OPINIONS will differ as to whether the Italian style, of which this College is a fine example, is as suitable for collegiate buildings as the Gothic, and whether the contrast which Queen's presents to its neighbour, University, is not more striking than pleasing; but the intrinsic splendour of its faÇade, as viewed from "The High," is indisputable. "No spectacle," said Dr. Johnson, "is nobler than a blaze"; and those who saw the west wing of the Front Quadrangle of Queen's in flames, one summer night in 1886, must have felt their regrets tempered by admiration, so imposing was the sight. Happily the damage was mainly confined to the interior of the building. A fire had already devastated the same wing in 1778. On that occasion, as Mr. Wells narrates in Oxford and its Colleges, the Provost of the day "nearly lost his life for the sake of decorum. He was sought for in vain, and had been given up, when he suddenly emerged from the burning pile, full dressed as usual, in wig, gown, and bands." This recalls Cowley's story of a gentleman in the Civil Wars, who might have escaped from his captors had he not stayed to adjust his perriwig. Less fortunate than the Provost, his sense of ceremony cost him his life.
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Queen's College was founded by Robert Eglesfield of Cumberland, Confessor to Philippa, Edward III.'s queen. Impressed with the lack of facilities for education among Englishmen of the North, he practically restricted the benefits of his Foundation to students from the north country, and Queen's is still intimately connected with that part of England. Philippa did her best for her Confessor's institution, and later queens have shewn a similar interest. The statue under the cupola, above the gateway, represents Queen Caroline.
With the exception of the Library (1696) and the east side of the Inner Quadrangle, all the present buildings were erected in the eighteenth century. The Library, a handsome room in the classical style, was decorated by Grinling Gibbons, and contains, as well as a very valuable collection of books, ancient portraits on glass of Henry V. and Cardinal Beaufort. The Chapel (1714) was designed by Wren, and the Front Quadrangle by his pupil Hawksmoor.
Queen's is tenacious of her old customs. Still the trumpet calls the Fellows to dinner; still, on Christmas day, the boar's head is brought in
bedecked with bays and rosemary;
a survival, possibly, of the pagan custom by which at Yule-tide a boar was sacrificed to Freyr, god of peace and plenty.
Peace and plenty, at any rate, have characterised the annals of Queen's; and among those who have enjoyed these good things within her walls may be mentioned "Prince Hal," Addison (before his migration to Magdalen), Tickell, Wycherley, Bentham, Jeffrey of the Edinburgh Review, and Dr. Thomson, late Archbishop of York.
