fully qualified to laugh at the right moments when the theatre is filled. Why, Goldy, you would not leave us to our own resources?”

“I will be the Lieutenant Cook of the comedy, Dr. Johnson,” said Miss Horneck—Lieutenant Cook and his discoveries constituted the chief topics of the hour. “I believe that I know so much of the dialogue as will enable me to pilot you, not merely to the Otaheite of a jest, but to a whole archipelago of wit.”

“Otaheite is a name of good omen,” said Cradock. “It is suggestive of palms, and 'palmam qui meruit ferat.'”

“Sir,” said Johnson, “you should know better than to quote Latin in the presence of ladies. Though your remark is not quite so bad as I expected it would be, yet let me tell you, sir, that unless the wit in the comedy is a good deal livelier than yours, it will have a poor chance with the playgoers.”

“Oh, sir, Dr. Goldsmith's wit is greatly superior to mine,” laughed Cradock. “Otherwise it would be my comedy that would be in rehearsal, and Dr. Goldsmith would be merely on a level with us who constitute his critics.”

Goldsmith had gone on the stage and the rehearsal had begun, so that Johnson was enabled, by pretending to give all his attention to the opening dialogue, to hide his lack of an effective reply to Cradock for his insolence in suggesting that they were both on the same level as critics.

Before Shuter, as Old Hardcastle, had more than begun to drill his servants, the mighty laughter of Dr. Johnson was shaking the box. Every outburst was like the exploding of a bomb, or, as Cradock put it, the broadside coming from the carronade of a three-decker. He had laughed and applauded during the scene at the Three Pigeons—especially the satirical sallies directed against the sentimentalists—but it was the drilling of the servants that excited him most, and he inquired of Miss Horneck—

“Pray what is the story of Ould Grouse in the gun-room, my dear?”

When the members of the company learned that it was the great Dr. Samuel Johnson who was roaring with laughter in the box, they were as much amazed as they were encouraged. Colman, who had come upon the stage out of compliment to Johnson, feeling that his position as an authority regarding the elements of diversion in a play was being undermined in the estimation of his company, remarked—

“Your friend Dr. Johnson will be a friend indeed if he comes in as generous a mood to the first representation. I only hope that the playgoers will not resent his attempt to instruct them on the subject of your wit.”

“I don't think that there is any one alive who will venture to resent the instruction of Dr. Johnson,” said Goldsmith quietly.

The result of this rehearsal and of the three rehearsals that followed it during the week, was more than encouraging to the actors, and it became understood that Woodward and Gentleman Smith were ready to admit their regret at having relinquished the parts for which they had been originally cast. The former had asked to be permitted to speak the prologue, which Garrick had written, and, upon which, as he had told Goldsmith, he had already given a hint or two to Woodward.

The difficulty of the epilogue, however, still remained. The one which Murphy had written for Mrs. Bulkley was objected to by Miss Catley, who threatened to leave the company if Mrs. Bulkley, who had been merely thrust forward to take Mrs. Abington's place, were entrusted with the epilogue; and, when Cradock wrote another for Miss Catley, Mrs. Bulkley declared that if Miss Catley were allowed the distinction which she herself had a right to claim, she would leave the theatre. Goldsmith's ingenuity suggested the writing of an epilogue in which both the ladies were presented in their true characters as quarreling on the subject; but Colman placed his veto upon this idea and also upon another simple epilogue which the author had written. Only on the day preceding the first performance did Goldsmith produce the epilogue which was eventually spoken by Mrs. Bulkley.

“It seems to me to be a pity to waste so much time discussing an epilogue which will never be spoke,” sneered Colman when the last difficulties had been smoothed over.

Goldsmith walked away without another word, and joined his party, consisting of Johnson, Reynolds, Miss Reynolds, the Bunburys and Mary Horneck. Now that he had done all his work connected with the production of the play—when he had not allowed himself to be overcome by the niggardly behaviour of the manager in declining to spend a single penny either upon the dresses or the scenery, that parting sneer of Colman's almost caused him to break down.

Mary Horneck perceived this, and hastened to say something kind to him. She knew so well what would be truly encouraging to him that she did not hesitate for a moment.

“I am glad I am not going to the theatre to-night,” she said; “my dress would be ruined.”

He tried to smile as he asked her for an explanation.

“Why, surely you heard the way the cleaners were laughing at the humour of the play,” she cried. “Oh, yes, all the cleaners dropped their dusters, and stood around the boxes in fits of laughter. I overheard one of the candle-snuffers say that no play he had seen rehearsed for years contained such wit as yours. I also overheard another man cursing Mr. Col-man for a curmudgeon.”

“You did? Thank God for that; 't is a great responsibility off my mind,” said Goldsmith. “Oh, my dear Jessamy Bride, I know how kind you are, and I only hope that your god-child will turn out a credit to me.”

“It is not merely your credit that is involved in the success of this play, sir,” said Johnson. “The credit of your friends, who insisted on Colman's taking the play, is also at stake.”

“And above all,” said Reynolds pleasantly, “the play must be a success in order to put Colman in the wrong.”

