The girls walked to the station with Escott. A fleecy evening, with the clouds growing pale towards the sea, the sun like fire in the elms, and the woods showing upon a purple tinge.

“How delightful!” exclaimed Frank. “How charming this is—this old English green, the horse pond at one end, the various houses, the inn, the grocery business, the linen drying in that yard, the smith, and the wheelwright. I don't like that modern Queen Anne school-house, and I wish I could remove the dead level of the embankment and see the sea. The green is better from this side with the view of the Downs—those lines waving against the sky, where the gorse grows and the sheep feed, and inclining to the road all the fields pale green and deep green. But what game are those men playing—what game do you call that?”

“Bat and trap.”

“I have passed the green twenty times before, and I never really saw it till now. It is charming—so thoroughly English. I should like to live here for a month—for two months. How nice it would be to breakfast in the morning looking out on the green, to see the cocks and hens and all the children and all this English life! How different from Pump Court! I am sick of Pump Court—dirt and smoke, a horrid servant, stale eggs. I suppose you can always get fresh eggs and new bread here? I would give anything to spend a month on the green.”

“Well, you can!” cried Sally. “I wish you would, and you could come and play tennis with us every afternoon. Mrs. Heald has some rooms to let; why it was only last week I heard that she hadn't let her rooms this season, and was most anxious to do so.”

“There's no use my coming here until I begin to write my novel. I am painting now, and I must see if I can get my picture finished for one of the autumn exhibitions.”

“I knew you would find some excuse.”

“No, I assure you, but I can't do anything without a studio, and I'm not likely to find a studio on Southwick Green.”

“I don't suppose Mrs. Heald has a room large enough for a studio,” said Maggie; “but I don't see why you shouldn't find a place where you can paint.”

“Where? Not in that eighteenth-century house where the two old ladies are standing! Supposing I were to go and ask them if they would let me have their drawing-room to paint in! That is the only house on the green, all the rest are cottages.”

“I suppose you are not very particular where you paint,” said Maggie reflectively. “You don't mind appearances, I suppose? I wonder if you could manage to fit up a farm building.”

“There is the famous barn where Charles the First hid himself, I don't suppose the authorities would allow me to turn that into a studio.”

“No, probably not; but I think you might find a house that would do.”

“What nonsense, Maggie,” said Sally, who began to grow jealous of her sister.

“Why is it nonsense? I see no reason why Frank shouldn't come to some arrangement with the smith, and turn his house into a studio.”

“Which is the smith's house? I'll tell you in a moment if it could be turned into a studio.”

“That house standing quite by itself in the corner of the green.”

“That tall narrow house with the bit of broken wall and the elder bushes?”

“Yes.”

“I daresay I could rig up a very nice studio out of that place, indeed it looks quite picturesque amid its elder bushes. There is the stile, and there is the cornfield. But I couldn't live there.”

“No, you would live at Mrs. Heald's, and you could walk over every morning to the studio.”

“Yes, I could do that. I prefer to live with my work. There is nothing like walking from the breakfast table across the room to the easel.”

“Of course you can find fault with everything; nothing is perfect.”

“There goes the train!” cried Sally. “No use in running now, you've missed it.”

“How very provoking; the next isn't till half-past seven—just an hour to wait.”

“Well,” said Maggie, “if you have missed the train we may as well go at once and ask Mrs. Heald if she has let her rooms.”

They walked towards a block of cottages—at one end the “Cricketer's Arms,” at the other the grocery business; and the cottage that joined the grocery business was remarkable for a bit of green paling and wooden balcony, now covered with Virginia creeper. Frank thought at once of new-laid eggs, and the sunlight glancing through a great mass of greenery, and he resolved if a sacrifice were necessary to live at Southwick, he would put his picture aside and begin his novel. The people in the house pleased him, and he ran on in his way thinking how English and trustworthy they seemed, liking the green parrot that rubbed its head affectionately against the grey ringlets of a very ladylike old person; and Mrs. Heald, brisk as a bee, notwithstanding her lame leg, who led the way up the ladder-like cottage staircase.

“How nice and clean everything is; books and engravings along the passages. How unlike Ireland!”

