Naples, Capri, Vesuvius, Amalfi and Pompeii. Naples is the largest, dirtiest and most beautiful city in Italy. From the balconies of our hotel, which stands high on the thickly-built hillside, we have a matchless view—the cream-colored city at our feet, with its red roofs and blue domes, rising from the water's edge and climbing the embayed mountain like half of a vast amphitheatre; the volcano of Vesuvius beyond, lifting its white plume of warning smoke by day, and sometimes glaring red at night; the brown ruins of overwhelmed but disentombed Pompeii a little to the right; then the cliffs of Sorrento; and, stretching between us and them, the bay itself, with its incomparable crescent of contiguous cities running like a fringe of snow round its blue waters. There— "The bridegroom Sea is toying with the shore, His wedded bride; and in the fullness of his marriage joy He decorates her tawny brow with shells, Retires a space to see how fair she looks, Then proud runs up to kiss her." Street Scenes in Naples. The contrast between the heavenly scenery of this bay and that awful volcano, which stands over it like an ever-present threat of destruction, reminds one of the cherubim which stood at the gate of Eden to guarantee the restoration of redeemed and glorified humanity to communion with God, along with the self-revolving sword which symbolized the certainty and terribleness of divine vengeance upon sin. But neither by the promises of his grace nor by the threat of his vengeance do these people seem to An observant and witty friend of mine says: "The people live outdoors, and for the best of reason—they would die indoors.... Into most of the living rooms on their narrowest streets the sun never shines.... At the best, the ordinary buildings feel sepulchral, and an overcoat is to be worn here in the house, and not on the streets! Lining the sides of many, if not most of the streets, are shops or booths. They are, as far as one can see, single rooms, furnished about the door with vegetables, or meats, or maccaroni, or wine bottles, or charcoal, or bread, the rest of the room filled with beds and tables and dressers, with dishes and food, and shrines and highly-colored chromos of the saints and apostles. The children are washed and dressed in the doorways, and their heads constantly watched and investigated, much after the friendly fashion of monkeys. By the way, peddlers are forever thrusting small boxes of combs into our faces, insisting upon our buying. We have not purchased any yet—but who can tell? The people do much of their cooking in small braziers outside the doors, on the sidewalk, burning charcoal and fanning the fires with Of course we visited the aquarium, said to be the finest in the world, and the museum, with its two thousand mural paintings brought from Pompeii, and its collection of ancient bronzes—also the finest in the world. But the things that interested us most were not in Naples, but around it—such as Puteoli, where, many centuries ago, on a balmy spring day like this, when the south wind was blowing softly over the sea, the Apostle Paul landed, with Luke and Aristarchus, on his way to Rome; and where the ruins of the Temple of Jupiter Serapis, bearing sea-marks at various levels and having its columns perforated by lithodomites and containing imbedded shells, shows how the building, by gradual subsidence of the land, was first let down into the water, The Blue Grotto at Capri. Directly in front of us as we look from our windows, but far out over the expanse of sunlit water, twenty-two miles away, we can see Capri, lying like a turquoise gem on the bosom of the bay. Our party returned from their visit to this enchanting island with quite new conceptions of the color effects that may be produced by the combination of sunlight and sea water. When the steamer stops at Capri, a short distance beyond the town of Capri, the passengers get into small boats and are rowed up to a lofty cliff, in the base of which, at the water level, there is a small hole, four feet high and four feet wide, so small, indeed, that it cannot be entered at all when the tide is up or the water is rough. Even under favorable conditions, passengers have to sit on the bottom of the boat and duck their heads. This is the entrance to the wonderful Blue Grotto. "Once within, you find yourself in an arched cavern about one hundred and sixty feet long, one hundred and twenty wide, and about seventy high. How deep it is no man knows. It goes down to the bottom of the ocean. The waters of this placid subterranean lake are the brightest, loveliest blue that can be imagined. They are as transparent as plate glass, and their coloring would shame the richest sky that ever bent over Italy. No tint could be more ravishing, no lustre more superb. Throw a stone into the water, and the myriad of tiny bubbles that are created flash out a brilliant glare like blue theatrical fires. Dip an oar, and its blade turns to frosted silver, tinted with blue. Let a man jump in, and instantly he is cased in an armor more gorgeous than ever kingly crusader wore." Two boys, in the scantiest possible attire, who were standing on a ledge when we entered, clothed themselves The Ascent of Vesuvius. When you visit Vesuvius, make an early start and give yourself plenty of time. It took our party four hours and a half, with a good team, to drive from Naples to the foot of the steep cone at the top. The journey takes you through some of the disagreeable parts of the city and gives you a new impression of its extent. When at last you do turn from the squalid streets and begin the ascent of the mountain, your enjoyment begins. The fresh breeze, laden with the fragrance of orange blossoms, tempers the heat, and at every turn of the winding, climbing road you have the most entrancing views of the city and the bay. The mountain itself is partly covered with the luxuriant greenery of orchards and villas, and partly by the gloomy beds of lava thrown out by successive eruptions—"a black ocean, which was tumbled into a thousand fantastic shapes—a wild chaos of ruin, desolation and barrenness—a wilderness of billowy upheavals, of furious whirlpools, of miniature mountains rent asunder—of gnarled and knotted, wrinkled and twisted masses of blackness that mimicked branching roots, great vines, trunks of trees all interlaced and mingled together; and all these weird shapes, all this turbulent panorama, all this stormy, far stretching waste of blackness, with its thrilling suggestiveness of life, of action, of boiling, surging, furious motion, was petrified!