I have heard of your paintings too.

Hamlet. His form and cause conjoined, preaching to stones,

Would make them capable. Do not look upon me,

Lest... what I have to do

Will want true colour....

Do you see nothing there?

Queen. No, nothing but ourselves.

Hamlet. Why, look you there...

Look, where he goes, even now, out at the portal.

Hamlet.

I AM so glad to be beside some one who can tell me all I want to know' said Lottie, looking up to Colonel Gerald's bronzed face when Mrs. Crawford and Markham had walked on.

'My dear Lottie, you know very well that you know as much as I do,' he answered, smiling down at her.

'Oh, Colonel Gerald, how can you say such a thing?' she cried innocently. 'You know I am always getting into scrapes through my simplicity.'

'You have managed to get out of a good many in your time, my dear. Is it by the same means you got out of them, Lottie-your simplicity?'

'Oh, you are as amusing as ever,' laughed the young thing. 'But you must not be hard upon poor little me, now that I want to ask you so much. Will you tell me, like a dear good colonel—I know you can if you choose—what is the mystery about this Mr. Markham?'

'Mystery? I don't hear of any mystery about him.'

'Why, all your friends came out in the some steamer as he did. They must have told you. Everybody here is talking about him. That's why I want him for our theatricals: everyone will come to see him.'

'Well, if the mystery, whatever it may be, remains unrevealed up to the night of the performance, you will have a house all the more crowded.'

'But I want to know all about it for myself. Is it really true that he had fallen overboard from another ship, and was picked up after being several weeks at sea?'

'You would be justified in calling that a mystery, at any rate,' said Colonel Gerald.

'That is what some people here are saying, I can assure you,' she cried quickly. 'Others say that he was merely taken aboard the steamer at St. Helena, after having been wrecked; but that is far too unromantic.'

'Oh, yes, far too unromantic.'

'Then you do know the truth? Oh, please tell it to me. I have always said I was sure it was true that a girl on the steamer saw him floating on the horizon with an unusually powerful pilot-glass.'

'Rather mysterious for a fellow to be floating about on the horizon with a pilot-glass, Lottie.'

'What a shame to make fun of me, especially as our performance is in the cause of charity, and I want Mr. Markham's name to be the particular attraction! Do tell me if he was picked up at sea.'

'I believe he was.'

'How really lovely! Floating about on a wreck and only restored after great difficulty! Our room should be filled to the doors. But what I can't understand, Colonel Gerald, is where he gets the money he lives on here. He could not have had much with him when he was picked up. But people say he is very rich.'

'Then no doubt people have been well informed, my dear. But all I know is that this Mr. Markham was on his way from New Zealand, or perhaps Australia, and his vessel having foundered, he was picked up by the “Cardwell Castle” and brought to the Cape. He had a note for a few hundred pounds in his pocket which he told me he got cashed here without any difficulty, and he is going to England in a short time. Here we are at the room where these pictures are said to be hanging. Be sure you keep up the mystery, Lottie.'

'Ah, you have had your little chat, I hope,' said Mrs. Crawford, waiting at the door of Government House until Colonel Gerald and Lottie had come up.

'A delightful little chat, as all mine with Colonel Gerald are,' said Lottie, passing over to Mr. Markham. 'Are you going inside to see the pictures, Mrs. Crawford?'

'Not just yet, my dear; we must find Miss Gerald,' said Mrs. Crawford, who had no particular wish to remain in close attachment to Miss Vincent for the rest of the evening.

'Mr. Markham and I are going in,' said Lottie. 'I do so dote upon pictures, and Mr. Markham can explain them I know; so au revoir.'

She kissed the dainty tips of her gloves and passed up to the small piazza at the House, near where Major Crawford and some of the old Indians were sitting drinking their brandy and soda and revolving many memories.

'Let us not go in for a while, Mr. Markham,' she said. 'Let us stay here and watch them all. Isn't it delightfully cool here? How tell me all that that dreadful old Mrs. Crawford was saying to you about me.'

'Upon my word,' said Markham smiling, 'it is delightfully cool up here.'

'I know she said ever so much; she does so about everyone who has at any time run against her and her designs. She's always designing.'

'And you ran against her, you think?'

'Of course I did,' cried Lottie, turning round and giving an almost indignant look at the man beside her. 'And she has been saying nasty things about me ever since; only of course they have never injured me, as people get to understand her in a very short time. But what did she say just now?'

'Nothing, I can assure you, that was not very much in favour of the theatrical idea I have just promised to work out with you, Miss Vincent: she told me you were a—a capital actress.'

