T here was a clanging, brassy melody upon the air. For three-score years since York of the Scarlet Coats died, and the tune "God Save the King" floated for the last time out of tavern door and mansion window, the bells of "Loud and full voiced at eight o'clock sends good cheer abroad," said the tottering sexton. "Softer and softer, as folks turn into bed, and faint and sweet at midnight, when our dear Lord rises with the dawn." Cheery bells full of hope—gentle chimes, as if the holy mother were dreaming of her babe. Joyous, jingling, jangling bells! Through the town their tones drifted, over the thousands of slate-colored roofs, now insistent on the Broadway, now lessening a little in some long winding alley, and then finally dying away on the bare Lispenard Meadows. Vesey Street—the gentry street—heard them first. The bigwigs in the long ago, with the help of Gracious George, built the church, and who had a better right than their children to its voices. Calm and serene lay Vesey Street with its rows of leafing elms. Over the dim confusion of architectural forms slipped the moonlight in silver ribbons, seeming to make sport of the grave, smug faces of the antiquated domiciles. Like a line of deserted dowagers waiting for some recalcitrant Sir Roger de Coverley, they stood scowling at one another. No longer linkboys and running footmen stuck brave lights into the well-painted extinguishers Into the parlor of Knickerbocker House, dubbed Knickerbocker Mansion some years after the bibulous Sir William Howe had laid down his sceptre as ruler of the town, the chorus of bells crashed. "What a dastardly noise!" cried Jonathan Knickerbocker, throwing his newspaper over his head. "Can The Knickerbocker parlor—not the state parlor, which had long been closed—was a dismal place—so large that four candles and one Rumford lamp made but a patch of brightness in the gloom. Above the cornice, near the sofa where Patricia Knickerbocker sat, hung an empty frame. The portrait it contained had been banished to the attic while her three eldest sisters were still in Wellington pantalets. "The woman looks like a Jezebel," Jonathan had sputtered. "Och! that leering smile." He tried to blot from his mind the stray leaves he knew of her story, and the disturbing thought that she was of his blood. "She shall not remain with the likenesses of my ancestors!" he had told his sisters, who were over from Goby House. When this descendant of the Knickerbockers spoke of his progenitors he always held his head a trifle more erect, and puffed out his pompous figure, though, strange to relate, like many another worthy man of a later day having the same foible, he knew very little about Patricia, smiling little Patricia, rummaging one day among the dust-bins under the eaves, had found the banished portrait. Juma, the gray-wooled negro, a comparatively new member of the Knickerbocker household, who had appointed himself her body-servant ever since his arrival at the mansion, was with her. A faithful slave to old Miss Johnstone of Crown Street, Juma had been forced by his mistress's death into new service. He was a picture of ebonized urbanity, a good specimen of the vanished race Juma was faithful to the period of his greatest splendor. Deep in his heart he despised the home to which freedom and poverty had led him after the demise of his protectress. "Gold braid on company coat and silk stockings done ravel out in dese days. Knickerbockers talk quality, but dey ain't got quality mannahs—Missy Patsy is de only one of dem with tone." He loved to listen to the girl as she tripped through the great rooms, humming softly some air from Lennet's "London Song-Book"—one of the relics of his "ole Miss." Patricia always sang "De wise miss drop her fan when she enters de ballroom," he would say. "Den she gets de men on der knees from de start." "I wish I were invited to balls," Patricia sighed. "The Kings and Grahams give one or two every year, but father never notices them." "Well, you jes' know how to behave," he chuckled. "Doan' yo' When the two had met in the attic that April day, Juma's spirits were as ebullient as usual. "How lovely she is, Juma! See, there is a blush on each cheek. Her pink brocade makes me think of a rose dancing in the wind." Patricia stared into the canvas face before her and the lips seemed to curve themselves into the shadow of a smile. "I know you were the fairest one of us," she whispered, "the fairest and the best." "Dat's the real quality way of holding the head," vouchsafed Juma. "I'se pow'ful 'clined to think she looks like yo', missy." And It was a dismal household, that of the old mansion—the master absorbed in his passion for wealth and worship of family; the three eldest daughters, who might once have had some individuality but now were moulded in the form of their father. "Callow old maids," any individual of the lower ranks of York would have dubbed them. They wore little bunches of sedate curls over each ear, and dressed in sombre, genteel colors