Cherokee myths may be roughly classified as sacred myths, animal stories, local legends, and historical traditions. To the first class belong the genesis stories, dealing with the creation of the world, the nature of the heavenly bodies and elemental forces, the origin of life and death, the spirit world and the invisible beings, the ancient monsters, and the hero-gods. It is almost certain that most of the myths of this class are but disjointed fragments of an original complete genesis and migration legend, which is now lost. With nearly every tribe that has been studied we find such a sacred legend, preserved by the priests of the tradition, who alone are privileged to recite and explain it, and dealing with the origin and wanderings of the people from the beginning of the world to the final settlement of the tribe in its home territory. Among the best examples of such genesis traditions are those recorded in the Walam Olum of the Delawares and Matthews’ Navaho Origin Legend. Others may be found in Cusick’s History of the Six Nations, Gatschet’s Creek Migration Legend, and the author’s Jicarilla Genesis. The former existence of such a national legend among the Cherokee is confirmed by Haywood, writing in 1823, who states on information obtained from a principal man in the tribe that they had once a long oration, then nearly forgotten, which recounted the history of their wanderings from the time when they had been first placed upon the earth by some superior power from above. Up to about the middle of the last century this tradition was still recited at the annual Green-corn dance. The sacred myths were not for every one, but only those might hear who observed the proper form and ceremony. When John Ax and As a special privilege a boy was sometimes admitted to the Âsi on such occasions, to tend the fire, and thus had the opportunity to listen to the stories and learn something of the secret rites. In this way John Ax gained much of his knowledge, although he does not claim to be an adept. As he describes it, the fire intended to heat the room—for the nights are cold in the Cherokee mountains—was built upon the ground in the center of the small house, which was not high enough to permit a standing position, while the occupants sat in a circle around it. In front of the fire was placed a large flat rock, and near it a pile of pine knots or splints. When the fire had burned down to a bed of coals, the boy lighted one or two of the pine knots and laid them upon the rock, where they blazed with a bright light until nearly consumed, when others were laid upon them, and so on until daybreak. Sometimes the pine splints were set up crosswise, thus, ××××, in a circle around the fire, with a break at the eastern side. They were then lighted from one end and burned gradually around the circle, fresh splints being set up behind as those in front were consumed. Lawson describes this identical custom as witnessed at a dance among the Waxhaw, on Catawba river, in 1701: Now, to return to our state house, whither we were invited by the grandees. As soon as we came into it, they placed our Englishmen near the king, it being my fortune to sit next him, having his great general or war captain on my other hand. The house is as dark as a dungeon, and as hot as one of the Dutch stoves in Holland. They had made a circular fire of split canes in the middle of the house, it was one man’s employment to add more split reeds to the one end as it consumed at the other, there being a small vacancy left to supply it with fuel. To the second class belong the shorter animal myths, which have lost whatever sacred character they may once have had, and are told now merely as humorous explanations of certain animal peculiarities. While the sacred myths have a constant bearing upon formulistic prayers and observances, it is only in rare instances that any rite or custom is based upon an animal myth. Moreover, the sacred myths are known as a rule only to the professional priests or conjurers, while the shorter animal stories are more or less familiar to nearly everyone and are found in almost identical form among Cherokee, Creeks, and other southern tribes. The animals of the Cherokee myths, like the traditional hero-gods, were larger and of more perfect type than their present representatives. They had chiefs, councils, and townhouses, mingled with human kind upon terms of perfect equality and spoke the same language. In some unexplained manner they finally left this lower world and ascended to GalÛÑ'lati, the world above, where they still exist. The removal was not simultaneous, but each animal chose his own time. The animals that we know, small in size and poor in intellect, came upon the earth later, and are not the descendants of the mythic animals, but only weak imitations. In one or two special cases, however, the present creature is the descendant