Miss Anita Clement was the maiden lady who had rented, with her two unmarried sisters, Mr. David Lothrop's house at the west end of the village. She had a girlish figure, good features and soulful eyes. Her exact age was somewhere between twenty-five and forty. This lady's delicate beauty was impaired a trifle by a nervous mouth which told, in spite of all efforts to the contrary, that its owner was easily annoyed, and was a stranger to the various blessings of a tranquil spirit. She had no sense of humor; but this deficiency was counterbalanced by a profound respect for the conventions of life, and by a sincere and humble adoration of her own religious creed, with a corresponding contempt for all others. Her dominant attribute was timidity. Compared with Miss Clement, the average mouse was a fearless desperado. As is usually the case with such temperaments, her nerves were assertive.

This particular November afternoon they seemed to have started a revolt throughout her whole interior mechanism; and she decided to consult a physician. So she walked out to Dr. Alton's house. On this walk—about two miles—she passed a group of boys playing with a football. Now boys, to Miss Clement, were the living emblems of noise and danger. Her one dread concerning a future existence was the possibility of there being boys in Heaven. And, in this life, the things she dreaded most were fire, burglars, run-away horses, smallpox and boys. Her sympathy with boys was akin to her sympathy with thunderstorms and pirates. In passing boys in the street or on the common she held her breath in nervous terror, expecting to be struck by a baseball, or bat or stone, green apple or snow-ball, according to season. Only in color and in clothing did she recognize any difference between boys and Comanche Indians. She loved Law and Order; whereas, to a boy, Law and Order were merely bars to freedom. She had reasons for believing that the highest ambition of every normal boy under twelve years of age was to become an influential outlaw. And she was not far wrong.

This being Saturday afternoon, and no school, the earth seemed swarming with these offensive creatures. However, by going around the common instead of across it, she reached Dr. Alton's house alive—and rang the bell. The door was opened by yet another boy, eight or nine years of age. Miss Clement, being a newcomer in the town, had not the honor of this child's acquaintance. Knowing all boys to be barbarians, with no manners, she was surprised when this one acknowledged her presence with a smile of welcome and a ceremonious bow. It was the kind of salutation that Louis XIV would have given to the Queen of Spain. She might have expected it from an elderly dancing master, but never from a boy in this New England village. Taken by surprise, she was silent a moment, fearing this youthful savage, perhaps more uncivilized even than other boys, was amusing himself at her expense. A good look at his face, however, allayed suspicion. In his calm eyes and radiant smile there was nothing but pleasure at seeing her. Beside him stood—or rather bounced—a youthful dog. He was a fox terrier. Judging from the activity of his tail and from the general expression of his person, the arrival of the visitor was affording him joy and excitement. In a tentative bark he told his welcome.

But Miss Clement hesitated. Her dread of boys was only equaled by her aversion to dogs. How a civilized person could live in the same house with a dog she had never been able to understand. Their manners and customs were unspeakable. And the exuberant vitality of this dog annoyed her. His joy was unreasoning and intemperate. He wagged his tail with such energy as to sway his entire person. Judging from outward vibrations his very soul was wagging. He gave the impression—to this visitor—of having a frivolous nature. And she found solace in the thought that, later on, he would be made to realize that life was a serious thing.

"Is Dr. Alton at home?" she inquired.

"No, ma'am,"

"Do you know when he will return?"

"Oh, very soon! Won't you walk in?" and he stepped aside, holding the door wide open. At the same time, he waved with his free hand a courtly gesture toward the interior of the house. Inwardly disturbed by this unexpected deportment of a barbarian, Miss Clement walked into the sitting-room and seated herself on a sofa, near the open fire. It was a large cheerful room with white woodwork and a pale green paper on the walls, somewhat faded in places near the sunny windows. Scattered over the large center table were many books and periodicals. On the floor in front of her was a pair of scissors and a family Bible. The Bible was open and three of its illustrations, recently extracted, were lying beside it. The author of this mutilation climbed into a large arm chair directly opposite, sitting very erect, as if on his best behavior. He was watching her with undisguised interest and approval.