proper to their exalted rank. On the Patricia's impressionable temperament was saved by Juma's advent from the sirocco of dulness that wafted her sisters over the lake of years. His "ole Miss," a looker on at the "Court of Florizel," had unconsciously taught him to imbibe the atmosphere surrounding the Graces. A democracy could not spoil her elegance, for Chesterfield's warning was ever before her eyes. She who copied the footsteps of Baccelli, adored her Sterne and Beattie, and though her eyes grew dim, never let romance pass her window unmolested, had left her impress upon the mind of the faithful servitor. Life to him was a gay-colored picture-book, brighter When the bells rested their brassy throats for the first time that night, and Jonathan Knickerbocker could take up his West Indies accounts undisturbed, giving his daughters freedom to doze in Patricia wondered as she mounted the stairs how her lover had been able to come with her gift unseen. The watching negro smiled sadly and shook his head when the last bit of her garment disappeared over the staircase like a white moth moving treeward. Oh, how terrible it was never to see him in her father's house! Never to have seen him alone, only that one time, after twilight service, when she had stolen a meeting at the Battery, while her family were taking their Sabbath-day ride up the Bowery Road! The old vehicle held but six, There was a brief moment while she watched the color mount to his sun-bronzed face, the blue eyes glow, the strong form quiver ever so slightly. Then her lips framed "Richard"—the key of the universe. "Patricia!" came the answer. Juma, from his discreet distance, heard her compared to the magnolia worn on the lapel of the coat she admired so much. In her white and fragrant young womanhood she was like it from sheer inaccessibility. The flower expressed her character and position—Patricia Knickerbocker, a daughter of the As he drew her closer to him Juma's figure in the background bent over a flower in the path. "Let 'em kiss," he mumbled. "Ole Miss used to say de female dat never lub am a sour pippin, and dere's enough ter start a vinegar press in dis family." "You'll not permit them to take you away from me? You will be mine forever and ever?" said the youth. A sigh of happiness answered him. "I know I'm poor, Patricia, and my family can never equal yours." "Don't!" she whispered. "What does it matter, what does anything matter—only that I'm here with you!" "See the night creeping in off there, dear heart. It holds nothing more wonderful than this moment." "How black the water looks," she faltered. "I will go to your father and demand your hand." She was trembling. "You do not know what a "We must not fear them—not to-night, when love is filling the world." "Only one of my grandmothers married for love, and she was thought to be disgraced." "You will follow her?" he asked, a catch in his voice. Juma was signalling for them to Now alone on the dark staircase she meditated on his words. When that malignant crone, Gossip, started on her round, what would happen? Suddenly the voice of her father adding up the indigo cargo fell upon her ears. He would end their happiness; a man powerful enough to kill the spirit of Easter in his home could do anything. Creeping through the narrow passage she came to the great north balcony window. There she paused and raised her eyes to the dome of the night. Long lines of stars were strung across the meadows of A few hours before, he had asked her to be his wife, and she, a Knickerbocker, had thrilled at his words. Like a tide the memory of his love swept back to her. Then on its surges came the stupor of desolation. The gates of Knickerbocker pride were strong. A A wind began to sigh in the garden. Through the boxwood maze and barren urns it swept Smiling Flora, sleeping Endymion, and all the fabulous court that had stood there years before the coming of the Knickerbockers grew more humanly colored as the moon passed behind a cloud. Since York had become a queenly city and the wonder of the western world, mute and peacefully passive they had watched the seasons come and go. Countless lovers must have known them. She saw back into the springs, the flower times. Sedan chairs and swaying post-chaises had borne these dainty lovers all away. Oh, strange, sweet thought! She, Down by the pale and shivering elms the iron bar of the gate clicked. Dark figures were entering the garden. The gods and goddesses faded before her eyes. No one visited them on Easter eve. Her father did not keep the season. She steadied her knees on the slippery seat. The spray of arbutus she was wearing over her heart cut her hands as she pressed closer to the pane. "My aunts! they know!" she whispered to herself. Terror of her father—of them all—swept over her, chilling the very recesses of her being. As the "It is the march of pride coming to crush me!" she cried. Then the bells began to peal again—"Pride—pride" they seemed to mock. "Love must die for pride!" |