But the sitting-room was full of horsehair sofas and chairs. These displeased Frank, but some handsome china—an entire tea service in Crown Derby—reconciled him to the room. In the bedroom they found a huge four-poster of old time, with a lengthy bolster and imposing pillows, and they were shown into another and a similar room. One looked out on the green, the other on the fields that lay between the green and the Manor House.

“If that elm were cut down you could see my window,” said Sally.

“Which room do you like the best?” said Maggie.

“It is hard to say. The other room looks on the green, but here there is a nice large wardrobe, and I don't see how I can get on without a wardrobe.”

“If you like the other room best, sir, I can turn out the chest of drawers.”

“Oh, that would be very nice if you can manage it, the room will do very well. I can have a bath every morning?”

“Yes, sir; there will be no difficulty about that.”

Maggie had taken off her hat and was settling her hair before the glass. Sally opened the wardrobe, revealing various petticoats and skirts, but she thought of it as full of Frank's light overcoats, the scarves he wore round his throat when he went out in evening clothes, the patent leather shoes in the corner. Suddenly the conversation dropped, and after a pause Frank said: “I think these rooms suit me very well, but I can do nothing; it is impossible for me to say if I can take them until I find out if there is any place in the immediate neighbourhood that I could convert into a studio. Do you know of any such place?”

“No, I do not, sir.”

“Mr. Escott was thinking of seeing the smith about his house. I wonder if Town would let it to Mr. Escott for a consideration,” said Maggie.

“Of course, I should have to get leave to make what alterations I pleased.”

“I don't suppose the house belongs to Town, sir; I don't think he is more than a weekly tenant.”

“If that's the case, we must see the landlord. Do you know who is the landlord?”

“I can't say I do, sir.”

“Well, Mrs. Heald, I will let you know in a day or two if I can take your rooms—you can give me a day or two?”

“Yes, sir, but I should like to know as soon as possible; several people have been asking after my rooms.”

“I'll let you know in a day or two.”

“If Town is only a weekly tenant, you'll be able to get his house by paying a little more for it,” said Maggie, as they walked down the green towards the smith's forge.

“That would be hardly fair; I should like to act squarely by the smith. What is his name?”

“Town.”

Town was cutting out the hoof of a shaggy grey cart horse when his visitors entered the cindery blackness.

“Town, this gentleman would like to speak to you,” said Maggie, raising her voice above the wheezy bellows. He threw the hoof out of his apron, and, drawing his blackened arm across his forehead, he came forward.

“Town, I am anxious to find a place on the green that I could convert into a studio; I think your house would suit my purpose very well. Do you think we could come to some arrangement? Of course I would give you a reasonable compensation.”

“Well, I really hardly know, sir; I dunno that I hardly understand. You want my house to turn into a—”

“A studio—a place where I can paint pictures.”

“I don't see how I can do without my 'ouse.”

“But I will compensate you—make it worth your while.”

“You see it is so near my work. Was I to go and live at Ada Terrace, I should, you see, be out of the way. If people want a job done they always knows where to find me.”

“Yes, but if I compensate you?”

Seeing that Frank was exciting the smith with too wild hopes of wealth, Sally thought fit to interpose. “Mr. Escott would require permission to make any alterations in the building he thought proper—you couldn't give him permission; he would in any case have to see your landlord. Who is your landlord?”

“I don't see how I can give up my 'ouse to be turned into a painting place; it wouldn't suit me at all.”

“If I make you sufficient compensation—”

Again the smith was reduced to silence. He scratched his head, and Frank watched the sparks fly, and heard the rhythmical sledge. “I wish he wouldn't talk so much about compensation,” thought Sally. “I don't know what the man won't be asking if Frank doesn't shut up.”

“Do you think we shall be able to come to an understanding? I want to know.”

“Well, you see, sir, my wife is delicate, and I'm that afraid she wouldn't like to give up her 'ome. But I'll speak to 'er if you like to-night, sir.”

“Mr. Escott will have to see your landlord; he will have to arrange with him about the alterations.”

“There will be no difficulty about the alterations.”

