ON my return from another visit to Japan a few months ago I found those persons in this country with whom I was brought into close association extremely curious and strangely ignorant regarding that ancient Empire. Despite the multitude of books which have of late years been published about Japan and things Japanese a correct knowledge of the country and the people is, so far as I can judge, altogether lacking in England. Indeed the multiplicity of books may have something to do with that fact, as many of them have been written by persons whose knowledge, acquired in the course of a flying visit, was, to say the least, perfunctory, and who had no opportunities for viewing the life of the people from within and forming a sound judgment on many matters upon which the writers have dogmatically pronounced. I, accordingly, came to the conclusion not only that there was room for one more book on Japan, but that another book was greatly needed—a book not technical, historical, abstruse or recondite, but a book describing in simple language Japan as it was, is, and will be. This is the task I set before myself when I commenced to write this volume, and the reader must be the judge to what extent I have been successful in the accomplishment The morality or otherwise of the Japanese is a matter which has been much discussed and written about. The views of speakers and writers in regard thereto, so far as I have been able to ascertain them, have been largely affected by their prejudices or the particular standpoint from which they have regarded the matter. The result, in my opinion, has been that an entirely erroneous conception of the whole subject of Japanese morality has not only been formed but has been set forth in speech or writing, and a grave injustice has been done to the Japanese in this I have deemed it necessary to deal at some length with the various phases of Japanese art, which it is no exaggeration to say has permeated the whole nation so that the Japanese may truthfully be termed the most artistic people in the world. Of course it is impossible to deal exhaustively in a work of this kind with Japanese art. I have, however, endeavoured to describe the principal art industries of the country and to set forth what I may term the catholicity of art in Japan. I have also dealt with the question how far art has been affected by the Europeanising of the nation which has taken place of recent years, and the effect thereof. The religion of the Japanese, the Constitution, the home life of the people, the Army and Navy, the financial position of the country are all subjects treated as fully as possible, inasmuch as they are matters essential to be understood in order to realise the Japan of to-day. The Japan of the future I have attempted to forecast in two final chapters. But the Japan of to-day and the Japan of the future can neither be understood nor realised unless the reader have The book is the result of my own investigations, and the opinions expressed therein are entirely my own. I have, however, read nearly every work on Japan that has appeared in recent years, and when the views put forward in any of these have not coincided with my own I have endeavoured, by impartial investigation and inquiry, to arrive at a correct conclusion in the matter. No doubt some of my views and opinions will be questioned and criticised, but I claim to have written this book with a mind free from prejudices of any kind. I have sought to depict Japan as it really is, not the Japan seen through glasses of various colours, of which, I think, the public has had enough. H. B. M. |