But the dog was inclined to be familiar. He jammed his nose against her skirt and ankles and sniffed in a most offensive way. The boy saw that these things annoyed her and he called off the brute, rebuked him and apologized to the visitor. "I guess you have a dog, and Zac smells him."

Miss Clement, with some severity, denied the accusation. "Indeed, I have no dog." And it was clear from her manner that she had no such associates.

Now all boys were alike to Miss Clement. The only striking features in this one's face were his eyes. Their heavy lids, coming far down over the iris, gave a half shut, drowsy look to his face, and Miss Clement felt sorry that his parents should be afflicted with such a stupid child. His fat, cherubic little mouth, however, seemed to indicate a cheerful spirit. As the two sat facing each other, the young male and the adult super-civilized female, the lady from some undefined reason felt ill at ease. Yet she knew that nothing was more absurd than a woman of her age being ill at ease in the presence of a nine-year-old boy. As she looked again into his eyes she began to realize that their very drowsiness gave an impression of abnormal serenity and repose—as of concealing hidden depths of wisdom. Also they seemed to be sitting in judgment on her. The fact of his being a boy aroused antipathy. Although she knew that many good men had once been boys, as certain butterflies have once been worms. Moreover, she knew it was not really his own fault that he had come into the world in that form. They were necessary evils, like taxes and old age.

"Are you Dr. Alton's son?" she asked.

"Yes, ma'am."

"What is your name?"

"Cyrus."

While Miss Clement was wondering why New Englanders persisted in giving such names to helpless children she was startled by his saying, regretfully:

"You don't like that name."

"Not like it? Why do you think I don't like it?"

"I know by your face."

Miss Clement blushed. The tranquil eyes were looking sadly into her own as if investigating in a friendly way her most secret thoughts. She became embarrassed.

"Why, yes—I like it."

"It is better than some other names."

"Indeed it is! Very much better!"

"It is the name of a great conqueror."

"Yes—of course—and—perhaps you may be a great conqueror yourself when you grow up."

"No. I don't care for that business. I shall sit on the high seat of a big, gold band-wagon of a circus full of splendid music, with eight white horses. I shall drive the horses and listen to the music."

"Yes, that will be very nice."

The room seemed warm after the November chill outside, and Miss Clement drew off her thick gloves. As her left hand dropped carelessly beside her, upon the edge of the sofa, she felt a sickening contact with something warm and very wet. Quickly she withdrew the hand. With an exclamation of disgust, she held aloft the befouled member. But the dog, whose generous tongue by one lingering stroke yielded such a vast amount of moisture, had risen upon his hind legs to accomplish it, and now stood looking up into her face for recognition of the friendly act. His reward was a look of loathing. And for a moment she still held aloft the varnished hand, uncertain what to do.

The boy laughed. "Why, it's nothing but dog spit!"

He drew forth from his pocket a handkerchief.

With two steps forward he offered it to the lady. As he did so he bowed with the pretentious grace of a Chesterfield advancing to the relief of Beauty. But Miss Clement recoiled. For on this handkerchief were blood stains—also mud—and green paint. Too much disgusted to think of manners, she ignored his offer and used her own handkerchief. But she shrank from replacing it in a clean pocket.

Looking down at the floor she frowned.

"I hope it was not you who cut those pictures from that nice book."

The Vandal smiled, and nodded, giving the impression of pride in the work.

"Are you the only person in the house?" she asked.

"Yes, ma'am. Joanna's gone to the store."

Again she frowned down at the litter on the floor. "Does your mother know what you have been doing here?"

"Oh, no!"

"Has she never told you not to cut up books?"

"No, ma'am."

Miss Clement frowned again, and stiffened a little.

"And your father? Does he allow you to do such things?"

"I don't know. I didn't ask him. Are you fond of pictures?"

"Yes—I am fond of pictures."

He got down from his chair, picked up the three engravings, came and stood beside her, leaning against her knees. He laid the pictures in her lap and asked which she liked the best.

One engraving showed Joshua commanding the sun to stand still; one showed Elijah going to Heaven in his fiery chariot; and the other—she almost blushed as she looked at it—showed Susanna and the elders. Susanna wore no clothing and the elders were shocking old men.

"Which do you like best?" he repeated.

She pointed to Joshua.

