There are certain notable details of the river-side which stand out in the mind after the rest have been merged in mere general remembrance of lazy happiness. In these we may include the backwater at Sutton Courtney, the woods at Clieveden, the Mill at Mapledurham, and the Rose Garden at Sonning. Roses grow well all along by the river, but nowhere so well as they do at Sonning, and the rose garden forms an attraction which draws hundreds to the place. Yet Sonning has other attractions too; it is very varied and very pretty. When one arrives at it first, perhaps coming upstream, one is rather perplexed to discover the exact topography. We round a great curve which encloses an osier bed; here, in early spring, the osiers may be seen lying in great bundles, shaded from olive-green to brown madder. Then we see some green lawns and landing places beneath the shadow of a fine clump of elms, and catch sight of the lovable old red-brick bridge, with its high centre arch, spanning the stream. But there is another bridge, a wooden foot-bridge, which also spans the stream, at right angles to the other, and peering through beneath this, we can see the continuation of the red brick one in a new iron structure, which stretches on right up to the neat flower beds of the French Horn Hotel. The truth is, the river suddenly widens out here into a great bulge, and in the bulge are several islands, on one of which are a mill and a house and several other things, not to forget a charming garden. It is the river channel between this island and the bank that the first bridge, the old one, spans. And what a view it is! Above the bridge can be seen rising the little grey church tower. On one side is the White Hart Hotel, with its warm tone of yellow wash, its red tiles and its creepers, and above all its famous rose garden. In the foreground is a willow-covered ait placed in exactly the right position. It is a perfect picture. But yet this is not the best side of the bridge. The other side is better; for here, to resist the flow of the current, the builders placed the buttresses which emphasise the height of that centre arch; buttresses now capped with tufty grass and emerald moss, and from the crevices of which spring clumps of yellow daisies, candytuft, wallflower, hart's-tongue fern, and other things. In the bricks all colours may be seen, after the manner of worn bricks, not even excluding blue. The mill is, as it should be, wooden, and with Sandford Mill, is mentioned in Domesday Book. From the dark shadow beneath its wheel, the largest on the river, gurgles away the water in cool green streams, passing beneath the overhanging boughs of planes and horse-chestnuts. From the mighty sweep of the wheel, as it may be seen in its house, the drops rise glittering in cascades to varying heights like the sprays of diamonds on a tiara. The mill-house, called Aberlash, stands not far off on the same island, with a delightful garden.

This island spreads onward with green lawns in a sweeping semicircle to the lock and cottage, and from two small weirs the water dances down, adding variety to a beautiful pool where stand many irregular pollard willows on tiny aits. Over the smaller weir, framed in a setting of evergreens, is a bit of far distant blue landscape. There is a bank here too, an embankment, which might be covered with flowers according to its owner's design, but that the water nymphs, intolerant of flowers, except those of their own choosing, take a wicked delight in sweeping down over the weir, and sending the water flowing like a lace shawl all over the embankment to carry back all the roots and bulbs and other things that may have been planted there to use as playthings; their gurgle of delight at their own unending joke may be heard all day long.

The shy kingfishers love the big pool below the weir, but it is not often they are seen unless the watcher has the faculty for making himself invisible against his background and is able to remain motionless.

The woods of the Holme Park, rising high close by, throw a deep-toned shadow on the picture, particularly refreshing on a baking summer's day. Many birds find their refuge in these woods, and at night the weird cries of the owls sound hauntingly over the flats. A ghost is supposed to inhabit the park, and the owl's cry might very well serve for a ghost's moan on occasion.

Having thus explored the puzzling bit of river, we may land and walk up through the Rose Garden, or, according to Mr. Ashby Sterry in his Lays of a Lazy Minstrel:

For the sake of those who have gardens of their own, we give a list of the principal roses grown at Sonning:

With this brilliant mass of colour, the rich dark reds, the glorious pinks, the pale yellows, dead whites and the flaming apricot of William Allen Richardson, the effect may be imagined; and the entry to all this beauty is beneath a trellised arch covered with masses of the Crimson Rambler!

Sonning village itself is very irregular, uphill and downhill, with roads all ways. There are rights of way through the quiet churchyard, where there is a row of magnificent elms, and the villagers are real flower lovers. Almost at any season of the year at which flowers will flourish out of doors, flowers there are to be seen. Earliest of all, the quince, the yellow jasmine, and the dainty almond blossom; then the golden bunches of laburnum and the fresh mauve lilac; later on roses of all kinds, not always climbing, but in bushes and clumps. Window boxes are seen everywhere, and Virginia creeper and ampelopsis cover up all bare corners. The houses themselves are charming. There are many more cottages in the older style than can be found at Wargrave. Many a tiny diamond-paned window is seen high up, almost lost in a straggling creeper. The projecting storeys, the brown lathes imbedded deep in the brick, making rectangles of broken colour, the yellow wash of a deep umber, the high external chimneys, all make up many nooks to be looked at again and again with appreciation. Sydney Smith was staying at Sonning in 1807, and we can but admire his taste.

There is a tradition, very hazy, that Sonning was once the seat of a bishopric. There is no evidence at all as to this, but the fact that the See of Salisbury has held the manor since the time when Domesday Book was made may have led to the error.

The bishops had a house here, and it was at the bishops' house that King John stayed for six days a month before his death. Leland says: "And yet remaineth a faire olde House there of stone, even by the Tamise Ripe longging to the Bishop of Saresbyri, and thereby is a fine Park."

The oldest parts of the church probably date from 1180, but there is very little of this date left. The principal bits are the south doorway and a small window above it. The south aisle was built about 1350, the piers of the nave about 1400, at which date the chancel was added. The north chancel aisle and the north aisle came about 100 years later. The whole church was restored in 1852. There are one or two interesting monuments to be seen in it, and it is a good model of what a well-preserved, dignified parish church should be.