“Very probably; but you are only a weekly tenant. It is a question your landlord must decide. If he agrees to allow Mr. Escott to make the alterations, Mr. Escott will no doubt compensate you for disturbance.”

“It is all very well to talk about compensation. How do I know what your compensation will be? How do I know you will make it worth my while? I don't want no compensation. I want my 'ouse. Cheek I calls it, to come down here wanting to muck me out of my house.”

“Now, sir, we want no impertinence. I shall do exactly as I please in the matter. Your landlord is the person I should have spoken to.”

“Spoken to! Who are you, I should like to know, coming round here interfering in my business?”

All Frank's discussions ended in angry words, and he never came to terms with any one without threatening blows. Town returned to the forge; Frank and the young ladies made their way across the green. At the corner of Southdown Road they found the General, the schoolmaster, and a retired farmer ardently gossiping; Mrs. Horlock, prim in her black gown and poke bonnet, waited with admirable patience, and Angel, the blind pug, in horrible corpulence, waddled and sniffed the grass. The story of Town's impertinence was told. The General was shocked—it was surprising. What are we coming to? The retired farmer said that Town was a hot-tempered man, but not a bad sort when you knew how to take him, and all, except Mrs. Horlock, agreed that the landlord was the person who should be consulted.

“I really don't see why you should turn the poor man out of his house if he doesn't want to go. How would you like some one to come and turn you out of your house?” she said, turning to her husband.

The General laughed. “My dear Lucy, whatever you say must be right. So you are coming to live at Southwick. Very glad to hear it. You know where to find us, the gate's always open; lunch at half-past one, dinner at eight—old Indians, you know; come in when you like. Pretty place I have here, everything I want—stables and horses, and (the General looked to see if Lucy was out of hearing) plenty of dogs, you know—a few too many; but my wife, you know—” The rest was lost in a burst of good-natured laughter.

They bade the Horlocks good-night and walked up the Southdown Road, looking with its line of trees along the pavement like a little mock boulevard. Frank was particularly severe in his remarks on the trim privet hedges and the little bronze sphinxes standing before the portico of yellow glass; he declared that a man must be born to put up such things, and he clearly thought this sneer a very happy one, for he repeated it, fearing that Sally had not understood. The grocer who had placed a bas-relief of himself over his door was greatly wondered at, and Sally told an amusing anecdote regarding the invitations he sent out for the first dinner party. The conversation turned on the Measons. Jack's ship had gone to China, and he was not expected back much before Christmas.

“That's very sad, Sally. How will you be able to live through so many months?”

“I don't care for him. I don't care if I never saw him again—it was Fanny who was my friend. Some nice people have come to live in that corner house—a young man, who is learning farming. Mr. Berkins insists on father not allowing us to visit any one in the Southdown Road, and Mr. Berkins can turn father round his finger, he is so much richer. I'm not allowed to see Fanny at the Manor House. As for Jack, I daresay you won't believe me, but I shouldn't care if I never saw him again.”

Maggie shrugged her shoulders. The gesture exasperated Sally, and she turned on her sister.

“You needn't shrug your shoulders at me, miss; I never flirted with him; you did, and then you set father against me.”

“Well, for goodness' sake don't quarrel; what does it matter? The idea of Berkins telling your father whom he should visit; and the idea of your father permitting it merely because he makes two or three thousand a year more! He surely doesn't object to your visiting Mrs. Horlock?”

“No, he couldn't do that.”

Still engaged in discussion, they entered the gates of the Manor House, and Mr. Brookes was told that Frank would stay at Southwick a few days longer, so that he might arrange about a studio. The news was not at first wholly pleasing to the old gentleman, but he remembered the anecdotes he should hear concerning his favourite painters, and was consoled. The evening passed away in the security and calm of habit, sweetened by the intimacy of familiar thoughts and customs. There was the usual expensive dinner; Mr. Brookes lit a cigar, handed the box to Frank, and said, puffing lustily, “That's a good picture, paid a lot of money for it, too much money, mustn't do it again. You were a pupil of Bouguereau; great painter; you have seen him paint; you would know his touch amid a thousand, I suppose?”