"Which next?"

She pointed to Elijah.

"Now—I don't care for that feller himself," he said, "but I like the pretty lady. Best of all, though, I think, is the horses and the chariot going right up into the sky. Just think of it!" he exclaimed; "just think of going way up into the sky! I think I shall do it myself! Did he really go up that way with those fat horses?"

"No, I think not."

"Then it's a fairy story."

"No, it's a Bible story."

"What's the difference?"

"Bible stories are true stories and fairy tales are made-up stories."

"But you just said this man didn't go up to Heaven with a span of horses."

"Not in just that way—probably."

"Did he go up at all?"

Miss Clement hesitated. "Well—I suppose he did, perhaps."

"I betcher he couldn't go up in any way like that with horses treading on nothing but air."

Miss Clement had not come to this house for a theological argument. But she said nothing and merely heaved a sigh, a sigh of weariness.

But the boy was still fresh. "What was this man's name?"

"Elijah."

"Elijah what?"

"I don't think he had a last name."

"Where did he live?"

"Off in the East."

"If any one should write him a letter, asking him how he went up that way, and addressed the envelope just Elijah, off in the Yeast—would he get it?"

"Oh, no; he died long, long ago.

"Well, anyway, I am going up myself, some day, but not with horses. Horses couldn't do it. When I go I shall go with a kite, a big kite with a long string. I shall have a box kite. You know what a box kite is?"

"I think so."

"Well, it will be a big box kite longer'n this room, with me sitting inside and Luther Dean flying it. When it gets ten miles up in the air I shall reach down with long scissors and cut the string."

As he stepped back to study the effect of this news, she found his drowsy eyes were no longer drowsy, but wider open and all aglow with enthusiasm. "That's my own idea!"

She smiled and nodded. "Yes, it is very original."

"And then I shall sail way up as high as I want to. Perhaps to the moon!"

"Yes, that will be very nice."

"What's the use of crawling about on the earth like a bug? I'd rather be a bird."

Miss Clement nodded assent and lowered her eyes to the mutilated Bible. But his enthusiasm was contagious. She almost believed, for a moment, that he could do it. However, she was uncomfortable in the presence of this barbarian. She knew, from experience, the awful frankness of a boy; the statements he can make, and his cruel questions; questions that upheave religions, that lay bare your secret doubtings and impugn the wisdom and the motives of the Creator himself. A boy's thirsty, delving little mind is never satisfied with your easy answer that "the ways of the Almighty are inscrutable." As this interview proceeded she realized—and to her chagrin—that there was something about this vandal that caused her a peculiar kind of restraint and self-consciousness—almost diffidence. Being distinctly a nervous person and gently irritated at her own self-consciousness, Miss Clement looked about the room, over the boy's head, with an expression somewhat more severe than the situation required. But his instincts of hospitality were not so easily suppressed. Pointing to a dish of fruit on a further table, he asked:

"Won't you have an apple?"

"No, I thank you."

He seemed disappointed. Then as his eyes rested on a little music box that lay on the table beside him, he exclaimed, with enthusiasm: "You like good music?"

In her own voice there was less enthusiasm as she answered, "Yes, I—think I—do."

Miss Clement suddenly realized—as happens with nervous people—that she was annoyed by these foolish questions. Instead of replying she straightened up and looked first at the clock, then at the boy. She found him gazing at her earnestly, as if trying to read her thoughts.

"This music box," he said, with signs of embarrassment, "plays five lovely tunes: The Last Rose of Summer, Hear Me, Norma, The Carnival of Ven——"

"Not now," she interrupted.

Had her host been an older man, with a knowledge of women—if such is possible—this unexpected change of manner would have been a warning.

"It's four o'clock," she added hastily, and her smiles had vanished. "Are you the only person in the house?"

Taken aback, and obviously mortified by this sudden change of manner, he took a backward step and replaced the music box on the table. In his face, with a slight quivering of the lips, came the first signs of embarrassment he had shown. He bowed: not the gracious, self-possessed, courtly salutation of a kingly welcome with which he had first greeted her, but a solemn inclination of the head, as one who humbles himself—but gracefully—before an angry deity. And he murmured:

"I am sorry."