'She said that, did she? Spiteful old creature! Just see how she is all smiles and friendliness to Mr. Harwood because she thinks he will say something about her husband's appointment and the satisfaction it is giving in the colony in his next letter to the “Trumpeter.” That is Colonel Gerald's daughter with them now, is it not?'

'Yes, that is Miss Gerald,' answered Markham, looking across the lawn to where Daireen was standing with Mr. Harwood and some of the tennis-players as Mrs. Crawford and her companion came up with Mr. Glaston, whom they had discovered and of whom the lady had taken possession. The girl was standing beneath the broad leaf of a plantain with the red sunlight falling behind her and lighting up the deep ravine of the mountain beyond. Oswin thought he had never before seen her look so girlishly lovely.

'How people here do run after every novelty!' remarked Miss Vincent, who was certainly aware that she herself was by no means a novelty. 'Just because they never happen to have seen that girl before, they mob her to death. Isn't it too bad? What extremes they go to in their delight at having found something new! I actually heard a gentleman say to-day that he thought Miss Geralds face perfect. Could anything be more absurd, when one has only to see her complexion to know that it is extremely defective, while her nose is—are you going in to the pictures so soon?'

'Well, I think so,' said Markham. 'If we don't see them now it will be too dark presently.'

'Why, I had no idea you were such a devotee of Art,' she cried. 'Just let me speak to papa for a moment and I will submit myself to your guidance.' And she tripped away to where the surgeon-general was smoking among the old Indians.

Oswin Markham waited at the side of the balcony, and then Mrs. Crawford with her entire party came up, Mr. Glaston following with Daireen, who said, just as she was beside Mr. Markham, 'We are all going to view the pictures, Mr. Markham; won't you join us?'

'I am only waiting for Miss Vincent,' he answered. Then Daireen and her companion passed into the room containing the four works meant to be illustrative of that perfect conception of a subject, and of the only true method of its treatment, which were the characteristics assigned to themselves by a certain section of painters with whom Mr. Glaston enjoyed communion.

The pictures had, by Mr. Glaston's direction, been hung in what would strike an uncultured mind as being an eccentric fashion. But, of course, there was a method in it. Each painting was placed obliquely at a window; the natural view which was to be obtained at a glance outside being supposed to have a powerful influence upon the mind of a spectator in preparing him to receive the delicate symbolism of each work.

'One of our theories is, that a painting is not merely an imitation of a part of nature, but that it becomes, if perfectly worked out in its symbolism, a pure creation of Nature herself,' said Mr. Glaston airily, as he condescended to explain his method of arrangement to his immediate circle. There were only a few people in the room when Mrs. Crawford's party entered. Mr. Glaston knew, of course, that Harwood was there, but he felt that he could, with these pictures about him, defy all the criticism of the opposing school.

'It is a beautiful idea,' said Mrs. Crawford; 'is it not, Colonel Gerald?'

'Capital idea,' said the colonel.

'Rubbish!' whispered Harwood to Markham, who entered at this moment with Lottie Vincent.

'The absurdity—the wickedness—of hanging pictures in the popular fashion is apparent to every thoughtful mind,' said the prophet of Art. 'Putting pictures of different subjects in a row and asking the public to admire them is something too terrible to think about. It is the act of a nation of barbarians. To hold a concert and perform at the same instant selections from Verdi, Wagner, Liszt, and the Oxford music-hall would be as consistent with the principles of Art as these Gallery exhibitions of pictures.'

'How delightful!' cried Lottie, lifting up her four-buttoned gloves in true enthusiasm. 'I have often thought exactly what he says, only I have never had courage to express myself.'

'It needs a good deal of courage,' remarked Harwood.

'What a pity it is that people will continue to be stupid!' said Mrs. Crawford. 'For my own part, I will never enter an Academy exhibition again. I am ashamed to confess that I have never missed a season when I had the chance, but now I see the folly of it all. What a lovely scene that is in the small black frame! Is it not, Daireen?'

'Ah, you perceive the Idea?' said Mr. Glaston as the girl and Mrs. Crawford stood before a small picture of a man and a woman in a pomegranate grove in a grey light, the man being in the act of plucking the fruit. 'You understand, of course, the symbolism of the pomegranate and the early dawn-light among the boughs?'

'It is a darling picture,' said Lottie effusively.

'I never saw such carelessness in drawing before,' said Harwood so soon as Mr. Glaston and his friends had passed on to another work.

'The colour is pretty fair, but the drawing is ruffianly.'