of a former monster. Trees and plants also were alive and could talk in the old days, and had their place in council, but do not figure prominently in the myths. Each animal had his appointed station and duty. Thus, the WalÂ'si frog was the marshal and leader in the council, while the Rabbit was the messenger to carry all public announcements, and usually led the dance besides. He was also the great trickster and mischief maker, a character which he bears in eastern and southern Indian myth generally, as well as in the southern negro stories. The bear figures as having been originally a man, with human form and nature. As with other tribes and countries, almost every prominent rock and mountain, every deep bend in the river, in the old Cherokee country has its accompanying legend. It may be a little story that can be told in a paragraph, to account for some natural feature, or it may be one chapter of a myth that has its sequel in a mountain a hundred miles away. As is usual when a people has lived for a long time in the same country, nearly every important myth is localized, thus assuming more definite character. There is the usual number of anecdotes and stories of personal adventure, some of them irredeemably vulgar, but historical traditions are strangely wanting. The authentic records of unlettered peoples are short at best, seldom going back much farther than the memories of their oldest men; and although the Cherokee have been the most important of the southern tribes, making wars and treaties for three centuries with Spanish, English, French, and Americans, Iroquois, With some tribes the winter season and the night are the time for telling stories, but to the Cherokee all times are alike. As our grandmothers begin, “Once upon a time,” so the Cherokee story-teller introduces his narrative by saying: “This is what the old men told me when I was a boy.” Not all tell the same stories, for in tribal lore, as in all other sorts of knowledge, we find specialists. Some common minds take note only of common things—little stories of the rabbit, the terrapin, and the others, told to point a joke or amuse a child. Others dwell upon the wonderful and supernatural—Tsul?kalÛ', Tsuwe'nahi, and the Thunderers—and those sacred things to be told only with prayer and purification. Then, again, there are still a few old warriors who live in the memory of heroic days when there were wars with the Seneca and the Shawano, and these men are the historians of the tribe and the conservators of its antiquities. The question of the origin of myths is one which affords abundant opportunity for ingenious theories in the absence of any possibility of proof. Those of the Cherokee are too far broken down ever to be woven together again into any long-connected origin legend, such as we find with some tribes, although a few still exhibit a certain sequence which indicates that they once formed component parts of a cycle. From the prominence of the rabbit in the animal stories, as well as in those found among the southern negroes, an effort has been made to establish for them a negro origin, regardless of the fact that the rabbit—the Great White Rabbit—is the hero-god, trickster, and wonder-worker of all the tribes east of the Mississippi from Hudson bay to the Gulf. In European folklore also the rabbit is regarded as something uncanny and half-supernatural, and even in far-off Korea he is the central figure in the animal myths. Just why this should be so is a question that may be left to the theorist to decide. Among the In regard to the contact between the two races, by which such stories could be borrowed from one by the other, it is not commonly known that in all the southern colonies Indian slaves were bought and sold and kept in servitude and worked in the fields side by side with negroes up to the time of the Revolution. Not to go back to the Spanish period, when such things were the order of the day, we find the Cherokee as early as 1693 complaining that their people were being kidnaped by slave hunters. Hundreds of captured Tuscarora and nearly the whole tribe of the Appalachee were distributed as slaves among the Carolina colonists in the early part of the eighteenth century, while the Natchez and others shared a similar fate in Louisiana, and as late at least as 1776 Cherokee prisoners of war were still sold to the highest bidder for the same purpose. At one time it was charged against the governor of South Carolina that he was provoking a general Indian war by his encouragement of slave hunts. Furthermore, as the coast tribes dwindled they were compelled to associate and intermarry with the negroes until they finally lost their identity and were classed with that race, so that a considerable proportion of the blood of the southern negroes is unquestionably Indian. The negro, with his genius for imitation and his love for