Her eyebrows went up. "Sorry for what?"

"I don't know—exactly."

For an instant she failed to understand. Then into her face came a gentler expression. "Yes, you do! You are sorry because you think you have troubled me; but it is I who beg your pardon. I am ashamed of myself. You have given me a lesson in politeness."

And she smiled her sweetest smile. Whereupon the sunshine returned to his own face. Encouraged by this change of atmosphere, he resumed with new courage his rÔle of host. For a moment he studied her face, uncertain as to what was expected of him. Folding his hands above his head, he glanced about the room, searching for inspiration. It came. His face brightened. The slumbrous eyes sparkled. Coming a step nearer, he demanded with suppressed enthusiasm:

"Do you care for snakes or mice?"

The visitor regarded him with a kind of terror.

She frowned, turned her face to one side and shook her head. The host misunderstood the movement.

"But it's no trouble. I can get them both. They are right here in the woodshed." And he started toward the door.

"Come back," she said, "I don't care to see either of them."

"But the snake is dead and the mouse won't bite. He knows me."

Miss Clement shuddered: "No! No! Don't speak of them again! Come back."

He came back. She knew, and had always known, that boys themselves were a species of reptile. She felt, at this moment, that whatever this boy did must be regarded from that point of view—and forgiven. And as she wondered how a benevolent Creator could permit, in a decently ordered world, the existence of boys, the Vandal exclaimed in a reflective tone, but with a smile of amusement:

"Women are funny!"

At that moment the grandfather clock in the corner struck four. Miss Clement frowned in that direction. "When did Dr. Alton say he would be back?"

"He didn't say."

"But you told me he would return soon."

"Yes, ma'am."

"But you really don't know when?"

"No, ma'am."

"Then you told a fib."

The Vandal smiled and nodded. "Yes, ma'am."

"But that is wrong, you know. You should always tell the truth."

"Yes, ma'am. But I thought it would be good to have you come in, and sit."

Miss Clement almost frowned and smiled in one expression. "But you did wrong. Doesn't your mother punish you for telling such fibs?"

"No, ma'am."

"Is she not at home?"

"Oh, no!"

"When do you expect her?"

"Oh, never!"

"Never?"

The drowsy eyes, in astonishment, opened a little wider. "Of course not. She is dead."

"Oh, that is too bad! I am very sorry. Was it long ago that she died?"

"Oh, yes! Long, long ago. More than twenty years."

"More than twenty years! I think you must be mistaken. How old are you?"

"Nine next July."

"Then your mother could not have died twenty years ago."

"Yes. She died long before I was born."

Miss Clement slowly shook her head. "But not twenty years. That is impossible."

"But she did."

"Then she was your step-mother perhaps?"

"No. My own mother."

This conversation was becoming so very absurd that Miss Clement made no answer. She merely looked away—and studied the room.

The boy smiled as if amused at her ignorance. "Don't you understand how it was?"

The lady's only reply was to close her eyes wearily. But he stepped nearer and laid a hand on each of her knees, to wake her up.

"Don't you see," he said, "the difference between eight and twenty is twelve, isn't it?"

"It is."

"Well, then she must have been dead twelve years when I was born."

Now Miss Clement could never do arithmetic. She abominated figures, and these words were uttered with so much conviction—reËnforced by the wisdom of his eyes—that her brain became tangled for a moment. It seemed to shrink, in a sort of nervous bewilderment, from this fantastic puzzle. He smiled at her obvious confusion, moved backward a step or two, folded his hands behind him and squirmed with delight. "It's funny you don't understand. I guess I am smarter than you are."

Miss Clement shut tight her lips and looked away—anywhere. Her own brain seemed laughing at her.

"I s'pose," said the Vandal, "I don't need a mother much."

"Every boy needs a mother. Is Joanna your sister?"

He laughed at such an absurd mistake. "No! She's lots older than you are. She's housekeeper—and lots of things."

Miss Clement looked about the room, at the pictures on the walls. They were mostly engravings and photographs.

"Is there a portrait of your mother here?"

"No, ma'am."

"Not anywhere in the house?"

"No."

"There must be a photograph."

"No."

"Are you sure?"

"Yes'm."