'Ah, you terrible critic!' cried Lottie.

'You spoil one's enjoyment of the pictures. But I quite agree with you; they are fearful daubs,' she added in a whisper. 'Let us stay here and listen to the gushing of that absurd old woman; we need not be in the back row in looking at that wonderful work they are crowding about.'

'I am not particularly anxious to stand either in the front or the second row,' said Harwood. 'The pavement in the picture is simply an atrocity. I saw the thing before.'

So Harwood, Lottie, and Markham stood together at one of the open windows, through which were borne the brazen strains of the distant band, and the faint sounds of the laughter of the lawn-tennis players, and the growls of the old Indians on the balcony. Daireen and the rest of the party had gone to the furthest window from which at an oblique angle one of the pictures was placed. Miss Vincent and Harwood soon found themselves chatting briskly; but Markham stood leaning against the wall behind them, with his eyes fixed upon Daireen, who was looking in a puzzled way at the picture. Markham wondered what was the element that called for this puzzled—almost troubled expression upon her face, but he could not see anything of the work.

'How very fine, is it not, George?' said Mrs. Crawford to Colonel Gerald as they stood back to gaze upon the painting.

'I think I'll go out and have a smoke,' replied the colonel smiling.

Mrs. Crawford cast a reproachful glance towards him as he turned away, but Mr. Glaston seemed oblivious to every remark.

'Is it not wonderful, Daireen?' whispered Mrs. Crawford to the girl.

'Yes,' said Daireen, 'I think it is—wonderful,' and the expression upon her face became more troubled still.

The picture was composed of a single figure—a half-naked, dark-skinned female with large limbs and wild black hair. She was standing in a high-roofed oriental kiosk upon a faintly coloured pavement, gazing with fierce eyes upon a decoration of the wall, representing a battle in which elephants and dromedaries were taking part. Through one of the arched windows of the building a purple hill with a touch of sunset crimson upon its ridge was seen, while the Evening Star blazed through the dark blue of the higher heaven.

Daireen looked into the picture, and when she saw the wild face of the woman she gave a shudder, though she scarcely knew why.

'All but the face,' she said. 'It is too terrible—there is nothing of a woman about it.'

'My dear child, that is the chief wonder of the picture,' said Mr. Glaston. 'You recognise the subject, of course?'

'It might be Cleopatra,' said Daireen dubiously.

'Oh, hush, hush! never think of such a thing again,' said Mr. Glaston with an expression that would have meant horror if it had not been tempered with pity. 'Cleopatra is vulgar—vulgar—popular. That is Aholibah.'

'You remember, of course, my dear,' said Mrs. Crawford; 'she is a young woman in the Bible—one of the old parts—Daniel or Job or Hezekiah, you know. She was a Jewess or an Egyptian or something of that sort, like Judith, the young person who drove a nail into somebody's brain—they were always doing disagreeable things in those days. I can't recollect exactly what this dreadful creature did, but I think it was somehow connected with the head of John the Baptist.'

'Oh, no, no,' said Daireen, still keeping her eyes fixed upon the face of the figure as though it had fascinated her.

'Aholibah the painter has called it,' said

Mr. Glaston. 'But it is the symbolism of the picture that is most valuable. Wonderful thought that is of the star—Astarte, you know —shedding the light by which the woman views the picture of one of her lovers.'

'Oh!' exclaimed Mrs. Crawford in a shocked way, forgetting for the moment that they were talking on Art. Then she recollected herself and added apologetically, 'They were dreadful young women, you know, dear.'

'Marvellous passion there is in that face,' continued the young man. 'It contains a lifetime of thought—of suffering. It is a poem—it is a precious composition of intricate harmonies.'

'Intricate! I should think it is,' said Harwood to Lottie, in the distant window.

'Hush!' cried the girl, 'the high-priest is beginning to speak.'