stories, especially of the comic variety, must undoubtedly have absorbed much from the Indian in this way, while on the other hand the Indian, with his pride of conservatism and his contempt for a subject race, would have taken but little from the negro, and that little could not easily have found its way back to the free tribes. Some of these animal stories are common to widely separated tribes among whom there can be no suspicion of negro influences. Thus the famous “tar baby” story has variants, not only among the Cherokee, but also in New In many cases it is not necessary to assume borrowing from either side, the myths being such as would naturally spring up in any part of the world among primitive people accustomed to observe the characteristics of animals, which their religious system regarded as differing in no essential from human kind, save only in outward form. Thus in Europe and America the terrapin has been accepted as the type of plodding slowness, while the rabbit, with his sudden dash, or the deer with his bounding stride, is the type of speed. What more natural than that the story-teller should set one to race against the other, with the victory in favor of the patient striver against the self-confident boaster? The idea of a hungry wolf or other beast of prey luring his victims by the promise of a new song or dance, during which they must close their eyes, is also one that would easily occur among any primitive people whose chief pastime is dancing. On the other hand, such a conception as that of Flint and the Rabbit could only be the outgrowth of a special cosmogonic theology, though now indeed broken and degraded, and it is probable that many myths told now only for amusement are really worn down fragments of ancient sacred traditions. Thus the story just noted appears in a different dress among the Iroquois as a part of their great creation myth. The Cherokee being a detached tribe of the Iroquois, we may expect to find among the latter, if it be not already too late, the explanation and more perfect statement of some things which are obscure in the Cherokee myths. It must not be forgotten, however, that the Indian, like other men, does some things for simple amusement, and it is useless to look for occult meanings where none exist. Except as to the local traditions and a few others which are obviously the direct outgrowth of Cherokee conditions, it is impossible to fix a definite starting point for the myths. It would be unwise to assert that even the majority of them originated within the tribe. The Cherokee have strains of Creek, Catawba, Uchee, Natchez, Iroquois, Osage, and Shawano blood, and such admixture implies contact more or less intimate and continued. Indians are great wanderers, and a In view of these facts it is as useless to attempt to trace the origin of every myth as to claim a Cherokee authorship for them all. From what we know of the character of the Shawano, their tendency toward the ceremonial and the mystic, and their close relations with the Cherokee, it may be inferred that some of the myths originated with that tribe. We should naturally expect also to find close correspondence with the myths of the Creeks and other southern tribes within the former area of the Mobilian trade language. The localization at home of all the more important myths indicates a long residence in the country. As the majority of those here given belong to the half dozen counties still familiar to the East Cherokee, we may guess how many attached to the ancient territory of the tribe are now irrecoverably lost. Contact with the white race seems to have produced very little impression on the tribal mythology, and not more than three or four stories current among the Cherokee can be assigned to a Caucasian source. These have not been reproduced here, for the reason that they are plainly European, and the author has chosen not to follow the example of some collectors who have assumed that every tale told in an Indian language is necessarily an Indian story. Scores recorded in collections from the North and West are nothing more than variants from the celebrated HausmÄrchen, as told by French trappers and voyageurs to their Indian campmates and halfbreed children. It might perhaps be thought that missionary influence would be evident in the genesis tradition, but such is not the case. The Bible story kills the Indian tradition, and there is no amalgamation. It is hardly necessary to say that stories of a great fish which swallows a man and of a great flood As compared with those from some other tribes the Cherokee myths are clean. For picturesque imagination and wealth of detail they rank high, and some of the wonder stories may challenge those of Europe and India. The numerous parallels furnished will serve to indicate their relation to the general Indian system. Unless otherwise noted, every myth here given