"That is very strange."

"Why?"

"Because—because—it is most unusual. Did she die here in this house?"

"Oh, no! Of course not!"

"Why of course not?"

"Because she died in Italy."

"Was she Italian?"

"I guess so."

"Have you never seen a portrait of her?"

"No, ma'am."

Miss Clement frowned. There seemed to be a mystery here. Possibly a scandal of some sort. And her interest quickened. "I suppose your father talks to you about her sometimes."

"No, ma'am."

"Never?"

"No, ma'am."

"Of course he has told you where you were born?"

"P'r'aps."

"Perhaps what?"

"P'r'aps he did."

"But you don't remember?"

"No, ma'am."

Nobody likes to be thwarted in the pursuit of knowledge. In this case it seemed to Miss Clement that the deeper she delved the less she found.

"Don't you remember ever having seen a portrait of her?"

"Of course not."

"Why of course not?"

"Because there isn't any."

This seemed a good reason. But Miss Clement felt that either she—or this boy—was being deceived.

The Vandal, whose drowsy eyes had scarcely moved from the study of her face since she entered the room, saw the look of disappointment. It was a somewhat petulant expression in which she would not have indulged had her host been twenty years older. But he saw it so clearly that he was moved to sympathy. With all the joy and enthusiasm of a great idea, he exclaimed: "My father may know all about her. I will ask him to tell you!"

A chill of horror swept up Miss Clement's spine. She suddenly realized what awful mischief a youthful savage—either from ignorance or perversity—might accomplish. She stood up. "No! Don't mention it to him—nor to anybody."

"Why not?'

"Because you mustn't."

She could see, in the Vandal's face as he looked up at her, that he enjoyed this—to him—unaccountable fright. He even laughed. "There's nothing to be afraid of."

"No, of course not!" And she tried to smile. "But promise me you will not ask your father, nor anybody else."

To this super-sensitive lady there appeared in his uplifted eyes a cruel, triumphant delight, as he said—"Why did you ask if you don't want to know about her?"

"Merely in the way of conversation." And she added, with her sweetest smile—"merely from a friendly interest. You are a nice boy, and you understand, I am sure."

He nodded; but his eyes, in their slumbrous wisdom, seemed almost contemptuous.

"Promise me," she insisted. "Promise me you will say nothing about it to anybody."

"Yes, I promise."

"You are a nice little boy—and I must go, now. I will call again in a day or two. Good by."

He bowed as he said good-by. Then he followed her out into the hall, ran before her and held the door wide open. As she passed out he bowed again; the same deferential obeisance with which he had first greeted her—as from Louis XIV to the Queen of Spain.

As Miss Clement crossed the common on her way home she saw a group of children looking skywards, and she heard the word "Eagle." She stopped, and also looked up. And as she looked, and watched the bird, floating tranquilly in the upper air, in a wide, slow circle, majestically, with no apparent effort, so high above the earth that he might be a visitor from another planet—she recalled the words of her recent host: "What's the use of crawling about on the earth like a bug? I'd rather be a bird."

An hour later Dr. Alton returned afoot. He had left his horse in the village to be shod. As he walked up the driveway he noticed a figure standing on the mounting block before the house. It was so enveloped in the golden glories of a setting sun that Dr. Alton failed, at first, to recognize his own son. The figure seemed a part of the sunset—more an ethereal spirit than an earthly boy. Cyrus was standing erect and motionless, his head thrown back as if inhaling inspiration from the radiance about him. Such prolonged and voluntary immobility would be unusual in any boy. Moreover, Cyrus maintained this attitude, forgetting—or ignoring—the customary greeting to his father. After waiting a moment before his strangely indifferent son, a feeling of uneasiness began to mingle with Dr. Alton's surprise.

At the foot of the block sat Zac, looking up at the silent boy. And Zac, also, might be a little off in his mind for he, too, failed to welcome or even to notice the returning parent.

At last Dr. Alton spoke. "What's the matter, Cyrus? Dreaming you are a bird?"

Slowly Cyrus lowered his face, his eyes still shut. And slowly the eyes were opened as if waking from a sleep. They showed a mild surprise at his father's presence. But he answered, in a low voice, as if his spirit still lingered elsewhere:

"Somebody wants us."