—all stricken dead and cold in the instant of its maddest rioting!—fettered, paralyzed and left to glower at heaven in impotent rage for evermore!" I had had the good fortune on a former visit to see the process of its formation. At that time the lava was The ascent of the cone to the crater is next thing to trying to climb a church steeple. Thanks to the enterprise of Thomas Cook & Sons, there is an inclined railway which takes you from the foot of the cone up the steep breast of the mountain nearly to the top—a dizzy ride, one that makes you shut your eyes and grip the arms of The Loveliness of Amalfi. Perhaps the most beautiful drive in the world is the drive from Castellamare to Amalfi. Castellamare is about an hour and a half by rail from Naples, and not far from Pompeii. It was here, indeed, that the elder Pliny lost his life in the eruption of 79 A. D., which destroyed Pompeii and Herculaneum. Taking a wagonette there about the middle of the day, we followed this magnificent road nearly all the afternoon, as it wound in and out along the mountainside, with the towering cliffs on one hand and the intensely blue bay on the other, seen ever and anon through openings When we tore ourselves away from Amalfi, we drove on around by Salerno, another feast of beauty, and took the train at La Cava for Pompeii. For days we had been reading, or re-reading, Bulwer's Last Days of Pompeii with breathless interest, or plodding through the dryer, but hardly more accurate, details of the guide book—we had been to the museum at Naples, where the mural paintings and other disentombed relics of the city are shown, and we had stood on the crater of the volcano that wrought its destruction—so that we came to the exhumed ruins with as thorough preparation as we had found it possible to make. But what description can prepare one for the impression of that appalling catastrophe which one receives when he stands in the midst of the ruins themselves, and sees how sudden and terrible the overthrow was? Pompeii had been shattered by an earthquake sixteen years before the final catastrophe, but the warning had been disregarded. The place was rebuilt with lavish outlay, and embellished with all the resources of contemporary art, so that it was a new and splendid city which was buried by the eruption of 79 A. D. On the 23rd of August in that year, about two o'clock in the afternoon, terrible detonations were heard in the mountain, and The most graphic account of the horrors of that awful night at Pompeii is to be found in the two letters of the younger Pliny to Tacitus. Speaking of his efforts to remove his mother out of reach of harm, while she was begging him to leave her to perish and save himself, he says: "By this time the murky darkness had so increased that one might have believed himself abroad in a black and moonless night, or in a chamber where all the lights had been extinguished. On every hand were heard the complaints of women, the wailing of children, and the cries of men. One called his father, another his son, another his wife, and only by their voices could they know each other. Many in their despair begged that death No one saw the sun rise on the morrow. The clouds of volcanic matter, still pouring their pitiless rain upon the ruins, so darkened the sky that people could not tell when the day came. And there, under the superincumbent mass of stones and dust, the city slept undisturbed till a few years ago, with everything as it was in the days of Titus. "It was like a clock that stopped when the householder died. Meats were on the table and bread was in the oven; sentries were in their boxes and dogs on guard at house doors." Most of the inhabitants escaped, but it is estimated, from the skeletons found in the ruins, that not less than two thousand lost their lives. In the museum by the entrance at the Marine Gate we are shown the blackened loaves of bread, recovered from the bakeries, the beans and eggs, the chickens and dogs, or their shapes from the moulds they left—and, most distressing of all, human figures. "Plaster of Paris had been poured into the hollows where bones were found, and in all the contortion of suffocation or convulsion appeared the forms of men and women. How little the ones whose brawny or whose delicate outlines we gazed upon dreamt that they would be their own monuments to-day, and be seen by the eyes of other races and ages, eyes curious, but not unsympathetic! It was good to be in the warm sunshine again. A cloud of smoke floated like a gray scarf—how gracefully and innocently!—from Vesuvius." We walked up the narrow streets, paved with blocks From Naples we turned our faces homeward, taking passage on the KÖnig Albert, and coming by way of Gibraltar and the Azores. We had a delightful ship's company, including Dr. Andrew D. White, the accomplished ex-president of Cornell University and our late Ambassador to Berlin, whom we found full of illuminating INDEX. |