'The picture is perhaps the only one in existence that may be said to be the direct result of the three arts as they are termed, though we prefer to think that there is not the least distinction between the methods of painting, poetry, and music,' said Mr. Glaston. 'I chanced to drop in to the studio of my friend who painted this, and I found him in a sad state of despondency. He had nearly all of the details of the picture filled in; the figure was as perfect as it is at present—all except the expression of the face. “I have been thinking about it for days,” said the poor fellow, and I could see that his face was haggard with suffering; “but only now and again has the expression I want passed across my mind, and I have been unable to catch it.” I looked at the unfinished picture,' continued Mr. Glaston, 'and I saw what he wanted. I stood before the picture in silence for some time, and then I composed and repeated a sonnet which I fancied contained the missing expression of passion. He sprang up and seized my hand, and his face brightened with happiness: I had given him the absent idea, and I left him painting enthusiastically. A few days after, however, I got a line from him entreating me to come to him. I was by his side in an hour, and I found him in his former state of despondency. “It has passed away again,” he said, “and I want you to repeat your sonnet.” Unfortunately I had forgotten every line of the sonnet, and when I told him so he was in agony. But I begged of him not to despair. I brought the picture and placed it before me on a piano. I looked at it and composed an impromptu that I thought suggested the exact passion he wanted for the face. The painter stood listening with his head bowed down to his hands. When I ended he caught up the picture. “I see it all clearly,” he cried; “you have saved me—you have saved the picture.” Two days afterwards he sent it to me finished as it is now.'

'Wonderful! is it not, Daireen?' said Mrs. Crawford, as the girl turned away after a little pause.

'The face,' said Daireen gently; 'I don't want ever to see it again. Let us look at something else.'

They turned away to the next picture; but Markham, who had been observing the girl's face, and had noticed that little shudder come over her, felt strangely interested in the painting, whatever it might be, that had produced such an impression upon her. He determined to go unobserved over to the window where the work was hanging so soon as everyone would have left it.

'It requires real cleverness to compose such a story as that of Mr. Glaston's,' said Lottie Vincent to Mr. Harwood.

'It sounded to me all along like a clever bit of satire, and I daresay it was told to him as such,' said Harwood. 'It only needed him to complete the nonsense by introducing another of the fine arts in the working out of that wonderfully volatile expression.'

'Which is that?' said Lottie; 'do tell me, like a good fellow,' and she laid the persuasive finger of a four-buttoned glove upon his arm.

'Certainly. I will finish the story for you,' said Harwood, giving the least little imitation of the lordly manner of Mr. Glaston. 'Yes, my friend the painter sent a telegram to me a few years after I had performed that impromptu, and I was by his side in an hour. I found him at least twenty years older in appearance, and he was searching with a lighted candle in every corner of the studio for that expression of passion which had once more disappeared.

What could I do? I had exhausted the auxiliaries of poetry and music, but fortunately another art remained to me; you have heard of the poetry of motion? In an instant I had mounted the table and had gone through a breakdown of the most Æsthetic design, when I saw his face lighten—his grey hairs turned once more to black—long artistic oily black. “I have found it,” he cried, seizing the hearthbrush and dipping it into the paint just as I completed the final attitude: it was found—but—what is the matter, Miss Vincent?'

'Look!' she whispered. 'Look at Mr. Markham.'

'Good heavens!' cried Harwood, starting up, 'is he going to fall? No, he has steadied himself by the window. I thought he was beside us.'

'He went over to the picture a second ago, and I saw that pallor come over him,' said Lottie.

Harwood hastened to where Oswin Markham was standing, his white face turned away from the picture, and his hand clutching the rail of a curtain.

'What is the matter, Markham?' said Harwood quietly. 'Are you faint?'

Markham turned his eyes upon him with a startled expression, and a smile that was not a smile came upon his face.

'Faint? yes,' he said. 'This room after the air. I'll be all right. Don't make a scene, for God's sake.'

'There is no need,' said Harwood. 'Sit down here, and I'll get you a glass of brandy.'

'Not here,' said Markham, giving the least little side glance towards the picture. 'Not here, but at the open window.'

Harwood helped him over to the open window, and he fell into a seat beside it and gazed out at the lawn-tennis players, quite regardless of Lottie Vincent standing beside him and enquiring how he felt.

In a few minutes Harwood returned with some brandy in a glass.

'Thanks, my dear fellow,' said the other, drinking it off eagerly. 'I feel better now—all right, in fact.'

'This, of course, you perceive,' came the voice of Mr. Glaston from the group who were engrossed over the wonders of the final picture,—'This is an exquisite example of a powerful mind endeavouring to subdue the agony of memory. Observe the symbolism of the grapes and vine leaves.'

In the warm sunset light outside the band played on, and Miss Vincent flitted from group to group with the news that this Mr. Markham had added to the romance which was already associated with his name, by fainting in the room with the pictures. She was considerably surprised and mortified to see him walking with Miss Gerald to the colonel's carriage in half an hour afterwards.

'I assure you,' she said to some one who was laughing at her,—'I assure you I saw him fall against the window at the side of one of the pictures. If he was not in earnest, he will make our theatricals a great success, for he must be a splendid actor.'