"Who?"

"I don't know."

"But you know who told you."

"No, sir. Nobody told me."

"What do you mean, Cyrus? Wake up. Is it an emergency call?"

Cyrus raised a hand and pointed before him, toward the south.

"It comes from off there."

Dr. Alton frowned, less from irritation than from fear that this foolish utterance of his son might be the forerunner of some future spiritualistic obsession—or other mental derangement.

But he spoke gently. "Whose house do you think it is?"

"Oh, I don't know at all! It comes from way off—way off! It's in the air; not a loud sound, like somebody near. More like a—like a—breath."

"What does it say?"

"It says—it says—oh, I dunno. It isn't words."

"Then how do you know they want me?"

"It wants us both. It wants me too."

Dr. Alton smiled. "Do they want your help as another doctor?"

But Cyrus did not return the smile. He obviously regarded the message with a certain solemnity—and awe. Again he closed his eyes and again turned up his face.

"It is still coming."

"What is still coming, Cyrus? The same message?"

"Yes, sir, the same message—that we are wanted there."

"Where?"

"I don't know. But it isn't anywheres near here. It's a good ways off. And we are wanted very much;—oh, very much!"

Dr. Alton turned away. "Well, Cyrus, when you get your message in more definite form I shall be glad to consider it."

As he entered the house, however, he stood in the doorway a moment, looking back. Cyrus was still standing on the mounting block, with face upturned. On the ground sat Zac, still waiting patiently for his hero to return to earth.

When Cyrus followed his father into the house he found him warming himself before the open fire. He approached and stood before him.

"Father, why isn't there a picture of my mother somewhere round the house?"

Dr. Alton raised his eyebrows at the unexpected question. "Why do you ask, Cyrus?"

"'Cause somebody was here to-day who wanted to know."

"Who?"

With a knowing shake of the head the diplomat answered, "Oh, I mustn't tell you. I promised not to."

"Well, you must keep your promise."

"But why isn't there one?"

"It's a long story, Cyrus. Some day I will tell you, but not just now."

"But why not now? This is when I want to know. I may forget about it."

Dr. Alton was familiar with the gimlet quality of the youthful mind. "Well—Cyrus—let us wait and see if you forget it. And if you——" At that moment he happened to look more carefully at a letter in his hand, delivered during his absence and which he had just taken from the table. Cyrus waited for him to go on. He waited in vain. Dr. Alton stepped hastily to the window for more light, and read the letter. It was evidently of unusual interest, as he forgot to finish his sentence. And when, at last, Cyrus asked him to continue he did not even hear his son's voice.

The letter was written in a woman's hand, and in French.

At the supper table that evening father and son were sitting alone, as usual. The son was talkative, but the father was silent; so silent that Cyrus, at last discouraged by the complete indifference of a usually sympathetic audience, became silent himself.

And the father had abundant material for thought. He was trying to understand how the message in the letter had reached the boy. By what mysterious agency had this yearning of a woman's heart stirred the brain of the far away Cyrus? Could there be a harmony between these two spirits so intimate as to render the written word superfluous? These were questions he tried in vain to answer.

When the meal was finished and Joanna began to clear away the things, Dr. Alton surprised her by asking if Cyrus had a good suit of clothes.

"A good suit of clothes! Of course he has!"

"I mean, a nice new suit, that is becoming to him."

"He has that pretty dark suit with the wide collar that he wears Sundays."

"Yes,—yes—I know—but would that be good enough to wear in New York."

"In New York? Is Cyrus going to New York?" And there was a ring of dismay in Joanna's voice.

"I think so."

"When?"

"To-morrow."

"What for?"

Dr. Alton hesitated. "I have some—sort of business there and—will take him with me."

"Will he stay long?"

"Only a day or two."

"Heaven be praised! I began to be frightened."

The doctor laughed. "You needn't worry, Joanna. We shall come back alive—and very soon."

The next day Cyrus and his father were in the wicked city. The important business of the following morning was taking the boy to a fashionable establishment and fitting him out in stylish raiment. And when the deed was done Dr. Alton realized that Cyrus, in these new, well fitting clothes, with his intelligent face and erect little figure, was not a boy to be ashamed of.