“That is the best reason that could be advanced why its success is important to us all,” said Mary. “It would never do for Colman to be in the right. Oh, we need live in no trepidation; all our credits will be saved by Monday night.”

“I wonder if any unworthy man ever had so many worthy friends,” said Goldsmith. “I am overcome by their kindness, and overwhelmed with a sense of my own unworthiness.”

“You will have another thousand friends by Monday night, sir,” cried Johnson. “Your true friend, sir, is the friend who pays for his seat to hear your play.”

“I always held that the best definition of a true friend is the man who, when you are in the hands of bailiffs, comes to see you, but takes care to send a guinea in advance,” said Goldsmith, and every one present knew that he alluded to the occasion upon which he had been befriended by Johnson on the day that “The Vicar of Wakefield” was sold.

“And now,” said Reynolds, “I have to prove how certain we are of the future of your piece by asking you to join us at dinner on Monday previous to the performance.”

“Commonplace people would invite you to supper, sir, to celebrate the success of the play,” said Johnson. “To proffer such an invitation would be to admit that we were only convinced of your worth after the public had attested to it in the most practical way. But we, Dr. Goldsmith, who know your worth, and have known it all these years, wish to show that our esteem remains independent of the verdict of the public. On Monday night, sir, you will find a thousand people who will esteem it an honour to have you to sup with them; but on Monday afternoon you will dine with us.”

“You not only mean better than any other man, sir, you express what you mean better,” said Goldsmith. “A compliment is doubly a compliment coming from Dr. Johnson.”

He was quite overcome, and, observing this, Reynolds and Mary Horneck walked away together, leaving him to compose himself under the shelter of a somewhat protracted analysis by Dr. Johnson of the character of Young Marlow. In the course of a quarter of an hour Goldsmith had sufficiently recovered to be able to perceive for the first time how remarkable a character he had created.

On Monday George Steevens called for Goldsmith to accompany him to the St. James's coffee-house, where the dinner was to take place. He found the author giving the finishing touches to his toilet, his coat being a salmon-pink in tint, and his waistcoat a pale yellow, embroidered with silver. Filby's bills (unpaid, alas!) prevent one from making any mistake on this point.

“Heavens!” cried the visitor. “Have you forgot that you cannot wear colours?”

“Why not?” asked Goldsmith. “Because Woodward is to appear in mourning to speak the prologue, is that any reason why the author of the comedy should also be in black?”

“Nay,” said Steevens, “that is not the reason. How is it possible that you forget the Court is in mourning for the King of Sardinia? That coat of yours is a splendid one, I allow, but if you were to appear in it in front of your box a very bad impression would be produced. I suppose you hope that the King will command a performance.”

Goldsmith's face fell. He looked at the reflection of the gorgeous garments in a mirror and sighed. He had a great weakness for colour in dress. At last he took off the coat and gave another fond look at it before throwing it over the back of a chair.

“It was an inspiration on your part to come for me, my dear friend,” said he. “I would not for a good deal have made such a mistake.”

He reappeared in a few moments in a suit of sober grey, and drove with his friend to the coffee-house, where the party, consisting of Johnson, Reynolds, Edmund and Richard Burke, and Caleb Whitefoord, had already assembled.

It soon became plain that Goldsmith was extremely nervous. He shook hands twice with Richard Burke and asked him if he had heard that the King of Sardinia was dead, adding that it was a constant matter for regret with him that he had not visited Sardinia when on his travels. He expressed a hope that the death of the King of Sardinia would not have so depressing an effect upon playgoers generally as to prejudice their enjoyment of his comedy.

Edmund Burke, understanding his mood, assured him gravely that he did not think one should be apprehensive on this score, adding that it would be quite possible to overestimate the poignancy of the grief which the frequenters of the pit were likely to feel at so melancholy but, after all, so inevitable an occurrence as the decease of a potentate whose name they had probably never heard.

Goldsmith shook his head doubtfully, and said he would try and hope for the best, but still....

Then he hastened to Steevens, who was laughing heartily at a pun of Whitefoord's, and said he was certain that neither of them could have heard that the King of Sardinia was dead, or they would moderate their merriment.

The dinner was a dismal failure, so far as the guest of the party was concerned. He was unable to swallow a morsel, so parched had his throat become through sheer nervousness, and he could not be induced to partake of more than a single glass of wine. He was evermore glancing at the clock and expressing a hope that the dinner would be over in good time to allow of their driving comfortably to the theatre.

Dr. Johnson was at first greatly concerned on learning from Reynolds that Goldsmith was eating nothing; but when Goldsmith, in his nervousness, began to boast of the fine dinners of which he had partaken at Lord Clare's house, and of the splendour of the banquets which took place daily in the common hall of Trinity College, Dublin, Johnson gave all his attention to his own plate, and addressed no further word to him—not even to remind him, as he described the glories of Trinity College to his friend Burke, that Burke had been at the college with him.

While there was still plenty of time to spare even for walking to the theatre, Goldsmith left the room hastily, explaining elaborately that he had forgotten to brush his hat before leaving his chambers, and he meant to have the omission repaired without delay.

He never returned.