FLUTTERBUDGET. "Flutterbudget" is the one expressive word that exactly characterizes a certain brown thrush, or thrasher, the subject of a year's study. This bird is perhaps the only restless creature that bears the name of thrush, and he is totally unlike the rest of his family, having neither dignity, composure, nor repose of manner. My brown thrush, however, was exceedingly interesting in his own way, if only as a study of perpetual motion, of the varieties of shape and attitude possible to him, and the fantastic tricks upon wing of which he was capable. One never tired of watching him, for he was erratic in every movement, always inventing some new sort of evolution, or a fresh way of doing the old things, and scarcely a moment at rest. A favorite exercise was flying across the room, planting his feet flatly against the side wall, turning instantly and flying back. This he often did a dozen times in succession. The thrasher was exceedingly wary, and nothing was droller than his manner of approaching anything, whether a worm I had thrown on the matting for him, or the bathing-dish. In the case of the worm, the moment he saw his prey—which I selected for its liveliness—he came to a nearer perch, and stood there a few minutes, posturing, shaking his plumage in great excitement, looking at me and then at the tempting object. Very soon he dropped to the floor and started towards the worm in the funniest way; running a few steps, stopping short and turning half round, ready for instant flight, flirting his feathers with a His performances before entering the bath were even more amusing. The bathing-dish, a broad, deep plate, stood upon a towel on a table. The bird alighted on the table, and began first to peck the towel, pulling the fringe, working at any loose thread he discovered, and industriously enlarging any small hole he chanced to find. In doing thus he often turned over the edge, when he sprang back as though he had seen a ghost. Recovering from the shock, he circled around the dish with little hops, occasionally giving a gentle peck at the edge of the dish, or a snip at the water with his beak. Thus he waltzed around the bath perhaps forty times, now and then going so far as to jump up on the The brown thrush was never so violent and eccentric in movement as just after his bath. Allowing himself often but a moment's hasty shake of plumage, he darted furiously across the room, startling every bird, and alighting no one could guess where. Then, after more jerks and rapid shakings, he flung himself as unexpectedly in another direction, while at every fresh turn birds scattered wildly, everywhere, anywhere, out of his way, bringing up in the most unaccustomed places; as, for instance, a dignified bird, who never went to the floor, coming to rest under the bed, or a ground-lover flattened against the side of a cage. All this disturbance seemed to please the thrasher, for Tearing paper was always amusing to the brown thrush. I have seen him take his stand The bird was as fond of hammering as any woodpecker, on the bottom of his cage, on perches, on the floor, even on his food; and his leaps or bounds without the apparent help of his wings were extraordinary. Not infrequently This amusing bird was also intelligent. He understood perfectly well what I wanted when I spoke to him; that is, he had a guilty conscience when in mischief that translated my tone to him. Also he recognized instantly a bird out of place, as, for instance, one on the floor which usually frequented the perches and higher parts of the room; and having taken upon himself the office of regulator, he always went after the bird thus out of his accustomed beat. When I talked to the thrasher, he answered me not only with a rough-breathing sound, a sort of prolonged "ha-a-a," but with his wings as well. Of course this is not uncommon in birds, but none that I have seen use these members so significantly as he did. His way was to lift the wing nearest me, sometimes very slightly, sometimes to a perpendicular position, but only one wing, and only after I made a remark. This exhibition was curious and interesting, and I often prolonged my talk to see the variety he could give to this simple motion. His wings were always expressive, in alighting in a new place, or where he suspected A more lithe body than that of the brown thrush I have never seen in feathers; he could assume as many attitudes as he had emotions. He often stood on a perch and postured for a long time, as if greatly excited and meditating some mad deed, and I must confess he usually carried out the intention. Not only was he able to put his body into all possible shapes, but he had extraordinary command of his feathers. He could erect them on any one part alone, on the top of the head, the shoulders, the back, or the chin. He often raised the feathers just above the tail, letting that member hang straight down, giving him the appearance of being chopped square off. The song of this bird is well known and quite celebrated; indeed, in the Southern States he is called the French mocking-bird, as only second to the mocking-bird proper. My bird never sang above a whisper, one may say; that is, he never opened his mouth to let out the sound, though he was extremely fond of singing, indulging in it by the hour. He hardly paused for eating, or flying, or hopping around on the floor, but dropped sweet notes in between the mouthfuls, and kept up the warble through all movements. As dusk came on the brown thrush began a wonderful series of postures, more peculiar and varied than one would suppose possible to so large and apparently clumsy a bird. Sometimes he stretched up very tall, then instantly crouched as if about to spring; one moment he turned his head downward as though to dive off, then wheeled and faced the other way; now he drew his body out long to a point, head and tail exactly on a level, then head and tail thrust up, making his back the shape of a bow; at one time he threw his head back as though about to turn a back somersault, then scraped his bill, shook himself out, and made the harsh breathing I have spoken off; in another moment he spread his tail like a fan, and instantly closed it again; then turned his head on one side very far, while his tail hung out the other side, and in this odd position jerked himself along by short jumps the whole length of his perch. Between the postures and on every occasion he scraped his bill violently. Next began movements: first he ran down his three perches, across the floor, and hopped to the upper one from the outside, touching his feet to the wires as he went, so rapidly that my eyes could not follow him; then he alighted on the perch with a graceful flop of one wing, sometimes also bowing his head several times, Nothing pleased the thrasher more than watching other birds; he observed them closely, especially liking to stand on top of a cage and see the life below,—an agitated life it was apt to be when he was there. Thus he sometimes stood on the goldfinch's cage and noticed every motion with great interest, yet with an indescribably ironical air, as if he said, "My dear sir, is that the way you eat?" He showed particular interest in seed-eating birds, apparently not understanding how they could enjoy such food. Though full of bluster and pretense, he was as gentle as any bird in the room, never presumed on his size as the biggest, and, though liking to tease and worry, never really touching one. The smallest only needed to stand and face him to see that it was all bluster and fun. All this until spring began to stir his blood and tempt him occasionally, after long posturing and many feints, to deliver a gentle dig at |