"To-night," said Dr. Alton, "we go to the opera."

"Opera." And Cyrus repeated the new word. "Opera. What is that, father?"

"It's a theater, where they sing."

"Isn't the circus better?"

"Well, yes; sometimes it is better. But you come to the opera with me to-night and to-morrow I will take you to the Hippodrome. That's fair, isn't it?"

Cyrus agreed that it was.

To a boy of eight, who has never been to any theater, Grand Opera is a strong beginning. When he and his father took their seats—seats not too far from the stage—Cyrus, in wonder, looked about him and above him, at the vast auditorium, the gorgeous architecture, the radiant women and their flashing jewels. And so many of them! This was a new world of which he had never heard. Wide open were his eyes; also his mouth—and all his senses. He absorbed everything. The overture filled him to the brim with a celestial joy. Such music he had not imagined. Then, to his surprise, all the lights were lowered and the vast chamber was in gloom. And when, the next moment, the great curtain began slowly to ascend, disclosing the scene behind, then, indeed, came the culmination of his joy and amazement.

What followed was bewildering—the music and the changing lights; the peasants, the soldiers and the kings and queens. And everybody singing! Then the ballet, with the fairies! The boy was enchanted.

But, among the many figures, there was one that stood out the clearest. It was a woman. Her face, her voice, her singing and her story moved him beyond any of the others. The words that were sung were strange words and they told him nothing, but he guessed the story. This lovely woman with a lovely voice had a diadem in her hair and was in trouble—troubled by a hateful man in splendid clothes, with lavender legs. But, however deep her trouble, she sang so well and in such a heavenly voice that the whole audience applauded her, again and again. It was clear, even to a child, that she was the queen of the evening, the star of stars. And once, between two acts, when she came out upon the stage, between the good lover and the wicked nobleman, bowing to the audience in acknowledgment of flowers, Cyrus saw, and saw so clearly there was no mistake, that she looked directly at him, Cyrus, and at his father! And as she saw them, she bowed and smiled more radiantly than ever! And so clear it was that he looked up and whispered:

"Why, father, she was bowing to us!"

He saw his father was smiling back at her as he murmured, "Yes—she is."

That, in itself, was exhilarating.

But no human boy can withstand for an infinity of time an infinity of new emotions—however delectable. At the end of the second hour Cyrus' head was resting against his father's arm, and his eyes were closed. But in his sleep he heard the music. In his dreams came the voice of the Lovely Lady. His eyes, only, were closed. In his ears, and to his weary but enchanted brain came all except the actual vision. When his father woke him from this gentle sleep the great curtain was slowly descending at the end of the final act. Music filled the air,—volumes and volumes of it. Countless people were on the stage; kings and queens, lords and ladies, peasants and soldiers, all singing their loudest. So many noisy people Cyrus had never heard. And in the center among the kings and queens was the Lovely Lady, also singing.

A few moments later, after the great curtain had descended, a half dozen of the principal singers came filing out in front of it, holding hands, and bowing and smiling to the audience. The Lovely Lady received heaps of flowers. And her eyes, as she bowed and smiled, rested for a moment on Cyrus himself.

The next day, as to weather, was disappointing. The cold, damp air, the leaden sky and the flurries of snow were a surprise to Cyrus, as it was just plain, country weather, and bad at that. It seemed out of place in a fine, big city. And he was again surprised, in the afternoon, when his father took him into Central Park. He considered it a waste of time, when so much of the city had not been seen. They walked along the borders of a lake, through some woods, then followed a path up a little hill. And, two or three times, when they came to other paths, his father took from his pocket the French letter he had received at home, and seemed to study it as if it told him where to go. On one of these halts the boy protested.

"Why do we come here, father? We can see trees at home."

"Yes, you are right, Cyrus. But we go only a little further." And when they came to a rustic bench in a secluded spot, quite hidden among trees and shrubs, Dr. Alton seated himself.

"Are you tired?" Cyrus asked. Dr. Alton looked at his watch. "No, I am not tired."

"Then let's go back to the city, and be seeing things."

His father laid a hand on his shoulder and patted it.