About ten o'clock steps in the passage, then the squeak-squeak of the cork; then the goggle-guggle of the water, and the young ladies came in with their grog. They kissed their father and brother, shook hands with Frank, and went to bed. Further anecdotes concerning the painters were told; further condemnations of the Southdown Road were pronounced; the house was locked up; Mr. Brookes retired, and the young men continued the conversation in their rooms. Willy told Frank all about his shop, Frank told Willy all about his studio, and they went to sleep delighted with each other and at peace with the world.

Mr. Brookes had gone when the young men came down next morning. Willy was down first, and when Frank finished breakfast he found him busy in the garden making purchases for his shop.

“How much am I to charge for these peaches, sir?” said the gardener.

“I intend to pay the market price for everything. I don't know what peaches are selling at in Covent Garden. I will look it up and let you know. I am taking two dozen.”

“Yes, sir, there are only very few more ripe.”

“It is a pity I can't have them all,” Willy whispered to Frank. “There is a tremendous profit to be made on peaches. Now, I want some new potatoes. How many can you let me have?”

“Really, sir, we are very short; you see it is so early in the year. We have only a few, none too many for the house.”

“I must have some, if it is only a sample. How much are potatoes selling at now?”

“Well, sir, I hardly know. Last year we bought some off Hooper at—”

“These are the things I have to contend with. How am I to keep my books right if I don't know exactly the price things are selling for? I may be paying more for his potatoes than they are selling in Brighton for. My father gets more out of the shop than any one, and he isn't satisfied.”

The woes of this suburban Lear amused Frank. No sooner was the arch enemy Meason on the high seas, and the Southdown Road had quieted down, than another demon had risen up against him; his garden was ravished of its fairest fruits and vegetables, his carriages were turned into market carts, and all, as he said, for the sake of practising an elaborate system of book-keeping. Maggie, who had finished her house-keeping, came into the garden, and she went with Frank down the town in search of the landlord of the tall house amid the elder bushes. For a small increase in the rent, and a promise to undo all alterations before leaving, putting the house back in the same arrangement of rooms as it at present stood, the landlord agreed to allow Frank to do his will with the place. For twenty pounds the smith was silenced, and Frank explained to the local builder that the house was to be thrown into one room, and the ceilings of the upper rooms were to be removed. He had thought of having the rafters painted, but at the builder's suggestion he decided to have them lined with fresh timber and stained. This would look very handsome. A large window, some six feet by eight, would have to be put in the north wall. Of course, all the doors, windows, etc., would have to be taken away and replaced by new. He would have a book-case in stained wood. An estimate was drawn up. It came to a good deal more than he had intended to lay out, and Frank dreaded the expense. But he must live somewhere, he was sick of Pump Court, and his friends and this little south-coast village were now ardent in his mind; why not live here? True that the country was in no way beautiful and offered no temptations to a landscape painter, but he seldom painted landscapes, and if he wanted a bit of woodland he would find it over the Downs. Then there was the sea, and that was always interesting. Perhaps Mount Rorke would let him have the money. The old fellow had never refused him an extra hundred when he asked for it. Yes, he would risk it. So the order was given, and all the delays and broken promises of a builder began to be experienced and endured. Frank, who now lodged at Mrs. Heald's, hung around the workmen, counting each brick, and commenting on every piece of woodwork. He at once took to grumbling at their slowness, and he soon declared that all hopes of his being able to finish his picture for the Academy were at an end, and he paraded his misfortunes at the Manor House, at Mrs. Horlock's, and, indeed, at all the houses he went to for tea or tennis parties. The painters especially annoyed him, and he even went so far as to threaten them with an action.