has been obtained directly from the Indians, and in nearly every case has been verified from several sources. “I know not how the truth may be, I tell the tale as ’twas told to me.” First and chief in the list of story tellers comes A?yÛÑ'ini, “Swimmer,” from whom nearly three-fourths of the whole number were originally obtained, together with nearly as large a proportion of the whole body of Cherokee material now in possession of the author. The collection could not have been made without his help, and now that he is gone it can never be duplicated. Born about 1835, shortly before the Removal, he grew up under the instruction of masters to be a priest, doctor, and keeper of tradition, so that he was recognized as an authority throughout the band and by such a competent outside judge as Colonel Thomas. He served through the war as second sergeant of the Cherokee Company A, Sixty-ninth North Carolina Confederate Infantry, Thomas Legion. He was prominent in the local affairs of the band, and no Green-corn dance, ballplay, or other tribal function was ever considered complete without his presence and active assistance. A genuine aboriginal antiquarian and patriot, proud of his people and their ancient system, he took delight in recording in his native alphabet the songs and sacred formulas of priests and dancers and the names of medicinal plants and the prescriptions with which they were compounded, while his mind was a storehouse of Indian tradition. To a happy descriptive style he added a musical voice for the songs and a peculiar faculty for imitating the characteristic cry of bird or beast, so that to listen to one of his recitals was often a pleasure in itself, even to one who understood not a word of the language. He spoke no English, and to the day of his death clung to the moccasin and turban, together with the rattle, his badge of authority. He died in March, 1899, aged about sixty-five, and was Next in order comes the name of ItagÛ'nahi, better known as John Ax, born about 1800 and now consequently just touching the century mark, being the oldest man of the band. He has a distinct recollection of the Creek war, at which time he was about twelve years of age, and was already married and a father when the lands east of Nantahala were sold by the treaty of 1819. Although not a professional priest or doctor, he was recognized, before age had dulled his faculties, as an authority upon all relating to tribal custom, and was an expert in the making of rattles, wands, and other ceremonial paraphernalia. Of a poetic and imaginative temperament, he cared most for the wonder stories, of the giant Tsul?kalÛ', of the great Uktena or of the invisible spirit people, but he had also a keen appreciation of the humorous animal stories. He speaks no English, and with his erect spare figure and piercing eye is a fine specimen of the old-time Indian. Notwithstanding his great age he walked without other assistance than his stick to the last ball game, where he watched every run with the closest interest, and would have attended the dance the night before but for the interposition of friends. Suyeta, “The Chosen One,” who preaches regularly as a Baptist minister to an Indian congregation, does not deal much with the Indian supernatural, perhaps through deference to his clerical obligations, but has a good memory and liking for rabbit stories and others of the same class. He served in the Confederate army during the war as fourth sergeant in Company A, of the Sixty-ninth North Carolina, and is now a well-preserved man of about sixty-two. He speaks no English, but by an ingenious system of his own has learned to use a concordance for verifying references in his Cherokee bible. He is also a first-class carpenter and mason. Another principal informant was Ta'gwadihi', “Catawba-killer,” of Cheowa, who died a few years ago, aged about seventy. He was a doctor and made no claim to special knowledge of myths or ceremonials, but was able to furnish several valuable stories, besides confirmatory evidence for a large number obtained from other sources. Besides these may be named, among the East Cherokee, the late Chief N. J. Smith; SalÂ'li, mentioned elsewhere, who died about 1895; Tsesa'ni or Jessan, who also served in the war; AyÂ'sta, one of the principal conservatives among the women; and James and David Blythe, younger men of mixed blood, with an English education, but inheritors of a large share of Indian lore from their father, who was a recognized leader of ceremony. Among informants in the western Cherokee Nation the principal was James D. Wafford, known to the Indians as TsuskwanÛÑ'nawa'ta, BUREAU OF AMERICAN ETHNOLOGY NINETEENTH ANNUAL REPORT PL. XII JOHN AX (ITAGÛ'NÛHI) PHOTOGRAPH BY AUTHOR, 1888 JOHN AX (ITAGÛ'NÛHI) BUREAU OF AMERICAN ETHNOLOGY NINETEENTH ANNUAL REPORT PL. XIII TAGWADIHI' PHOTOGRAPH BY AUTHOR, 1888 TAGWADIHI' |