"There is no hurry. We can wait a minute. It is rather pleasant here, don't you think?" Then he looked along the path in both directions as if expecting something. Cyrus was too polite to say what he really thought, so he merely scowled and swung his legs, hitting the toe of one foot against the heel of the other. Meanwhile his father kept looking along the path by which they had come as if expecting something.

And something came.

It was a lady, and she was hurrying toward them. Instead of going by she stopped and greeted Dr. Alton. And the greeting was more than friendly. There were kisses, and they stood for a moment in each other's arms. Tears were on her cheeks when she stooped down and put both hands on Cyrus' shoulders and looked earnestly into his face. In her own face there was a look of excitement, and of joy. More tears came to her eyes. And her eyes were full of expression, with a peculiar droop, that gave an air of calmness and repose. She kissed the boy,—kissed him several times—then held him at arm's length, said something in a foreign language—then kissed him again. Although she was evidently an important person, and beautiful and kind and very gentle and affectionate—and he liked her furs as he stroked them—nevertheless Cyrus accepted her attentions with surprise, and with a mild resentment. No woman had ever treated him in this manner, and these caresses embarrassed him. Moreover, her face and voice awakened memories—memories as of fairy tales with music—of things unreal, yet positive, and fresh in his mind. His frown was from an effort to remember what her face and voice recalled. At last, of a sudden, the clouds vanished. Into his puzzled brain poured a flood of light. The frown gave way to a smile of triumph as he exclaimed, holding her at arm's length with both hands against her chest:

"Oh, I know now! You are the lady of last night!"

She looked up at Dr. Alton for a translation but guessed the meaning. And when it came she nodded, laughed and confessed—but in a language Cyrus did not understand, although familiar to his ears. Seating herself on the rustic bench, she held Cyrus in her lap, and with Dr. Alton as interpreter they conversed together. She asked many questions: if he was happy, in good health, what he thought and how he spent his time, and lots of other things. And Cyrus was delighted to learn more about her strange adventures of last night. And to know that the wicked man with lavender legs could do her no harm.

She was certainly a wonderful lady, as charming now as in the story of last night. And Cyrus asked many questions about that story, all of which she answered. Of course, it was slow and troublesome not understanding her language—nor she his, except a few words—but Dr. Alton was a willing translator. It all ended, however, in an unexpected way. After one of her embraces, more affectionate even than the others, Cyrus startled his two companions by asking in the joyful voice that comes with a grand discovery:—

"Are you my mother?"

With a frightened look she drew back. The last word she understood. Instead of answering she glanced up at his father, as if for assistance. Into Dr. Alton's face, also, had come a look of alarm; then a frown. But he answered pleasantly:

"No—Cyrus. No. Why should you ask such a question?"

"Because she acts just as Elmer Snow's mother acted when he came back from the hospital."

When this was translated she leaned back, bowed her head, and covered her face with her hands. When she raised her head there were fresh tears on her cheeks.

Cyrus apologized. "I am very sorry. I didn't mean anything—in particular. I only—just thought I'd ask."

She patted his shoulder to assure him no harm was done.

"This lady, Cyrus, is an old friend of mine," said his father. "And is very glad to see you and is sorry you have no mother. That's all."

Now Cyrus would sooner doubt a voice from heaven than his father's word; and any one could easily see that the lady was much disturbed—so much disturbed that it shortened the interview. The parting with his father seemed painful and took a long time. Both had much to say. They seemed to cling to each other, and he kissed her several times. At last, after a tearful farewell to Cyrus, with a long embrace in which her wet cheeks were pressed long against his face, she hurried away.

There was sorrow in his drowsy eyes as he watched the departing figure. No woman had ever treated him in such a way, and he had begun to like it. Before she disappeared around a curve in the path, even before the sound of her pleasant voice had died away in his ears—something happened!

A fat, gray squirrel, followed by another fat, gray squirrel jumped upon the bench just where the lady had been sitting! And there they sat almost within reach!

He was young. Within a month the unexplained lady, her face, her voice and her caresses had begun to fade from his unfledged memory. But the two gray squirrels, almost within reach, sitting up with their funny little hands crossed upon their portly stomachs, he remembered clearly.