Long before they had finished his pictures had arrived from London, and several pieces of furniture from Brighton. The ideas of this young man were now in full revolt against oriental draperies and things from Japan. The furniture was, therefore, to consist of large cane sofas with pillows covered with a yellow chintz pattern which pleased him much. The selection of a carpet was a matter of great moment. He received with scornful smiles his upholsterer's suggestions of Persian rugs. Turkey, Smyrna, and Axminster were proposed and rejected, he even thought of an Aubusson—no one knew anything about Aubusson at Southwick, and the vivid blues and yellows and symmetrical design would have at least the merit of disturbing if not of wrecking the artistic opinions of his friends. He discovered one of these carpets in a back street in Brighton, and with some cleaning and mending he felt sure it could be made to look quite well. But no, if you have an Aubusson carpet you must have Louis XIV. furniture in the room, and Louis XIV. in Southwick would be too absurd. Clearly the Aubusson scheme must be abandoned—he would have a rich grey carpet, soft and woolly, and there should be a round table covered with a dark blue cloth, set off with a yellow margin, and the chairs drawn about the table should be covered with dark blue and painted yellow. A grand piano was indispensable in Frank's surroundings, both for its appearance in the studio and the relaxation it afforded in the various interludes. Several journeys to London were made before the lamps to be used were determined on (a modern design was essential), and the brass fittings to hang candles from the rafters required still more delicate and cautious consideration; at last it was decided to have none.

All this while Willy was busy with his shop. He had taken a whole house, and at first he had thought of letting a room, but for many reasons this scheme had to be abandoned. He did not know who might take the room. “Who knows—perhaps one of my own friends, a member of my club, for instance?” Then it would give the missus a lot of bother and worry, and she had all she could do in looking after the shop. To make a thing a success you must think of nothing else. It was a pity, but it wasn't to be thought of. Otherwise he seemed fairly well satisfied. There was a back door leading on to a back lane, in turn leading on to a back street, so with his latch-key he could pop in and out unobserved. All his books and papers in the drawing-room, the ledger, the day-book, the cash-book all ready, all to hand, so that after dinner, when he had smoked his pipe, he could go to work. Frank alone was in the secret. And how the young men enjoyed going to Brighton together. Frank worried Willy, who ran up and down stairs collecting his brown paper parcels, calling upon him to make haste. They set forth, Willy firm and methodical, his shoulders set well back: Frank loose and swaggering, over-dressed. How to get to the shop was a matter of anxious consideration. Willy was fearful of detection, and all sorts of stratagems were resorted to. Sometimes they would walk down to the Old Steyne, and suddenly double and get back through a medley of obscure streets, or else they would publicly walk up and down the King's Road, and when they thought no one was looking, hurry up one of the by-streets, and so gain their haven, the lane. Once they were in the lane they slackened speed, all danger was then over, and they laughed consumedly at their escapes, and delighted in telling each other how So-and-so and his daughter had been successfully avoided. Willy always had his latch-key ready; in a moment they were inside, and Frank would rush upstairs and throw himself into the armchair, crying: “Here we are!” One day they were at the window, when, to their amazement, the Manor House carriage pulled up before the shop, and they had only just time to dodge behind the curtain and escape Sally's eyes. Never before had the carriage arrived later than five o'clock, and now it was nearly six. What could be the meaning of this? Begging of Frank not to move, Willy went out on the landing and listened to his sisters talking to his wife. The girls—who were, of course, ignorant of their relationship to the shop-woman—liked Mrs. Brookes very much, and were fond of a chat with her; and, looking through the blinds, Frank saw the footman in all the splendour of six feet and grey livery carrying a small pot of flowers worth sixpence from the carriage to the shop.

On ordinary days the shop was shut at eight, but when Willy and Frank dined there it was closed an hour earlier. Frank enjoyed his evenings there; he enjoyed it all—the homeliness and the quiet. He enjoyed seeing Willy nurse the missus after dinner, and he found no difficulty in pretending a certain interest in the book-keeping, and an admiration for the lines of figures all carefully formed, and the beautifully ruled lines. Cissy adored him. He took her on his knee, and she leaned her hollow cheek against his handsome face. She would have probably rushed to death to serve him. His height, his brightness, his rings, his spotted neckties—all seemed so perfect, so beautiful, to her; and when he brought his fiddle she would sit and look at him, her little hands clasped with an intensity of love that was strange and pitiful. Swaying from side to side, he ran on from tune to tune—waltzes, reminiscences from operas, fragments of overtures, delightful snatches from Schubert; and when he introduced Willy to one tune—a tune in which all his might-have-been was bound—the dry man seemed to grow drier: perhaps it brought a glow of pleasure to his heart: but be this as it may, he only sat and puffed more emphatically at his pipe.

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